Thèses sur le sujet « Popular culture »
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Lane, Barbara Diana. « Materiality and popular culture ». Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/21803.
Texte intégralTam, Pui-kam Ada, et 譚沛錦. « Postmodernism and popular culture ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26902448.
Texte intégralStorey, John. « Hegemony and popular culture ». Thesis, University of Sunderland, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337210.
Texte intégralCairns, David. « Sectarianism in popular culture ». Thesis, University of Ulster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274136.
Texte intégralau, LMcrae@westnet com, et Leanne Helen McRae. « Questions of Popular Cult(ure) ». Murdoch University, 2003. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040428.152619.
Texte intégralHitchin, Linda. « Technological uncertainties and popular culture ». Thesis, Brunel University, 2002. http://bura.brunel.ac.uk/handle/2438/5247.
Texte intégralDaniels, Rebecca. « Walter Sickert and popular culture ». Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410774.
Texte intégralRoss, Peter Colin. « Jack Sheppard in popular culture ». Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413726.
Texte intégralHerrmann, Andrew F., et Art Herbig. « Communication Perspectives on Popular Culture ». Digital Commons @ East Tennessee State University, 2016. https://www.amzn.com/1498523927.
Texte intégralhttps://dc.etsu.edu/etsu_books/1131/thumbnail.jpg
Brown, Adam. « Democratising popular culture : comparing and contrasting some cultural industries ». Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240742.
Texte intégralSoncini, Luana. « Política de patrimônio cultural imaterial na América Latina : análise dos processos de identificação e registro no Brasil e no México ». Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-12072012-155540/.
Texte intégralFor about one decade the notion of Intangible Cultural Heritage is being incorporated within the cultural heritage policies by the Latin American states, and also in an international context, from the Convention for the Safeguarding of the Intangible Cultural Heritage (UNESCO, 2003). In this thesis the experiences of identification and registry of this category of heritage in Brazil and Mexico are analysed, by means of an appreciation of official documents produced within this policy, the Registry Dossiers (Dossiês de registro) made in Brazil and Mexican Inventory of Intangible Heritage (Inventario del Patrimonio Inmaterial). Based on the history of the cultural policies and the relationship between State and popular culture, it is considered that this kind of acknowledgment has specific characteristics in Latin America, setting the potentialities and challenges of the implementation of such politics in this context. Begining by this concern and the analysis of the mentioned documents, two related thematic axes were defined, which guided the comparison between Brazil and Mexico. The first of them refer to the deployment of the widening of the notion of culture, which characterizes this type of cultural heritage, to the heritage policies of these countries. It is verified that such widening results in the incorporation of social tensions, equally broad, within the universe of concern of this area of state intervention. The second axis privilege questions related to the process of attribution of value to cultural manifestations, practices and expressions as heritage. There has been identified the politization of this kind of acknowledgement, as far as it means to corroborate officially the values previously attributed to such heritage in its production context. In this sense, as of the official documentation an analysis is developed about the process of negociation of criteria and concepts of valuing, as well as the legitimacy of collective beings, State anda other groups of holders of cultural heritage in its recognition process.
da, Silva Sara. « From caravelas to telenovelas : Popular culture, cultural exchange and cultural appropriation ». Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8094.
Texte intégralBrazilian telenovelas have always been very popular in Portugal but in the last years this popularity is decreasing. It seems Portuguese audiences prefer Portuguese telenovelas instead. Why is this so? Within the context of the relationship between Portugal and Brazil, Portuguese identity and theories of cultural exchange and cultural appropriation, this essay, through interviews to ten different subjects, tries to analyse why this is happening.
Bergfeld, Sarah Elizabeth. « Hegemony at play four case studies in popular culture / ». Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/s_bergfeld_042109.pdf.
Texte intégralMcRae, Leanne. « Questions of popular cult(ure) / ». Access via Murdoch University Digital Thesis Project, 2002. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040428.152619.
Texte intégralLam, King-sau, et 林勁秀. « Wang Shuo's fiction and popular culture ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B35319161.
Texte intégralJones, Simon. « White youth and Jamaican popular culture ». Thesis, University of Birmingham, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391512.
Texte intégralCaponero, Maria Cristina. « Festejando São Benedito : a congada em Ilhabela, recurso cultural brasileiro ». Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-23082012-081734/.
Texte intégralInheritance basically Portuguese, the religious parties in Brazil, earn popular profile, being very important to the popular culture development and national identity. In Ilhabela, north coast of São Paulo State, São Beneditos Party which has as a culminating point the São Beneditos Congada has being realized an hundred fifty years ago, without any interruption. This party received great African influence and didnt become a simple entertainment, keeping its tradition as a manifestation of great popular religiosity, where the sacred and the profane were connected in a faith and solidarity proof, which passes along generations and consists of a Brazilian immaterial patrimony. We must understand that not only the government must acts as the responsible under an engagement for the preservation and safeguard of this cultural resource, but also the whole local community, the truth owner of the knowledge and from whom depend the effective practice on the transmission for the future generations. This study realized a bibliographic and inquiry research, looking for a theoretic reference to the understanding and elucidation of the facts, without despising the collective memory register obtained through opened interviews made with the party owners.
Rodeheaver, Misty D. « An analysis of the shifts in cultural flows between the United States and Germany, 1890-1929 ». Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=3988.
Texte intégralTitle from document title page. Document formatted into pages; contains iv, 90 p. : ill. Includes abstract. Includes bibliographical references (p. 81-87).
Santos, João Rafael Coelho Cursino dos. « A cultura como protagonista do processo de reconstrução da cidade de São Luiz do Paraitinga/SP ». Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11042016-105654/.
Texte intégralThe city of Sao Luiz do Paraitinga, located in the Paraiba Valley, State of Sao Paulo, in the first days of calendar year 2010, was hit by the biggest flood in its history. The waters of the river Paraitinga rose about twelve meters above its usual riverbed, causing destruction of a great portion of the architectural heritage and causing several damages to the affected population. The process of reconstruction of the city had the local culture in a leading role since in various situations the government and agencies responsible for national heritage preser-vation were forced to review pre-designed projects and contemplate the identity of that community as an essential goal. In order to study this leadership of popular culture in the process of rebuilding São Luiz do Paraitinga, I first brought up the significance that memory and expressions of pop-ular culture have for the identity of the town. Directly involved in the process, which was also my object of study, I collected rich documentation that along with my experience jus-tified the analysis presented. In that analysis, I highlight the main role that peoples life-style played in different moments which are linked to the tragedy that occurred, to the ac-tions taken to return to normality and to the reconstruction of what had been destroyed. The experience brought significant contributions, not only to the people of Sao Luiz do Paraitinga, but also to the understanding of situations resultant from disasters that change the living conditions in cities, completely transforming its daily routines as well as the practices of governmental and collective agencies and the population.
Silva, Mariana de Araujo Alves da 1992. « O encontro dos rios : a Associação de Cerâmica da Barra (BA) no contexto da arte popular / ». São Paulo, 2019. http://hdl.handle.net/11449/183212.
Texte intégralBanca: Alberto Tsuyoshi Ikeda
Banca: Sonia Carbonell Alvares
Resumo: A arte popular ocupa um lugar social específico no âmbito das produções e estudos do campo da Arte ocidental. Com base nessa conjuntura, esta pesquisa busca compreender possibilidades de aproximação e afastamento entre a "arte" e o "popular", analisando cruzamentos, distanciamentos e convergências, a fim de identificar diferentes perspectivas para relacionar-se com estudos sobre o tema. Para tal, observa-se a produção cerâmica da comunidade artesã Associação de Cerâmica Comunitária Nossa Senhora de Fátima da Barra (BA) como estudo de caso para discutir a proposição do curador e crítico de arte paraguaio Ticio Escobar sobre o termo "arte popular" como teoricamente híbrido. A cidade da Barra situa-se no Oeste Baiano, precisamente no ponto onde se encontram o rio Grande e o rio São Francisco, condição fundamental para o desenvolvimento da atividade cerâmica nesta região. Estabelece-se uma relação de homologia ao conceito de campo proposto por Pierre Bourdieu a fim de compreender a forma de atuação dos principais agentes dos microcosmos da arte culta e da arte popular. Tendo como referência a tensão de conceitos e nomenclaturas utilizados há tanto tempo nos estudos e na produção de arte, esta investigação discute maneiras de enfrentar os desafios estéticos e sociais que se apresentam aos nossos tempos
Abstract: Popular art occupies a specific social position in the productions and studies of the art field. From this circumstance, this research seeks to understand possibilities of approach and deviation between art and popular, analyzing crossings, diversions and convergences, in order to identify different perspectives to establish contact with the mentioned subject. In this sense, we can observe the ceramic production of the artisan community Associação de Cerâmica Comunitária Nossa Senhora de Fátima from Barra-Bahia as a case study to discuss the proposition of the curator and art critic Ticio Escobar about the term popular art as theoretically hybrid. The city of Barra is located at the west of Bahia, precisely at the point where the Grande river the São Francisco river meet. The existence of these rivers is a fundamental condition for the development of ceramic activity in this region. I make a homology to the concept of field proposed by Pierre Bourdieu in order to understand how the main agents of the microcosms of erudite art and popular art act. From the tension of the concepts and nomenclatures used so long in the production and studies of art, this research discusses ways to face the aesthetic and social challenges that present themselves to our times
Mestre
SCOTT, MEGHAN C. « BEAUTY IN THE EYE OF POPULAR CULTURE : POPULAR CULTURE AND THE OBSESSION WITH FEMALE IMAGE : THE BEAUTY RITUAL ». Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/192238.
Texte intégralDiFiore, Danielle. « Hunter S. Thompson a popular culture icon / ». Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181964.
Texte intégralWarner, Kathleen Marie. « Historical theory, popular culture and television drama / ». [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19144.pdf.
Texte intégralLindell, Johan. « Japanization ? - Japanese Popular Culture among Swedish Youth ». Thesis, Karlstads universitet, Fakulteten för ekonomi, kommunikation och IT, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3861.
Texte intégralJapanese presence on the global cultural market has steadily been increasing throughout the last decades. Fan-communities all over the world are celebrating the Japanese culture and cultural identity no longer seems bound to the local. This thesis is an empirical study which aims to examine the transnational flow of Japanese popular culture into Sweden. The author addresses the issue with three research questions; what unique dimensions could be ascribed to Swedish anime-fandom, what is appealing about Japanese popular culture and how is it influencing fan-audiences? To enable deeper understanding of the phenomenon, a qualitative research consisting of semi-structured telephone-interviews and questionnaires, was conducted with Swedish fans of Japanese popular culture. The results presented in this thesis indicate that the anime-community in Sweden possesses several unique dimensions, both in activities surrounding Japanese popular culture and consumption and habits. Japanese popular culture fills a void that seems to exist in domestic culture. It is different, and that is what is appealing to most fans. Anime and manga have inspired fans to learn about the Japanese culture, in some cases, Japanese popular culture has in a way “japanized” fans – making them wish they were born in Japan.
McEwen, Melissa. « Gramsci and Spielberg : hegemony in popular culture / ». Title page, contents and introduction only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arm1418.pdf.
Texte intégralGraham, Michael Richard. « Remembering the commune : historiography and popular culture / ». Title page, table of contents and introduction only, 2004. http://web4.library.adelaide.edu.au/theses/09AR/09arg7381.pdf.
Texte intégralDonald, James. « Schooling, popular culture, government ideology and beyond ». Thesis, Open University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253550.
Texte intégralBranca, Andrea. « Identity and Popular Culture In Art Therapy ». Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/100.
Texte intégralSjöstedt, Jenny, et Sanna-Petra Wålberg. « Populärkultur i förskolan - Popular culture in preschool ». Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30735.
Texte intégralBennett, James Andrew. « Popular styles, local interpretations : rethinking the sociology of youth culture and popular music ». Thesis, Durham University, 1996. http://etheses.dur.ac.uk/1570/.
Texte intégralSilveira, Mônica Maria de Souza. « A queimada da palhinha no Vale do Itamboatá : a permanencia de uma prática do catolicismo popular na região metropolitana de Salvador ». Programa de Pós-Graduação em Cultura e Sociedade da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/10806.
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A Queimada da Palhinha, prática cultural tradicional que encerra o ciclo natalino do catolicismo popular brasileiro, permanece acontecendo na comunidade de Palmares, em Simões Filho, Bahia. É uma festa religiosa popular, centenária nesta região do entorno de Salvador, que em meados do século XX sofreu grandes transformações, com o avanço da urbanidade e da industrialização. Um breve apanhado histórico das celebrações em homenagem ao Senhor Deus Menino na Europa e no Brasil – pastoris, lapinhas, presepes, queimadas da palhinha – a partir do século XVI realiza a contextualização da festa em estudo num universo mais amplo. A descrição de aspectos da celebração de Palmares busca destacar os diálogos entre a tradição e a modernidade e compreender as suas atuais configurações. O samba de roda é importante na análise da permanência desta Queimada da Palhinha. Levando em conta elementos da globalização cultural contemporânea, o escopo maior desta pesquisa é perceber os fatores que configuram a existência atual da festa, os novos sentidos produzidos, o lugar contemporâneo que a festa ocupa na atual comunidade de Palmares e a liminaridade deste grupo de ética e imaginário camponeses. As abordagens teóricas sobre cultura, cultura popular, globalização cultural, religião e liminaridade na colonialidade moderna, permitem constituir o terreno teórico que fundamenta a análise da permanência desta festa nos dias atuais. A festa religiosa tradicional, local, historicamente periférica e rural, hoje na liminaridade em vários sentidos, não vem conseguindo dialogar com vetores do capitalismo global, não conseguiu traduzir a alteridade nem se traduzir para o outro. Esta festa ainda pode existir? O presente estudo busca refletir estas questões levando em consideração os embates entre a homogeneização cultural e a diferença cultural contemporâneas. O papel das políticas públicas – especialmente do Ministério da Cultura/Governo Federal –, das redes culturais e das ONGs no Brasil contemporâneo é importante na discussão da valorização e da reprodução destas práticas.
Salvador
Esquirol, Meritxell. « Femininity, neoliberalism and popular culture : the depolitization of feminism ». Doctoral thesis, Universitat de Girona, 2015. http://hdl.handle.net/10803/285781.
Texte intégralSzemere, Anna. « Pop culture, politics, and social transition / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820881.
Texte intégralCosta, Carmem Lúcia. « Cultura, religiosidade e comércio na cidade : a festa em louvor à Nossa Senhora do Rosário em Catalão - Goiás ». Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-06122010-151424/.
Texte intégralThe party in honour of Nossa Senhora is a part of the identity of people that live in the state of Goiás in Brazil, more specifically in Catalão. The festival is held, first only by descendants of slaves, who used the party to maintain their traditions in space of the others, the colonizer, years later, to establish himself in the city, the dancers who were mostly poor who fought all year, not only to survive but also to \"make the party\" in the city of another, take their groups to the Church of Nossa Senhora do Rosário. The Feast survives through the religiosity of the Congada and the trade to / from the party, party of all, with diverse interests. It\'s a party with dimensions sacred and profane where there is the clash between the global and local like as the strategies that those, who make the festival must take to continue to exist. This is a social process of trade and appropriation of the men and women work, alienating them in their celebration practice. The socioespacial practice of Festa do Rosário, justifies the realization of this research into contributing to the Urban Geography one that will be part of a project to give the right to a city of everyone. The party is a right to the people that make it and to the people that follow it, only for praying, for dancing in the Congada, or just for buying in the barraquinhas. The changes, the persistence and deterioration show us the resistance of this festive practice strategies to the economic reproduction of the city to the capitalist exchange, revealing the city for the reproduction of life, of exchanging, of understanding, of faith and popular culture.
Wang, Yi. « From revolutionary culture to popular culture : Chinese literature and television 1987-1991 ». Thesis, Wang, Yi (1996) From revolutionary culture to popular culture : Chinese literature and television 1987-1991. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/50714/.
Texte intégralLeal, Alessandra Fonseca. « Semear cultura, cultivar culturas populares, colher patrimônios : a gestão social da cultura popular às margens do Rio São Francisco no norte de Minas Gerais ». Universidade Federal de Uberlândia, 2011. https://repositorio.ufu.br/handle/123456789/16112.
Texte intégralEsta pesquisa objetiva analisar as diferentes estratégias de arranjos e re-arranjos de grupos tradicionais de cultura popular no que tange à gestão de suas criações e representações, através da ação de seus autores-atores. Meu foco recai sobre como os autores-atores de cultura popular dialogam entre agentes diretos de criação, as diferentes instituições, pessoas da sociedade civil, do mundo agenciador local e do poder público. Para tanto, meus sujeitos e interlocutores foram grupos de Dança de São Gonçalo entre as cidades de Buritizeiro e Várzea da Palma, e grupos de Folias de Reis entre as cidades de Pirapora e São Francisco. Junto a eles e a partir de seus depoimentos procurei compreender como eles procuram, através de diferentes estratégias, e aprendem a gerenciar o que eles criam e apresentam, de modo a preservarem o contexto de suas representações rituais e a ampliar o contexto social de suas apresentações. Tratarei aqui dos caminhos entre o fazer do povo e o fazer para o povo, do apresentar e do representar, a partir de uma reflexão sobre os conceitos de cultura, cultura popular e patrimônio cultural. Baseio-me em autores como Raymond Williams, Michel de Certeau, Carlos Brandão, Terry Eagleton, assim como nas falas e depoimentos dos guias e foliões de Santos Reis e tocadores e dançadores de São Gonçalo com quem estive e pesquisei. Veremos que cada um dos grupos, sobretudo através de seu dirigente, buscou um caminho próprio, entre fincar o pé na mais pura tradicionalidade mineira, e o abrirse a inovações e/ou à proteção e ao subsídio de entidades de fora. Alguns grupos mantiveram-se organizados segundo os seus padrões mais tradicionais e comunitários, na mesma medida em que outros seguiram a tendência crescentemente moderna de se institucionalizarem segundo normas e padrões oficiais.
Mestre em Geografia
Oliveira, Aluizio Lins de. « Erudição e cultura popular na atividade intelectual de Luís da Câmara Cascudo ». Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18122012-121921/.
Texte intégralA description of some aspects of the intellectual life of Luís da Câmara Cascudo aims to contribute to sociological analysis of cultural aspects of society. The author has produced writing in the areas of history, biography, memoirs and folklore. With the intellectual folk stood in the Brazilian publishing market in the making. We tried to focus analysis on some documents related to the intellectual culture of Cascudo. Produced by himself or on it. Detailing very specific characteristics of these documents, we tried to see in them some elements of social structures. These intellectual products, although different, the author ended a shared background. Taking some specific achievements of the author, sought to contribute to cultural issues involving Brazilian intellectuals in the twentieth century.
Blue, Gwendolyn. « Discourse of wilderness, grizzly bears in popular culture ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38526.pdf.
Texte intégralCampbell, Jennifer Riley Walters Frank. « Long strange trip mapping popular culture in composition / ». Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Spring/doctoral/CAMPBELL_JENNIFER_10.pdf.
Texte intégralHiwatari, Yasutaka. « Anglicisms, globalisation and performativity in Japanese popular culture ». Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550813.
Texte intégralFerguson, Galit. « Watching families : parenting, reality television and popular culture ». Thesis, University of East London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532891.
Texte intégralEnstone, Zoe O. « Becoming goth : geographies of an (un)popular culture ». Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:13715ee9-d01d-4671-a8d1-0dd08bd616e5.
Texte intégralHen, Yitzhak. « Popular culture in Merovingian Gaul, A.D. 481-751 ». Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272394.
Texte intégralHowells, Richard. « The interpretation of popular culture as modern myth ». Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272473.
Texte intégralGustafsson, Malin, et Linn Rix. « Contemporary Popular Culture for Educational Purposes – Teaching English ». Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34842.
Texte intégralBerglund, Jeffrey Duane. « Cannibal fictions in U.S. popular culture and literature / ». The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935573771863.
Texte intégralReis, Claudio. « O nacional-popular em Antonio Gramsci ». [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280794.
Texte intégralTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O desenvolvimento do trabalho teve como ponto central o exame do conceito de "nacionalpopular" na obra do pensador italiano Antonio Gramsci, com destaque para a sua produção carcerária. Foi, portanto, a partir dos Quaderni del Carcere que se buscou compreender toda a complexidade de tal elemento conceitual. Com a presente pesquisa, o projeto de nação do autor italiano surgiu em sua ampla riqueza teórica, revelando que o seu entendimento se coloca como uma chave bastante importante para a compreensão da questão nacional contemporânea. Suas reflexões sobre esse assunto, certamente, estão entre as mais significativas do século XX. E, justamente, por isso, não podem deixar de ser apreendidas em profundidade. Por meio da relação entre o "nacional" e o "popular", Antonio Gramsci busca recriar o entendimento que se tem sobre as classes populares e também busca indicar uma nova forma de se relacionar com os subordinados.
Abstract: The reaserch development had as its central point the exam of the "popular national" concept in the work of the Italian thinker Antonio Gramsci, with remarks to his production in prison. Through Quaderni del Cárcere, this work seeks to understand all the complexity of that conceptual element. With the current research, the nation project of the Italian author emerged in its broad theoretical wealth, revealing that its understanding is a very important key to grasp the contemporary national question. His reflections about this subject are, certainly, among the most significant in the 20th century. And, precisely for that, they must be understood in their depth. Through the relationship between the "national" and the "popular", Antonio Gramsci tries to recreate the understanding about the working classes and he also seeks to indicate a new way of relationship with the subordinates.
Doutorado
Doutor em Ciências Sociais
Kajikawa, Loren Yukio. « Centering the margins black music and American culture, 1980-2000 / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralFigueiredo, Valeria Maria Chaves de. « Gente em cena : fragmentos e memorias da dança em Goias ». [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252489.
Texte intégralTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: O presente trabalho tem como objetivo apresentar a dança como arte da memória e expressa em corpos que dançam. Reconstruímos danças populares de Goiás quase que 'esquecidas', presentes apenas na memória de antigos moradores da região de Santa Cruz, cidade do Estado de Goiás. Temos como foco a perspectiva da história oral, priorizando a utilização de fontes orais, bem como, o registro de imagens. A inter-relação com a comunidade manifesta-se como condição fundamental para se apreender os modos, as histórias, os movimentos, as dramaturgias que marcam estes cotidianos e sua arte. Estas danças resistem como fragmentos, na memória de antigos moradores e sem registros ofi ciais. Continuam vivas na tradição da oralidade, mais particularmente, na memória do corpo, já que não são mais dançadas. Foram danças aprendidas em festas rurais locais, realizadas nos salões das fazendas da região. Entre os mutirões e pagodes, estas danças e cantos tinham intuito de agregar, coletivizar experiências, ancorando-se nas trocas e nas relações afetivas, sociais e culturais. Ao longo dos anos foram proibidas e/ou desprezadas pela modernidade capitalista. A metodologia desenvolvida envolveu o registro pela escrita, pela imagem e pela experiência vivida, formando uma rede de significações. Nossa intenção foi olhar para o corpo como um texto múltiplo e constituído de história, memória, cultura e arte. São tiranias e poesias inscritas no cotidiano e na dança. É a presença de uma multiplicidade de diálogos e uma dança apresentada como campo de conhecimento polissêmico. Nosso referencial teórico dialoga com diversos autores, entre eles Portelli, Olga Von Simson, Walter Benjamin, entre outros
Abstract: The present work has as an objective to present the dance as art memory, memory held within the bodies that dance, and for this purpose the folk popular dances of Goiás were reconstructed; these popular â?¿forgottenâ?? dances take place only in the memory of the dwellers of Santa Cruz, a small town in the state of Goiás. The focus is the perspective of the oral history, with prior use of oral sources and the images records. The interrelation with the community fl ourishes as a mandatory condition to apprehend the manners, the stories, the movements, the drama that mark their daily routine and its art. These dances linger in the memory of the elders; there are no systematic records, they are kept alive in their oral tradition, more particularly in the bodiesâ?¿ memory, since they havenâ?¿t danced them for ages. Were dances learned in the local parties, carried through in the farms of the region. Between the mutirões and pagodes, these dances and chanting had the intention of creating a collectivizing experiences, anchoring themselves in the exchanges and the affective, social and cultural relations. Throughout the years they had been forbidden and/or rejected by capitalist modernity. Our methodology involves registering the long lived lore experience by the images and the language written, building a network of meaningful information. The intention is to look to the body as a multiple text made of history, lore, memory, culture and art; it is the various dialogs and dances in the fi eld of polissitemic knowledge that matters. They are tyrannies and poetry inscribed in the daily routine and in dance. The theory referential points of this work dialogs with various authors such as Portelli, Olga Von Simson, Walter Benjamin, among others
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
Toneto, Livia Cristina. « Bumba-meu-boi e suas manifestações urbanas : uma análise a partir dos estudos culturais ». Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-19122014-125017/.
Texte intégralOne manifestation of Brazilian popular culture is the reason for interest in our research: Bumba Meu Boi in São Paulo. Such merriment exists in Brazil since about the seventeenth century, first appearing in the regions of northeast Brazil. Today is one of the most popular cultural events between existing in our country. Among all regions where the Ox is thematized, the focus of our study is the Ox Cupuacu Group, Ox of Morro do Querosene, located in São Paulo, district of Butantã. This region that displays and celebrates the merriment inspired by the Bumba Meu Boi about Maranhão. The festival happening in the Morro do Querosene involving not only the revelers who are members of the Ox, as the entire community present there: residents, traders and also the public participating prestige events. Our research goal is to understand the general merriment of the staging of Bumba Meu Boi conducted by Cupuacu Group in São Paulo, as a form of identity of revelers with their homeland where such expression is derived; and specific: a- to delimit the understanding of cultural identity in the perspective of Cultural Studies, understanding that it is not permanent, and is reconstructed from the experiences of the subjects in a particular socio-historical context goals; b- to identify the constituent process of the Bumba Meu Boi while in this festive period junino cycle in Brazil manifestation linked to a set of influences from the miscegenation of the Brazilian people (indigenous, African and Portuguese), and Jesuit Catholicism. As a methodology, it is a qualitative study, an exploratory character. The bibliographic and field approaches will be used. For the field research was chosen application case study, using as a research tool in the observation. We conclude that the mirth of the Bumba Meu Boi staged by Cupuacu Group undergo changes in its design due to the urban context of the city of São Paulo, direct influence on their production