Littérature scientifique sur le sujet « Pseudo-Xenophon »

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Articles de revues sur le sujet "Pseudo-Xenophon"

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Brock, Roger, and Malcolm Heath. "Two passages in pseudo-Xenophon." Classical Quarterly 45, no. 2 (1995): 564–66. http://dx.doi.org/10.1017/s0009838800043639.

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This sentence has long been regarded as problematic; Kirchhoff's emendation is palaeographically simple and has met with general approval, but if ίερά is taken to mean ‘temples’, as is usual, the phrase is not without its difficulties. ỉστασθαι is normally used of inscriptions, statues and trophies rather than buildings; LSJ cite only one instance of the latter usage, Thucydides 1.69.1, and there it might be argued that the Long Walls were not a building as such (although Thucydides does use οίκοδομεîν of them at 1.107.1). Furthermore, it does seem rather pointless to say that individual poor
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Tumans, Harijs. "Interpreting the text of Pseudo-Xenophon." Vestnik of Saint Petersburg University. History 62, no. 2 (2017): 228–43. http://dx.doi.org/10.21638/11701/spbu02.2017.201.

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Laspe, Dewid, and Charlotte Schubert. "Seemacht, Seeherrschaft und Seestrategie bei Pseudo-Xenophon." Klio 94, no. 1 (2012): 55–81. http://dx.doi.org/10.1524/klio.2012.0004.

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Altman, William H. F. "Xenophon, the Old Oligarch, and Alcibiades." Polis: The Journal for Ancient Greek and Roman Political Thought 39, no. 2 (2022): 261–78. http://dx.doi.org/10.1163/20512996-12340365.

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Abstract Modifying the conjecture of Wolfgang Helbig (1861) by means of the distinction between Xenophon and his various narrators introduced by Benjamin McCloskey (2017), this paper uses the insights of Hartvig Frisch (1942) to show how drawing a distinction between the first-person speaker in pseudo-Xenophon’s Constitution of the Athenians and its author indicates that the former is Alcibiades and the latter is Xenophon himself.
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Bechtle, Gerald. "A note On pseudo-Xenophon, The Constitution of the Athenians 1.11." Classical Quarterly 46, no. 2 (1996): 564–66. http://dx.doi.org/10.1093/cq/46.2.564.

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Amongst the numerous difficult passages of the anonymous Constitution of the Athenians the present one, as a whole, has particularly tenaciously resisted attempts at interpretation or elucidation in spite of progress made as to a number of details. One major obstacle to a real understanding of this sentence (but by no means the only one) is the corrupt phrase in the final clause.
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Mattingly, Harold B. "The date and purpose of the pseudo-Xenophon constitution of Athens." Classical Quarterly 47, no. 2 (1997): 352–57. http://dx.doi.org/10.1093/cq/47.2.352.

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This short political pamphlet has survived to our day through the lucky chance of being included in the minor works of Xenophon, and for over 150 years it has been the subject of lively scholarly debate. The unknown author was a confirmed oligarch, but with an insider's insight into Athenian democracy. Though he cannot approve of this form of government, he is astute enough to see that the system works well on its own terms and that it is therefore popular; it will prove very hard to overthrow. The work has proved difficult to tie down to an historical context.
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Bay, Carson. "Writing the Jews out of History: Pseudo-Hegesippus, Classical Historiography, and the Codification of Christian Anti-Judaism in Late Antiquity." Church History 90, no. 2 (2021): 265–85. http://dx.doi.org/10.1017/s0009640721001451.

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AbstractScholarly narratives of the development of Christian anti-Jewish thinking in antiquity routinely cite a number of standard, well-known authors: from Irenaeus, Tertullian, and Justin Martyr in earlier centuries to Eusebius, John Chrysostom, Ambrose, Jerome, and Augustine in the fourth and early fifth centuries. The anonymous author known as Pseudo-Hegesippus, to whom is attributed a late fourth-century Latin work called On the Destruction of Jerusalem (De Excidio Hierosolymitano), rarely appears in such discussions. This has largely to do with the fact that this text and its author are
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Thèses sur le sujet "Pseudo-Xenophon"

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Katsaros, Andrea Helen. "Literary perspectives on Pseudo-Xenophon's Athenaion Politeia." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phk196.pdf.

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Porceddu, Maria Lavinia. "L'Athenaion Politeia pseudosenofontea e il suo tempo: studio di contestualizzazione." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/326795.

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La Costituzione degli Ateniesi, tramandataci dalla tradizione tra le opere di Senofonte, ha suscitato nel corso del tempo un considerevole interesse tra gli studiosi del mondo greco. All’opera, a partire dal XIX secolo, sono state dedicate analisi di natura filologica, linguistica e storica, e, in tempi più recenti, un elevato numero di commenti. Oggetto della riflessione dell’Autore – dichiaratamente ostile al regime politico in vigore ad Atene – sono i meccanismi costitutivi e funzionali della democrazia. L’opera propone una riflessione economico-politica di notevole rilievo teorico il cui i
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Livres sur le sujet "Pseudo-Xenophon"

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Pseudo-Xenophon. The Old Oligarch: Pseudo-Xenophon's Constitution of Athens. London Association of Classical Teachers, 1992.

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1936-, Hughes Kenneth, Thorpe Margaret, Thorpe Martin, Xenophon, and Pseudo-xenophon, eds. The Old Oligarch: Pseudo-Xenophon's Constitution of Athens. London Association of Classical Teachers, 1986.

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1957-, Osborne Robin, and London Association of Classical Teachers., eds. The old oligarch: Pseudo-Xenophon's constitution of the Athenians. 2nd ed. London Association of Classical Teachers, 2004.

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Chapitres de livres sur le sujet "Pseudo-Xenophon"

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Nesselrath, Heinz-Günther. "Xenophon, (Pseudo-)." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22521-1.

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Schmalzriedt, Egidius, and Heinz-Günther Nesselrath. "Xenophon, (Pseudo-): Athēnaiōn politeia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22522-1.

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"5. Pseudo-Xenophon." In Handbuch der griechischen Literatur der Antike Bd. 1: Die Literatur der archaischen und klassischen Zeit, edited by Bernhard Zimmermann and Antonios Rengakos. C.H.Beck, 2011. http://dx.doi.org/10.17104/9783406619045-445.

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Braund, David. "Epilogue: Dancing around the Black Sea: Xenophon, Pseudo-Scymnus and Lucian’s Bacchants." In Ancient Theatre and Performance Culture Around the Black Sea. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316756621.022.

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