Littérature scientifique sur le sujet « Popular voice »
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Articles de revues sur le sujet "Popular voice"
Karande, Pramod, Shubham Borchate, Bhavesh Chaudhary et Prof Deveshree Wankhede. « Virtual Desktop Assistant ». International Journal for Research in Applied Science and Engineering Technology 10, no 3 (31 mars 2022) : 1916–20. http://dx.doi.org/10.22214/ijraset.2022.41024.
Texte intégralFerragne, Emmanuel, Anne Guyot Talbot, Margaux Cecchini, Martine Beugnet, Emmanuelle Delanoë-Brun, Laurianne Georgeton, Christophe Stécoli, Jean-François Bonastre et Corinne Fredouille. « Forensic Audio and Voice Analysis : TV Series Reinforce False Popular Beliefs ». Languages 9, no 2 (2 février 2024) : 55. http://dx.doi.org/10.3390/languages9020055.
Texte intégralKamps, Ivo, Annabel Patterson et Michael D. Bristol. « Shakespeare and the Popular Voice. » MLN 105, no 5 (décembre 1990) : 1085. http://dx.doi.org/10.2307/2905173.
Texte intégralKinney, Arthur F., et Annabel Patterson. « Shakespeare and the Popular Voice. » Shakespeare Quarterly 42, no 2 (1991) : 234. http://dx.doi.org/10.2307/2870551.
Texte intégralCummings, Brian. « Martin Marprelate and the Popular Voice ». Studies in Church History 42 (2006) : 225–39. http://dx.doi.org/10.1017/s0424208400003971.
Texte intégralAttig, R. Brian. « The Gay Voice in Popular Music : ». Journal of Homosexuality 21, no 1-2 (13 mai 1991) : 185–202. http://dx.doi.org/10.1300/j082v21n01_13.
Texte intégralAuner, Joseph. « ‘Sing it for Me’ : Posthuman Ventriloquism in Recent Popular Music ». Journal of the Royal Musical Association 128, no 1 (2003) : 98–122. http://dx.doi.org/10.1093/jrma/fkg004.
Texte intégralDeng, Rong Gen, et Wei Ming Liao. « The Subjective Assessment of Soundscape in Campus — Taking YaoHu Campus of Jiangxi Normal University for Example ». Advanced Materials Research 518-523 (mai 2012) : 3792–95. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.3792.
Texte intégralPLASTINO, GOFFREDO. « Lazzari felici : Neapolitan song and/as nostalgia ». Popular Music 26, no 3 (octobre 2007) : 429–40. http://dx.doi.org/10.1017/s0261143007001365.
Texte intégralStrumbl, Melanie. « Voice, Affect, Grain : Their Relevance in Bodily Aesthetic Experience and Popular Singing Styles ». Cultural History 7, no 2 (octobre 2018) : 205–25. http://dx.doi.org/10.3366/cult.2018.0174.
Texte intégralThèses sur le sujet "Popular voice"
Jarman-Ivens, Freya. « Breaking voices : voice, subjectivity and fragmentation in popular music ». Thesis, University of Newcastle upon Tyne, 2006. http://hdl.handle.net/10443/234.
Texte intégralSnell, Merrie. « Lipsynching : popular song recordings and the disembodied voice ». Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/2902.
Texte intégralGombay, Christie Carleton University Dissertation International Affairs. « The popular church in Guatemala : the silent voice ». Ottawa, 1988.
Trouver le texte intégralJiang, Xinxin. « Whose Voice ? : A Critical Analysis of Identity, Media, and Popular Music in The Voice of China ». Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1530233479992508.
Texte intégralDavidson, Esme. « Hearing stars : popular feature length animation and the celebrity voice ». Thesis, Nottingham Trent University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442336.
Texte intégralCampos, Marcio Roberto. « Canto popular : aspectos da atuação de professores de canto brasileiros ». Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20905.
Texte intégralMade available in DSpace on 2018-03-20T12:47:35Z (GMT). No. of bitstreams: 1 Marcio Roberto Campos.pdf: 2117693 bytes, checksum: de21288c8044e845f15a419c5d1a5e18 (MD5) Previous issue date: 2018-02-26
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Introduction: theoretical-practical knowledge is fundamental for a teacher and, usually, only with an appropriate method of teaching it is possible to transmit knowledge effectively. Thus, it is up to the singing teacher to master the specific technical issues of the art of teaching, as well as the particularities of each musical genre. Objective: to analyze the performance characteristics of a group of Brazilian teachers of popular singing. Method: a questionnaire specially designed for this study was applied, based on the literature and the researchers' experience. The instrument was divided into two parts: characterization of the sample and research on the performance of popular singing teachers. The survey was conducted online using the SurveyMonkey tool. Results: The sample was finalized with 175 teachers, 91 women and 84 men, predominantly in the age group of 30 to 39 years. About the method, 73.7% reported having a working method. For this group, five categories were created to name such methods. Of these categories, the one of known methods was the most outstanding, with 46.5%, followed by unnamed methods, with 33.3% and methods based on books, handouts, videos or singing schools, with 10.1%. In the description of the singing classes, seven categories were created and the most outstanding was the technique / exercises with 59.7%, followed by repertoire / performance with 54.3%, vocalizes / tuning with 36.4%, aspects related to the body with 34.1%, warm up with 32.6%, respiration / support with 31.0% and, finally, perception / proprioception with 24.0%. Conclusion: when analyzing the characteristics of the work of a group of teachers of popular singing we can conclude that these professionals have a method of work and, in general, in the singing class, the focuses are the techniques and the vocal exercises, as well as aspects related to repertoire and performance
Introdução: o conhecimento teórico-prático é fundamental para um professor e geralmente apenas com um método adequado de ensino se consegue transmitir de forma eficiente o conhecimento. Dessa forma, cabe, portanto ao professor de canto dominar as questões técnicas específicas da arte de ensinar, assim como das particularidades de cada gênero musical. Objetivo: analisar as características de atuação de um grupo de professores brasileiros de canto popular. Método: foi aplicado um questionário, elaborado especialmente para esse estudo, baseado na literatura e na experiência dos pesquisadores. O instrumento foi dividido em duas partes: caracterização da amostra e investigação sobre a forma de atuação de professores de canto popular. A pesquisa foi realizada online por meio da ferramenta SurveyMonkey. Resultados: a amostra foi finalizada com 175 professores, 91 mulheres e 84 homens e, com predomínio na faixa etária de 30 a 39 anos. Sobre o método 73.7% afirmaram possuir um método de trabalho. Para esse grupo foram criadas cinco categorias para nomear tais métodos. Entre as categorias com maior destaque, 46.5% para métodos conhecidos, 33.3% não deram nome para seus métodos e 10.1% para métodos baseado em livros, apostilas, vídeos ou escolas de canto. Na descrição das aulas de canto foram criadas sete categorias e a que teve maior destaque foi a de técnica / exercícios com 59.7%, seguida por repertório / performance com 54.3%, vocalizes / afinação com 36.4%. Na sequência as categorias aspectos relacionados ao corpo com 34.1%, aquecimento com 32.6%, respiração / apoio com 31.0% e por fim percepção / propriocepção com 24.0%. Conclusão: ao analisar as características do trabalho de um grupo de professores de canto popular concluímos que este profissional possui um método de trabalho e de maneira geral na aula de canto o foco são técnicas e exercícios vocais, além de aspectos relacionados ao repertório e a performance
Greenberg, Jonathan Ross. « Singing up close voice, language, and race in American popular music, 1925-1935 / ». Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481673371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralNunes, Rafaela Rohsbacker Gonzalez. « Voz-ruído na canção popular brasileira : a expressividade das vozes femininas do samba-canção da década de 1950 ». Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07112017-155453/.
Texte intégralThe song counts on the color of the voice qualities of its performers, who through different sonorities play a role in expressiveness and in the construction of its meaning. Among these sonorities are the noise voices, understood in this research as voice qualities that present sonorous noise next to the vocal tone. The present study aims to investigate the intrinsic aspects of the sound coming from such voices - physiological, acoustic, psychoacoustic and psychodynamic characteristics - and to propose a category survey, investigating its relation with the expressiveness of the singing voice through an analytic listening. This research includes the popular Brazilian singing model, in the repertoire of the samba-canção of the 1950s, in the voices of Dalva de Oliveira, Ângela Maria, Dolores Duran and Maysa. The results point to the role of the voice qualities of the performers in the construction of the meaning of the song, where the noise voice and its antagonistic sonority help to delineate an emotional state expressed by the lyrics, as well as suggest the identification of the singers to the aesthetic aspects of the samba-canção during the study period.
Torrence, Avril Diane. « The people's voice : the role of audience in the popular poems of Longfellow and Tennyson ». Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32172.
Texte intégralArts, Faculty of
English, Department of
Graduate
Hollywood, Paul. « 'The voice of dynamite' : anarchism, popular fiction and the late political novels of Joseph Conrad ». Thesis, University of Kent, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281600.
Texte intégralLivres sur le sujet "Popular voice"
Patterson, Annabel M. Shakespeare and the popular voice. Cambridge, MA, USA : B. Blackwell, 1990.
Trouver le texte intégralDovchin, Sender, Alastair Pennycook et Shaila Sultana. Popular Culture, Voice and Linguistic Diversity. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-61955-2.
Texte intégralWang, Wen. Wen sheng : Hear voice. Beijing Shi : Jiu zhou yin xiang chu ban gong si, 2016.
Trouver le texte intégralJorstad, Erling. Popular religion in America : The evangelical voice. Westport, Conn : Greenwood Press, 1993.
Trouver le texte intégralA voice of my own. Cleveland, SC : Bonne Chance Press, 1993.
Trouver le texte intégralThe voice in the govi. Cascade, Trinidad and Tobago : Paria Publishing, 2011.
Trouver le texte intégralGarrod, Charles. Nat "King" Cole, his voice and piano. Zephyrhills, Fla. (Box 1687, Zephyrhills 34283) : Joyce Record Club Publication, 1987.
Trouver le texte intégral(Publisher), Dawson Michael, dir. The voice of the Jamaican ghetto. Kingston, Jamaica : Ghetto People Pub. Co., 2012.
Trouver le texte intégralDemocratic personality : Popular voice and the trial of American authorship. Stanford, Calif : Stanford University Press, 1998.
Trouver le texte intégral(Fiji), Citizens' Constitutional Forum. Our voice, our future, our constitution. Suva, Fiji : Citizens' Constitutional Forum Ltd., 2012.
Trouver le texte intégralChapitres de livres sur le sujet "Popular voice"
Hörner, Fernand. « Analysing the voice in popular music with categories of “voice” ». Dans Contemporary Popular Music Studies, 235–47. Wiesbaden : Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_22.
Texte intégralWiseman-Trowse, Nathan. « The Folk Voice ». Dans Performing Class in British Popular Music, 88–105. London : Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594975_5.
Texte intégralMazer, Sharon. « Beyoncé's Homecoming | ‘Lift Every Voice and Sing' ». Dans Performance in Popular Culture, 86–94. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003188346-12.
Texte intégralPande, Mrinal. « Construction of a Hindu Voice ». Dans Popular Hinduism, Stories and Mobile Performances, 149–66. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003263548-6.
Texte intégralPande, Mrinal. « Construction of a Hindu Voice ». Dans Popular Hinduism, Stories and Mobile Performances, 149–66. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003263548-6.
Texte intégralNyman, Jopi. « Responses to Brexit in Finnish Popular Culture ». Dans Brexit and the Migrant Voice, 122–39. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003148357-10.
Texte intégralDovchin, Sender, Alastair Pennycook et Shaila Sultana. « Popular Culture, Transglossic Practices and Pedagogy ». Dans Popular Culture, Voice and Linguistic Diversity, 191–216. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61955-2_8.
Texte intégralKilborn, Richard. « Docusoaps : The Ordinary Voice as Popular Entertainment ». Dans The Documentary Film Book, 291–98. London : British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_33.
Texte intégralDovchin, Sender, Alastair Pennycook et Shaila Sultana. « Language, Culture and the Periphery ». Dans Popular Culture, Voice and Linguistic Diversity, 1–26. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61955-2_1.
Texte intégralDovchin, Sender, Alastair Pennycook et Shaila Sultana. « Transglossia : From Translanguaging to Transglossia ». Dans Popular Culture, Voice and Linguistic Diversity, 27–56. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61955-2_2.
Texte intégralActes de conférences sur le sujet "Popular voice"
Almeroth, Kevin C., et Mostafa H. Ammar. « Delivering popular web pages using cyclic multicast ». Dans Voice, Video, and Data Communications, sous la direction de Wai Sum Lai et Hisashi Kobayashi. SPIE, 1997. http://dx.doi.org/10.1117/12.290411.
Texte intégralNwe, Tin Lay, Arun Shenoy et Ye Wang. « Singing voice detection in popular music ». Dans the 12th annual ACM international conference. New York, New York, USA : ACM Press, 2004. http://dx.doi.org/10.1145/1027527.1027602.
Texte intégralCaione, Adriana, Alessandro Fiore, Luca Mainetti, Luigi Manco et Roberto Vergallo. « Refactoring the UX of a popular voice application ». Dans ICIST '20 : 10th International Conference on Information Systems and Technologies. New York, NY, USA : ACM, 2020. http://dx.doi.org/10.1145/3447568.3448538.
Texte intégralSha, Cheng-Ya, Yi-Hsuan Yang, Yu-Ching Lin et Homer H. Chen. « Singing voice timbre classification of Chinese popular music ». Dans ICASSP 2013 - 2013 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2013. http://dx.doi.org/10.1109/icassp.2013.6637745.
Texte intégralPsheminska, Larisa, et Pavlo Tychyna. « Voice Controlled Devices : ». Dans Human Interaction and Emerging Technologies (IHIET-AI 2022) Artificial Intelligence and Future Applications. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100840.
Texte intégralVan, Toan Pham, Ngoc Tran Ngo Quang et Ta Minh Thanh. « Deep Learning Approach for Singer Voice Classification of Vietnamese Popular Music ». Dans the Tenth International Symposium. New York, New York, USA : ACM Press, 2019. http://dx.doi.org/10.1145/3368926.3369700.
Texte intégralPeng, Zhengwei, Jieyu Wu et Yue Li. « Singing Voice Conversion Between Popular Music and Chinese Opera Based on VITS ». Dans 2023 IEEE Intl Conf on Dependable, Autonomic and Secure Computing, Intl Conf on Pervasive Intelligence and Computing, Intl Conf on Cloud and Big Data Computing, Intl Conf on Cyber Science and Technology Congress (DASC/PiCom/CBDCom/CyberSciTech). IEEE, 2023. http://dx.doi.org/10.1109/dasc/picom/cbdcom/cy59711.2023.10361493.
Texte intégralWu, Fengyan, Shutao Sun, Jianglong Zhang et Yongbin Wang. « Singing voice detection of popular music using beat tracking and SVM classification ». Dans 2015 IEEE/ACIS 14th International Conference on Computer and Information Science (ICIS). IEEE, 2015. http://dx.doi.org/10.1109/icis.2015.7166648.
Texte intégralWang, Yu, Xinsheng Wang, Pengcheng Zhu, Jie Wu, Hanzhao Li, Heyang Xue, Yongmao Zhang, Lei Xie et Mengxiao Bi. « Opencpop : A High-Quality Open Source Chinese Popular Song Corpus for Singing Voice Synthesis ». Dans Interspeech 2022. ISCA : ISCA, 2022. http://dx.doi.org/10.21437/interspeech.2022-48.
Texte intégralQin, Feiwei, Hairui Xu, Weicheng Zhang, Lin Yuan, Ming Li, Yusheng Liu, Ying Liu et Yong Chen. « Voice of the Customer Oriented New Product Synthesis Over Knowledge Graphs ». Dans ASME 2018 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/detc2018-85909.
Texte intégralRapports d'organisations sur le sujet "Popular voice"
Fee, Kyle D. Does Job Quality Affect Occupational Mobility ? Federal Reserve Bank of Cleveland, août 2022. http://dx.doi.org/10.26509/frbc-cd-20220804.
Texte intégralManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse et Mariz Tadros. Alternative Expressions of Citizen Voices : The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), novembre 2020. http://dx.doi.org/10.19088/ids.2020.001.
Texte intégralYatsymirska, Mariya. MODERN MEDIA TEXT : POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, février 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.
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