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Articles de revues sur le sujet « Popular literature – Italy – History and criticism »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

VanWagenen, Julianne. "Masters vs. Lee Masters: The legacy of the Spoon River author between Illinois and Italy." Forum Italicum: A Journal of Italian Studies 53, no. 3 (2019): 679–98. http://dx.doi.org/10.1177/0014585819854046.

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Edgar Lee Masters’ 1915 Spoon River Anthology has been one of the most popular books of foreign poetry in Italy since it was first translated and published there by Fernanda Pivano and Cesare Pavese in 1943. Yet, in the US, Masters is virtually unknown to the public; American scholars find him a problematic figure and his Spoon River only viable in piecemeal form. This article considers the translation and reception history of Spoon River in Italy as well as Masters’ publication and reception history in the US until his death in 1950, to bring to light the reasons for the poet’s differing lega

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (February 14, 2019): 35–73. https://doi.org/10.21827/5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora t

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Jianqiang, Li. "Chinese Popular Film Criticism." Journal of Popular Culture 27, no. 2 (1993): 39–50. http://dx.doi.org/10.1111/j.0022-3840.1993.00039.x.

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Liboriussen, Bjarke, and Paul Martin. "Honour of Kings as Chinese popular heritage: Contesting authorized history in a mobile game." China Information 34, no. 3 (2020): 319–41. http://dx.doi.org/10.1177/0920203x20908120.

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This article examines how users on social media responded to state criticism of the representation of Chinese historical characters in the popular Tencent mobile game Honour of Kings. The game’s usage of historical characters and the ensuing debate and criticism are analysed as ‘popular heritage’. A qualitative content analysis identifies several categories in the discussion of this game on the Q & A website Zhihu (知乎). The article discusses these categories in relation to existing literature on popular heritage. The analysis contributes to this literature by identifying a new feature of p

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Do Van, Hieu. "Literature review by Nguyen Van Trung – a course rich in praticality." Journal of Science Social Science 66, no. 1 (2021): 63–71. http://dx.doi.org/10.18173/2354-1067.2021-0008.

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Literature review by Nguyen Van Trung is a popular literature course in the South in the 60s and 70s of the twentieth century. Born in a particular historical situation, this course met many ups and downs, but the more later, its value is confirmed. Literature review is a course rich in practicality, which is expressed in the compilation with combination of Literary Theory, Literary History and Literary Criticism; expressed in absorption modern Western academic thought in order to solve difficulties of domestic literary criticism research; expressed in the application of foreign literary theor

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CORNER, PAUL. "The Party and the People: Totalitarian States and Popular Opinion." Contemporary European History 24, no. 2 (2015): 303–8. http://dx.doi.org/10.1017/s0960777315000107.

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In reply to Patrick Bernhard's critical review of my recent book I will make some brief general observations about the study of totalitarian and would-be totalitarian regimes.Some preliminary remarks are necessary. Bernhard locates his review within the context of the debate over Italians' consensus for Fascism – a debate continuing in Italy, with highs and lows, since the mid-1970s. His own approach is clearly very much influenced by the methodologies of cultural history; he looks for emotions, sentiments, practices and experiences in order to form a picture of how Italians lived under the re

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Gordon, Robert S. C. "Pasolini contro Calvino: culture, the canon and the millennium." Modern Italy 3, no. 01 (1998): 87–99. http://dx.doi.org/10.1080/13532949808454793.

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Summary This article offers an account of a recent debate in the cultural pages of the Italian press on a polemical work of literary criticism entitled Pasolini contro Calvino, in which the two authors are shown to represent emblematically different attitudes towards literature, cultural institutions and the culture industry in post-war Italy. The debate surrounding this claim is examined in substance, but also as an illustration of the workings of culture in 1990s Italy.

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Malinina, Alina Alexandrovna. "The history of Chuvash painting in art history literature: Narrative discourse." Pan-Art 4, no. 4 (2024): 385–93. https://doi.org/10.30853/pa20240053.

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The purpose of the study is to obtain a complete historical picture of the development of Chuvash painting based on the publications of Chuvash art historians. The scientific novelty is due to the fact that for the first time the study covers the entire volume of publications on the topic, including modern ones. The article will consider scientific and popular scientific publications, which include monographs and articles published in scientific collections and special journals. The review of publications by researchers of the fine arts of the republic is based on the principle of historicism,

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Chiesa, Paolo. "La Filologia mediolatina: una disciplina di frontiera." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, no. 1 (2020): 109–27. http://dx.doi.org/10.1163/17246172-40010033.

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Abstract This article sketches a short history of Latin literature of the Middle Ages (as academic discipline) in Italy; defines its possible boundaries and relationships with other disciplines; lists the peculiarities of textual criticism when applied in the specific field of Latin medieval texts; highlights the methodological contribution brought by the scholars of this discipline, in order to build a ‘global philology’.

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Quick, Laura. "Dream Accounts in the Hebrew Bible and Ancient Jewish Literature." Currents in Biblical Research 17, no. 1 (2018): 8–32. http://dx.doi.org/10.1177/1476993x17743116.

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The study of dreams and their interpretation in the literary remains from antiquity have become increasingly popular access points to the phenomenological study of religious experience in the ancient world, as well as of the literary forms in which this experience was couched. This article considers the phenomenon of dreaming in the Hebrew Bible and ancient Jewish literature. I consider treatments of these dream accounts, noting the development in the methodological means by which this material has been approached, moving from source criticism, to tradition history, and finally to form-critica

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Gross, Michael B. "Catholicism, Popular Culture, and the Arts in Germany, 1880-1933. By Margaret Steig Dalton. Notre Dame: University of Notre Dame Press. 2005. Pp. xii+378. $35.00. ISBN 0-268-02567-3." Central European History 39, no. 2 (2006): 314–16. http://dx.doi.org/10.1017/s0008938906260126.

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The growth of research on religious topics from different conceptual perspectives in the past several years represents what one scholar has now called the “religious turn” in modern German historical study. With Catholicism, Popular Culture, and the Arts in Germany, Margaret Steig Dalton has made another important contribution to this historiography with a study of Catholic cultural criticism from the Wilhelmine period through the Weimar Republic. Her focus is on what she calls the “Catholic cultural movement,” and by cultural movement she means production in the arts broadly understood from l

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Thind, Rajiv. "For the common weal." Cahiers Élisabéthains: A Journal of English Renaissance Studies 97, no. 1 (2018): 69–83. http://dx.doi.org/10.1177/0184767818788086.

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While much of recent Hamlet criticism is heavily invested in foregrounding Catholic-nostalgic aspects in the play, I argue that the purgatorial Ghost can also be read as a caricature. Comedic and parodic depictions of Roman Catholic doctrine and beliefs were fairly common in the popular writings of Shakespeare’s age. I situate Shakespeare’s Hamlet within contemporary Protestant culture and its literary aesthetics as well as populist appeal. Finally, I read Hamlet’s mocking of the Ghost at the end of Scene 1.5 along with a popular pamphlet, Tarltons Newes out of Purgatorie (1590). Both, I argue

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Rössel, Raphael. "Das Lesen der Schundkämpfer." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 1 (2019): 39–65. http://dx.doi.org/10.1515/iasl-2019-0003.

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Abstract In contrast to former research, this paper argues that moral crusaders strategically focused on the plot level of (historical) popular literature. This article asserts that text and reception need to be combined when analysing moral panicking about textual popular culture. This approach is presented by contextualising the public denigration of two distinct narrative elements of the imported dime novel series Nick Carter in Imperial Germany, namely its urban setting and its hands-on detective hero, with changes in the perception of city life and in criminological epistemology. Departin

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Cavallo, Sandra. "Early Vernacular Medical Advice Books and Their Popular Appeal in Early Modern Italy." Nuncius 36, no. 2 (2021): 264–303. http://dx.doi.org/10.1163/18253911-03602003.

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Abstract The essay considers the explosion of medical advice publications in the vernacular thatcharacterises the first two centuries of printing, and in particular their chronology and the different textual genres that made up this literature in early modern Italy. It shows that, in spite of the almost exclusive focus on recipe books in recent scholarship, the composition of this literature was much more varied and regimens of health, food regimens, books about the medicinal properties of naturalia, and compendia of medical information of various kinds (diagnostic, preventative and therapeuti

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Pechenkin, Alexander A. "The History of Science in the Context of the State Ideology." Epistemology & Philosophy of Science 60, no. 2 (2023): 168–86. http://dx.doi.org/10.5840/eps202360231.

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Mandelstam’s criticism of the Rayleigh theory of the blue color of the sky (1907) and his polemic with M. Planck (1907–1908) did not become notable events in the history of physics. However, the method of their coverage in the Soviet and in the post-Soviet physics literature is remarkable. Most of Soviet physicists and historians of physics supported Mandelstam's point of view in his criticism of both Raleigh and Planck. The situation changed only at the beginning of the 21st century: in the Russian literature the publications appeared emphasizing that in the Raleigh–Mandelstam and Planck–Mand

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Warneke, Sara. "Educational Travelers: Popular Imagery and Public Criticism in Early Modern England." Journal of Popular Culture 28, no. 3 (1994): 71–94. http://dx.doi.org/10.1111/j.0022-3840.1994.2803_71.x.

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Wandel, Agnieszka. "Książka popularnonaukowa dla dzieci i młodzieży w oczach krytyków — rekonesans badawczy." Roczniki Biblioteczne 60 (June 8, 2017): 247–69. http://dx.doi.org/10.19195/0080-3626.60.11.

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POPULAR SCIENCE BOOK FOR CHILDREN AND YOUNG ADULTS IN THE EYES OF CRITICS — A RESEARCH RECONNAISSANCEThe aim of the article is to determine the position of popular science books for children and young people in Polish literary criticism and book studies, and to specify the terminology used by scholars. Opinions about such books have been formulated by theorists and practitioners of children’s books since the 19th century, with the criteria of their assessment changing in accordance with the current literary fashions and trends in pedagogy. Critics’ interest in such works was strong until the e

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Michalski, Robert. "Towards a Popular Culture: Andrew Lang's Anthropological and Literary Criticism." Journal of American Culture 18, no. 3 (1995): 13–17. http://dx.doi.org/10.1111/j.1542-734x.1995.00013.x.

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Ryan, J. E. "Orestes Brownson in Young America: Popular Books and the Fate of Catholic Criticism." American Literary History 15, no. 3 (2003): 443–70. http://dx.doi.org/10.1093/alh/ajg034.

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Hampton, Timothy. "Records of a Confident Man." American Literary History 34, no. 4 (2022): 1503–12. http://dx.doi.org/10.1093/alh/ajac153.

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Abstract Bob Dylan’s prodigious creativity and transformation of popular song into literature raise new problems for writing about art. Neither traditional “poetry” criticism (which ignores sound and musical structure) nor traditional musicology (often indifferent to literary history) is adequate to the challenges posed by his work. Critics struggle to find a point of view from which to engage Dylan’s achievement. Through a critical account of four recent books, this essay points up both the limits and the resources of different approaches to this most mercurial of artists.

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Smith, Douglas. "Porosity and the Transnational: Travelling Theory between Naples and Frankfurt (Walter Benjamin, Asja Lacis and Ernst Bloch)." Forum for Modern Language Studies 57, no. 2 (2021): 240–59. http://dx.doi.org/10.1093/fmls/cqab001.

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Abstract Since its foregrounding in Walter Benjamin and Asja Lacis’s essay on Naples in 1925, the concept of porosity has become a topos in discussions of that city, of Italy and of urban planning in general, to the point of receiving criticism in some quarters for its imprecision and over-use. The aim of this article is to explore the background to the term and its possible relevance to more recent transnational models of culture. This involves tracing the emergence of porosity in the work of Germanophone intellectuals travelling in Italy in the 1920s and its relation to the paradigm of trave

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de Groot, Renee. "What If the Pen Was Mightier Than the Sword? Civil War Alternate History as Social Criticism." aspeers: emerging voices in american studies 10 (2017): 55–75. http://dx.doi.org/10.54465/aspeers.10-06.

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Alternate histories about the American Civil War seem ideally set up to explore the possibilities and tensions of social criticism through art and literature. Counterfactual stories about the war easily invoke contemporary issues of inequality and exploitation, and they are part of a genre—alternate history—that has traditionally lent itself to social commentary. Yet while scholarship on alternate history has captured the presentist orientation of many alternate histories in the fantasy-nightmare dichotomy, these categories appear reductive as a reflection of the layered and intriguing forms s

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Gilman, Todd S. "Augustan Criticism and Changing Conceptions of English Opera." Theatre Survey 36, no. 2 (1995): 1–35. http://dx.doi.org/10.1017/s0040557400001186.

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The love-hate nature of the relations between England and Italy in the seventeenth and eighteenth centuries is well known. Ever since Henry VIII broke with Rome after Pope Clement VII refused to allow his divorce, things Italian were a popular object of satire and general disdain. An ever-increasing British nationalism founded on political, religious, and aesthetic principles during the seventeenth century fanned the flames of anti-Italian sentiment. This nationalism, newly consolidated in the seventeenth century by the ambitions of the Stuart monarchs to destroy Parliament, was intimately con

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Beisenova, Zh S., G. A. Zhakipova, and O. G. Egorova. "SCIENTIFIC AND ARTISTIC KNOWLEDGE IN KAZAKH LITERATURE FOR CHILDREN." Bulletin of Shokan Ualikhanov Kokshetau University. Philological Series 2023, no. 3 (2023): 88–94. http://dx.doi.org/10.59102/kufil/2023/iss3pp88-94.

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The article discusses the nature of the scientific and cognitive function of natural history fiction. The authors of the article emphasize that the theme of the relationship between man and nature is still popular in the literary genre. The scientific reasoning emphasizes the emphasis on the mythopoetic basis of Kazakh folklore, in which the scientific, artistic and heuristic beginnings of human exploration of the surrounding world are synthetically presented. The purpose of the study is to present an analytical review of the most representative critical assessment of the natural history of ch

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Costin, Iraida. "Creangă and Literary Criticism in Bessarabia." Intertext, no. 1(61) (December 2023): 83–90. http://dx.doi.org/10.54481/intertext.2023.1.09.

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The retrospective of criticism, i.e. a criticism of criticism, is necessary in order to record, identify, become aware of both its intellectual and methodological level and the state of our prose at different stages of evolution. The "misery and splendour" of literary criticism is tested, first of all, in and through the hermeneutical approach/examination/interpretation of Eminescu's or Creanga's work. In keeping with the custom of these types of work, we propose an attempt to synthesize the history of an investigative problem with a defective past sometimes, other times extraordinarily diffic

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Sriastuti, Anna, Ida Rochani Adi, and Muh Arif Rokhman. "CAPITALISM AND SOCIALISM AS IDEOLOGICAL CONSTRUCTIONS IN AMERICAN DYSTOPIAN NOVELS." Rubikon : Journal of Transnational American Studies 8, no. 2 (2021): 91. http://dx.doi.org/10.22146/rubikon.v8i2.69733.

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Literature reflects the history of people's lives, which includes lifestyle, culture, language, desires, and important events in people's lives. Dystopia novels cannot be separated from discussions about authoritarian government, restraints on people's freedom, criticism of the development of technology and information, exploitation and the class system, and the arbitrariness of the rulers. Despite telling a bad world, Dystopian novels proved popular in America, a country that promised freedom, equality, and freedom to its citizens. The possibility of different realities captured by American p

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Mendelman, Lisa. "Who Are We? Feminist Ambivalence in Contemporary Literary Criticism." American Literary History 32, no. 1 (2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.

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Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twen

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Culkin, Kate. "Prospects for the Study of Harriet Jacobs." Resources for American Literary Study 45, no. 1 (2023): 1–30. http://dx.doi.org/10.5325/resoamerlitestud.45.1.0001.

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ABSTRACT Jean Fagan Yellin’s 1987 annotated edition of Harriet Jacobs’s Incidents in the Life of Slave Girl, Written by Herself, documenting Jacobs as the author and the narrative as nonfiction, ushered in a wave of Jacobs scholarship. Yellin’s Harriet Jacobs: A Life (2003) and the two-volume Harriet Jacobs Family Papers (2008), along with criticism on Incidents in the context of sentimentalism and slave narratives, helped spur another generation of scholarship and popular interest in Jacobs. Jacobs is now found as a source in fields spanning from the expected literature and history to medicin

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LeMenager, Stephanie. "Occupy Climate: Social Movement-Building in Literature, Politics, and the Arts." American Literary History 31, no. 1 (2018): 96–103. http://dx.doi.org/10.1093/alh/ajy043.

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Abstract New books by Shelley Streeby, Robert Marzec, and Ashley Dawson point the way toward a cultural criticism for the climate change era. In its own way, each seeks to change the methods of literary and cultural studies, to change the form of the academic monograph, and to encourage a just transition from the radically unequal and ecologically injured world of the now. All three can be seen as contributing to the social and academic movement known as Environmental Justice or Critical Environmental Justice. All three evoke, to some extent, earlier, experimental scholarly works influenced by

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Rodinova, Nataliya. "BORIS GRINCHENKO'S ENLIGHTENMENT ACTIVITY." Educational Discourse: collection of scientific papers, no. 9(11-12) (December 27, 2018): 79–90. http://dx.doi.org/10.33930/ed.2018.5007.9(11-12)-7.

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B. Grinchenko, as a good expert in Ukrainian history, defended the right of Ukraine and its people to their own lives, the right to receive education and read books in their native language. His scientific interests included such humanitarian disciplines as: pedagogy, linguistics, journalism, ethnography, history, literary criticism, bibliography, museology. If you compile a list of figures of history and culture, whose lives and activities he investigated, to whom he devoted an article, review or obituary, then a galaxy of advanced people of that time will appear. In scientific and publicisti

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Giladi, Elad. "From Nasser to al-Sīsī." Oriente Moderno 101, no. 1 (2021): 94–114. http://dx.doi.org/10.1163/22138617-12340256.

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Abstract After the events of June 30 and July 3, 2013, that brought the Muslim Brotherhood rule to an end, Egyptian President ʿAbd al-Fattāḥ al-Sīsī has been carried aloft on waves of adulation of most of the Egyptian people. This phenomenon was reflected in popular expressions and in the Egyptian media, and any criticism of it was minimal. Interestingly, it was the portrayal of al-Sīsī in a children’s magazine, Samīr (February 1, 2014), that generated vocal public debate on issues of the exposure of children to political content and their indoctrination. This article examines why this case pr

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Костригин, А. А. "HISTORICAL-PSYCHOLOGICAL IDEAS OF A.P. NECHAEV. PART 1: HISTORY OF LITERATURE, LITERARY CRITICISM, HISTORICAL PSYCHOLOGY." Институт психологии Российской академии наук. Социальная и экономическая психология, no. 1(21) (April 12, 2021): 252–70. http://dx.doi.org/10.38098/ipran.sep.2021.21.1.010.

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Статья посвящена Александру Петровичу Нечаеву (1870-1948), выдающемуся отечественному психологу и педагогу первой половины XX в. В данной работе А.П. Нечаев показан как историк психологии. Рассматриваются историко-психологические работы и взгляды ученого по трем направлениям: анализ историко-литературных работ, в которых освещаются идеи, связанные с исторической психологией; анализ работ, освещавших состояние психологии на рубеже XIX-XX вв. и об отдельных персоналиях современной Нечаеву психологии; анализ специальных историко-психологических и историко-философских работ. В первой части предста

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Romanenko, Ksenia. "The Transformation of the Canon, the Struggle With the Canon, the Re-creation of the Canon as the Basis of Fanfiction Culture." Philosophy. Journal of the Higher School of Economics VI, no. 2 (2022): 168–88. http://dx.doi.org/10.17323/2587-8719-2022-2-168-188.

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To understand the transformation of canons and the struggle with them, we may productively explore fanfiction, a particular reader's, viewer's, and author's practice, within non-professional and non-commercial texts based on the plots and heroes of other people's works. Fanfiction is a paradoxical phenomenon: it is wholly based on a specific canon — collectively selected film and literary texts, moves by worship, emotional attachment, and attention, while initially working as a criticism of the canons and changing the canons. Canon is not only a research concept but also an intra-cultural desi

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Bąbel, Agnieszka. "Świat w powiększeniu. Dziewiętnastowieczny mikroskop jako instrument i jako metafora (na przykładzie twórczości Bolesława Prusa) [The World Under Magnification. The Nineteenth-Century Microscope as a Tool and as a Metaphor (Based on the Works of Boleslaw Prus)]." Napis XX (2014) (December 31, 2014): 106–20. https://doi.org/10.18318/napis.2014.1.8.

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The text is devoted to the invention of the microscope and its image in the literature of the nineteenth century. An outline of the history of this optical tool provides a background for presenting the nineteenth-century microscope as a sign of a certain cognitive attitude, or characteristics of a protagonist, and finally – of the way of seeing the world in selected texts by Boleslaw Prus (<em>Słówko o krytyce pozytywnej </em>[‘A Word on Positivist Criticism’], <em>Kroniki</em> [‘Chronicles’], <em>The Fungi of this World</em>, <em>The Doll</e

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Bassi, Shaul, and Igiaba Scego. "Othello and the Ambivalences of Italian Blackface." Multicultural Shakespeare: Translation, Appropriation and Performance 22, no. 37 (2020): 67–85. http://dx.doi.org/10.18778/2083-8530.22.05.

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Blackface is a cultural practice that appears ubiquitously in Italian history cutting across the political spectrum; it also lends itself to suprising anti-racist actions. This essay examines the use of blackface from the nineteenth to the twenty-first century by looking at its appearance in popular culture and, contextually and dialectically, at its adoption in selected performances of Othello, a play that holds special meaning in Italy because of its famous operatic adaptations. Africa and blackness were often represented in Italian visual arts in the early modern period, but the early colon

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Hao, Jin. "The Myth of Shangri-La and Its Counter-discourses: (Anti-)Utopian Representations of China’s Southwest Frontier in the Twenty-First Century." Modern Chinese Literature and Culture 34, no. 1 (2022): 202–37. http://dx.doi.org/10.3366/mclc.2022.0009.

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In the early twenty-first century, the southwest frontier, especially the Sino-Tibetan borderlands, has been imagined as a particular utopian space, or “Shangri-La,” in China’s popular culture, but there are also literary works and films that debunk this conception. This paper is a study of these different discourses. I argue that the utopian and anti-utopian representations of China’s Southwest in these works are socially and intellectually significant. The myth of Shangri-La promises a fantasized utopian solution to social problems and a miraculous cure for personal afflictions. In contrast,

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Vardoshvili, Eka. "Romanticism as an Expression of Rebel Ideas in Literature." Balkanistic Forum 33, no. 1 (2024): 266–74. http://dx.doi.org/10.37708/bf.swu.v33i1.20.

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The best manifestation of rebel romanticist poetry is in the works of Byron in England, H. Heine – in Germany, J. Leopard – in Italy, N. Baratashvili – in Georgia, A. Mickie-wicz – in Poland. However, the socio-political situation of the country somewhat de-fined the nature of romanticism. The rebellious Romanticists put the following issues on the agenda: criticism of the bourgeois order, aspiration from singularity to gen-eral, thus they confronted rationalism, the attitude to ideal and reality, development of new literary genres, collecting, processing and publication of literary and folklo

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Meserve, Margaret. "News from Negroponte: Politics, Popular Opinion, and Information Exchange in the First Decade of the Italian Press?*." Renaissance Quarterly 59, no. 2 (2006): 440–80. http://dx.doi.org/10.1353/ren.2008.0312.

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The fall of Negroponte to the Turks in 1470 was one of the first events in European history to be recorded in print. This article examines a little-known cluster of more than a dozen texts published in the months after the colony’s fall by some of the earliest printers to work in Italy. These editions did not “break” the news to the Italian public but rather offered analysis and commentary to an already well-informed readership. Some catered to contemporary demands for vernacular political poetry, while others now reveal the extent to which Italian humanists attached themselves to the printing

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Miranda, José Américo. "Joaquim Norberto de Souza Silva: palestra brasileira." Aletria: Revista de Estudos de Literatura 13, no. 1 (2005): 33–58. http://dx.doi.org/10.17851/2317-2096.13.1.33-58.

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Resumo: O texto aqui apresentado, preparado para publicação por José Américo Miranda, é obra de um dos mais operosos literatos do Romantismo brasileiro: Joaquim Norberto de Sousa Silva. Mais conhecido por sua crítica literária e sua contribuição à história da literatura brasileira, assim como por seus estudos biográficos e pelas edições que preparou dos poetas árcades e românticos brasileiros, Joaquim Norberto foi também historiador, poeta e teatrólogo. Nesta “Palestra Brasileira”, que publicou nas páginas da Revista Popular, no primeiro semestre de 1862, sob o pseudônimo de Fluviano, o autor

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GRAY, RICHARD. "Writing American Literary History Sacvan Bercovitch (ed.), The Cambridge History of American Literature (Cambridge: Cambridge University Press, 1994–2005, £495.00). Volume One: 1590–1820 (1994, £70.00). Pp. xiii+829. ISBN 0 521 30105 [squf ]. Volume Two: Prose Writing, 1820–1865 (1995, £75.00). Pp. xviii+887. ISBN 0 521 30106 8. Volume Three: Prose Writing, 1860–1920 (2005, £80.00). Pp. xi+813. ISBN 0 521 30107 6. Volume Four: Nineteenth-Century Poetry, 1800–1910 (2004, £75.00). Pp. x+562. ISBN 0 521 30108 4. Volume Five: Poetry and Criticism, 1900–1950 (2003, £75.00). Pp. xi+624. ISBN 0 521 30109 2. Volume Six: Prose Writing, 1910–1950 (2002, £70.00). Pp. xx+620. ISBN 0 521 49731 0. Volume Seven: Prose Writing, 1940–1990 (1999, £75.00). Pp. xxiii+795. ISBN 0 521 49732 9. Volume Eight: Poetry and Criticism, 1940–1995 (1996, £75.00). Pp. viii+545. ISBN 0 521 49733 7." Journal of American Studies 40, no. 2 (2006): 399–411. http://dx.doi.org/10.1017/s0021875806001447.

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Each generation needs to rewrite literary history. And it may be that this generation needs to do it more than most, if only because the proliferation of schools and theories has turned what was once common critical ground into a battlefield. American books, among others, have become a site of struggle, and American writers have been among those caught in the criss-crossing searchlights of ethnic and gender studies, interdisciplinary investigations and studies of popular culture, language and communication. Just how far things have gone can be measured by the fact that every term in the phrase

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Adams, Laura L. "Globalization, Universalism, and Cultural Form." Comparative Studies in Society and History 50, no. 3 (2008): 614–40. http://dx.doi.org/10.1017/s0010417508000273.

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When we think of the globalization of culture, we tend to think of the consumption of cultural goods produced in the West and the effects of these goods on the values and practices of non-Western consumers. The literature on the globalization of culture also tends to focus on how Western markets for non-Western cultural goods affect patterns of cultural production in the non-Western world.1Naturally, this focus on markets tends to draw our theoretical interest toward questions of capitalism. However, when we look at societies without a history of capitalism, new questions come to light. That m

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Fuehrer, Bernhard. "The Columbia History of Chinese Literature. Edited by Victor Mair. [New York: Columbia University Press, 2001. 1,342+xxiv pp. $75.00; £52.50. ISBN 0-231-10984-9.]." China Quarterly 178 (June 2004): 535–36. http://dx.doi.org/10.1017/s0305741004390296.

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Following his Columbia Anthology of Traditional Chinese Literature (1994) and the Shorter Columbia Anthology of Traditional Chinese Literature (2000), the Columbia History of Chinese Literature intends to complement these two widely used readers. Edited by Victor H. Mair, the 55 chapters of this single-volume history of Chinese literature are chronologically arranged with thematic chapters interspersed. Indeed, a closer look at the chapters reveals that the book at hand follows the traditional dictum of wen shi zhe bu fenjia, i.e. that literature, history and philosophy should not be separated

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Torstendahl, R. "TELLING HISTORIES OR ACCOUNTING FOR ASPECTS OF THE PAST: A HISTORIOGRAPHICAL CHOICE IN A EUROPEAN HISTORICAL PERSPECTIVE." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 3 (2021): 9–20. http://dx.doi.org/10.26907/2541-7738.2021.3.9-20.

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The article departs from the difference between two types of historical writings, one narrating stories about actors and the other trying to bring about evidence that justify claims to know certain things about specific aspects of the past. From the Iliad and the Odyssey, telling stories have been a common way of presenting past events. Inscriptions and annals, as well as graves and monuments, urged to present posterity with evidence for acts and occurrences. Storytelling was always more popular than searching for evidence. In the 19th century, historians began to systematise their doubts abou

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Moore, Kathryn Blair. "The Disappearance of an Author and the Emergence of a Genre: Niccolò da Poggibonsi and Pilgrimage Guidebooks between Manuscript and Print*." Renaissance Quarterly 66, no. 2 (2013): 357–411. http://dx.doi.org/10.1086/671582.

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While the anonymous Viaggio da Venetia al Sancto Sepolchro et al Monte Sinai, first published in Venice in 1518, was the most popular Holy Land guidebook in Renaissance Italy, the historical origins of the book have never been fully understood. From four illustrated versions of an earlier manuscript guide, the Libro d’Oltramare (1346–50), one can hypothesize about both the text and its author. The ultimate prototype for the Viaggio da Venetia was very likely one or more of these illustrated manuscripts, and the original author of both the text and illustrations was the Franciscan pilgrim Nicco

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Boinitska, Olga. "AFTER WALTER SCOTT: THE ENGLISH HISTORICAL NOVEL OF THE 1830S – 1840S." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 36 (2024): 10–15. http://dx.doi.org/10.17721/1728-2659.2024.36.02.

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Background. The study examines the unique evolution of the historical novel genre following its rise to prominence in the first half of the 19th century, driven by Walter Scott's "Waverley Novels". The further development of the genre in early Victorian and mid-19th century English literature is traced, particularly in the works of G. P. R. James, W. H. Ainsworth, E. Bulwer-Lytton, and C. Kingsley. The relevance of the study is determined by the need to reinterpret issues of history, and the interaction between history and literature in the context of contemporary literary discourse. The goal

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Reichardt, Dagmar. "PUT IT ON OR : USE IT AND ENJOY ! THE TRANSCULTURAL AND SYNERGIZING HISTORY OF ITALIAN FASHION AND INDUSTRIAL DESIGN." Culture Crossroads 19 (October 11, 2022): 285–97. http://dx.doi.org/10.55877/cc.vol19.36.

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Among the three international fashion hubs Paris, Milan, and New York that have dominated fashion production since the 20th century, Italian fashion stands out through its transcultural Italophony. Since the historic beginnings of the West, the development of fashion, taste and etiquette in modern Italy plays both culturally and historically a key role in European politics, economics, literature, fine arts, music and theatre. This applies also to Italian design, which is – like fashion – a powerful nonverbal language in cultural, aesthetical and economic terms, expressing a unique and life-aff

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Insisa, Aurelio. "Shot by both sides: the War in Ukraine, Italy, and NATO’s Strategic Communications Challenges." Defence Strategic Communications 11 (February 3, 2023): 17–50. http://dx.doi.org/10.30966/2018.riga.11.1.

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The war in Ukraine has sparked an intense public debate in Italy over NATO’s objectives and activities. A significant minority of the Italian public considers the alliance at least partially responsible for the conflict. Early analyses of the public debate over the conflict focused on the influence projected by the Russian state and state-adjacent actors in Italian media and politics. This study shifts the focus towards the interests and agency of Italian actors critical of NATO. It frames criticism of the alliance in mass media and social media as the result of deeply rooted resentment agains

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Togola, Adama. "Du polar d’Afrique francophone et des stratégies pour contourner la marge instituée." International Journal of Francophone Studies 24, no. 3 (2021): 207–19. http://dx.doi.org/10.1386/ijfs_00038_1.

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This study attempts to reassess the critical discourse on the Francophone African detective fiction in order to show how the dynamics of genres and discourse in the crime novel participates in a reflection on writing and the boundaries between so-called popular literature and the so-called ‘literate’. It is about analysing the workaround strategies implemented by writers to lift the crime novel from the sidelines in which it has long been placed. Born in the nineteenth century with modernity, the African detective fiction is today one of the axes of development of African literature. It compet

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Berkowitz, Beth. "Reclaiming Halakhah: On the Recent Works of Aharon Shemesh." AJS Review 35, no. 1 (2011): 125–35. http://dx.doi.org/10.1017/s0364009411000080.

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Bialik may have protested in “halakhah and aggadah” that aggadah had become too dominant in his day, but for countless generations it was halakhah that possessed greater gravitas, thanks to the geonim and their successors. Bialik was onto something, however, since even he succumbed to the power of aggadah—his most popular work was Sefer Ha-Aggadah. In the contemporary academy, aggadah continues to flourish. The encounter between midrash and literary theory in the 1980s, and between talmudic aggadah and stam-oriented source criticism in the 1990s and today, have firmly secured aggadah's territo

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Doherty, Peter. "The Poverty of Posthumanism: Evolution and Extinction in Eugene Field's ‘Extinct Monsters’." International Research in Children's Literature 7, no. 2 (2014): 180–97. http://dx.doi.org/10.3366/ircl.2014.0131.

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This article interrogates constructions of posthumanism in twenty-first century children's literature criticism and ecocriticism. Focusing on an unpublished manuscript by Eugene Field, it argues that the concept of species extinction undermines the theoretical usefulness of posthumanism. The paper begins by discussing the uses and shortcomings of posthumanism as a critical tool in children's literature. In doing so, it establishes connections with the challenge to the human posed by technology in the twenty-first century and the new understanding of what constitutes the human at the end of the

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