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Bibliographies thématiques / Provenance studie / Livres

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Livres sur le sujet « Provenance studie »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 10 mars 2023

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1

Hopmans, Anita. Verwerving en restitutie : de zaak Toorop : Een studie naar de herkomst van twee kunstwerken = Acquisition and restitution : the Toorop case : a study into the provenance of two art works. Rotterdam : Museum Boijmans Van Beuningen, 2008.

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Verwerving en restitutie : de zaak Toorop : Een studie naar de herkomst van twee kunstwerken = Acquisition and restitution : the Toorop case : a study into the provenance of two art works. Rotterdam : Museum Boijmans Van Beuningen, 2008.

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3

C, Morton A., Todd S. P et Haughton P. D. W, dir. Developments in sedimentary provenance studies. London : Geological Society, 1991.

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4

Abhijit, Basu, dir. Quantitative provenance studies in Italy = : Studi di provenienza quantitativa in Italia. Roma : Istituto poligrafico e Zecca dello Stato, 2002.

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5

Tom, Nesmith, Society of American Archivists et Association of Canadian Archivists, dir. Canadian archival studies and the rediscovery of provenance. Metuchen, N.J : Scarecrow Press, 1993.

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6

J, Bwanali Richard, et Forestry Research Institute of Malawi., dir. Phenological studies of an international provenance trial of Sclerocarya birrea in Malawi. [Zomba, Malawi : Forestry Research Institute of Malawi, 2004.

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7

Marantidou, Panagiota. Terracotta statues and figurines of cypriote type found in the Aegean : Provenance studies. Nicosia : A. G. Leventis Foundation, 2009.

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8

Pierce, Elizabeth Lane. Antarctica's Geologic and Ice Sheet History from Isotopic Sedimentary Provenance Studies. [New York, N.Y.?] : [publisher not identified], 2012.

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9

Kuzʹmin, I︠A︡. V., editor of compilation, dir. Methodological issues for characterisation and provenance studies of obsidian in Northeast Asia. Oxford : Archaeopress, 2014.

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10

Kunstfälschung & Provenienzforschung : Am Beispiel von drei Fälschungen aus dem aktuellen Kunstmarkt. Mainz : Chorus Verlag für Kunst und Wissenschaft, 2013.

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11

Marc, Waelkens, Herz Norman 1923- et Moens Luc, dir. Ancient stones : Quarrying, trade and provenance : interdisciplinary studies on stones and stone technology in Europe and Near East from the prehistoric to the early Christian period. Leuven, Belgium : Leuven University Press, 1992.

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12

Hedayat Munroe, Nazanin. Sufi Lovers, Safavid Silks and Early Modern Identity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721738.

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This book examines a group of sixteenth- and seventeenth-century figural silks depicting legendary lovers from the Khamsa (Quintet) of epic Persian poetry. Codified by Nizami Ganjavi in the twelfth century, the Khamsa gained popularity in the Persian-speaking realm through illustrated manuscripts produced for the elite, creating a template for illustrating climactic scenes in the love stories of “Layla and Majnun” and “Khusrau and Shirin” that appear on early modern silks. Attributed to Safavid Iran, the publication proposes that dress fashioned from these silks represented Sufi ideals based on the characters. Migration of weavers between Safavid and Mughal courts resulted in producing goods for a sophisticated and educated elite, demonstrating shared cultural values and potential reattribution. Through an examination of primary source materials, literary analysis of the original text, and close iconographical study of figural designs, the study presents original cross-disciplinary arguments about patronage, provenance, and the socio-cultural significance of wearing these silks.

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Bagnoli, Luca, dir. La lettura dei bilanci delle Organizzazioni di Volontariato toscane nel biennio 2004-2005. Florence : Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-640-2.

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This study, emerging from workshop activity carried out as part of the course on ECONOMY AND ADMINISTRATION OF CO-OPERATION AND NON-PROFIT, represents an examination of the economic-financial dimension of the work of the Tuscan voluntary organisations. It is inserted within an articulated research process devoted to an analysis of the accountability of these third sector agents, in the awareness that voluntary work has always been an important factor in civil progress. More specifically, the economic and financial information made available to the provinces as a result of the obligation on the voluntary organisations to deposit the annual financial statement has been fully exploited. This compliance has thus been transformed from a mere bureaucratic procedure into an opportunity for a collective cognitive enrichment through collection at regional level, reclassification and the aggregate analysis of the economic and financial data relating to the management reports (profit and loss accounts) of the voluntary organisations for 2004-2005. This has made it possible to underscore the nature and provenance of the economic and financial resources that accrue annually to such bodies, as well as the principal productive factors "consumed" in the performance of their activities.

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Collecting and Provenance. Cambridge Scholars Publisher, 2021.

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Morton, A. C., R. A. Scott et H. R. Smyth. Sediment Provenance Studies in Hydrocarbon Exploration and Production. Geological Society of London, 2014.

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16

Native Provenance : The Betrayal of Cultural Creativity. University of Nebraska Press, 2019.

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17

Vizenor, Gerald Robert. Native Provenance : The Betrayal of Cultural Creativity. University of Nebraska Press, 2019.

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18

Juynboll, G. H. A. Muslim Tradition : Studies in Chronology, Provenance and Authorship of Early Hadith. Cambridge University Press, 2012.

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Juynboll, G. H. A. Muslim Tradition : Studies in Chronology, Provenance and Authorship of Early Hadith. Cambridge University Press, 2010.

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20

The Arcadian Library Studies in the Arcadian Library. Oxford University Press, USA, 2012.

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21

Rasic, Jeffrey T. Archaeological Evidence for Transport, Trade, and Exchange in the North American Arctic. Sous la direction de Max Friesen et Owen Mason. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199766956.013.50.

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A wide variety of materials, including lithics, manufactured goods, and food circulated within and between communities in the North American Arctic, including fish and sea-mammal oil, dried meat and fish, skins and furs, walrus ivory, and wood, as well as nephrite jade, soapstone, chert, obsidian, slate, graphite, pyrite, galena, jet, lignite coal, amber, quartz crystal, and hematite. This review considers only the inorganic materials. To establish provenance, Arctic researchers employ standard methods including trace-element characterization, geochemistry, petrography, stable isotope values, visual appearance, and geochronology. The geographic coverage extends across the North American Arctic from western Alaska to Labrador, considering each material’s precontact uses, geological source locations, and distribution patterns in time and space, concluding with the prospects and status of provenance studies.

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22

Pearson, David. Provenance Research in Book History : A Handbook (The British Library Studies in the History of the Book). British Library, 1995.

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23

Leaver, Robin A. Bach’s Choral-Buch ? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0002.

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This chapter examines a collection of Bach chorale harmonizations copied in Dresden sometime during the 1730s, with the goal of clarifying both its likely provenance and purpose. “Sebastian Bach’s Choral-Buch” is a collection of chorales—melodies with figured bass, intended to accompany singing—given in a sequence similar to that found in many hymnals. The mid-eighteenth-century manuscript was purchased from Hans P. Kraus, Vienna, in September 1936 by the Sibley Library at the Eastman School of Music. This chapter first describes the Sibley Choralbuch before reviewing its provenance and content. It then considers the manuscript’s significance as a possible source of evidence for the practices of the circle of organists who studied with Johann Sebastian Bach in the 1730s and 1740s. It argues that Choralbuch served as a workbook for learning how to create four-part settings but had a double usefulness: Bach could assign particular chorale melodies for the pupil to work on as test pieces, while the anthology could serve to accompany chorale singing at services.

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Weller, Matthias, Nicolai B. Kemle, Thomas Dreier et Karolina Kuprecht, dir. Raubkunst und Restitution – Zwischen Kolonialzeit und Washington Principles. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748911579.

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The collection of the contributions of the 13th Heidelberger Kunstrechtstag deals under the general theme „Looted Art and Restitution“ with fundamental issues of restitution law, the protection of cultural property, art law and art procedural law as well as provenance research. Topics of this year: The art collector and the art law; Provenance – History and perspectives of a new paradigm in humanities and cultural studies; Works of art in the crosshair of the persecution of the Jews in the National Socialism; Why a “Restatement of Restitiution for Nazi-Confiscated Art?“ on the example of escape goods; Intellectual property for traditional knowledge, traditional cultural forms of expressions and indigenous resources between post- and neocolonialism; Intellectual property and traditional art; Cultural assets from colonial times and restitution; The Bangwa Queen – Artifact or heritage? With contributions by Prof. Dr. Dr. h.c. mult. Erik Jayme, LL.M. (Berkeley); Prof. Dr. Christoph Zuschlag; Jun.-Prof. Dr. des. Ulrike Saß; Prof. Dr. Matthias Weller, Mag.rer.publ. und Anne Dewey; Prof. Dr. Thomas Dreier, M.C.J. (New York), Prof. Dr. Andreas Rahmatian; Dr. Karolina Kuprecht and Prof. Dr. Evelien Campfens

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Crowley, Lara M. Interpreting Manuscript Contexts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.003.0001.

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Chapter 1 introduces and explores the book’s central thesis through considering practices by Donne’s early readers, placing this study into recent critical conversations on Donne and manuscript culture, and establishing its contribution to such conversations. In addition to adding several discrete examples of manuscript investigations that suggest early interpretive responses to Donne’s texts, this chapter advances a methodological approach for examining literary works within original artifacts: it delineates manuscript elements to investigate in order to uncover clues regarding early modern literary interpretations. These components include provenance, papers and how they were constructed into books, scribes, marginalia, titles, ascriptions, paratexts, and contents and their sequences. Because one cannot anticipate which elements will prove most informative for any given manuscript, all components require attention. This pragmatic approach to manuscript study encourages scholars to embark on explorations traditionally relegated to bibliography and textual studies that actually prove essential to literary criticism.

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26

Clegg, Stewart R., et Miguel Pina e. Cunha. Organizational Dialectics. Sous la direction de Wendy K. Smith, Marianne W. Lewis, Paula Jarzabkowski et Ann Langley. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198754428.013.5.

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The classical conception of dialectics is introduced and its applicability and applications in management and organization studies considered. Given its provenance in Hegelian and Marxist thought one might not expect managerialist thinkers to have embraced the central notion of contradictions—one would be mistaken. After considering managerialist accounts of contradictions, which it argues are non-dialectical, this chapter considers how the classical trinity of never-ending unfolding thesis/anti-thesis/synthesis, the result of which forms a new thesis for the endless return of the dialectic and, animated by the central elements of contradiction to the dialectic, might be used in management and organization studies. Instances of positive and negative dialectics are considered before moving to a consideration of gaps and future research, concluding, as is customary, with conclusions.

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27

Gold, Barbara K. Carthage. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195385458.003.0006.

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This chapter first lays out how we understand Christianity, contemporary ways of exploring ancient religion, and how contemporary studies of religious movements can help us to understand ancient religion; it also explores the social, economic, historical, archaeological, or other cultural forces that intersect with and explain the many facets of religious experience. It further discusses the provenance of Christianity in Roman Carthage; how Christianity started as a very small sect and became a dominant religion in a short period of time; Stark’s thesis about methods of and reasons for conversion; how a Christian or Christian group would have been identified and where they would have met; and who policed religious groups in the Roman empire. Finally the chapter discusses what difference Christianity and Christianness would have made in everyday life in Carthage.

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Allison, Penelope M. The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.001.0001.

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This book contains catalogues, analyses, photographs and drawings of some 2,000 archaeological artifacts excavated from the Insula of the Menander in Pompeii. The catalogues, and analyses are organized by provenance--buildings, rooms, and location within rooms--so that the reader can understand the artifacts as household assemblages. The functions of artifacts and groups of artifacts are discussed, as are the Latin names which are often given to these artifacts, and the relationships of these assemblages to the state of occupancy of the buildings in the Insula during the last years of Pompeii. This study, therefore, provides a wealth of information, not only on the range and use of artifacts in Pompeian houses but also on Roman artifacts, and Roman society, more generally.

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Ekelund, Robert B., John D. Jackson et Robert D. Tollison. American Art and Illegal Activity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190657895.003.0006.

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This chapter presents an economic characterization of theft and fakery in the art world generally and with respect to American art specifically. When costs are low or benefits are high, there is more theft and fakery. That happens to be the case in the generally opaque market for art. With low national and international enforcement and higher and higher prices for art, we should not be surprised that art crime is the third largest criminal enterprise in the world. Art is used as “money” in drug operations and in money laundering of other illicit activities. Authenticity through experts, provenance, and exhibition records may add credence or establishment of authenticity to a work of art but, in many case, such “credence” may be faked. The story of art crime is told through a multiplicity of examples and “case studies,” derived primarily from theft and fakery of American art.

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Lev Kenaan, Vered. The Ancient Unconscious. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827795.001.0001.

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Commonly understood as a modern conceptual invention rather than the discovery of a psychic reality, the notion of the unconscious is often criticized by traditional classicists as an anachronistic lens, one that ineluctably subjects ancient experience to modern patterns of thought. The book challenges this ambivalent theoretical disposition toward the psychoanalytic concept by offering an interpretation of the unconscious, explaining why this concept is in fact inseparable from, and crucial for, the study of the ancient text and more generally for the methodology of classical philology. The book thus examines the complicated, often conflicted, relationship between classical studies and psychoanalytic theory. The Ancient Unconscious considers the debate over whether the ancients had an unconscious as an invitation to rethink the relationship between antiquity and modernity. While antiquity does not provide organic provenance for modernity, it is nevertheless the case that despite the cultural and historical distance, the two epochs are firmly connected. The book investigates the meaning of the textual ties created by arbitrary, spontaneous, and unintentional contacts between the past and its future. Understanding the meaning of textuality through contact between times, historical moments that have no priority under the law of chronology, goes hand in hand with the book’s interpretation of the unconscious. Associations and connections between the past and its future—including the present—belong to the sphere of the unconscious. This latter is primarily employed here in order to study the inherent, often hidden links that bind modernity to classical antiquity, modern to ancient experiences.

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Hunt, Alice, dir. The Oxford Handbook of Archaeological Ceramic Analysis. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199681532.001.0001.

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The Oxford Handbook of Archaeological Ceramic Analysis draws together topics and methodologies essential for the socio-cultural, mineralogical, and geochemical analysis of archaeological ceramic. Ceramic is one of the most complex and ubiquitous archaeomaterials in the archaeological record: it occurs around the world and through time in almost every culture and context, from building materials and technological installations to utilitarian wares and votive figurines. For more than 100 years, archaeologists have used ceramic analysis to answer complex questions about economy, subsistence, technological innovation, social organization, and dating. The volume is structured around the themes “Research design and data analysis,” “Foundational concepts,” “Evaluating ceramic provenance,” “Investigating ceramic manufacture,” “Assessing vessel function,” and “Dating ceramic assemblages.” It provides a common vocabulary and offers practical tools and guidelines for ceramic analysis using techniques and methodologies ranging from network analysis and typology to rehydroxylation dating and inductively coupled plasma mass spectrometry. Each chapter provides the theoretical background and practical guidelines, such as cost and destructiveness of analysis, for each technique, as well as detailed case studies illustrating the application and interpretation of analytical data for answering anthropological questions.

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Jung, Reinhard, dir. Punta di Zambrone I. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/978oeaw86151.

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This monograph presents a significant portion of the scientific results of the archaeological excavations at the Bronze Age settlement site of Punta di Zambrone on the Tyrrhenian coast of Calabria (southern Italy). These excavations were conducted from 2011 to 2013 in an Italian-Austrian cooperation. The book is the first in a series dedicated to the final publication of those excavations and focuses on the later part of the settlement history (13th–12th cent. BCE). Major topics include the topography of the site (including a harbour bay), its chronology, investigations into the economic basis of the Bronze Age society and its local, regional and interregional interactions. The new data from Punta di Zambrone are evaluated in comparison with new research results from coeval sites in Italy and Greece, which forms the basis for a historical contextualization of the settlement and thus contributes to the broader reconstruction of Mediterranean history at the end of the second millennium BCE. These coeval sites are presented by their excavators or investigators. The authors conducted geophysical and bathymetric surveys as well as underwater archaeological investigations, typological analyses of artefacts, a definition of the relative and absolute chronology, archaeobotanic and archaeozoological studies, aDNA analysis, Sr isotope analyses on human and animal teeth, chemical and Pb isotope analyses on metal artefacts, provenance analyses of pottery vessels, amber and stone artefacts (from Zambrone and other sites).

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Penny, H. Glenn. In Humboldt's Shadow. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691211145.001.0001.

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The Berlin Ethnological Museum is one of the world's largest and most important anthropological museums, housing more than a half million objects collected from around the globe. This book tells the story of the German scientists and adventurers who, inspired by Alexander von Humboldt's inclusive vision of the world, traveled the earth in pursuit of a total history of humanity. It also details the fate of their museum, which they hoped would be a scientists' workshop, a place where a unitary history of humanity might emerge. The book shows how these early German ethnologists assembled vast ethnographic collections to facilitate their study of the multiplicity of humanity, not to confirm emerging racist theories of human difference. It traces how Adolf Bastian filled the Berlin museum in an effort to preserve the records of human diversity, yet how he and his supporters were swept up by the imperialist currents of the day and struck a series of Faustian bargains to ensure the growth of their collections. The book describes how influential administrators such as Wilhelm von Bode demanded that the museum be transformed into a hall for public displays, and how Humboldt's inspiring ideals were ultimately betrayed by politics and personal ambition. The book calls on museums to embrace anew Bastian's vision while deepening their engagement with indigenous peoples concerning the provenance and stewardship of these collections.

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Özpınar, Ceren, et Mary Kelly, dir. Under the Skin. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.001.0001.

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Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today is set out to show what is beneath the surface, under the appearances of skin, body, colour and provenance, and not the cultural fixities or partial views detached from the realities of communities, cultures and practices from the area. Through 12 chapters, Under the Skin brings together artistic practices and complex histories informed by feminism from diverse cultural and geographical contexts: Algeria, Egypt, Iran, Israel, Lebanon, Palestine, Saudi Arabia, Syria, Tunisia and Turkey. The aim is not to represent all of the countries from the Middle East and North Africa, but to present a cross-section that reflects the variety of nations, cultures, languages and identities across the area—including those of Berber, Mizrahi Jews, Kurdish, Muslim, Christian, Arab, Persian and Armenian peoples. It thus considers art informed by feminism through translocal and transnational lenses of diverse ethnic, linguistic and religious groups not solely as a manifestation of multiple and complex social constructions, but also as a crucial subject of analysis in the project of decolonising art history and contemporary visual culture. The volume offers an understanding on how art responds to and shapes cultural attitudes towards gender and sexuality, ethnicity/race, religion, tradition, modernity and contemporaneity, and local and global politics. And it strives to strike a balance by connecting the studies of scholars based in the European-North American geography with those attached to the institutions in the Middle East and North Africa in order to stimulate different feminist and decolonial perspectives and debates on art and visual culture from the area.

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