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Garavito, Cecilia. « Sen, Amartya, Poverty and famines an essay on entitlement and deprivation, Oxford Clarendon Press, 1981 ». Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/118098.
Texte intégralVega-Centeno, Máximo. « Jean, DREZE y Amartya, K. SEN (1989). Hunger and Public Action. Wider Studies in Economic Development. Oxford. Oxford University Press-Clarendon Press ». Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/116798.
Texte intégralDaly, Timothy Michael. « Towards a fugitive press : materiality and the printed photograph in artists' books ». Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.
Texte intégralMoskofian, Krikor. « Literature and survival : literary criticism and the construction of cultural identity in Armenian printed press of diaspora 1919-1928 ». Thesis, SOAS, University of London, 2010. http://eprints.soas.ac.uk/28732/.
Texte intégralFiander, Robert Owen. « Marshall McLuhan, the printed word, and nineteenth-century outcasts of literacy ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq62171.pdf.
Texte intégralVasconcelos, Micheline Reinaux de. « As boas novas pela palavra impressa : impressos e imprensa protestante no Brasil (1837-1930) ». Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12629.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work deals with the Protestant press in Brazil, covering the Baptist and Presbyterian s printed production, between the year 1837 and 1930. Firstly, we introduce the Protestant press production, namely, the multiplicity of ways in which it manifested itself, and the interests which it tried to serve. Following this, we tackle its diffusion, which includes the printing centers, and the ways of distribution used by editors. The perusal of these sources demonstrates that they were engaged in the struggle for the Brazilian religious spaces, but also as a doctrinal teaching tool for those converted to Protestantism. Being present since the early Protestant missionaries undertakings in the country, the circulation of those printed texts starts with the beginning of systematic distribution of Bibles and leaflets by the Bible Societies foreign institutions in Brazil. This is therefore, the initial milestone of our study. The final line is the year 1930, because in the following years the nature of relationship between the Brazilian political and religious fields was changed, mainly due to the fact that the National State and the Catholic Church became closer again. Finally, the studying of such press circulation warrants proposing that the Protestant printed papers and press were so deeply related to the building of Protestantism in the Brazilian territory, that we can therefore assure that the establishment of this press was a constitutive piece of a Protestant culture in Brazil
O presente trabalho aborda os impressos e a imprensa protestante no Brasil, entre os anos de 1837 e 1930, abrangendo as denominações presbiteriana e batista. Primeiramente, busca-se indicar a sua produção, ou seja, a multiplicidade de formas em que se apresentava e a que fins almejava servir. Em seguida, aborda-se a sua difusão, que contempla os centros editoriais e as formas de distribuição utilizadas pelos editores. A pesquisa dessas publicações demonstra que foram empregados na disputa pelo espaço religioso brasileiro, mas também como instrumentos de ensino doutrinário destinado aos conversos. Presentes desde as primeiras iniciativas de missionação protestante no país, a circulação destes textos tem seu ponto de partida com o início da distribuição sistemática de Bíblias e folhetos pelas sociedades bíblicas entidades estrangeiras no Brasil. Este é, portanto, o marco inicial do estudo. O ponto de chegada é o ano de 1930 devido a que nos anos subseqüentes altera-se a natureza das relações entre os campos religioso e político brasileiros, sobretudo, pela reaproximação entre a Igreja católica e o Estado nacional. O estudo da circulação de tais impressos permite, enfim, propor que os impressos e a imprensa protestantes estiveram de tal maneira imbricados à formação do protestantismo no país, a ponto de poder-se afirmar que a formação desta imprensa foi parte constitutiva de uma cultura protestante no país
Calderone, Amélie. « Entre la scène et le livre : formes dramatiques publiées dans la presse à l'époque romantique (1829-1851) ». Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20101.
Texte intégralDuring the period 1829-1851, numerous factors brought about a reconfiguration of the relationship between print media and dramatic genres: the appearance of major literary journals, the introduction of low-priced printed press, the proliferation of mass periodicals and their increased print runs. These factors echoed not only the economic, social and political upheavals that characterized the first half of the 19th-century in post-revolutionary France but also the sweeping changes that affected the Parisian stage. As a result, one notes an increased presence of dramatic texts in the printed press. They may appear in various forms, as serialized theatrical plays, extracts, fragments but also collections of scenes and dramatized or dialogue-based articles – their length tailored to the newspaper format. Thus, between the stage and the page, dramatic forms could reach the public through a third access channel: print media. Their shared discursive, stylistic and formal features blur and even obliterate the boundaries between dramatic texts and periodical writing. In this particular context, the concept of “dramatic genre” does not apply and what we call “drama” does not exist as such. The result is a mixed mass of text, combining journalistic and dramatic materials. The “proper” plays that were circulated in the press, or even written for it, should be studied against the backdrop of this fully significant editorial context. An entire branch of Romantic playwriting was “media-oriented” and should be understood as such, with a new focus on context and co-text within an editorial framework subject to trends, collective temporality, collaborations and reading effects resulting from the influence of adjacent articles.The study of the close relationship between dramatic forms and their means of dissemination in the second third of the 19th-century gives a new, media-oriented and largely text-centered perspective on the history of the Romantic drama. Besides highlighting long-forgotten authors, events or diverse dramatic forms, it also prompts a new approach to the dramatic writings of well-established authors such as George Sand, Alfred de Vigny or Alfred de Musset
Nordberg, Nadja, et Clara Isaksson. « Skogsbränderna 2018 : Lokala hjältar och ett nationellt problem : En kvantitativ innehållsanalys av gestaltningar i rapporteringen av skogsbränderna 2018 i nationell- och lokal press ». Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-33118.
Texte intégralSommaren 2018 har gått till historien som en av de varmaste somrarna i Sverige genom tiderna. Det brann i skogarna på flera platser runt om i landet och i efterhand så har bränderna beskrivits som de mest omfattande skogsbränderna i Sverige i modern tid.Syftet med denna uppsats är att undersöka hur gestaltningen av skogsbränderna såg ut i både lokalpress och rikstäckande press. Metoden vi valde för att genomföra undersökningen var en kvantitativ innehållsanalys. Totalt analyserades 115 artiklar som handlade om skogsbränderna. 74 från lokaltidningarna Ljusdals-Posten och Mora Tidning samt 41 från de rikstäckande tidningarna Dagens Nyheter och Svenska Dagbladet.Resultatet av studien visade att det fanns stora skillnader i rapporteringen om och gestaltningen av skogsbränderna mellan de lokala tidningarna och de rikstäckande tidningarna. De lokala tidningarna hade ett mycket större fokus på närhet i sin rapportering jämfört med de rikstäckande tidningarna som i mycket högre grad fokuserade på hot och konflikter. Resultatet visade även att de lokala tidningarna hade en mycket mer positiv tonalitet i sin rapportering till skillnad från de rikstäckande tidningarna som var övervägande negativa.
Nolskog, Cajsa. « Det gör ont när mödomshinnor brister : En studie över gestaltningsramar om hymen i svensk tryckt press ». Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-149644.
Texte intégralVieira, Patrícia Machado. « Psiu ! Fermento ! : pastoral da juventude e imprensa estudantil nos anos 1980 a 1990 ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/106488.
Texte intégralThe dissertation examines printed student youth of the 80s and 90s of the twentieth century, produced in Rio Grande do Sul, especially those periodicals that circulated among young students, made by young people themselves. Adopts the theoretical assumptions of Cultural History and the history of written culture, under the inspiration of the studies of Roger Chartier and Arlette Farge. Printed two sets of student youth are analyzed: the first set consists of 31 issues of the journal titled Psiu, produced by Pastoral da Juventude Estudantil in your organization at the state level, Rio Grande do Sul; the second comprises 19 issues, two letters and three special issues of the journal entitled Fermento, produced by the Coordination of Pastoral da Juventude of the Archdiocese of Porto Alegre. As additional documentation, oral documents were produced from conducting three interviews, one with a young man who participated in the making of one of the journals, one with an adult advisor to the Pastoral da Juventude who served during the period of circulation of Psiu and yeast and a with a young man released, the operative time in this context. The interviews, comprehensive character, focused on three areas: motivations, and processes involved in production of these printed. From this empirical corpus, the analysis attempts to capture the uses of these objects in their contexts of production and circulation. To this are described: these materiality printed, or media in which data are read texts; textual and typographical devices, or protocols proposed in reading Psiu and Fermento; the many images that integrate these journals, and that relate to the texts and the visual identity of printed, also characterizing them as reading protocols. It was found that variations in the brackets show the number of pages, print quality, formatting text, size. However, the presentation or the graphic and editorial structure is constant, especially for its artisanal character. Can be inferred that such features discursive genre of printed student, especially the youth ministry between 80 and 90 years of the twentieth century, as well as an inspiration for other newspapers in circulation printed and to which young people had access. The study describes and also analyzes the production practices that have been implicated in Psiu and Fermento, availing himself of the references in printed themselves and the information obtained in the interviews. These references show the artisanal character of production and the involvement of young people in all stages, from written texts to the distribution of printed. Finally, it is worth highlighting the formative role played by these practices linked to the production of printed Pastoral da Juventude of the Catholic Church. Young people had read a lot, wrote texts, busied themselves in making (composition, typesetting), printing and distribution of printed, a process that enabled them to acquire new knowledge, learning and skills. The context of action in which they were inserted itself can be conceived as an intense and extensive educational process, appointed by the Pastoral da Juventude and youth training.
Andersson, Hanna, et Joanna Rosenblad. « Sena nätter och farliga män –Vad säger media ? : En kvalitativ studie om gestaltningen av våldtäktsoffer i media ». Thesis, Högskolan Dalarna, Sociologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-25525.
Texte intégralThis essay investigates how rape victims are shown in two different Swedish newspapers (Dagens nyheter and Aftonbladet) and if there are any differences depending on the victim’s sex. The study is using critical discourse analysis for the selected news articles to find out if the views differentiate. To be able to do this we have based our research in gender theory and the theory of stigma created by Goffman. The results if this study generates three categories: "ideal victims", "non-ideal victims" and "male victims". Apart from these, another category was detected: "discussion or debate articles". Articles that categorises as "ideal victims" contains fewer details of the crime than the articles about "non-ideal victims". The category "male victims" vas created because the articles from this category was seriously diminished, we could on the other hand also apply the two previously stated categories on this one. The articles from the discussion or debate category brings up the problems of rape in a more general matter. The majority of these are speaking to or about women. The conclusion of this study is that media is presenting male and female rape victims differently. This shows, among other conclusions, that articles about female victims contains more details about the victim than articles about men; articles about men do in general rapport lesser details. This contributes to media’s control over the general view on rape victims and have therefor the opportunity to make this situation better. Media can create a more equal image of male and female victims where both will be needing support from society.
Costa, Alvaro Daniel. « A COMEMORAÇÃO DO CENTENÁRIO DA IMPRENSA PERIÓDICA BRASILEIRA NO IHGB : UMA MEMÓRIA DO JORNALISMO NACIONAL (1908) ». Universidade Estadual de Ponta Grossa, 2017. http://tede2.uepg.br/jspui/handle/prefix/2365.
Texte intégralMade available in DSpace on 2017-09-29T13:31:27Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Alvaro Costa.pdf: 7226934 bytes, checksum: 64376d2cd610081a1a61945b958ddb45 (MD5) Previous issue date: 2017-08-25
A presente dissertação tem por escopo um estudo da memória e comemoraçãdo centenário da imprensa a partir da Revista do Instituto Histórico oe Geographico Brazileiro (IHGB). A edição comemorativa da revista IHGB visava elaborar uma espécie de inventário completo sobre todos os jornais publicados em território nacional até então. Cada estado teria um responsável por realizar esse levantamento que posteriormente seria publicado em formato de inventário. De acordo com o Instituto existiram no país aproximadamente 25 mil títulos impressos ao longo dos cem primeiros anos de imprensa oficial, contudo, foram contabilizados e publicados em forma de catálogos aap driosxciumsasdãaom seonbtree 5a cmoiml joermnaoirsa.ç Dãoe sdsoa cmenatneeniárar,io o d fao cimo pprreinncsiap aalt rdaevsétes deos tTudoom oé Consagrado à Exposição Commemorativa do Primeiro Centenário da Imprensa Periódica no Brasil, bem como outras edições regionais produzidas pelo IHGB como, por exemplo, dos estados de Pernambuco, Paraná e São Paulo. Neste caso, a imprensa como veículo fundamental na formação para a história escrita e história do Brasil. A empreitada pensada pelo Instituto serviu como uma revisão da produção impressa nacional e regional, além de ter sido um esforço intelectual coletivo que pensou a história da imprensa do Brasil. O presente estudo mostra também que o jornalismo brasileiro teve rápido desenvolvimento se for levado em consideração que a palavra impressa só foi oficialmente aceita no país no século XIX. Os discursos dos intelectuais do IHGB avaliaram a imprensa como fator importante do progresso do país, sendo esse pretexto mais do que relevante para a organização do centenário.
The present dissertation has as scope a study of the memory and commemoration of the centenary of the press from the Revista do Instituto Histórico e Geographico Brazileiro (IHGB). The commemorative edition of the magazine IHGB aimed to elaborate a sort of complete inventory of all the newspapers published in the national territory until then. Each state would have one responsible for conducting the survey that would later be published in inventory format. According to the Institute, there were approximately 25,000 titles printed in the country during the first 100 years of the official press, however, approximately 5,000 newspapers were published and published in the form of catalogs. In this way, the focus of this study is the discussion about the commemoration of the centennial of the press through the Consecrated Tomo to the Commemorative Exhibition of the First Centenary of the Periodic Press in Brazil, as well as other regional editions produced by the IHGB, such as the states of Pernambuco, Paraná and São Paulo. In this case, the press as a fundamental vehicle in training for the written history and history of Brazil. The project designed by the Institute served as a review of the national and regional print production, and was a collective intellectual effort that thought the history of the Brazilian press. The present study also shows that Brazilian journalism has developed rapidly if it is taken into account that the printed word was only officially accepted in the country in the 19th century. The speeches of the intellectuals of the IHGB evaluated the press as an important factor of the country's progress, being this pretext more than relevant for the organization of the centenary.
Rehn, Sandra, et Emma Siljeholm. « Kvinna gråter och mannen kritiserar : En genuskritisk text- och innehållsanalys om manlig och kvinnlig katastrofjournalistik ». Thesis, Högskolan i Gävle, Media- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27593.
Texte intégralThis study is aiming to investigate if there is a detectable difference, and if so, what characterizes that difference, between female and male written language in news reports from two catastrophic events that have had great impact on the Swedish society, namely the disco fire in Gothenburg in 1998 and the tsunami that hit the Bay of Bengal in 2004. For the purpose of the investigation, 78 articles were pulled from the Swedish newspapers Dagens Nyheterand Svenska Dagbladet, with help by the newspaper search engine Retriever. Those articles were then closely examined through the use of both qualitative and quantitative content analysis. The study showed that there were some differences to be found in the language use of female and male journalists concerning the two news events. Some of these differences being that the female reporters both tended to use more pronouns in their texts, and too describe events in more detail than their male colleagues. Other features that set female and male articles apart, were that female texts tended to contain more words than male texts at the same time as being more emotionally orientated. Articles by female writers also tended to be divided into shorter sentences than articles by male writers.
Fines, Schlumberger Jacques-André. « Enjeux techniques et politiques de la "communication optique" entre un titre de presse imprimée et un ordiphone ». Thesis, Paris 2, 2012. http://www.theses.fr/2012PA020008/document.
Texte intégralSince 2002 in Asia, and 2005 in Europe and the United States, press editors and advertisers have offered access to digital content and services to readers that possess a smartphone. These new forms of communication blur the traditional relationships between press editors, advertisers and readers. To study the technical and political elements concerning these new communication services, we rely on the three-layer network approach: the physical, the logical and the content infrastructure layer. The physical layer is located between the sheet of paper and the electronic device that links the user to a network. The logical layer corresponds to the form (private or public) of what is printed on the page (i.e., human readable or machine language) and the software employed (i.e., local or distant reading), be it synchronously (augmented press) or asynchronously (graphic codes, image search or image identification). The third layer concerns the way the content from the printed page are presented on the screen of the smartphone. Our study equally aims to shed light on the current legal translations of software methods: when based on content, the methods are seen to concern intellectual property law; whereas when based on computer language they concern the laws on hyperlinks. With smartphones, a printed edition evolves from an information medium to an electronic communication channel where the context and the identity of the user play an innovative role in the transmission and access to information
Marqués, Pascual Joaquín. « La caída de difusión de los diarios de pago. Principales causas y su relevancia en el caso español ». Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/101465.
Texte intégralPrinted newspapers are going through a difficult situation that could threaten its survival. This paper aims to identify and quantify the extent to influence each of the causes that affect this scenario such as the expansion of digital media, the advent of free newspapers, the degree of commitment to parallel distribution channels, such as the subscription or other, the impact of the evolution of traditional outlets, the pricing of the product, a possible change in social habits, or the beginning of the economic crisis. The study around a concrete case. The evolution of the six major Spain's newspapers in according to their diffusion (ie, El País, El Mundo del Siglo XXI, ABC, La Vanguardia, El Periódico, and La Razón), during the period 2000-2010 analyzing in detail their distribution and audience data.
Els diaris impresos estan passant una difícil situació que podria amenaçar la seva supervivència. Aquest treball pretén determinar i quantificar en quina mesura influeixen cadascuna de les causes que afecten aquest escenari com són l'expansió de la premsa digital; la irrupció dels diaris gratuïts; la major o menor aposta per canals de distribució paral•lels, com la subscripció o altres; la incidència de l'evolució dels punts de venda tradicionals; la determinació del preu del producte; un possible canvi d’hàbits socials; o el començament de la crisi econòmica. L'estudi es concreta al voltant d'un cas. L'evolució dels sis diaris generalistes més importants d'Espanya en funció de la seva difusió (és a dir, El País, El Mundo del Siglo XXI, ABC, La Vanguardia, El Periódico de Catalunya, i La Razón), durant el període 2000-2010, analitzant amb detall les seves dades de difusió i audiència.
Chang, Ya-chu, et 張雅筑. « The impact of printed press and media on the rise of Chinese opera actresses to stardom (1912-1937) ». Thesis, 2016. http://ndltd.ncl.edu.tw/handle/66217065121477429307.
Texte intégral國立中央大學
中國文學系
104
Female opera actresses in modern Chinese operas were an important facet in urban cultural entertainment, as they introduced significant changes to opera traditions and raised public awareness of their profession. These opera actresses have become the focus of the current media’s attention, which has reported on many different aspects of the role. Thus, they created a dynamic image for the actresses in modern Chinese opera. This research article focused on Chinese opera actresses active in Beijing, Tianjin, and Shanghai between 1912 and 1937. This era has supported many well-established publishers and media outlets, as it was a breakthrough of information dissemination from the traditional word of mouth method to printed press releases. The combination of media reporting and the performances of the opera actresses themselves became a promotional movement to create opera stars in this area of mass entertainment. During the study period, there were many press articles focused on the acting skills of the women as well as the content of the opera. Although these reports may have generated a stereotypical (i.e., negative) image for the audiences, the opera actresses, advocates, and critics all attempted to build a new positive image for this profession. These efforts represented the endeavor to increase the social standing and societal value of opera actresses. Opera actresses have played a vital role in the development of modern Chinese opera, and contributed to significant advancements made in performance art. They have laid the foundation for the development of the modern opera.
ČERNÝ, Aleš. « Prezidentská volba F. D. Roosevelta v USA v roce 1932 a její reflexe v dobovém českém tisku ». Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-375914.
Texte intégralSaraiva, Miguel Serra Pinto Filipe. « Um Livro Fantasma : CHRISTIANI PVERI INSTITVTIO ADOLESCENTIAE QUE PERFUGIUM ... de Macau, 1588 ». Master's thesis, 2019. http://hdl.handle.net/10362/77153.
Texte intégralThe objective of the following master's dissertation is the analysis of the historical significance of Macau's Christiani Pueri Institutio Perfugium, published in 1588: the first book printed in the Far East with western characters and by movable types. The great number of differences present in this particular edition of Juan Bonifacio's (1538- 1606) work questions it´s own nature and authorship. In this regard, we differentiate the contexts, motives and contents concerning each edition, making our analysis in two terms: on the first, we'll refer to the aspects concerning with the European editions, contrasting with the singleness of the edition form Macau on the second part. Following, we conclude with a comparative study where we distinguish and define the unique significance of the work published in Macau.
Кузнецова, Д. А., et D. A. Kuznetsova. « Театральные корпоративные издания : особенности контент-маркетинговой стратегии : магистерская диссертация ». Master's thesis, 2019. http://hdl.handle.net/10995/78093.
Texte intégralThe purpose of the master's thesis is to identify the editorial specifics of the content-marketing strategy of the theatrical corporate publications, followed by recommendations. The editorial approach to creating the content-marketing strategy for the theatrical corporate publication determines the novelty of the research. The foundation for the research was the theatrical corporate publications of «Ural Opera Ballet» and the Moscow theater «New Opera». The total volume of the analyzed material was more than 1200 texts of different genres and more than 1950 illustrations from 135 editions. Notes, interviews and photography as a visual genre were in focus of research attention. During the process of research, the communicative tactics were analyzed by the notes and interviews. These tactics contribute to the solution of the tasks, which are set by the content-marketing strategy. Communicative tactics were divided into four groups – comparative, influencing, self-presentation, relationship with the viewer. Tactics of care and participation, «problem field», expectations of positive evaluation, value orientation are common for theater corporate publications of «Ural Opera Ballet» and the Moscow theater «New Opera». Thus, the publications not only form a positive image of theaters and transmit their values, but also openly identify existing problems. The classification of genres of photography of theatrical corporate publications is proposed based on the results of the analysis of visual content. There were highlighted three genres: photo reportage, portrait and object photo images, which were subdivided into subgenres. A photo reportage is presented by a scene from a performance, by a photo from a rehearsal, by an event photo, by a photo album. Portrait photo images have the following varieties: actor in the role, person at work, reporting, staged, archived. Object photo images are divided into photographs of theatrical scenery, costumes, interiors, documents. The listed visual genres, with the exception of a staged photo portrait, help to effectively influence on the audience and achieve the goals of the theatrical organization. The list of recommendations for the creation of text and visual content was proposed to the theater corporate publications based on the positive and negative experience of the reviewed media.