Thèses sur le sujet « Presse magazine »
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Sonnac, Nathalie. « La presse magazine en France : essai d'analyse économique ». Paris 1, 1996. http://www.theses.fr/1996PA010067.
Texte intégralThe main purpose of the thesis consist to show up the most significant strategical elements structure of the press magazine. The principal theoritical point of the thesis is founded on the new industrial organization and in particular on the imperfect competition theory. I have show up the strategical interactions and notably optimal strategies of the firm on the market. Three main results are obtained : the first concerns the product differentiation. I have proved the interest of the press magazine groups to be present in the market (horizontal growth strategy). The second result succeed in a new modelling of pricing and subscription (model of goodwill with introducing offers and efficiency of advertising). The third result consist to analyse the dual financing. We present on original typology of press groups with help of triangulary relation : reader - editor - advertiser
Korinek, Valerie Joyce. « Roughing it in suburbia, reading Chatelaine magazine, 1950-1969 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ27792.pdf.
Texte intégralDurruty, Suzanne. « Time Magazine et le dilemme de la conscience libérale (1968-1972) ». Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37594176j.
Texte intégralRada, Holger. « Von der Druckerpresse zum Web-Server : Zeitungen und Magazine im Internet / ». Berlin : Wissenschaftlicher Verlag, 1999. http://catalogue.bnf.fr/ark:/12148/cb37563275m.
Texte intégralTRINIAC, BRUNO. « Utilisation du portrait par la communication publicitaire dans la presse magazine ». Paris 8, 1988. http://www.theses.fr/1988PA080316.
Texte intégralThe publicity men fill up their advertisements with portraits of men, women and children. It seems that there are similar approaches with the portrait in painting. Beyond the appearences, when the portrait is used in publicity as a medium of advertising, that allows to give a model to our own personality but the publicity men seem not to be able to turn this blow to account, because they do not give themselves the means to do that
Leclerc, Isabelle Abret Helga. « L' économie et les finances dans la presse magazine en France et en Allemagne Etude comparative par / ». Metz : Université Metz, 2008. ftp://ftp.scd.univ-metz.fr/pub/Theses/2003/Leclerc_Courbot.Isabelle.LMZ0303_1.pdf.
Texte intégralLeclerc-Courbot, Isabelle. « L'économie et les finances dans la presse magazine en France et en Allemagne : étude comparative ». Metz, 2003. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2003/Leclerc_Courbot.Isabelle.LMZ0303_1.pdf.
Texte intégralBrennetot, Arnaud. « Géoéthique du territoire : le débat public territorial à travers la presse magazine d'opinion en France ». Phd thesis, Université de Rouen, 2009. http://tel.archives-ouvertes.fr/tel-00592087.
Texte intégralNau, Jean-Philippe. « Les effets de la congruence entre le support et l'annonce sur l'efficacité publicitaire : le cas de la presse magazine ». Thesis, Nancy 2, 2010. http://www.theses.fr/2010NAN22002.
Texte intégralIssues related to advertising effectiveness have been widely studied in marketing to understand the mechanisms by which consumers are influenced. The models were generally oriented toward the content of the advertisement. Nevertheless, related media planning issues have received less attention. A state of the art on media planning helps to highlight the limits of audience measures as the main criterion in the selection of advertising spaces. The literature review also points out the interest of the investigation of interactions between ad and its vehicle (Part I, Chapter I). The communication theories and models of information processing provide insights for a better understanding of how the context may influence the reception of a message (Part I, Chapter II). In marketing, the concept of congruence is a useful tool to study these interactions in a synthetic way. This theoretical framework allows to build a research model (Part II Chapter I). Then, an experimental protocol is developed to test the resulting hypotheses (Part II, Chapter II). Analysis of data collected from 366 students doesn't support the influence of perceived congruence between magazine and advertisement on advertisement recall. The assumptions about attitude are broadly supported by the data (Part III, Chapter I). When put into perspective with the literature, these results show contributions to our field of research, even if limits must be taken into account. This work ultimately opens several research avenues in the selection of advertising space area, the research on the concept of congruence and the epistemology of measure (Part III, Chapter II)
Larrazet, Christine. « "Blacks in Time" : place et visibilité des noirs américains dans un organe de presse "blanc" : "Time Magazine", 1965-1995 ». Bordeaux 3, 2006. http://www.theses.fr/2006BOR30037.
Texte intégralFor a long time African American leaders have been pointing out the under-coverage and misrepresentation of black citizens in the news media. In 1968, the Kerner report echoed their criticism, declaring that the media were depicting a world almost totally white with a white perspective, and encouraged them to make integration a reality in both their content and personnel. This study, which fits into the ongoing debate on the representation of minorities in the media, focuses on one magazine, Time, one of the most influential in American mainstream media. It seeks to find if the place and representation Time has given to and of the black community have evolved to become more prominent and even-handed after the 1960's. In the process, it inquires whether or not the integration of African American journalists at Time has helped to change either the frequency of the articles on Blacks or their image. The foundations of this research lay on an in-depth content analysis based on the notion of space and on sampling; more than 600 articles were analyzed in a computer file specially devised for the study. The findings suggest that the visibility of Blacks in Time has not steadily increased after the Kerner report and the integration of black journalists. Three different periods emerged from the data: 1965-1971, 1972-1988, and 1989-1995. The detailed analysis of these periods, bolstered by in-person interviews of Time journalists, reveals major evolutions in the visibility of black citizens and examines the extent of the influence of the few black journalists at Time who have contributed toward communicating to a mainly white audience what it is to be black in the United States
Chevreux, Elodie. « Le Magazine littéraire 1966-2003 : parcours éditorial et médiatisation de la littérature ». Thesis, CY Cergy Paris Université, 2020. http://www.theses.fr/2020CYUN1060.
Texte intégralThe years 1966-1967 were marked by a renewal of the French literary press with the appearance of La Quinzaine littéraire, the Magazine littéraire and then the "Monde des livres". Our thesis proposes to clarify this turning point by defining the identity of a literary publication of a new genre: the Magazine littéraire. A monthly magazine created in November 1966, it is characterized, as is typical of the medium, by its commercial vocation, by its openness to a large public, by its abundant illustrations, and by its encyclopedic dimension. For nearly thirty-five years (1967-2003), Jean-Jacques Brochier was its chief editor. The corpus of the thesis includes the 418 issues published between November 1966 and March 2003. We sought to examine the Magazine littéraire in its media environment as well as through its editorial history, from its conditions of emergence, through its innovations and its developments, to its commercial decline. Its connections with the Grasset company shed light on the structure of the literary field and show the mutual dependence of the publishing and literary press circles. The publication reflects the major cultural and literary trends in France. The study of polyphonic discourse and the analysis of literary interviews in the Magazine littéraire aim to demonstrate the influence exerted by the media in the construction of a common perception of both literature and writers. For three decades, the monthly magazine built up its own literary pantheon, but also assigned various functions to literature. The originality of the Magazine littéraire resides in the paradoxical but productive alliance of media discourse, which more often than not promotes pre-constructed ideas of literature, and of academic discourse, which gave a certain aura and a scientific angle to the publication
Abid-Dalençon, Ambre. « Genèse et métamorphoses de la presse professionnelle en communication. De la configuration d’un territoire spécialisé à la médiation reconfigurante de la « revue-livre » vendue en librairie ». Electronic Thesis or Diss., Sorbonne université, 2022. http://www.theses.fr/2022SORUL143.
Texte intégralBased on the analysis of the appropriation of a media, this thesis questions the symbolic (re)configurations of professional magazines in communication. The objective is to analyze to what extent a media format (the “magazine-book”) contributes to the redefinition of a professional field by questioning its boundaries. To demonstrate that, the thesis asserts that the professional review institutes the practices of its socio-professional group, which opens the discussion on the status and function of this specialized territory. Agent of visibility, this informational space needs nonetheless to continuously legitimize itself. Using this current format of the review constitutes an attempt to overcome those tensions. It allows to leverage the vagueness of both this format function and communication professions. It also allows to establish and defend one’s positioning, as it is observed in the light of a competitive landscape analysis at the heart of the study. The support and the format become valorization tools, recognition substitutes and distinction drivers. From this perspective, this research studies an illustration, among others, of a communicational claim. The duet of knowledge and power will be transversal in this demonstration, because the observed escape is a tactical move to seize symbolic power, both in direction of the margins of the profession and its core. Ultimately, the focus of this thesis is to analyze the construction of intellectual devices, aiming at being legitimate and dominant representatives, by continuously redefining the professional and the communicational
Pham, Thi Lan. « La déclinaison au Vietnam de la presse magazine féminine internationale haut de gamme, dans le contexte politico-économique du Doi Moi et de l’ouverture du pays aux industries créatives européennes de la filière Mode : L’exemple du déploiement stratégique de la marque Elle Vietnam ». Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL039.
Texte intégralWith the new Doi Moi policy launched in the eighties in Vietnam, Vietnam created a new environment geared towards modernity. In 2010, Elle Vietnam stepped up in Vietnam as a new women's magazine international leader, as a branch of Elle, a French women's magazine dedicated to modern, international, beautiful women as well as luxury. We will focus our developments on the framework that led to "modernity" in Vietnam, as well as the international brand designed by Elle Vietnam. Also, how do the Vietnamese producers adapt to the global brand Elle expansion? With the point of view of Vietnamese producers, we will focus our developments on the understanding of what Roland Barthes once called a “mythological tank”
Cumberbatch, Philip. « Aspects du 18ème siècle : le thème de l'argent dans la correspondance du Gentleman's Magazine (1770-1782) ». Université Stendhal (Grenoble ; 1970-2015), 1991. http://www.theses.fr/1991GRE39037.
Texte intégralAfter initial discussion of wealth distribution in the england of george iii, selected correspondence to the editor of the first magazine is used to show contemporary attitudes to money. The letters include comments on taxes, philanthropy, tithe, consumer fashions, hunting, clerical incomes and debts. The conclusions drawn from such comments attempt to portray the typical "gentleman" reader and to explain his different moral and social stances on wealth-related topics
Tabary-Bolka, Laure. « Eléments pour une analyse sémio-pragmatique du transfert multisupport de l'image télévisuelle : le cas des images de la télé-réalité sur Internet et dans la presse magazine ». Lille 3, 2007. http://www.theses.fr/2007LIL30025.
Texte intégralThrough a semio-pragmatic approach, this thesis proposes to analyze the multi-media circulation and the repetition of images in the media-sphere. Our case study takes as an example the images of the Star Academy broadcast which are transferred in the magazines and on Internet. The images are the subjects of institutional, personal and community re-using widely visible on blogs, chat rooms and personal websites on Internet. The first part of this work concerns the structuring of the broadcast's images transfers and the effects of these transfers on the readings ; the second part takes an interest in the uses of the transferred images. The analysis reveals a great number of body images re-using carrier of the emotion, which generates teenagers identification and projection processes. The images appropriation by "technophilic" users are both physical and symbolic and refers to the control of image as an object widely invested emotionally. The uses also reveal graphic contaminations, from one medium to another, which generates a necessary continuous adaptation of the readers' visual repertoires. The images re-usings visible on-line are mostly assembled within community sharing structures and lead to "Fan Art" creations which show a modelling of the practices and the uses of images
Leenaerts, Danielle. « Analyse historique et artistique du magazine Vu (1928-1940), hebdomadaire d'informations générales illustré par la photographie ». Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211383.
Texte intégralSassoon, Virginie. « Femmes noires sur papier glacé. Les ambiguïtés de la "presse féminine noire" ». Thesis, Paris 2, 2011. http://www.theses.fr/2011PA020089.
Texte intégralThe focus of this thesis is on magazines addressing women sharing the social experience of being perceived as black. It is based on a content analysis, fuelled by enquiries on the producers and readers of magazines Amina, Miss Ebène and Brune in France. These magazines are also distributed in francophone Africa and in the Caribbean. Commercial companies and identification supports, these magazine bear witness of the existence of the consumers but also of readers in search of social recognition. The advertising resources and the production conditions of the media reveal the existence of a “colour line” in the French women’s press. The analysis of the representations conveyed by each magazine reveals ambiguities, as much as in the contents as in the positioning, inherent to the need of linking the here and elsewhere promoting phenotypic singularities while conforming to the hegemonic criteria of beauty, supporting the emancipation of women while preserving cultural characteristics. This work, more broadly, raises issues concerning the recognition of minorities as producers and receptors of the media in a political context marked by a Universalist ideal that does not recognize their existence
Demeure, Gilles. « LA PRESSE DE TERRITOIRE : D'une conception stéréotypée à une consommation sécurisante ». Phd thesis, Université Michel de Montaigne - Bordeaux III, 2009. http://tel.archives-ouvertes.fr/tel-00442679.
Texte intégralBolka-Tabary, Laure. « Éléments pour une analyse sémiopragmatique du transfert multisupport de l'image télévisuelle. Le cas des images de la télé-réalité sur Internet et dans la presse magazine ». Phd thesis, Université Charles de Gaulle - Lille III, 2007. http://tel.archives-ouvertes.fr/tel-00948687.
Texte intégralBuard, Jean-Luc. « A l’ombre du roman-feuilleton : Marie Aycard et la circulation internationale du feuilleton-nouvelle parisien et de la variété (autour de 1840) : Un acteur oublié de la communication de masse dans la sphère médiatique de son temps ». Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCD046.
Texte intégralAs a novelist and newspaperman, Marie Aycard (1794-1859) has been considered as a minor and obscure writer, but he undoubtedly belongs to the literary history. A witness of the great changes in the press world of his time (1830-1848), he is actively involved in the development of a new kind of contents, more devoted to entertainment, in publishing weekly chronicles and short stories, from 1837-1842 and after, which gain a large audience in being widely reproduced in Paris newspapers and magazines, in provincial papers, or foreign ones, in French but also in translation, which found their way in all the major European languages, on all the continents. This massive international circulation makes their author a kind of unofficial ambassador (and often anonymous) of the French and Parisian culture all over the world and in many periodicals and media of his time. The recent digitization of these periodicals and newspapers offers a unique way to clearly measure this phenomenon, and an opportunity to take in consideration a new tool to gauge the "popularity" of such contents. It also offers new approaches and insights in the newspaper network, organized and world-connected, ready for its continuous expansion, as early as the 1840s
Marillonnet, Justine. « Images de mode et images de femmes : des représentations de la presse magazine féminine aux représentations d’un public féminin : étude d’un message médiatique : stéréotypage de genre et mascarade ». Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20070/document.
Texte intégralThis research aims to describe and analyze gender representations present in fashion series of women's magazines. Taking for theoretic bases the sociology of body and the sociology of fashion, this work uses, for the analysis, methodologies borrowed from the disciplinary field of sciences of information and communication for the study of media devices. Analyzing a corpus of fashion pictures produced by three French feminine magazines (ELLE, Cosmopolitan and Femme Actuelle), this study aims to examine the processes of activation and unfreeze for the stereotypes of female identity. Mobilizing interaction ritual theories and Gender Studies to better understand the challenges of a media device that targets a female audience, this research reveals the coexistence of a plurality of representations of feminine images in fashion, not only entrenched in stereotypes of gender but also subversive in their circumvention of normative expectations concerning the expression of femininity. This interaction between the female body, clothing and purposed worlds demonstrates a strategic reappropriation of gender question by the fashion imaginary. Through some plays of masquerade, it is indeed a form of social anticipation concerning women gender representations that media discourses convey
Moreau, Florence. « Pour une histoire culturelle du magazine "LIFE" dans les années 1950 : mythe, photojournalisme et rhétorique de l'image au service d'une culture visuelle américaine ». Paris 7, 2012. http://www.theses.fr/2012PA070056.
Texte intégralAs a leading 20 Century American photojournalism magazine, Life benefits from a prestigious aura turning it into an iconic entity — in press history, scholars usually refer to Life as a paragon of picture magazine when in the meantime Life plays a part in collective history as a Visual record of 20th Century American society -. The first part of this doctoral dissertation dedicated to examining the historiography of Life, explores the emblematic status held by Life, both on the academic field of press history and American studies. As a mainstream culture artifact, and under the impulsion of the counterculture of the 1960s, Life has largely been criticized for being a conservative media. Due to a dissatisfaction with the ideological critique towards Life — which often reduces the study of its editorial content to political issues — the second part of this work focuses on Life's editorial practices, so as to understand how its news content serves the establishment of a Visual culture, rather than offers a sole political statement. These first two parts are preliminary to the main purpose of this doctoral dissertation, which is to identify and analyze the main stakes that are raised when considering Life as a cultural artifact. Thus, the scope of the third part is to investigate Life's use of photography as means to celebrate and evaluate the cultural references the magazine highlights. The corpus of this investigation is a series of case studies, based on a selection of photo-essays published in Life during the early 1950s, when the magazine reached its golden age, so as to revisit this overrated area
Kireche-Gerwig, Rym. « De l’espace de la scène à l’espace de la page : médiation et médiatisation du corps de mode à travers le défilé et les séries photographiques de la presse magazine ». Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040112.
Texte intégralThe present research interrogates the poetry of the fashion contemporary body transmitted by two media portraying the body : fashion shows and photographic series as part of fashion magazines. At the crossroads of semiotic, discursive political and social issues, the central problem investigated in this thesis is the complex and interdisciplinary point of view of the information sciences of communication with the aim to study the media construction of the fashion world. Three hypotheses divide the investigated problem by taking the mediatised part of the fashion world and produce it as “reified form” of advertisement and culture. The first postulates that fashion shows and fashion series are medias which produce an informed body by the apparatus owned by each of them. The second hypothesis postulates that the fashion body is produced for commercialand advertisement purposes. It does not persist less “culturalized” thanks to the choreography which is perceived as writing of the body in the catwalk space or in the photographic page. This gives it a culture status allowing it to circulate in the social medias. Finally, the third follows the movement of the fashion body's reification initiated by the exposure through fashion shows. It postulates that its mass exposure by photographic series, which is an industrialized and standardized production, make it similar to a merchandise
Koch, Thomas. « Représentations de la société allemande du début des années 1990 dans les chroniques du quotidien et de l'air du temps de la presse magazine (E. Heindenreich, E. Hammerl, P. Almqvist, M. Goldt) ». Nantes, 2006. http://www.theses.fr/2006NANT3035.
Texte intégralSince the 1980ies the genre of the Kolumne (column) took its rise in the German press. In this thesis, we studied a corpus of 418 culumns published between 1989 and 1994, by authors Elke Heidenreich, Elfriede Hammerl, Paula Almqvist and Max Goldt. In spite of a large variety of forms and topics, one can identify a general thematic framework : the representation of typical phenomena of everyday life is coming along with critical observations on the zeitgeist (life styles, popular culture, manners, mentalities). Often the authors take the attitude of traditional moralists, condemning the insensitivity and the vulgarity of their contemporaries. In other texts, they appear more like authentic leftist intellectuals who are drawing our attention to the inequalities between the sexes or the harmful influence of the consumer society and the media society …
Koch, Thomas. « Représentations de la société allemande du début des années 1990 dans les chroniques du quotidien et de l'air du temps de la presse magazine (E. Heidenreich, E. Hammerl, P. Almqvist, M. Goldt) ». Phd thesis, Université de Nantes, 2006. http://tel.archives-ouvertes.fr/tel-00467640.
Texte intégralMorin, Alice. « Au cœur des magazines ˸ de collaborations en négociations, le système des images de mode américaines (années 1960-années 1980) ». Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA109.
Texte intégralThis doctoral thesis examines fashion editorials through a case study of three American magazines in context, from the 1960s to the 1980s: Vogue and Harper’s Bazaar, two mainstream publications, and a new magazine then, Interview. It is postulated that the photographic editorial production of those magazines is central to them – as material objects, and as the core of their activity as well, both aspects enabling and unfolding their positions, their codes and their purposes. By looking at major editorial series, I explore how these images stand out as "contact zones" between a highly collaborative production process and their receptions, and how their function is also one of negotiation with regards to its context.A close analysis of the conditions of production, the content and the circulations of these images demonstrates that magazines express undeniable conservatism through the perpetuation of a mainstream norm. However, as this norm constantly changes on the surface, I argue that conditions regularly emerge for it to be negotiated. An attentive study of the tensions and compromises unfolding in the « uncertain moments » that characterize the period running from the 1960s through the 1980s demonstrates the existence of a powerful system. Structured around a coherent and hermetic narrative, it proves indeed hard to challenge. Yet, as this thesis argues, the ensemble of editorial fashion images homogenized by these long-term processes is in fact varied and diverse. If these images construct models, they also offer counter-models, counter-narratives and counter-points. All these possibilities converge into a strict but agile framework, firmly oriented by its producers but adaptable, even though its subversive potential is only realized at the margins.This system—structured around a powerful format—is highly restrictive yet it still performs a constant balancing act between conflicting tensions and goals, fueled by and unfolded in the fashion images at its core
Laly, Cécile. « La revue photographique Kôga : Nojima Yasugô, Nakayama Iwata, Kimura Ihee et Ina Nobuo : Passerelles entre les modernités ». Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040145.
Texte intégralThis work examines the Kôga review, a monthly Japanese photography magazine that was created in 1932 by photographers Nojima Yasuzô, Nakayama Iwata, and Kimura Ihee, with critic Ina Nobuo joining the review from the second issue. Founded to emulate Western magazines such as the French Photographie, the German Das Deutsche Lichtbild and the British Studio Annual of Camera Art, today Kôga, despite its short existence, is a major asset in understanding modern Japanese photography of the early 1930’s.The first chapter defines “modernity” within the framework of Japanese culture and history. The second chapter analyzes the opening issue of Kôga and emphasizes the specific characteristics that embody modern Japan’s photography reviews. Finally, the third chapter discusses the works of Nojima Yasuzô, Nakayama Iwata, Kimura Ihee and Ina Nobuo. This chapter also details the various orientations of photography that appear in the Kôga review and explains how they represent Japan’s photographic scene at a transitional period. Developed throughout the chapter is the concept of transition between: Art Photography (geijutsu shashin) and New Photography (shinkô shashin); New Photography (shinkô shashin) and reportage photography (hôdô shashin) and Avant-garde Photography (zen’ei shashin); art and society; artistic and professional fields; the unique master piece and reproducibility; and in between the various cultural and artistic disciplines
Benard, Charlène. « Le « metal à chanteuse », un genre musical ? Une enquête sur la construction médiaculturelle d’un genre musical par le gender. Le cas du metal symphonique en France ». Electronic Thesis or Diss., Paris 3, 2023. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/6773/These_en_cours_de_traitement.pdf.
Texte intégralSymphonic metal is a subgenre of metal music, which has the particularity of presenting a majority groups lead by female singers (80% on average). This feature is common to both this predominantly male culture, and to popular music more broadly, as the great majority of female musicians tend to be singers. This dissertation aims to measure the role played by women and by singers in the shaping of a musical genre, through a cultural approach of metal culture and of its situation in France, from the genre’s inception in 1996 to the present day.As the most hated genre of music in France, metal must rely mainly on its own networks in order to subsist and foster in this country: its press and local live scenes. Through the analysis of these two elements, this study considers promotional and evaluative media discourses on metal recordings and the production of concerts in France, from foreign bands touring around the country to the grassroots production of local events. Its aim is to consider not only the role female singers play as performers and creators, but also their involvement in the life of a scene often considered as masculine: their position, both central and negotiated, tends to limit the situation of domination. Through a complementary, comprehensive approach based on a questionnaire and interviews, this thesis also discusses the notions of “feminine taste” and of the “feminization” of a genre and a scene
Dilly, Monique. « Les magazines de cinéma à la télévision française de 1952 à 200 : histoire, dispositifs et contenus ». Metz, 2006. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2006/Dilly.Monique.LMZ0604.pdf.
Texte intégralInformative film reviews were very common on early French television but gradually made way for more commercial slots that promote films rather than provide any real information on the film itself. What concerns us here is why did the shift from the initial artistic to the now commercial aspirations of these programmes take place? Based on an analysis of the discourse of the media, on the one hand, and a study of the history of television, on the other, we establish the premise that television has changed because its main functions have changed. These changes in main functions, in turn, lead to a transformation of television's strategic functions and the content of its informative programmes, thus contributing to a new image of cinema. Informative film reviews can be broken down into three periods, corresponding to the distinct developments that have taken place over the course of French television history: the first period, from 1952 to 1975, where television conforms to the role public service and where its remit is to inform, entertain and educate. The world of cinema is one of craft and values, something to be imitated, it is an art; the second period, from 1975 to 1985, sees the disintegration of the ORTF and a move away of television from the example set by the cinema; film-making is an art and a business. The main function of television is to inform and entertain; the third and final period, from 1985 to 2000, sees the privatisation of TF1 in 1986; television now uses the cinema as a means of promoting itself. Cinema is now a platform whose strategic function is to entertain. Will critical and insightful programmes on cinema exist in the future? The ratings race and obsession with cost -effectiveness will not make this a likely scenario. Nevertheless, this type of programme will probably reappear on cable television, which has channels entirely devoted to the seventh art
Bryant, Malika S. « Johnson Publishing Company’s Tan Confessions and Ebony : Reader Response through the Lens of Social Comparison Theory ». Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1618997653408659.
Texte intégralGervais, Thierry. « L'illustration photographique : naissance du spectacle de l'information (1843-1914) ». Paris, EHESS, 2007. http://www.theses.fr/2007EHES0143.
Texte intégralBetween 1843 & 1914, photography became the main means of illustrating stories in the French press, paving the way for many new kinds of publications. Photo-mechanical printing methods made it possible to combine typecast letters and silver print images and newspaper editors rushed to use this new tandem to illustrate their pages. From the magazine L'Illustration, created in 1843 to La Vie au grand air, which appeared during the Belle Époque, photography's importance increased enormously. Initially used by engravers and not published themselves, photographs soon became the main medium for illustrating news stories. The press began using more and more photographie images. Under the guidance of artistic directors, skilled in the art of marrying words and images, picture stories began to cover newspaper pages, transforming illustrated journals into magazines. Between these two dates, the protocols of photographie illustration were established, producing a spectacular form of visual news
Steinebach, Mario, et Christine Häckel-Riffler. « TU-Spektrum 1/1995, Magazin der Technischen Universität Chemnitz-Zwickau ». Universitätsbibliothek Chemnitz, 2002. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200201445.
Texte intégralMarti, Caroline. « Magazines de marque : métamorphoses d'une promesse ». Paris 4, 2005. http://www.theses.fr/2005PA040053.
Texte intégralThe media relationship offered by brand magazines is founded on a discourse mixing advertising credibility and journalistic efficiency. The structural approach shows insertions of brand attributes within a symbolical unit, thus founding a brand culture. This culture is supported by magazine attributes used to naturalize the discourse. The journalistic efficiency is based on an enunciative " bricolage " which blurs interlocutors statutes while adding value to the brand. This advertising and media dual relationship disputes the idea of a univocal and systematic reading contract. The semio pragmatic approach emphasizes metamorphoses: from journalism to advertising, from representations to practices. The representation of communication as semiotic management is in the heart of these metamorphoses
Perlmutter, David Dimitri. « Visual images and foreign policy picturing China in the American press, 1949-1989 / ». access full-text online access from Digital dissertation consortium, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9702812.
Texte intégralMcDonald, Peter. « Three authors and the magazine market : the influence of the periodical press, 1890-1914 ». Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240355.
Texte intégralVillate, Pascale. « Une nouvelle forme de presse : les "City magazines" : essai d'analyse comparée de "Time out" et de "City limits" ». Bordeaux 3, 1989. http://www.theses.fr/1988BOR30057.
Texte intégralThe london city magazines represent a relatively new type of press. There are two main examples : time out, which was founded in 1968, and city limits, a cooperative created by ex-time out journalists in 1981. These two magazines, as well as giving a detailed programme of what is happening in town, offer an alternative approach to london cultural, political and social life. In that, they stand apart from the established british press. This difference also becomes clearer once the specific historical and social context of their creation and evolution is observed, as well as the editorial content and the various themes dealt with, the organisational structure of work, the kind of advertising they attract and, finally, their readership
Gallien, Jean-Christophe. « Du mythe communautaire : présence et image de l'Europe à travers les magazines Time et Newsweek ». Clermont-Ferrand 1, 1992. http://www.theses.fr/1992CLF10002.
Texte intégralSpano, William. « Des marques à la page : Enjeux des pratiques journalistiques à travers l'étude des magazines culturels de marque ». Grenoble 3, 2004. http://www.theses.fr/2004GRE39036.
Texte intégralThis doctoral research aimed to observe the place of journalistic practises in the magazines from brands distributing cultural products. In the first place, this research focused on the editorial strategies of three cultural brand magazines : Virgin Mégapresse (Virgin), Carrefour savoirs (Carrefour) et Epok (Fnac). The analysis showed that each publication develops a specific relationship with its readers in using redactionnal and advertising spaces. However, magazines propose a coherent discourse founded on brand appraisal and on some technics clamed of writing journalism. In the second place, this research aimed to study discourses and representations of main actors involved in the making of cultural brand magazines : professionnals in charge of brand, of redaction and of advertising. Putting magazines back in their production context, different actors' strategies in their work could be understood and the part played by the professionnals of journalism has been evaluated (journalists, older and freelance redactors. . . ). Thus, the approach of cultural brand magazines by information and communication sciences allows to evaluate the strong constraints brought up in comparison with practice of journalism
Broks, P. « Science and the popular press : A cultural anatomy of British family magazines 1890-1914 ». Thesis, Lancaster University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233973.
Texte intégralDilly, née Bickel Monique Walter Jacques. « Les magazines de cinéma à la télévision française de 1952 à 200 histoire, dispositifs et contenus / ». [S.l.] : [s.n.], 2006. ftp://ftp.scd.univ-metz.fr/pub/Theses/2006/Dilly.Monique.LMZ0604.pdf.
Texte intégralThèse soutenue sur ensemble de travaux. Bibliogr. p. 272. Annexes p. 278-316. Index p. 320. Emmissions citées p. 321.
Altinoz, Vuslat Devrim. « The Ottoman Women's Movement : Women's Press, Journals, Magazines and Newspapers from 1875 to 1923 ». Oxford, Ohio : Miami University, 2003. http://www.ohiolink.edu/etd/view.cgi?miami1060799831.
Texte intégralMartins, Lamb Vanessa. « De la "femme au foyer" à la "féministe" : une étude comparative de l'évolution des femmes britanniques et américaines des années 1950 aux années 1970 à travers les magazines féminins ». Electronic Thesis or Diss., Toulon, 2019. http://www.theses.fr/2019TOUL3003.
Texte intégralThe analysis of American and British women's magazines during the 1950’s, 1960’s and 1970’s, the representation of women and of their roles in society, as well as the interpretation of these magazine’s subliminal messages are the main goals of the research. These magazines have been analyzed for the study of the mythical image of the “perfect housewife” and its impact on the readers, as well as the transformation of these women from housewives to « De la « femme au foyer » à la « féministe » : une étude comparative de l'évolution des femmes britanniques et américaines dans les années 1950 et 1960 à travers les magazines féminins » feminists during the 1950’s and 1960’s. Finally, a comparison between American and British feminist movements during this time will be established. The study will approach the magazines as participants in the evolution of the cultural revolution that redefined the American and the British domestic life after WWII. The analysis will focus on the magazine’s multiple roles - business, advice for social and family questions, diffusion of ideas or, simply, source of entertainment and information. The interaction of these publications with the cultured elements of the two countries as their politics, their economy, the new technologies and the social and psychological elements of the new “American Way of Life” will also be examined. The analysis corpus is constituted by the main women’s magazines in both countries, which have an important participation in the construction of the female idealized image: Ladies’ Home Journal, Good Housekeeping and McCall’s in the United States and Housewife, Women’s Day and My Home in the United Kingdom. The main feminists magazines, created in the 1970’s, are also a part of the research : Ms in America and Spare Rib in the UK
Villate, Pascale. « Une Nouvelle forme de presse, les "City magazines" essai d'analyse comparée de "Time out" et de "City limits / ». Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376191330.
Texte intégralFleyfel, Mimi. « La traduction des titres de presse économique : analyse et reproduction stylistique et rhétorique ». Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA039/document.
Texte intégralThis research aims at exploring problematic issues relating to the translation of headlines in popular, economic magazines. Hence, it means to derive relevant empirical observations and propose a translation theory adapted to the headlines in question.With that objective in mind, we have allotted the initial part of our research to the theoretical and practical approaches encountered in translation studies and examined the various elements at work during the translation process. We have also proposed a model of translation adapted to headlines and their linguistic and stylistic characteristics. This approach calls for an analytical exploration of the source text at the linguistic and stylistic levels in order to establish an equivalence that reflects its structural formation and preserves its impact, on the one hand, and conveys its rhetorical effects, on the other. Such an approach is also decisive in establishing the process to follow to deliver the equivalence being sought through three types of translation: bijective, injective, surjective, or free. In the empirical part of our study, we have analyzed two selected bodies based on the types of translation proposed. The analysis of the first body was meant to evaluate the degree of adequacy of each rendition in terms of semantic relevancy and functionality. The analysis of the second body, which is made up of headlines selected for their stylistic peculiarities, was meant to establish illustrative equivalences of the configurative transmissional model we have proposed.In the concluding part of our research, we have formulated observations of all the processes studied in the selected bodies and in the proposed model
McKay, Kali, et University of Lethbridge Faculty of Arts and Science. « Gertrude Stein and her audience : small presses, little magazines, and the reconfiguration of modern authorship ». Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2479.
Texte intégraliv, 89 leaves ; 29 cm
Lane, Katie. « Living for the city : Drum magazine's journalism and the popular black press ». Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8169.
Texte intégralThis study examines Drum magazine's journalism from 951 to 1959. Many studies have primarily examined Drum and its role as a vehicle for the "Sophiatown generation" of fiction in the 1950s but this study instead concentrates on Drum's non-fiction reporting. It looks at both Drum's role in the birth of the popular black press and the magazine's complex conceptions of urban life. It argues that Drum's non-fiction promoted a cosmopolitan identity for its urban readers, in direct opposition to the efforts by the apartheid government to "retribralise" black urban residents, but also reflected anxieties about the urban experience. Drum was also one of the first non-partisan black publications to make political news accessible to a mass audience and the study argues that Drum's coverage of black politics has been overlooked and sometimes underestimated.
Di, Franco Manuela. « Popular magazines in Fascist Italy, 1934-1943 ». Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/286061.
Texte intégralNyamora, Pius M. « The role of alternative press in mobilization for political change in Kenya 1982-1992 : Society magazine as a case study ». [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001983.
Texte intégralWest, Edmund. « Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987 ». Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/ebony-magazine-lerone-bennett-jr-and-the-making-and-selling-of-modern-black-history-19581987(398d9db5-507b-44d3-8952-216fd8e03b10).html.
Texte intégralDesnica, Mirta. « Etude énonciative et discursive des énoncés anglais dans la presse féminine française ». Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0016.
Texte intégralNow days, French women’s magazines offer examples of language units in English that form or can form a complete utterance (eg. Girl power!, What else?, All they need is love, etc.). We propose to refer to them as “vogue utterances” and consider them as a manifestation of codeswitching. As this phenomenon has received little interest among linguists who deal with Anglicisms in French, since the focus has been put on loanwords or on codeswitching in oral interaction.Our aim is to describe the forms, the meaning and the context of use of English utterances in contemporary French women’s press and to characterize the writing style they are part of from a linguistic and a socio-cultural point of view. Within the theoretical framework of the French discourse analysis, we combine different approaches: syntax, phraseology, enunciative linguistics and pragmatics, text linguistics, studies of intertextuality, semiotics of discourse genres and semiotics of cultures, in order to describe different aspects of these utterances, which are remarkable for their salience and the relation they create between the participants in the communication process