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Littérature scientifique sur le sujet « Printed ... at the Clarendon Press »

Auteur : Grafiati

Publié le 26 juillet 2024

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Articles de revues sur le sujet "Printed ... at the Clarendon Press"

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Baer, Marc. "Patricia Anderson. The Printed Image and the Transformation of Popular Culture 1790–1860. New York: The Clarendon Press, Oxford University Press. 1991. Pp. xi, 211. $59.00." Albion 24, no. 4 (1992): 666–67. http://dx.doi.org/10.2307/4050702.

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Grendler, Paul F. "Ann Moss. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon Press, 1996. xiv + 345 pp. £ 80. ISBN: 0-1981-5908-0." Renaissance Quarterly 51, no. 3 (1998): 1001–2. http://dx.doi.org/10.2307/2901782.

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Amster, Matthew, Jérôme Rousseau, Atsushi Ota, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 156, no. 2 (2000): 303–45. http://dx.doi.org/10.1163/22134379-90003850.

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- Matthew Amster, Jérôme Rousseau, Kayan religion; Ritual life and religious reform in Central Borneo. Leiden: KITLV Press, 1998, 352 pp. [VKI 180.] - Atsushi Ota, Johan Talens, Een feodale samenleving in koloniaal vaarwater; Staatsvorming, koloniale expansie en economische onderontwikkeling in Banten, West-Java, 1600-1750. Hilversum: Verloren, 1999, 253 pp. - Wanda Avé, Johannes Salilah, Traditional medicine among the Ngaju Dayak in Central Kalimantan; The 1935 writings of a former Ngaju Dayak Priest, edited and translated by A.H. Klokke. Phillips, Maine: Borneo Research Council, 1998, xxi + 314 pp. [Borneo Research Council Monograph 3.] - Peter Boomgaard, Sandra Pannell, Old world places, new world problems; Exploring issues of resource management in eastern Indonesia. Canberra: Centre for Resource and Environmental Studies, Australian National University, 1998, xiv + 387 pp., Franz von Benda-Beckmann (eds.) - H.J.M. Claessen, Geoffrey M. White, Chiefs today; Traditional Pacific leadership and the postcolonial state. Stanford, California: Stanford University Press, 1997, xiv + 343 pp., Lamont Lindstrom (eds.) - H.J.M. Claessen, Judith Huntsman, Tokelau; A historical ethnography. Auckland: Auckland University Press, 1996, xii + 355 pp., Antony Hooper (eds.) - Hans Gooszen, Gavin W. Jones, Indonesia assessment; Population and human resources. Canberra: Research School of Pacific and Asian Studies, Australian National University, 1997, 73 pp., Terence Hull (eds.) - Rens Heringa, John Guy, Woven cargoes; Indian textiles in the East. London: Thames and Hudson, 1998, 192 pp., with 241 illustrations (145 in colour). - Rens Heringa, Ruth Barnes, Indian block-printed textiles in Egypt; The Newberry collection in the Ashmolean Museum, Oxford. Oxford: Clarendon Press, 1997. Volume 1 (text): xiv + 138 pp., with 32 b/w illustrations and 43 colour plates; Volume 2 (catalogue): 379 pp., with 1226 b/w illustrations. - H.M.J. Maier, David T. Hill, Beyond the horizon; Short stories from contemporary Indonesia. Clayton, Victoria: Monash Asia Institute, 1998, xxxviii + 201 pp. - John N. Miksic, Helena A. van Bemmel, Dvarapalas in Indonesia; Temple guardians and acculturation, 1994, xvii + 249 pp. Rotterdam: Balkema. [Modern Quarternary Research in Southeast Asia 13.] - Remco Raben, Paul van Beckum, Adoe Den Haag; Getuigessen uit Indisch Den Haag. Den Haag: SeaPress, 1998, 200 pp. - Cornelia M.J. van der Sluys, Colin Nicholas, Pathway to dependence; Commodity relations and the dissolution of Semai society. Clayton: Centre of Southeast Asian Studies, Monash University, 1994, vii + 130 pp. [Monash Papers on Southeast Asia 33.] - David Stuart-Fox, Herman C. Kemp, Bibliographies on Southeast Asia. Leiden: KITLV Press, 1998, xvii + 1128 pp. - Sikko Visscher, Lynn Pan, The encyclopedia of the Chinese overseas. Richmond, Surrey: Curzon, 1999, 399 pp. - Sikko Visscher, Jurgen Rudolph, Reconstructing identities; A social history of the Babas in Singapore. Aldershot: Ashgate, 1998, 507 pp. - Edwin Wieringa, Perry Moree, ‘Met vriend die God geleide’; Het Nederlands-Aziatisch postvervoer ten tijde van de Verenigde Oost-Indische Compagnie. Zutphen: Walburg Pers, 1998, 287 pp. - Edwin Wieringa, Monique Zaini-Lajoubert, L’image de la femme dans les littératures modernes indonésienne et malaise. Paris: Association Archipel, 1994, ix + 221 pp. [Cahiers d‘Archipel 24.]

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Knelman, Judith. "Printed Image and the Transformation of Popular Culture, 1790-1860, by Patricia AndersonPrinted Image and the Transformation of Popular Culture, 1790-1860, by Patricia Anderson. Don Mills, Ontario, Clarendon Press (distributed by Oxford University Press), 1991. x, 211 pp. $59.95." Canadian Journal of History 27, no. 2 (1992): 374–75. http://dx.doi.org/10.3138/cjh.27.2.374.

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Brewer, C. "Schafer, J. Early Modern Lexicography, vol. I, A Survey of Monolingual Printed Glossaries and Dictionaries 1475-80; vol. II, Additions and Corrections to the OED. Pp. x + 488; v + 227. Oxford: Clarendon Press, 1989." Notes and Queries 38, no. 3 (1991): 362–65. http://dx.doi.org/10.1093/notesj/38.3.362.

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Flannery, M. "NIGEL MORTIMER, John Lydgate's Fall of Princes: Narrative Tragedy in its Literary and Political Contexts. Pp. xvi+376. Oxford: Clarendon Press, 2005. 60.00 (ISBN 0 19 927501 7)." Notes and Queries 53, no. 2 (2006): 219–20. http://dx.doi.org/10.1093/notesj/gjl038.

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Johns, Adrian. "Book ReviewsThe French Book: Religion, Absolutism, and Readership, 1585–1715. By Henri‐Jean Martin. Translated by, Paul Saenger and Nadine Saenger. Johns Hopkins Symposia in Comparative History, volume 22. Baltimore: Johns Hopkins University Press, 1996. Pp. xii+117. $35.00 (cloth); $13.95 (paper).Printed Commonplace‐Books and the Structuring of Renaissance Thought. By Ann Moss. Oxford: Oxford University Press, Clarendon Press, 1996. Pp. xiii+345. $80.00." Journal of Modern History 70, no. 2 (1998): 438–41. http://dx.doi.org/10.1086/235077.

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Grimmer, Christoph G. "Pressure On Printed Press." Digital Journalism 5, no. 5 (2016): 607–35. http://dx.doi.org/10.1080/21670811.2016.1263160.

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Crifò, Giuliano. "Tony Honoré, Ulpian. Clarendon Press, Oxford 1982." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 102, no. 1 (1985): 601–12. http://dx.doi.org/10.7767/zrgra.1985.102.1.601.

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Spafford, Duff. "Voting ProceduresMichael Dummett Oxford: Clarendon Press, 1984, pp. 309." Canadian Journal of Political Science 19, no. 4 (1986): 860–61. http://dx.doi.org/10.1017/s0008423900055372.

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Plus de sources

Thèses sur le sujet "Printed ... at the Clarendon Press"

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Garavito, Cecilia. "Sen, Amartya, Poverty and famines an essay on entitlement and deprivation, Oxford Clarendon Press, 1981." Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/118098.

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Vega-Centeno, Máximo. "Jean, DREZE y Amartya, K. SEN (1989). Hunger and Public Action. Wider Studies in Economic Development. Oxford. Oxford University Press-Clarendon Press." Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/116798.

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Daly, Timothy Michael. "Towards a fugitive press : materiality and the printed photograph in artists' books." Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.

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The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists' books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. My research examines the discourse surrounding the materiality of the photographic print within artists' publishing and explores book handling as a research method to identify non-codex forms that invite non-sequential reading, physical interaction and touch. The primary purpose of the practice element of my research is to test disruptive making strategies and fugitive materials, in order to make tacit knowledge explicit in the physical forms of prototypes and finished artists' books that operate beyond our horizons of expectations. My practice interconnects the separate fields of documentary photography and curating photography and the vernacular together with visual humour and seeks to restore a connection with the 'thingness' of photography largely absent in the post-digital age.

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Moskofian, Krikor. "Literature and survival : literary criticism and the construction of cultural identity in Armenian printed press of diaspora 1919-1928." Thesis, SOAS, University of London, 2010. http://eprints.soas.ac.uk/28732/.

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The 1915-1918 Genocide unleashed a literary frenzy in Armenian communities in diaspora. It generated not only literary writing expressive of the urgency of the Armenian plight but also heated debates about the purpose, function and direction of Armenian literature, especially in the crucial period of 1919-1928. This thesis brings under scrutiny the discussions of Armenian literature in this crucial period - the formative years of post-Genocide Armenian diaspora in France, Egypt, and the USA. More importantly, it explores the role of literature and literary criticism in the formation of the Armenian cultural identity. The debates on the future of Armenian literature is found primarily in the printed press of the diaspora. Literary critical materials were mainly published in the form of articles in this printed press in the Western Armenian language, the "official" language of post-Genocide Armenian diaspora. The focus of this thesis is understandably on materials appearing in the post-Genocide Armenian printed press during the years 1919-1928, in Cairo, Paris, Boston and New York, which are the main sites towards which Armenians in general and writers and intellectuals in particular gravitated in the post-Genocide exodus from Ottoman Turkey, including former Armenian cultural centres, such as Constantinople and Smyrna. This thesis, in seven chapters, provides a picture the cultural, political and intellectual topography of the post-Genocide Armenian diaspora. It gives an account of the resilience of the people of culture in the aftermath of the Genocide, when concerted efforts were made in the reorganisation of the cultural and educational life, in order to maintain the Armenian identity. It then discusses the different perceptions of literature by Armenian literary critics in the context of post-Genocide struggle for survival. This is intended to demonstrate the ways in which literature was mobilised for the struggle for survival and the building of community. Literature was not only an aesthetic enterprise but also a social and political institution, a potent tool in achieving social and political unity leading to the coherence and maintenance of Armenian cultural identity. It finally discusses the ways in which critics looked at the future direction of Armenian literature of the diaspora. Debates among the critics at the time, such as Kourken Mkhitarian, Peniamin Tashian, Nigoghos Sarafian, Garo Sasouni, Hrand Palouyian and others, focused on the feasibility of promoting Armenian ethnic values in literature outside "homeland". These debates, it may be argued, comprised two strands of thought. One viewed literatiu-e as an important tool of preservation of the Armenian cultural identity in diaspora from nationalist perspective. The proponents of this trend were senior writers, such as Garo Sasouni and Kourken Mkhitarian. And the other, headed by a new generation of writers, such as Nigoghos Sarafian and Hrand Palouyian, advocated an innovative approach to literature. It promoted the idea of hybridisation of Armenian literature with other literatures. These two trends would become the two dominant schools of Armenian literary criticism from 1928 until today.

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Fiander, Robert Owen. "Marshall McLuhan, the printed word, and nineteenth-century outcasts of literacy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq62171.pdf.

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Vasconcelos, Micheline Reinaux de. "As boas novas pela palavra impressa: impressos e imprensa protestante no Brasil (1837-1930)." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12629.

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Made available in DSpace on 2016-04-27T19:30:06Z (GMT). No. of bitstreams: 1 Micheline Reinaux de Vasconcelos.pdf: 1294055 bytes, checksum: 0c968b02b63369426fdbcf39cecc07bc (MD5) Previous issue date: 2010-05-21<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work deals with the Protestant press in Brazil, covering the Baptist and Presbyterian s printed production, between the year 1837 and 1930. Firstly, we introduce the Protestant press production, namely, the multiplicity of ways in which it manifested itself, and the interests which it tried to serve. Following this, we tackle its diffusion, which includes the printing centers, and the ways of distribution used by editors. The perusal of these sources demonstrates that they were engaged in the struggle for the Brazilian religious spaces, but also as a doctrinal teaching tool for those converted to Protestantism. Being present since the early Protestant missionaries undertakings in the country, the circulation of those printed texts starts with the beginning of systematic distribution of Bibles and leaflets by the Bible Societies foreign institutions in Brazil. This is therefore, the initial milestone of our study. The final line is the year 1930, because in the following years the nature of relationship between the Brazilian political and religious fields was changed, mainly due to the fact that the National State and the Catholic Church became closer again. Finally, the studying of such press circulation warrants proposing that the Protestant printed papers and press were so deeply related to the building of Protestantism in the Brazilian territory, that we can therefore assure that the establishment of this press was a constitutive piece of a Protestant culture in Brazil<br>O presente trabalho aborda os impressos e a imprensa protestante no Brasil, entre os anos de 1837 e 1930, abrangendo as denominações presbiteriana e batista. Primeiramente, busca-se indicar a sua produção, ou seja, a multiplicidade de formas em que se apresentava e a que fins almejava servir. Em seguida, aborda-se a sua difusão, que contempla os centros editoriais e as formas de distribuição utilizadas pelos editores. A pesquisa dessas publicações demonstra que foram empregados na disputa pelo espaço religioso brasileiro, mas também como instrumentos de ensino doutrinário destinado aos conversos. Presentes desde as primeiras iniciativas de missionação protestante no país, a circulação destes textos tem seu ponto de partida com o início da distribuição sistemática de Bíblias e folhetos pelas sociedades bíblicas entidades estrangeiras no Brasil. Este é, portanto, o marco inicial do estudo. O ponto de chegada é o ano de 1930 devido a que nos anos subseqüentes altera-se a natureza das relações entre os campos religioso e político brasileiros, sobretudo, pela reaproximação entre a Igreja católica e o Estado nacional. O estudo da circulação de tais impressos permite, enfim, propor que os impressos e a imprensa protestantes estiveram de tal maneira imbricados à formação do protestantismo no país, a ponto de poder-se afirmar que a formação desta imprensa foi parte constitutiva de uma cultura protestante no país

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Calderone, Amélie. "Entre la scène et le livre : formes dramatiques publiées dans la presse à l'époque romantique (1829-1851)." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20101.

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Entre 1829 et 1851 le champ dramatico-médiatique s’est vu reconfiguré : l’apparition de grandes revues littéraires, la naissance de la presse à quarante francs, la multiplication des périodiques et l’augmentation de leurs tirages sont conjoints des bouleversements économiques, politiques et sociaux faisant suite à la période postrévolutionnaire, et de mutations théâtrales majeures sur les scènes parisiennes. En résulte un accroissement de la présence de textes dramatiques diffusés dans la presse, sous de multiples formes : pièces jouées à lire en feuilletons, extraits, fragments, mais aussi ensembles de scènes théâtrales et d’articles théâtralisés ou dialogués à lire le temps de la fréquentation d’une feuille. Il existe ainsi à l’époque un troisième canal d’accès du théâtre vers l’espace public – entre la scène et le livre –, la presse. Parce que le théâtre partage avec le périodique des caractéristiques discursives, stylistiques et formelles, ses limites s’en trouvent diluées sinon abolies. En cet espace spécifique qu’est le journal, il n’est pas de concept de « genre dramatique » qui tienne. Ce que nous avons coutume de nommer « théâtre » n’existe pas, et vient à former une masse textuelle impure, mêlant matières journalistiques et dramatiques. Aussi est-ce au regard de ce contexte éditorial pleinement signifiant qu’il convient d’interpréter les pièces en bonne et due forme alors diffusées, parfois composées à sa destination : un pan entier de l’écriture dramatique romantique a été « médiatique », et doit se comprendre comme tel, recontextualisé et « recotextualisé » dans un cadre éditorial soumis aux modes, à la temporalité collective, à la collaboration et aux effets de lecture redevables à la présence d’autres articles qui lui sont contigus. Étudier le lien intime que les formes dramatiques éditées dans la presse entretiennent avec leur support de diffusion dans le second tiers du XIXe siècle permet de faire émerger une autre histoire du théâtre romantique, médiatique et en grande partie textuelle, en mettant au jour des auteurs, des tentatives dramatiques ou des événements aujourd’hui oubliés, mais aussi en ouvrant à la relecture de textes consacrés, tels ceux de Sand, de Vigny ou encore de Musset<br>During the period 1829-1851, numerous factors brought about a reconfiguration of the relationship between print media and dramatic genres: the appearance of major literary journals, the introduction of low-priced printed press, the proliferation of mass periodicals and their increased print runs. These factors echoed not only the economic, social and political upheavals that characterized the first half of the 19th-century in post-revolutionary France but also the sweeping changes that affected the Parisian stage. As a result, one notes an increased presence of dramatic texts in the printed press. They may appear in various forms, as serialized theatrical plays, extracts, fragments but also collections of scenes and dramatized or dialogue-based articles – their length tailored to the newspaper format. Thus, between the stage and the page, dramatic forms could reach the public through a third access channel: print media. Their shared discursive, stylistic and formal features blur and even obliterate the boundaries between dramatic texts and periodical writing. In this particular context, the concept of “dramatic genre” does not apply and what we call “drama” does not exist as such. The result is a mixed mass of text, combining journalistic and dramatic materials. The “proper” plays that were circulated in the press, or even written for it, should be studied against the backdrop of this fully significant editorial context. An entire branch of Romantic playwriting was “media-oriented” and should be understood as such, with a new focus on context and co-text within an editorial framework subject to trends, collective temporality, collaborations and reading effects resulting from the influence of adjacent articles.The study of the close relationship between dramatic forms and their means of dissemination in the second third of the 19th-century gives a new, media-oriented and largely text-centered perspective on the history of the Romantic drama. Besides highlighting long-forgotten authors, events or diverse dramatic forms, it also prompts a new approach to the dramatic writings of well-established authors such as George Sand, Alfred de Vigny or Alfred de Musset

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Nordberg, Nadja, and Clara Isaksson. "Skogsbränderna 2018: Lokala hjältar och ett nationellt problem : En kvantitativ innehållsanalys av gestaltningar i rapporteringen av skogsbränderna 2018 i nationell- och lokal press." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-33118.

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The summer of 2018 has gone down in history as one of the hottest summers in Sweden of all time. The forest was on fire in several places around the country and in retrospect, the fires have been described as the most extensive forest fires in Sweden in modern times. The purpose of this essay is to investigate the framing of the forest fires in both local and national press. The method we chose to conduct the survey was a quantitative content analysis of a total of 116 articles about the forest fires, 74 from the local newspapers Ljusdals-Posten and Mora Tidning, and 41 from the national newspapers Dagens Nyheter and Svenska Dagbladet.The results of the study showed that there were major differences in the reporting and framing of the forest fires between the local newspapers and the national newspapers. The local newspapers had a much greater focus on proximity in their reporting compared to the nationwide newspapers which focused much more on threats and conflicts. The result also showed that the local newspapers had a much more positive tonality in their reporting, unlike the nationwide newspapers which were predominantly negative.<br>Sommaren 2018 har gått till historien som en av de varmaste somrarna i Sverige genom tiderna. Det brann i skogarna på flera platser runt om i landet och i efterhand så har bränderna beskrivits som de mest omfattande skogsbränderna i Sverige i modern tid.Syftet med denna uppsats är att undersöka hur gestaltningen av skogsbränderna såg ut i både lokalpress och rikstäckande press. Metoden vi valde för att genomföra undersökningen var en kvantitativ innehållsanalys. Totalt analyserades 115 artiklar som handlade om skogsbränderna. 74 från lokaltidningarna Ljusdals-Posten och Mora Tidning samt 41 från de rikstäckande tidningarna Dagens Nyheter och Svenska Dagbladet.Resultatet av studien visade att det fanns stora skillnader i rapporteringen om och gestaltningen av skogsbränderna mellan de lokala tidningarna och de rikstäckande tidningarna. De lokala tidningarna hade ett mycket större fokus på närhet i sin rapportering jämfört med de rikstäckande tidningarna som i mycket högre grad fokuserade på hot och konflikter. Resultatet visade även att de lokala tidningarna hade en mycket mer positiv tonalitet i sin rapportering till skillnad från de rikstäckande tidningarna som var övervägande negativa.

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Nolskog, Cajsa. "Det gör ont när mödomshinnor brister : En studie över gestaltningsramar om hymen i svensk tryckt press." Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-149644.

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This essay uses frame analysis to study changes in the descriptions of the hymen in Swedish printed press from 1989-2015. The study shows that the traditional story about the hymen has significant power in the dominant culture and affects the idea of what the hymen is and what is believed to be its functions. The study also showcases how our ideas about the hymen are socially constructed since the descriptions can shift widely but still be considered as the truth. The concept of the hymen has gone through a change over time, from a story of a hymen that breaks during first intercourse, to the hymen being a myth that doesn’t exist at all, to then emerge into the idea of the vaginal corona – another version of a hymen that is different from the traditional image. The study also shows that the traditional frame for describing the hymen does live on, and that the vaginal corona has not replaced the idea of the traditional hymen.

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Vieira, Patrícia Machado. "Psiu! Fermento! : pastoral da juventude e imprensa estudantil nos anos 1980 a 1990." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/106488.

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A dissertação examina impressos estudantis de juventude das décadas de 80 e 90 do século XX, produzidos no Rio Grande do Sul, especialmente aqueles periódicos que circularam entre jovens estudantes, confeccionados pelos próprios jovens. Adota os pressupostos teóricos da História Cultural e da história da cultura escrita, sob inspiração dos estudos de Roger Chartier e Arlette Farge. São analisados dois conjuntos de impressos estudantis de juventude: o primeiro conjunto consiste em 31 edições do periódico intitulado Psiu, produzido pela Pastoral da Juventude Estudantil, em sua organização a nível estadual, Rio Grande do Sul; o segundo compreende 19 edições, 2 cartas e 3 edições especiais do periódico intitulado Fermento, produzido pela Coordenação da Pastoral da Juventude da Arquidioceses de Porto Alegre. Como documentação complementar, foram produzidos documentos orais a partir da realização de três entrevistas, uma com jovem que participou da confecção de um dos periódicos, uma com um assessor adulto da Pastoral da Juventude que atuou no período de circulação do Psiu e do Fermento e uma com um jovem liberado, à época atuante nesse âmbito. As entrevistas, de caráter compreensivo, focalizaram três eixos: as motivações, os envolvidos e os processos de produção desses impressos. A partir deste corpus empírico, a análise procurou apreender os usos desses objetos, em seus contextos de produção e circulação. Para isso, são descritos: a materialidade desses impressos, ou seja, os suportes nos quais os textos são dados a ler; os dispositivos textuais e tipográficos, ou protocolos de leitura propostos no Psiu e no Fermento; as muitas imagens que integram esses periódicos, e que se relacionam aos textos e à identidade visual dos impressos, caracterizando-as também como protocolos de leitura. Constatou-se que os suportes apresentam variações quanto ao número de páginas, qualidade de impressão, formatação dos textos, tamanho. Entretanto, a forma de apresentação ou a estrutura gráfica e editorial é constante, sobretudo por seu caráter artesanal. Pode-se inferir que tal forma caracteriza o gênero discursivo dos impressos estudantis, em especial da Pastoral da Juventude entre os anos 80 e 90 do século XX, além de uma inspiração em outros jornais de circulação e impressos aos quais os jovens tinham acesso. O estudo descreve e analisa, ainda, as práticas de produção que estiveram implicadas no Psiu e no Fermento, valendo-se das referências presentes nos próprios impressos e nas informações obtidas nas entrevistas. Essas referências evidenciam o caráter artesanal de produção e o envolvimento dos jovens em todas as fases, desde a escrita dos textos até a distribuição dos impressos. Por fim, importa destacar o papel formativo desempenhado por essas práticas de produção de impressos ligados às Pastorais de Juventude da Igreja Católica. Os jovens liam muito, escreviam textos, ocupavam-se da feitura (composição, diagramação), impressão e distribuição desses impressos, processo que lhes possibilitou a aquisição de novos conhecimentos, aprendizados e competências. O próprio contexto de ação em que estavam inseridos pode ser concebido como um processo educativo intenso e extenso, designado pela Pastoral da Juventude como formação de jovens.<br>The dissertation examines printed student youth of the 80s and 90s of the twentieth century, produced in Rio Grande do Sul, especially those periodicals that circulated among young students, made by young people themselves. Adopts the theoretical assumptions of Cultural History and the history of written culture, under the inspiration of the studies of Roger Chartier and Arlette Farge. Printed two sets of student youth are analyzed: the first set consists of 31 issues of the journal titled Psiu, produced by Pastoral da Juventude Estudantil in your organization at the state level, Rio Grande do Sul; the second comprises 19 issues, two letters and three special issues of the journal entitled Fermento, produced by the Coordination of Pastoral da Juventude of the Archdiocese of Porto Alegre. As additional documentation, oral documents were produced from conducting three interviews, one with a young man who participated in the making of one of the journals, one with an adult advisor to the Pastoral da Juventude who served during the period of circulation of Psiu and yeast and a with a young man released, the operative time in this context. The interviews, comprehensive character, focused on three areas: motivations, and processes involved in production of these printed. From this empirical corpus, the analysis attempts to capture the uses of these objects in their contexts of production and circulation. To this are described: these materiality printed, or media in which data are read texts; textual and typographical devices, or protocols proposed in reading Psiu and Fermento; the many images that integrate these journals, and that relate to the texts and the visual identity of printed, also characterizing them as reading protocols. It was found that variations in the brackets show the number of pages, print quality, formatting text, size. However, the presentation or the graphic and editorial structure is constant, especially for its artisanal character. Can be inferred that such features discursive genre of printed student, especially the youth ministry between 80 and 90 years of the twentieth century, as well as an inspiration for other newspapers in circulation printed and to which young people had access. The study describes and also analyzes the production practices that have been implicated in Psiu and Fermento, availing himself of the references in printed themselves and the information obtained in the interviews. These references show the artisanal character of production and the involvement of young people in all stages, from written texts to the distribution of printed. Finally, it is worth highlighting the formative role played by these practices linked to the production of printed Pastoral da Juventude of the Catholic Church. Young people had read a lot, wrote texts, busied themselves in making (composition, typesetting), printing and distribution of printed, a process that enabled them to acquire new knowledge, learning and skills. The context of action in which they were inserted itself can be conceived as an intense and extensive educational process, appointed by the Pastoral da Juventude and youth training.

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Plus de sources

Livres sur le sujet "Printed ... at the Clarendon Press"

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Watt, H. M. R. The Aberdeen University Press printed archive, 1840-1978. Aberdeen University Press, 1993.

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Peter, Hoy, ed. Private press books 1981-1984. Private Libraries Association, 1987.

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Hoy, Peter. Private press books 1981-1984. Private Libraries Association, 1987.

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Press, Whittington. A book of posters printed at Whittington [1977-1995]. Whittington Press, 1996.

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K, Taylor David G., ed. Syriac books printed at the Dominican Press, Mosul: With an appendix containing the Syriac books printed at the Chaldean Press, Mosul. Gorgias Press, 2009.

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McKitterick, David. Wallpapers by Edward Bawden printed at the Curwen Press. Whittington Press, 1988.

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McKitterick, David. Wallpapers by Edward Bawden printed at the Curwen Press. Whittington Press, 1989.

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Blue, Martha. By the book: Legal ABCs for the printed word. Northland Pub., 1990.

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Zilverdistel, Antiquariaat De. A proofcopy of the first item printed at the Doves Press, 1900. Antiquariaat De Zilverdistel, 1992.

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Rogerson, Ian. Simon Lawrence and the Fleece Press, 1980-1995: A bibliography of the printed books. Manchester Metropolitan University, 1996.

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Chapitres de livres sur le sujet "Printed ... at the Clarendon Press"

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Jones, Aled. "The Press and the Printed Word." In A Companion to Nineteenth-Century Britain. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997147.ch23.

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Coakley, J. F., and David G. K. Taylor. "Syriac Books Printed at the Dominican Press, Mosul." In Malphono w-Rabo d-Malphone, edited by George Kiraz. Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463214814-008.

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Dewhirst, Catherine, and Richard Scully. "Australia’s Minority Community Printed Press History in Global Context: An Introduction." In Palgrave Studies in the History of the Media. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43639-1_1.

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Griffin, Sarah, and Kaley Kramer. "Printed by Alice Broade: The Career of York’s First Female Printer, 1661–1680." In Print Culture, Agency, and Regionality in the Hand Press Period. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88055-2_2.

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Hansen, William. "Annotated Print and Nonprint Resources." In Classical Mythology. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195300352.003.0004.

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Abstract Many excellent translations are available of Homer’s epic about an incident in the Trojan War, such as those by Lattimore, Fitzgerald, and Fagles. The most extensive scholarly commentary on the poem in English is that edited by G. S. Kirk, The Iliad: A Commentary, 6 vols. (Cambridge: Cambridge University Press, 1985–1993). Again, there are many fine translations of Homer’s epic about the return of the hero Odysseus from the Trojan War. The most extensive scholarly commentary on the poem in English is that edited by Alfred Heubeck et al., A Commentary on Homer’s Odyssey, 3 vols. (Oxford: Clarendon Press, 1988–1992). Hesiod. Hesiod’s Theogony [and Works and Days]. Translated, with Introduction, Commentary, and Interpretive Essay, by Richard S. Caldwell. Cambridge, MA: Focus, 1987.

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"‘Reading, Prohibition and Transgression’, The Woman Reader, 1837—1914, Oxford: Clarendon Press, pp. 209—18." In Dickens and Victorian Print Cultures. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-25.

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"Robert L. Patten (1978), ‘The Audience Widens’, Charles Dickens and His Publishers, Oxford: Clarendon Press, pp. 326^14." In Dickens and Victorian Print Cultures. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-22.

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Grimmer, Christoph G. "Pressure On Printed Press." In Changing Sports Journalism Practice in the Age of Digital Media. Routledge, 2020. http://dx.doi.org/10.4324/9780429344886-8.

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"An antipodean Clarendon Press." In MUP. Melbourne University Publishing, 2023. http://dx.doi.org/10.2307/jj.1127646.28.

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"Simon Nowell-Smith (1968), a selected section from ‘Continental: Mainly Tauchnitz’, International Copyright Law and the Publisher in the Reign o f Queen Victoria, Oxford: Clarendon Press, pp. 41-50." In Dickens and Victorian Print Cultures. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-21.

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Actes de conférences sur le sujet "Printed ... at the Clarendon Press"

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"Printed by TSU Press." In 2018 XXIIIrd International Seminar/Workshop on Direct and Inverse Problems of Electromagnetic and Acoustic Wave Theory (DIPED). IEEE, 2018. http://dx.doi.org/10.1109/diped.2018.8543260.

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Tohmyoh, Hironori, Kiichiro Yamanobe, Masumi Saka, Jiro Utsunomiya, Takeshi Nakamura, and Yoshikatsu Nakano. "Reliability Analysis of Solderless Press-Fit Interconnections." In ASME 2007 InterPACK Conference collocated with the ASME/JSME 2007 Thermal Engineering Heat Transfer Summer Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/ipack2007-33264.

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This paper treats typical mechanical problems met in a solderless press-fit assembly. First, the elastic-plastic properties of a pin and the friction coefficient of the pin in thin plated through hole (TH) are determined by the experiments and the three-dimensional finite element (FE) analysis. The elastic-plastic properties of the press-fit pin are determined by the small scale three-point bending. The friction coefficient of the pin in the TH is successfully determined from the load-displacement relationship of the pin during press-fit assembly. The validity of the determined parameters is to be clarified by conducting the press-fit assemblies into the holes with different diameters. By comparing the damaged area of the printed circuit boards after assembly and the stress distributions obtained numerically, the failure stress of the board is determined. Finally, both the retention force of the pin and the damage of the printed circuit board after assembly become possible to be predicted by the numerical analysis.

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Munk, Rastislav. "Periodická tlač." In Naděje právní vědy 2022. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.nadeje.2022.412-420.

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Act. no. 265/2022 Coll. on Press Publishers and the Register in the Field of Media and Audiovisual and on Amendments and addition of certain Acts (Publications Act) with effect from August, 1 2022 constitutes a long-awaited shift in the legislation in the field of periodicals in the Slovak Republic. While for a long time only printed matter of periodicals or other press, i.e., media in printed form, was considered periodicals, the Publications Act changed it. The aim of the article was to analyze the most fundamental shift in the field of periodicals in the Slovak Republic which occurred with the adoption of the Publications Act. The article directed attention exclusively to periodicals which understood press in its literal meaning i.e., in the Slovak republic periodical press or other press were for a long-time considered periodicals only if printed. In connection with the adoption of the Publications Act, there was a significant shift, as the Publications Act no longer defines periodical press but introduces new terms such as publication, periodical publication including scientific and professional periodical publication. The basic goal was to analyze the most fundamental shift in the field of periodicals according to the Press Act and to introduce a new legal regulation of periodical publications according to the Publications Act.

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Ring, Karl, and Thomas Schreier-Alt. "Reliability of Press Fit Contacts and Adjoining SMD Components on Printed Circuit Boards." In 2009 Proceedings of the 55th IEEE Holm Conference on Electrical Contacts. IEEE, 2009. http://dx.doi.org/10.1109/holm.2009.5284396.

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Hunting, Brad, Stephen Derby, and Raymond Puffer. "A Visualization Model for Printed Woven Textiles." In ASME 1998 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/detc98/cie-5550.

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Abstract This paper describes significant issues relating to the visual response modeling of on demand printed textiles. The visualization technique described comments on surface geometry, dye spread, substrate color, and color space conversion. The observations are based on experimental data and account for fiber properties, thread geometry, and weave geometry. This work is applicable to pre-press visualization of random access dot placement printed textiles. Software was developed to implement a model of printed textile visualization based on the issues presented here. The visualization process provides rapid evaluation of printing results to design parameter changes.

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Atkins, Carolyn, Younes Chahid, Greg Lister, et al. "Targeting low surface roughness for 3D printed aluminium mirrors using a hot isostatic press." In Advances in Optical and Mechanical Technologies for Telescopes and Instrumentation VI, edited by Ramón Navarro and Ralf Jedamzik. SPIE, 2024. http://dx.doi.org/10.1117/12.3020239.

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Skudra, Ojārs. "Political Communication Culture of Political Journalists Representing the Press in Unstable Democracy of Latvia. 2021–2022." In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.13.

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As a state of democratic parties and a flawed democracy, the Republic of Latvia is characterized by political communication processes that do not contribute to the process of constructing a participatory political culture. The current paper offers the analysis of publications of the political journalists of the private printed weekly magazines “Ir” and “Sestdiena” about the work of political parties, the government and the parliament in 2021 and the beginning of 2022 in order to understand the meaning of the publications and the connections between the meanings with the help of hermeneutic analysis as a qualitative research method of communication science, as well as explain the participation of political journalists in political communication by constructing or reconstructing subcultures of Latvian political culture. Journalists of both aforementioned legacy or traditional media criticize the work of the government and parties as ineffective, but do not appeal to representatives of civic citizens and political subcultures of critical citizens, calling for civil and political activity, reducing everything to the behind-the-scenes and open activities of political parties and members of parliament as they prepare for the next parliamentary elections. The editorial lines of both periodicals differ; however, their political journalists accept the model of elite democracy prevailing in RL and the traditional role of private media in it, without serious objections. Both “Ir”, representing the pro-European, pro-Atlantic orientation, and “Sestdiena”, whose editorial line mainly has centrist populist, pro-business accents, are unable to satisfy the demand of some of their readers, as evidenced by the rather steady trend of decrease in their readership. There are no publications in these periodicals that would attempt to analyse the causes of the decrease in the number of readers and subscribers, not to mention the concretization of this process in connection with the four subcultures of Latvian political culture.

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Mora Rojo, Jorge, José Manuel Tomás, Víctor Yeste, and Eduardo Cebrián. "Electoral abstention and information sources among undergraduate university students." In CARMA 2024 - 6th International Conference on Advanced Research Methods and Analytics. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/carma2024.2024.17432.

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A quantitative research study was conducted to examine electoral abstention among undergraduate students in Valencia during Spain’s General Elections held in July 2023. Data were collected through a survey based on a questionnaire designed specifically for this purpose, focusing on the electoral behavior, socioeconomic and demographic profiles, and information sources. A multivariate statistic model was used to explain the likelihood of students non-voting. Key findings indicate that abstention it is not related to a demographic profile. However, a negative correlation with abstention was found among information sources such as party websites/social media, YouTube, printed press and TV, whereas a positive relationship was found with the use of blogs and forums.

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Phunudom, Patipak, Udomdej Pakdee, and Prapaporn Roiphromma. "Influence of the difference electric charge energy transfer ink to paper in digital printing." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p38.

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By integrating light and static electricity to form a passive electrostatic image on an image unit covered with a light conducting substance, the electrophotography principle is applied to digital printing and employ powder ink with a charge or toner on both the recording unit's image and non-image areas. Static electricity also causes the image to transfer to the printed material. The quality of the image that is conveyed and received depends on the electric charge energy. This study's objectives were to examine how the electric charge energy difference in a digital press image impacts the color value. By changing the electric charge's five levels to -10, -5, 0, +5, and +10, evaluate the color difference value, and selected each of electric charge energy value to improve color quality of digital printing.

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Spiridonov, Iskren, Simeon Yordanov, Rumyana Boeva, and Aleksandar Milkov. "Investigation of process colours variations of electrophotography colour production presses." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p48.

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In this investigation is approached method for assessing and evaluation of colour repeatability and variation for digital electrophotography printing presses. Two of most popular midlevel electrophotography colour production presses were chosen. These presses are widely used in printing houses for the printing of book covers, posters, etc. in small circulations. The similar perception of quality of digital production to the offset printing quality (ISO 12647-2:2013 ) is required from most of the clients of printing houses, publishers, etc. One of the problems of midlevel electrophotography colour production presses are variations of colours in the printing run and variations of colours during the time – weeks, months, years. The variation degree depends on many factors like – the precision of internal calibration method and types of sensors during the printing run, quality of used materials, calibration precision made by press operator, temperature and humidity variation, etc. (Kachin, Spiridonov, 2000) Specially designed for experiment test forms have been printed on two of most widely used materials for book covers, business cards, etc. – 300 g/m2 matt-coated board and 300 g/m2 offset uncoated board. The evaluation method is based on colorimetrical and densitometrical measurements (Kachin, Spiridonov, 2004) of 100 continuous printed sheets. The experiment was repeated in different time periods -between 6 hours and 4 months, to collect data for colour variation between reprinting the same test images in the time.

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Rapports d'organisations sur le sujet "Printed ... at the Clarendon Press"

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Goikoetxea Bilbao, U., and T. Ramírez de la Piscina. Jot Down, Anfibia and Panenka: three audacious forms of understanding digital narrative journalism in the midst of the crisis of the printed press. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1352en.

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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.

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Ortiz, Veronica, Joaquin Tintore, and Nicole Köstner. EuroSea Guide of communication and dissemination activities for enhanced visibility of innovation in ocean observing and forecasting for a sustainable ocean. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.10.

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The purpose of this report is to provide a compilation of the communication and dissemination activities in EuroSea. It also proposes, as a guide, some guidelines and considerations to be included in the Communication and Dissemination Strategy in European projects. Dissemination and communication activities are essential for the success of the European Union’s Horizon 2020 research and innovation Programme, and the EuroSea project is no exception. The project has focused on improving ocean observing and forecasting for a sustainable ocean, and effective communication has been a crucial element in bringing together the interest groups, ensuring all stakeholders are to work towards the common goal of sustainable, science-based ocean management, as well as promoting and fostering public understanding of the importance and value of the ocean and its crucial role in climate change. This document offers a summary of the consortium's activities carried out during the whole life of the project (November 2019 - October 2023) related to all EuroSea communication and dissemination tools (official website, social media, newsletter, press release), as well as materials generated for the project (visual identity, printed and audiovisual materials) and the events-based dissemination. Key considerations in planning and strategy include defining project objectives, identifying target audiences, crafting effective messages, and selecting appropriate communication channels and tools. Evaluation and adjustment are also vital to measure the effectiveness of communication and dissemination activities. Overall, this guide could serve as a resource for any team involved in communication and dissemination activities in projects from Horizon 2020. This information will be instrumental in enhancing future efforts, maximizing the impact of the activities and ensuring the success of the project. (EuroSea Deliverable, D8.10)

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