Articles de revues : « Publisher's and publishing »

1

Graham, Gordon. « Journals publishing : One publisher's experience ». Library Acquisitions : Practice & ; Theory 13, n^o 2 (janvier 1989) : 103–7. http://dx.doi.org/10.1016/0364-6408(89)90003-3.

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Rittenberg, Arthur M. « A Publisher's Perspective on Textbook Publishing ». Educational Policy 3, n^o 2 (juin 1989) : 153–62. http://dx.doi.org/10.1177/089590488900300206.

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HOLOHAN, MARIANNE. « British Illustrated Editions of “Uncle Tom's Cabin” : Race, Working-Class Literacy, and Transatlantic Reprinting in the 1850s ». Resources for American Literary Study 36 (1 janvier 2011) : 27–65. http://dx.doi.org/10.2307/26367524.

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Abstract Many cheap illustrated editions of Harriet Beecher Stowe's Uncle Tom's Cabin were brought out by reprint publishers in Britain in 1852 and 1853. While much scholarship about the novel's publication focuses on America, more copies of Uncle Tom's Cabin were sold in Britain, thanks to a laissez-faire publishing atmosphere that allowed reprinting to flourish and an expanded reading public that included the working classes. Most British editions of the novel were cheap editions intended for a mass readership, and many of these contained illustrations that conveyed varying ideas about race. This article investigates the publishing milieu that made cheap illustrated editions of Uncle Tom's Cabin bestsellers, interrogates the implications of race being illustrated for a white working-class readership, and uses one reprint publisher's illustrated edition as a case study to show why British illustrated editions of the novel deserve more scholarly attention.

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HOLOHAN, MARIANNE. « British Illustrated Editions of “Uncle Tom's Cabin” : Race, Working-Class Literacy, and Transatlantic Reprinting in the 1850s ». Resources for American Literary Study 36 (1 janvier 2011) : 27–65. http://dx.doi.org/10.5325/resoamerlitestud.36.2011.0027.

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Abstract Many cheap illustrated editions of Harriet Beecher Stowe's Uncle Tom's Cabin were brought out by reprint publishers in Britain in 1852 and 1853. While much scholarship about the novel's publication focuses on America, more copies of Uncle Tom's Cabin were sold in Britain, thanks to a laissez-faire publishing atmosphere that allowed reprinting to flourish and an expanded reading public that included the working classes. Most British editions of the novel were cheap editions intended for a mass readership, and many of these contained illustrations that conveyed varying ideas about race. This article investigates the publishing milieu that made cheap illustrated editions of Uncle Tom's Cabin bestsellers, interrogates the implications of race being illustrated for a white working-class readership, and uses one reprint publisher's illustrated edition as a case study to show why British illustrated editions of the novel deserve more scholarly attention.

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Korsten, Frans, Jos Blom et Frans Blom. « The Two Lives of Thomas Metcalfe ». Recusant History 30, n^o 1 (mai 2010) : 130–61. http://dx.doi.org/10.1017/s0034193200012693.

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In his 1990 article ‘Holzhauser and England: Three Episodes' T. A. Birrell tells the story of John Dryden's intervention with the Secretary of State, Sir William Trumbull, on behalf of a Catholic publisher who had got into trouble with the authorities for publishing and disseminating ‘several popish and seditious books’. The publisher's name was Thomas Metcalfe, his main crime was the publication of Constitutiones clericorum saecularium in commune viventium, and Dryden asks Trumbull to be lenient since Metcalfe is ‘a young man and this is his first offence’. Moreover Dryden predicts, that ‘upon asking pardon’ Metcalfe will promise to offend no more.

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Nahlen, Dawn, et Sandra Clark. « The Publisher's Perspective on Journal and Book Publishing ». Seminars in Oncology Nursing 34, n^o 4 (novembre 2018) : 381–85. http://dx.doi.org/10.1016/j.soncn.2018.09.006.

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Song, Duk Ho. « A Study on the publication of translations of Western classics : An example of translation of Goethe's The Sorrows of Young Werther ». Korean Publishing Science Society 48, n^o 3 (30 juin 2022) : 55–81. http://dx.doi.org/10.21732/skps.2022.106.55.

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The need to read classics is growing day by day. It is necessary to check once in a while how faithfully translated and disseminated the 'World Literary Collection', which has spread like a fad in the publishing world. In this thesis, readers' translation criticism was attempted on Goethe's The Sorrows of Young Werther, which is a classic literary work common to all world literature collections in Korea. Checking the translation from the point of view of a reader who does not know the foreign language of the starting text is a criticism about the publisher's publication of the translated book. Therefore, unlike the existing translation criticism method, the translation status was reviewed targeting the same works of five publishers publishing world literature collections based on ‘readability’ and ‘consistency’, ‘omission error’ and ‘notation error’. As a result, all translations of the five publishers are incomplete, so it seems urgent to prepare a countermeasure for the translation of Western classics. The solution is a world-class translation project led by the state. Another way is to expand and reorganize the Korean Classics Translation Institute into the World Classics Translation Institute. As history proves, the promotion of the humanities is achieved through translation projects.

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Mahelingga, Dhevi Enlivena Irene Restia. « Penerbitan buku ilmiah daring berbasis open monograph press (OMP) ». Berkala Ilmu Perpustakaan dan Informasi 16, n^o 2 (1 décembre 2020) : 155–69. http://dx.doi.org/10.22146/bip.v16i2.265.

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Introduction. There has been limited discussion on Open Monograph Press (OMP) although its potential is recognized to support academic publications in Indonesia. This is due to the lack of access to information and dissemination of OMP by academic publishers that have implemented OMP in their publication process. Data Collection Method. This paper used a qualitative approach by starting the elaboration publication process in Lembaga Ilmu Pengetahuan Indonesia (LIPI) Press. This paper examined how OMP-based online publishing system is able to accommodate book publishing process in LIPI Press. Primary data in this study was collected through records of the user interface of the online page of LIPI Press which uses OMP. Data Analysis. The data was analyzed by using a descriptive-analytic approach. Results and Discussions. OMP is useful not only to accommodate all roles and processes of scientific publication but also to accommodate the publisher's need for a catalog website. OMP metadata can be indexed by Google Scholar and can be a helpful tool for product distribution. Conclusion. OMP is suggested to become a standard in publication process.

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Zell, Hans. « V. A Publisher's perspective ». African Research & ; Documentation 104 (2007) : 9–13. http://dx.doi.org/10.1017/s0305862x00023098.

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In your interesting series of articles “Reviewing reviews” in ARD (no. 102, 2007) you invite further contributions to this debate, and so may I be permitted to add some observations from the perspective of a publisher or, more particularly, a publisher of African studies reference works.In his article in the Journal of Scholarly Publishing David Henige states “unfortunately, most reference works are never reviewed outside the library literature, if there.” This is not our experience, even though we now make it a practise not to send out unsolicited review copies of our reference works to African studies or any other journals unless editors specifically request a copy, and provide some indication when a review might appear. We invite journal editors to request review copies by mailings of press releases, and email notifications of new books when published.

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Baker, Robert F. « Preparing Graduates for Careers in Publishing : A Publisher's Perspective ». Educational Psychologist 20, n^o 2 (mars 1985) : 102–6. http://dx.doi.org/10.1207/s15326985ep2002_8.

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Regazzi, John. « The Shifting Sands of Open Access Publishing, a Publisher's View ». Serials Review 30, n^o 4 (janvier 2004) : 275–80. http://dx.doi.org/10.1080/00987913.2004.10764923.

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ELLONEN, HANNA-KAISA, OLLI KUIVALAINEN et ARI JANTUNEN. « THE STRATEGIC IMPACT OF THE INTERNET ON MAGAZINE PUBLISHING ». International Journal of Innovation and Technology Management 05, n^o 03 (septembre 2008) : 341–61. http://dx.doi.org/10.1142/s0219877008001394.

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This paper discusses the impact of the Internet on the magazine publisher's competitive advantage on three analytic levels: the products, the company and the industry. The analysis is based on interview data from the Finnish magazine publishing industry. On the product level, the Internet is a means of differentiation, while on the company level firm-specific resources and capabilities determine how companies can react to the strategic changes on the product level. However, it seems that the Internet has not significantly changed the five forces that shape the nature and state of competition in the magazine publishing industry.

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Willinsky, John. « The Publisher's Pushback against NIH's Public Access and Scholarly Publishing Sustainability ». PLoS Biology 7, n^o 1 (27 janvier 2009) : e1000030. http://dx.doi.org/10.1371/journal.pbio.1000030.

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Graf, C., L. Deakin, M. Docking, J. Jones, S. Joshua, T. McKerahan, M. Ottmar, A. Stevens, E. Wates et D. Wyatt. « Best practice guidelines on publishing ethics : a publisher's perspective, 2nd edition ». International Journal of Clinical Practice 68, n^o 12 (20 octobre 2014) : 1410–28. http://dx.doi.org/10.1111/ijcp.12557.

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Graf, Chris, Lisa Deakin, Martine Docking, Jackie Jones, Sue Joshua, Tiffany McKerahan, Martin Ottmar, Allen Stevens, Edward Wates et Deborah Wyatt. « Best practice guidelines on publishing ethics : a publisher's perspective, 2nd edition ». Annals of the New York Academy of Sciences 1334, S1 (20 octobre 2014) : e1-e23. http://dx.doi.org/10.1111/nyas.12549.

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Graf, Chris, Lisa Deakin, Martine Docking, Jackie Jones, Sue Joshua, Tiffany McKerahan, Martin Ottmar, Allen Stevens, Edward Wates et Deborah Wyatt. « Best Practice Guidelines on Publishing Ethics : A Publisher's Perspective, 2nd Edition ». Headache : The Journal of Head and Face Pain 54, n^o 10 (20 octobre 2014) : 1619–43. http://dx.doi.org/10.1111/head.12455.

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Graf, Chris, Lisa Deakin, Martine Docking, Jackie Jones, Sue Joshua, Tiffany McKerahan, Martin Ottmar, Allen Stevens, Edward Wates et Deborah Wyatt. « Best Practice Guidelines on Publishing Ethics : A Publisher's Perspective, 2nd Edition ». Advanced Materials 27, n^o 2 (20 octobre 2014) : 370–87. http://dx.doi.org/10.1002/adma.201403933.

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Dimitrova, Malina. « The Gundrum – Vazov Dialogues. A Publisher's Reconstructions ». Bulgarski Ezik i Literatura-Bulgarian Language and Literature 63, n^o 2 (9 avril 2021) : 177–91. http://dx.doi.org/10.53656/bel2021-2-5-gudvaz.

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About Ivan Vazov everything seems to have been researched, written and published. Among the many literary criticisms devoted to his life and work, as well as documentary publications, the relationships with his translators and foreign publishers, to whom I believe we have a cultural and moral duty, are very rarely mentioned. However, the correspondence between him and the Croat Fran Gundrum-Oriovac stands out among all. No one else has translated as many of Vazov's works as this Croatian writer. Unfortunately, the acquaintance with Fran Gundrum's archive is indirect, but I would venture to focus on his translation practice, the regulation of relations between the two, their long-term cooperation and the reception of Vazov's work in Croatia. The proposed interpretation of the “File” does not claim to exhaust the relationship between the two. Our task is based on the personal correspondence published in Volume 10 of the Bulletin of the Institute of Literature of the Bulgarian Academy of Sciences in 1961 between Dr. Fran Gundrum and Ivan Vazov – to try to reconstruct the translation and publishing strategies of Fran Gundrum.

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Basov, Ivan Mikhailovich. « Markers of social status in Polish printers' signatures (1501-1545) ». Genesis : исторические исследования, n^o 3 (mars 2024) : 166–76. http://dx.doi.org/10.25136/2409-868x.2024.3.70000.

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The article raises the problem of status representation in the signatures of book printers of the Kingdom of Poland. First of all, the study concerns the identified features in the publications of I. Vietor and J. Haller; to a lesser extent - S. Giber, K. Hochfeder, F. Ungler and M. Scharfenberg. Although the publisher's signature form did not undergo significant changes during the 1st half of the 16th century, we find specific markers of social status among the listed printers. These markers are not characteristic of previous and subsequent Polish book publishers, but are characteristic, firstly, of a certain circle of printers outside the Kingdom of Poland, and secondly, of the social environment that existed at that time, in which certain epithets conveyed information about a person’s place in the hierarchy. The focus on the readership demand of intellectuals and connections with the University of Krakow were also reflected in the publishing signatures: printers classified their activities in the field of sciences and arts ("ars"), and also presented themselves in terms accepted in the scientific community ("egregius vir", "spectabilis vir dominus"). This part of the self-representation of entrepreneurs once again testifies to their involvement in the structure of European humanist printers, who, like their Polish colleagues, sought to declare in their signatures their connections with the scientific community and Renaissance culture. At the same time, the appearance of the epithets identified in the structure of the publisher's signature has not only a linguistic connection, but also a chronological one: the concepts under study disappear in the middle of the 16th century from Polish publications and is reduced to a minimum in publications of other European lands.

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Kozlov, A. E., et E. M. Alekseeva. « Vsemirny Trud (1867–1872) as World Labor : The History of a Magazine ». Studies in Theory of Literary Plot and Narratology, n^o 2 (2024) : 40–70. http://dx.doi.org/10.25205/2713-3133-2024-2-40-70.

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The article provides an outline of the history of the journal Vsemirny Trud (1867–1872). In the introduction A. Kozlov provides brief bio-bibliographic information related to the publishing activities and reputation of Emanuil Khan. It is shown that the publisher's key ambition – to turn the magazine into a successor to ‘Epoch’ and ‘Otechestvennye Zapiski’ – was not realized. Institutional factors influencing the evaluation of the publication are considered: the restructuring of the literary and journal field in 1866; no prior censorship; weak publishing and civic reputation of Khan, his “amateurism” among writers; the focus of the publication’s employees on working in several periodicals; explication of internal editorial scandals; loss of key reader groups due to “colorlessness” and non-partisanship. Three periods in the functioning of the magazine have been identified, each of which is associated with general changes in the literary and journal field. The appendix contains the prepared by E. Alekseeva list of a content of magazine (1867– 1872).

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Ballard, Julia, Chris Graf et Charles Young. « Measuring Clinical Relevance and Impact in Journal Publishing : A Proposed Model and Publisher's Perspective ». Clinical Therapeutics 33, n^o 12 (décembre 2011) : B11—B15. http://dx.doi.org/10.1016/j.clinthera.2011.11.008.

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Hodder, Alan D. « “Ex Oriente Lux” : Thoreau's Ecstasies and the Hindu Texts ». Harvard Theological Review 86, n^o 4 (octobre 1993) : 403–38. http://dx.doi.org/10.1017/s0017816000030649.

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From the standpoint of marketing and sales, Henry David Thoreau's first major publishing venture,A Week on the Concord and Merrimack Rivers, was something of a fiasco, a fact hardly mitigated by his famously stoic, as well as humorous, avowals of failure. When, four years after its first appearance, he finally acquiesced to his publisher's petitions to accept the seven hundred and six unsold copies piled in the warehouse, he noted wryly in his journal, “I have now a library of nearly nine hundred volumes, over seven hundred of which I wrote myself.” Besides the commercial disappointment, Thoreau must have found the book's critical reception somewhat disheartening also.

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Caldwell, Rachel. « A Provisional System to Evaluate Journal Publishers Based on Partnership Practices and Values Shared with Academic Institutions and Libraries ». Publications 8, n^o 3 (23 juillet 2020) : 39. http://dx.doi.org/10.3390/publications8030039.

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Background: Journals with high impact factors (IFs) are the “coin of the realm” in many review, tenure, and promotion decisions, ipso facto, IFs influence academic authors’ views of journals and publishers. However, IFs do not evaluate how publishers interact with libraries or academic institutions. Goal: This provisional system introduces an evaluation of publishers exclusive of IF, measuring how well a publisher’s practices align with the values of libraries and public institutions of higher education (HE). Identifying publishers with similar values may help libraries and institutions make strategic decisions about resource allocation. Methods: Democratization of knowledge, information exchange, and the sustainability of scholarship were values identified to define partnership practices and develop a scoring system evaluating publishers. Then, four publishers were evaluated. A high score indicates alignment with the values of libraries and academic institutions and a strong partnership with HE. Results: Highest scores were earned by a learned society publishing two journals and a library publisher supporting over 80 open-access journals. Conclusions: Publishers, especially nonprofit publishers, could use the criteria to guide practices that align with mission-driven institutions. Institutions and libraries could use the system to identify publishers acting in good faith towards public institutions of HE.

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Poliakova, Liz. « Looking in from the outside : The case of the excluded self-publisher ». Stream : Interdisciplinary Journal of Communication 13, n^o 1 (5 novembre 2021) : 96–110. http://dx.doi.org/10.21810/strm.v13i1.275.

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A significant portion of books on Amazon are self-published using Kindle Direct Publishing. Self-publishers are given an opportunity to share their work with the world with a few clicks of their mouse. However, traditional publishing infrastructures are not as welcoming to the self-publisher. This paper undertakes to perform a policy analysis of government funding frameworks available to workers of the Canadian publishing industry. Through performing a discourse analysis, the study finds that the self-publisher is ineligible to apply for funds and grants from the government both on the provincial and the federal levels. The self-publishing business model is not recognized as a legitimate one and is often equated with vanity publishing, which comes with a stigma. Furthermore, traditional publishing industry workers act as gatekeepers who also exclude the self-publisher from the conversation around the changing landscape of the Canadian publishing industry. Even though the self-publisher should be recognized as a legitimate worker of the cultural industries, they are not acknowledged as such both by government officials who distribute grants and traditional publishers. This study adds to the limited scope of research conducted on self-publishing in order to break the boundaries that self-publishers encounter. The study concludes with recommendations to assess the process of the distribution of government funds and grants in order to incorporate the changing practices of the cultural industries and incorporate new business models such as self-publishing.

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Herissone, Rebecca. « Playford, Purcell, and the Functions of Music Publishing in Restoration England ». Journal of the American Musicological Society 63, n^o 2 (2010) : 243–90. http://dx.doi.org/10.1525/jams.2010.63.2.243.

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Abstract During Purcell's lifetime the music-publishing business in England flourished, thanks mainly to John Playford. Since intellectual property rights did not yet exist, Playford and his successors were able to select music they were confident of selling, predominantly producing multicomposer anthologies of popular tunes. Composers may have benefited little from these publications so it is significant that some took the financial risk of printing their music without an established publisher's support. Analysis suggests that musical self-publication was undertaken for several quite specific purposes. Three self-published books stand out as the only operatic scores published in seventeenth-century England: Locke's The English Opera (1675), Grabu's Albion and Albanius (1687), and Purcell's The Vocal and Instrumental Musick of the Prophetess (1691). These substantial volumes had no obvious practical use and all sold poorly; put into political context, however, they reveal how printed music in England was developing from a purely practical performance tool into a medium through which statements could be made and musical works given monumental status. Yet Purcell's own management of the printing of The Vocal and Instrumental Musick of the Prophetess suggests that he was confused about the distinct and mutually exclusive functions of music printing in the period, which led him to misunderstand the nature of the market and how he might appropriate the medium for his own benefit.

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Ward, Vanessa B. « A Post-War Japanese Intellectual Journal : Shisō no kagaku and Self-Publishing ». East Asian Publishing and Society 6, n^o 2 (26 octobre 2016) : 130–57. http://dx.doi.org/10.1163/22106286-12341292.

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In 1996, the Institute for the Science of Thought decided to cease publication of its journal Shisō no kagaku (Science of thought). Launched in May 1946, the journal had not only survived the turbulent immediate postwar era, but also oversight by five different publishing companies within the space of less than twenty years. In 1962 the Institute broke away from commercial publishers, and established a new company especially to publish the journal. Self-publishing was prompted by the decision by the journal’s current publisher to cancel a forthcoming special issue on the ‘emperor system’. This was a pivotal moment in the history of Shisō no kagaku. In this essay, I outline the chronology of the “Shisō no kagaku Incident,” examine aspects of the contemporary ideological context such as the emergence of the so-called “chrysanthemum taboo,” and explore its legacy for the new publisher’s treatment of topics to do with the emperor.

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Benhabililes, Bakir. « The Influence of Publishing Strategies on the Process of Translation : the case of Milan Kundera ». Traduction et Langues 17, n^o 1 (31 août 2018) : 116–21. http://dx.doi.org/10.52919/translang.v17i1.561.

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Throughout history, translation has never been an isolated activity or an independent literary entity; it has always been tailored by interior and exterior influential factors. In terms of social agents involved in the production of translations, the publishing industry is increasingly becoming a driving force in translation. Publishing is an integral part of the process, which controls mechanisms of translation and dictates editorial rules. Publishers have a huge influence on choosing books to be translated and on hiring translators, and thus on the way the translations are received by the audience. Despite their huge ascendancy however, little research has been carried out in this area. The purpose of this paper is to discover the extent of the publisher’s influence on the translated text. Given that translation theory has often focused solely on the author–translator relationship, our objective is to demonstrate that the translation process is not an ordinary dyadic relationship between a source text and a target text, or a translator and an author, but is a central meeting point for a mixture of relationships in which publishers play a hegemonic role. The publisher`s influence is discussed here through one particular controversial case: Milan Kundera’s novel The Joke (Žert), which first appeared in 1967.

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Bott, Kristofer. « Lawyer's Ranking From A Constitutional Perspective : The Federal Constitutional Court's JUVE-Handbook Decision ». German Law Journal 4, n^o 3 (1 mars 2003) : 237–45. http://dx.doi.org/10.1017/s2071832200015911.

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In November, 2000, the Bundesverfassungsgericht (Federal Constitutional Court) surprised the public by holding that the publisher's freedom of expression and press secured by Article 5 of the Grundgesetz (Basic Law) could be violated if the publication of advertisements was prohibited, provided the advertisement is included in the scope of protection itself. At that time shocking advertisements were being heavily discussed in the public. This public debate had been sparked, in part, by the Bundesgerichtshof (Federal Court of Justice) decision prohibiting Stern Magazine's publication of advertisements containing repulsive pictures on behalf of the fashion and lifestyle brand Benetton. The magazine complained to the Federal Court of Justice against this judgment, an appeal that generated the dictum quoted above. In November, 2002, the Federal Constitutional Court had another opportunity to characterize the importance of the freedom of expression and the press in competition law, particularly in the context of the publishing industry.

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Hartiningtyas, Widjati. « Self-Publishing, Vanity Publishing and Indie Publishing : A Shortcut to Fame or A Dangerous Game ? » Lensa : Kajian Kebahasaan, Kesusastraan, dan Budaya 13, n^o 1 (29 juin 2023) : 135. http://dx.doi.org/10.26714/lensa.13.1.2023.135-150.

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In November 2022, a Twitter account reported fraud committed by an owner of a well-known vanity publisher. The post that was retweeted thousand times revealed that many authors experience the same thing. Based on that case, this study analyzed reasons that drive authors to self-publish or use vanity and indie publishing service. To answer the research question, the researcher conducted semi-structured interviews with five authors acting as informants. The researcher presents the interview's results in three categories: the romanticism of publishing printed books, idealism in writing, and the prestige of indie publishing. The researcher analyzes the data using Michael Foucault's thoughts in his essay What is an author? This study found that though the informants used alternative publishing because conventional publishers did not accept their works, they had different reasons to continue using alternative publishing. The informants agreed that alternative publishing offers flexibility that enables them to maintain their idealism. However, the informants had different opinions on the classic conflict between idealism and income. The informants do not consider indie publishing more prestigious than conventional publishers or vice versa. However, they have their considerations when choosing a type of publisher. The interviews also showed that a supporting community, a valuable network, and pieces of information are necessary before using alternative publishing.

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Kim, Sang-Jun, et Kay Sook Park. « Changes in article share and growth by publisher and access type in Journal Citation Reports 2016, 2018, and 2020 ». Science Editing 9, n^o 1 (20 février 2022) : 30–36. http://dx.doi.org/10.6087/kcse.260.

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Purpose: This study explored changes in the journal publishing market by publisher and access type using the major journals that publish about 95% of Journal Citation Reports (JCR) articles.Methods: From JCR 2016, 2018, and 2020, a unique journal list by publisher was created in Excel and used to analyze the compound annual growth rate by pivot tables. In total, 10,953 major JCR journals were analyzed, focusing on publisher type, open access (OA) status, and mega journals (publishing over 1,000 articles per year).Results: Among the 19 publishers that published over 10,000 articles per year, in JCR 2020, six large publishers published 59.6% of the articles and 13 publishers 22.5%. The other publishers published 17.9%. Large and OA publishers increased their article share through leading mega journals, but the remaining publishers showed the opposite tendency. In JCR 2020, mega journals had a 26.5% article share and an excellent distribution in terms of the Journal Impact Factor quartile. Despite the high growth (22.6%) and share (26.0%) of OA articles, the natural growth of non-OA articles (7.3%) and total articles (10.7%) caused a rise in journal subscription fees. Articles, citations, the impact factor, and the immediacy index all increased gradually, and the compound annual growth rate of the average immediacy index was almost double than that of the average impact factor in JCR 2020.Conclusion: The influence of OA publishers has grown under the dominance of large publishers, and mega journals may substantially change the journal market. Journal stakeholders should pay attention to these changes.

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Gerčar, Jaka. « The Obliteration of Publisher Identity ». Logos 34, n^o 2 (13 octobre 2023) : 7–15. http://dx.doi.org/10.1163/18784712-03104062.

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Abstract The title of this paper is taken from a chapter in Roberto Calasso’s The Art of the Publisher, in which the Italian publisher and writer notes a historical shift in contemporary publishing away from publishing as ‘form’, supposedly a publishing innovation of the first decade of the 20th century. Since Calasso never elaborated on his notion of publishing as form, this paper attempts to sketch the most important facets of this notion, embed it in the context of publishing theory, and suggest that it bears considerable similarities to auteur theory in cinema. After identifying three layers of publishing form, the author analyses how recent developments in contemporary publishing might relate to Calasso’s concern about the blurring of distinctions between publishers.

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McCready, Kate, et Emma Molls. « Developing a Business Plan for a Library Publishing Program ». Publications 6, n^o 4 (23 octobre 2018) : 42. http://dx.doi.org/10.3390/publications6040042.

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Over the last twenty years, library publishing has emerged in higher education as a new class of publisher. Conceived as a response to commercial publishing practices that have strained library budgets and prevented scholars from openly licensing and sharing their works, library publishing is both a local service program and a broader movement to disrupt the current scholarly publishing arena. It is growing both in numbers of publishers and numbers of works produced. The commercial publishing framework which determines the viability of monetizing a product is not necessarily applicable for library publishers who exist as a common good to address the needs of their academic communities. Like any business venture, however, library publishers must develop a clear service model and business plan in order to create shared expectations for funding streams, quality markers, as well as technical and staff capacity. As the field is maturing from experimental projects to full programs, library publishers are formalizing their offerings and limitations. The anatomy of a library publishing business plan is presented and includes the principles of the program, scope of services, and staffing requirements. Other aspects include production policies, financial structures, and measures of success.

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Ntalianis, Klimis, Badea Lepadatescu, Dmitry A. Tarasov, Imre J. Rudas, Vincenzo Niola, Valeri Mladenov, Nikos Mastorakis, John Kechagias et Vladimir Vasek. « Why the WSEAS is Not a Predatory Publisher. Is WSEAS a Predatory Publisher ? No ! Of Course, No ! » International Journal of Systems Applications, Engineering & ; Development 16 (20 septembre 2022) : 84–90. http://dx.doi.org/10.46300/91015.2022.16.15.

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We will try to prove in this study that WSEAS does not have any relation with fake and predatory publishers. In this article we use the criteria of Megan O'Donnell in the web site https://instr.iastate.libguides.com/predatory/id for Predatory Publishers, [1] .Mihiretu Kebede, Anna E. Schmaus-Klughammer and Brook Tesfaye Tekle in their recent article [2] examined what the so-called predatory journals are and how they do operate. Kyle Siler in his blog [3] writes the following: “The nature and extent of predatory publishing is highly contested. Whilst debates have often focused defining journals and publishers as either predatory or not predatory. Kyle Siler [3] argues that predatory publishing encompasses a spectrum of activities and that by understanding this ambiguity, we can better understand and make value judgements over where legitimacy lies in scholarly communication”. In this article, we would like to examine if the WSEAS is a Predatory Publisher or not. The answer is that WSEAS does not have any relation with the so-called Predatory Publishers. The WSEAS is not and has never been “Predatory Publisher”.

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Zoidze, Ella Amiranovna. « Promotion of a book in the publishing Internet discourse ». Филология : научные исследования, n^o 1 (janvier 2022) : 1–16. http://dx.doi.org/10.7256/2454-0749.2022.1.37279.

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The relevance of this research is substantiated by sustained interest in the study of discourse applicable to various social institutions. Publishing discourse appeared in the limelight of the linguists not that long ago. The activity of publishers as a discursive practice intersects with the activity of commercial organizations and libraries. The communication of publishers with other actors in the process of book distribution is also carried via Internet. The goal of this research lies in examination of the means of book promotion in the online publishing discourse. The study leans on the material of the three websites of the English-language publishers. Analysis is conducted on the verbal text and audio-visual communication channels between the publishers and the audience. The analysis of practical material demonstrates that the publisher’s abstract implements the informational and evaluation functions. The additional sources of information on the publisher imply the citations from peer reviews, information about the author, various polycode texts (images and videos), as well as hypertext links to other commercial resources. The leading role in implementation of the informational-advertising functional is assigned to lexicon. Namely the nouns and adjectives affect the appellative-emotional functions. Perlocutive effect of the publisher’s abstract is enhanced by inclusion of citation text, both from the promoted work and reputable sources (newspapers and journals). Citations from peer reviews are usually presented fragmentary, and contain only complimentary statements, which form the attractive image of the book. The conducted research contributes to the development of marketing linguistics, the study of publisher’s paratext, publishing activity as discursive practice, and has prospects for further research in the area of marketing strategies aimed at promotion of books of various formats and genres on the offline and online platforms.

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Chander, Harish, et KP Singh. « Frontline Publishers of Punjabi Language Books ». DESIDOC Journal of Library & ; Information Technology 40, n^o 04 (29 juillet 2020) : 230–37. http://dx.doi.org/10.14429/djlit.40.04.15811.

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Publishing industry plays a vital role to spread knowledge. In modern days many local publishers are making knowledge available to the society through their native languages. Punjabi is one of the most popular languages of North Indian states. Many publishers from Punjab, Chandigarh, and Delhi are publishing books in Punjabi. The present study is attempted to provide the overview and analyse the growth and contribution of publishing books in Punjabi by various types of publishers for the decade 2004-2013. The study presents different categories of publishers with the number of books, major publishers of Punjabi books, the contribution of literary, government and academic institutions as publishers and geographical distribution of Punjabi books from Northern parts of India. The study reveals that most of the books have been published in Punjabi by commercial publishers. Punjab is the leading region to publish maximum books in Punjabi as compared to other states and ‘Lokgeet Prakashan’ is the top publisher among them all. This is the first study assessing book publishers of Punjabi books and a useful source of information for practitioners and academics interested in Punjabi language publications.

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Toma, Catalin, Liliana Padureanu et Bogdan Toma. « Correction of the Scientific Production : Publisher Performance Evaluation Using a Dataset of 4844 PubMed Retractions ». Publications 10, n^o 2 (21 avril 2022) : 18. http://dx.doi.org/10.3390/publications10020018.

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Background. Retraction of problematic scientific articles after publication is one of the mechanisms for correcting the literature available to publishers. The market volume and the busi-ness model justify publishers’ ethical involvement in the post-publication quality control (PPQC) of human-health-related articles. The limited information about this subject led us to analyze Pub-Med-retracted articles and the main retraction reasons grouped by publisher. We propose a score to appraise publisher’s PPQC results. The dataset used for this article consists of 4844 Pub-Med-retracted papers published between 1.01.2009 and 31.12.2020. Methods. An SDTP score was constructed from the dataset. The calculation formula includes several parameters: speed (article exposure time (ET)), detection rate (percentage of articles whose retraction is initiated by the edi-tor/publisher/institution without the authors’ participation), transparency (percentage of retracted articles available online and the clarity of the retraction notes), and precision (mention of authors’ responsibility and percentage of retractions for reasons other than editorial errors). Results. The 4844 retracted articles were published in 1767 journals by 366 publishers, the average number of retracted articles/journal being 2.74. Forty-five publishers have more than 10 retracted articles, holding 88% of all papers and 79% of journals. Combining our data with data from another study shows that less than 7% of PubMed dataset journals retracted at least one article. Only 10.5% of the retraction notes included the individual responsibility of the authors. Nine of the top 11 publishers had the largest number of retracted articles in 2020. Retraction-reason analysis shows considerable differences between publishers concerning the articles’ ET: median values between 9 and 43 months (mistakes), 9 and 73 months (images), and 10 and 42 months (plagiarism and overlap). The SDTP score shows, from 2018 to 2020, an improvement in PPQC of four publishers in the top 11 and a decrease in the gap between 1st and 11th place. The group of the other 355 publishers also has a positive evolution of the SDTP score. Conclusions. Publishers have to get involved actively and measurably in the post-publication evaluation of scientific products. The introduction of reporting standards for retraction notes and replicable indicators for quantifying publishing QC can help increase the overall quality of scientific literature.

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Ionescu, Sanda. « Overcrowded Market or a Chance to Be Different ? Micro Independent Presses in the UK ». Culture. Society. Economy. Politics 3, n^o 2 (1 décembre 2023) : 10–25. http://dx.doi.org/10.2478/csep-2023-0007.

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Abstract This article looks at small independent publishers in the UK and explores whether there is room for them in the overcrowded UK publishing scene. The literature review considers contradictory press reports about the health of the UK publishing industry during and after the COVID-19 pandemic. A questionnaire allowing in-depth responses was sent to six micro-publishers and four independent bookshops. The responses were analyzed and supplemented with publicly available interviews with the publishers and personal conversations with the booksellers. A case study of the recently founded publisher of translated crime fiction Corylus Books confirms many of the issues reported by the surveyed micro-publishers. This research offers an inside look at the UK micro-publishers’ challenges and creative approaches, providing practical and applicable insights not only for the UK market but also for small publishers in other countries, especially agents or publishers looking to sell rights to those markets.

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Squires, Claire, et Helena Markou. « An Ecosystem Model of Small and Medium Sized Enterprises Publisher ‘Tiers’ : Publisher Size, Sustainability and Cultural Policy ». Publishing Research Quarterly 37, n^o 3 (25 mai 2021) : 420–38. http://dx.doi.org/10.1007/s12109-021-09811-y.

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AbstractThis article establishes a quantitative and qualitative model of small and medium-sized enterprises (SME) publisher ‘Tiers’, in order to enable researchers and cultural policy makers to have a more granular understanding of the impact of publisher size. Through an aggregated set of case studies deriving from the UK, the article also develops an understanding of how to build a cultural support model for publishing based on publisher size, sustainability and company life cycle. What the Tiers model underpins in terms of cultural policy funding for publishers is a rigorous and developmental sense of a publishing ecosystem, offering a framework which is attendant to industry and broader contexts, and enables cultural policy funding to take into account publisher development, challenge and growth.

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Siler, Kyle, et Koen Frenken. « The pricing of open access journals : Diverse niches and sources of value in academic publishing ». Quantitative Science Studies 1, n^o 1 (février 2020) : 28–59. http://dx.doi.org/10.1162/qss_a_00016.

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Open access (OA) publishing has created new academic and economic niches in contemporary science. OA journals offer numerous publication outlets with varying editorial philosophies and business models. This article analyzes the Directory of Open Access Journals (DOAJ) ( n = 12,127) to identify characteristics of OA academic journals related to the adoption of article processing charge (APC)-based business models, as well as the price points of journals that charge APCs. Journal impact factor (JIF), language, publisher mission, DOAJ Seal, economic and geographic regions of publishers, peer review duration, and journal discipline are all significantly related to the adoption and pricing of journal APCs. Even after accounting for other journal characteristics (prestige, discipline, publisher country), journals published by for-profit publishers charge the highest APCs. Journals with status endowments (JIF, DOAJ Seal) and articles written in English, published in wealthier regions, and in medical or science-based disciplines are also relatively costlier. The OA publishing market reveals insights into forces that create economic and academic value in contemporary science. Political and institutional inequalities manifest in the varying niches occupied by different OA journals and publishers.

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Kwon, Oh-Hyun, Yong Jun Lee, Hang Min Cho et Chan-Won Kim. « Research on concept regulation and typification of licensed magazines ». Korean Publishing Science Society 112 (30 septembre 2023) : 39–67. http://dx.doi.org/10.21732/skps.2023.112.39.

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This study aims to define and categorize the concept of independent magazines in detail. To this end, in-depth interviews were conducted with independent magazine publishers, and 300 cases of independent magazines that were in currently circulation or closed were analyzed. First, the research results cannot single-concept independent magazines with complex characteristics, but the concept of independent magazines can be explained cross-sectionally by subject, publisher type, publishing cycle, content content, production method, advertisement, circulation, distribution method, and magazine edition. Second, the types of independent magazines can be largely divided into publishers and topics. The publisher could be categorized into one person, group, minority group, magazine, publication, and complex, and the subject type could be subdivided into total class, art, literature, photography, design, illustration, cartoon, lifestyle, social culture, and subculture. Finally, it was revealed that independent magazine publishers are publishing magazines in a complex trend. The significance of this study is to reveal the empirical concepts and types of independent magazines that have not yet been conducted in Korea, and to present related basic data and evidence.

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Jay, Mary. « Co-publishing with Africa North–South–North ». Logos 31, n^o 2 (4 septembre 2020) : 19–27. http://dx.doi.org/10.1163/18784712-03102003.

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The decolonization of African studies extends beyond content to ethical partnerships between the North and the African continent. One key component of realizing partnership is through publishing. African studies research published by Northern publishers is not often even minimally available in Africa; and this is despite scholars on the continent often being partners or facilitators in research undertaken by Northern scholars. Northern publishers have perceived no commercial gain, given small African markets, lack of purchasing power, and lack of distribution systems. Conversely, African publishers have efficient distribution into the North through African Books Collective, owned and governed by them. But in suitable rare cases the African publisher can broker co-publications with Northern publishers who want the originating rights. In the light of these issues, African Books Collective launched an initiative to seek to break the deadlock. In partnership with the International African Institute, and with the active support of the African Studies Associations of the UK and the US, work is proceeding with publishers in the North and the South to broker co-publishing or co-editions to address this historic marginalization of Africa.

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Illuminati, Valeria. « Une maison d’édition pour la jeunesse indépendante et militante. Engagement, traduction et questions de genre chez Lo Stampatello ». LCM - La Collana / The Series 9788879169974 (décembre 2022) : 131–48. http://dx.doi.org/10.7359/997-2022-vill.

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This paper analyses the editorial policies of an Italian independent publishing house, Lo Stampatello. Drawing on the theoretical and methodological tools of Translation Studies and Gender Studies as well as on discourse analysis, the study examines the ethos projected by the publisher. The analysis relies on a corpus of interviews (written and oral) and it also considers the catalogue of the publishing house. The analysis shows that Lo Stampatello defines itself, by its very nature and from the very outset, as a militant publishing house. In the words of the publishers and in the chosen editorial policy, a strong political and ethical commitment can be observed, one that is openly claimed by the publishers. Gender issues take therefore centre stage, not least due to the position of the publishing house in the Italian literary field and to the social and cultural context of this country.

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Schaffner, Francis. « Taking JEMCA to the world stage ». Journal of the European Mosquito Control Association 39, n^o 1 (23 novembre 2021) : 1–2. http://dx.doi.org/10.52004/jemca2021.x002.

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2021 is a landmark year for the Journal of the European Mosquito Control Association (JEMCA)! In the last 12 months we moved from self-publishing to the professional publisher Wageningen Academic Publishers (WAP). This is intended to gain efficiency in the submission, reviewing and publishing process, and also to get better indexed and evaluated, the final aim being to link authors and readers, promoting dissemination of science, improving knowledge on vectors and addressing related challenges.

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Nishikawa-Pacher, Andreas. « Who are the 100 largest scientific publishers by journal count ? A webscraping approach ». Journal of Documentation 78, n^o 7 (21 septembre 2022) : 450–63. http://dx.doi.org/10.1108/jd-04-2022-0083.

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PurposeHow to obtain a list of the 100 largest scientific publishers sorted by journal count? Existing databases are unhelpful as each of them inhere biased omissions and data quality flaws. This paper tries to fill this gap with an alternative approach.Design/methodology/approachThe content coverages of Scopus, Publons, DOAJ and SherpaRomeo were first used to extract a preliminary list of publishers that supposedly possess at least 15 journals. Second, the publishers' websites were scraped to fetch their portfolios and, thus, their “true” journal counts.FindingsThe outcome is a list of the 100 largest publishers comprising 28.060 scholarly journals, with the largest publishing 3.763 journals, and the smallest carrying 76 titles. The usual “oligopoly” of major publishing companies leads the list, but it also contains 17 university presses from the Global South, and, surprisingly, 31 predatory publishers that together publish 4.606 journals.Research limitations/implicationsAdditional data sources could be used to mitigate remaining biases; it is difficult to disambiguate publisher names and their imprints; and the dataset carries a non-uniform distribution, thus risking the omission of data points in the lower range.Practical implicationsThe dataset can serve as a useful basis for comprehensive meta-scientific surveys on the publisher-level.Originality/valueThe catalogue can be deemed more inclusive and diverse than other ones because many of the publishers would have been overlooked if one had drawn from merely one or two sources. The list is freely accessible and invites regular updates. The approach used here (webscraping) has seldomly been used in meta-scientific surveys.

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Shrestha, Jiban, Subash Subedi, Krishna P. Timsina et Mahendra P. Tripathi. « Risk of publication in worthless journals ». Journal of Agriculture and Natural Resources 1, n^o 1 (9 décembre 2018) : 1–5. http://dx.doi.org/10.3126/janr.v1i1.22217.

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Implementing research and publishing results is a crucial for a professional development, scientific communication and collaboration of any academicians, scholars, and researchers in science around the world. The timely dissemination of knowledge and scientific information in the global scientific community helps the development of science and worldwide recognition. The researchers working on scientific community cannot appreciate the value of evidence generated without publishing their work in right and quality journals. Therefore, authors should be careful about predatory or fake journals/publishers for communicating their scientific works. The objective of this study is to raise awareness on predatory or fake publishers/journals and of their dishonest publishing practices. In general, the predatory journal publishes without peer review and true editorial board, often publish mediocre or even worthless papers on charging high publication cost, citing fake and non-existing impact factors and mostly focused on private business motives. On the other hand, publishing in a high impact quality journals undoubtedly enhances the future career prospects, communication ability of authors and deliver concise research messages in the scientific field. Researcher of various disciplines and academic experience should aware with the lists of predatory journals/publishers which are available on Beall’s list in internet before publishing any research articles. Therefore, publishing in predatory/fake journals not only spoil or degrade academic reputations but also waste the time, resources and research message too.

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Oktavia, Riska. « POLITIK PENERBITAN DAN PERBEDAAN KONTEN WEBSITE RESMI PENERBIT MAYOR DAN DI RANAH CYBER ». Vol 12 No 1 (2022) : Literasi : Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah 12, n^o 1 (31 janvier 2022) : 83–90. http://dx.doi.org/10.23969/literasi.v12i1.4763.

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The phenomenon of cyber literature, especially in Indonesia, is currently booming, causing many popular literary works to be born in the cyber realm. Since the rise of the phenomenon of cyber literature in Indonesia, the politics of major and indie publishers is a phenomenon that is quite interesting and widely discussed, especially by writers who want their writings to be published. Using qualitative methods, this article aims, firstly, to find out what the politics of major and indie publishing is like in the cyber realm, and secondly, to find out the difference in content like what is displayed on the official website of several major publishers and indie publishers. The form of the political phenomenon of major and indie publishers in the cyber realm in Indonesia is the competition between major and indie publishers in finding new writers, especially cyber literature writers, so that there are many popular literary works with high interest. The difference between the content of the official websites of major publishers and indie publishers is that the websites of major publishers contain their published books and the promos of the books they sell because the major publishers already have a name, while indie publishers highlight the advantages of the publisher, such as how many works they have produced. publish, then what services they provide, advantages, publishing promotions, opinions of writers who have used their services.

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Malpezzi, Chiara. « When the Five Senses Are Not Enough : An Interview with Fausta Orecchio ». Bookbird : A Journal of International Children's Literature 62, n^o 2 (2024) : 58–60. http://dx.doi.org/10.1353/bkb.2024.a929812.

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Abstract: Orecchio Acerbo is a publishing house that stands out for its high-quality picture-books. Its significant role within contemporary Italian children’s literature was also recognized in 2017, when it won the Bologna BOP Best Children’s Publishers of the Year Prize–Europe. The editor, Fausta Orecchio, unveils the inception of the publisher’s pioneering picturebooks, the books’ design as artistic objects, and the pedagogical stance toward their young readers.

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Sannusi, Shahrul Nazmi, Normah Mustaffa et Muhammad Adnan Bin Pitchan. « Transformation challenge for magazines advertising expenditure (ADEX) revenue in Malaysia ». Media and communication as antecedents to the transformation agenda in Malaysia 25, n^o 2 (7 décembre 2015) : 181–90. http://dx.doi.org/10.1075/japc.25.2.02san.

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The Advertising Expenditures or (ADEX) revenue is a major contributor for the survival of magazine publishing. In the recent report by the Magazine Publisher Association (MPA 2014) shows a total of RM207.8 million ADEX was successfully secured by the local publishing company. From the total amount, RM120.9 million was dominated by English-language magazine publishers, while only RM60.1 million was achieved by Malay-language magazine publishers. This paper will discuss on factors, as well as potential and challenges in this magazine publishing industry. The main question is, how the local magazine publisher now is ready to face the changes in the industry which is seen to be challenging. The secondary analysis method has been applied to the data from the latest ADEX report which is provided by Magazine Publisher Association (MPA 2014) from 2010 to 2014 (July). The findings of this analysis indicate ADEX earning in the English-language magazines is more than the Malay-language magazines. However, ADEX for the English-language magazines has declined over the past four years, as well as the number of magazines published are less than the Malay-language magazines which are considered to be more stable even though their revenue is less. Competition with other media channels, readers’ purchasing power and preference are seen as factors contributing to this trend. Thus, it can be concluded that the Malay-language magazines are still competitive and have more stable prospects as compared to the English-language magazines, despite their low ADEX turnover.

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Bruns, Florian. « Vom Chirurgen zum Verleger – Das Jahrhundertleben des Gottfried Bermann Fischer (1897–1995) ». DMW - Deutsche Medizinische Wochenschrift 143, n^o 25 (décembre 2018) : 1866–70. http://dx.doi.org/10.1055/a-0630-4437.

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AbstractGottfried Bermann Fischer was a German-Jewish physician and publisher who dedicated his life to the S. Fischer publishing company which ranks among the most significant German-language publishers in the 20th century. In 1925 Bermann left his position as a surgeon and married Brigitte Fischer, daughter of the company’s founder Samuel Fischer. Now called Bermann Fischer he became a passionate publisher and steered the company through the Weimar Republic and Nazi years, publishing authors like Hermann Hesse, Thomas Mann, and Alfred Döblin. Fearing the Nazi terror Bermann-Fischer left Germany in 1936 with his family and parts of the company. From his exile in Austria, Sweden, and later in the United States Bermann Fischer carried on with publishing. In 1950 the S. Fischer publishing company was reestablished in Frankfurt, West Germany. Bermann Fischer and his wife brought out the works of Sigmund Freud and books like Alexander Mitscherlich’s “Doctors of Infamy”. Through these publishing activities Bermann Fischer had a significant impact on public debates about medicine and its past in Germany.

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Ramdarshan Bold, Melanie. « The return of the social author ». Convergence : The International Journal of Research into New Media Technologies 24, n^o 2 (16 juin 2016) : 117–36. http://dx.doi.org/10.1177/1354856516654459.

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The rise in self-publishing, digital folk culture and social media participation, have revolutionized reading and writing practices. Readers can directly contact their favourite authors, and publishers, through social media and become authors, and publishers, themselves. One of the outcomes of digital reading and writing is that writing is now becoming more democratic: traditional publishers are no longer the sole gatekeepers of culture. The popularity of social writing platform Wattpad is a recent example of how a new generation of influential and innovative writers is entering the publishing arena. This also demonstrates that there is a demand for authorship without the intervention from publishers. Despite this, traditional notions of authorship, ownership and control are prevalent in contemporary publishing hindering the true potential of creativity. The disharmony between the rise of the amateur author and the control of the traditional publisher is confronted in the digital public sphere. Consequently, issues such as authority and influence are mediated during the activities and interactions that take place on social media and other online platforms. Established authority figures, such as famous authors or well-known publishers, that exert authority and influence in the traditional sphere, can shift this authority and influence to the digital world; however, this sphere is also occupied by emerging networks of influencers, such as emerging authors or micro-celebrities, who gain popularity as a result of specific trends, in specific domains, at specific times. This article will examine how new and established authors are using social platforms, and social media, to publish their writing, build communities and extend their dialogue with readers and other writers. A netnographic study of Wattpad will identify which authors are the influencers and innovators in social publishing. Consequently, this article will underscore the increasing importance of social networks and social relationships in 21st century publishing.

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