Thèses sur le sujet « Popular culture in mass media »
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Ingvoldstad, Bjorn Paul. « Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences / ». [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.
Texte intégralSource: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
Roberts, Jason L. « Place Perception, Cognitive Maps, and Mass Media : The Interrelationship Between Visual Popular Culture and Regional Mental Mapping ». Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/33020.
Texte intégralMaster of Science
Baldwin, Brian R. « Homer goes to Hollywood subverting popular media as a discipleship paradigm / ». Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p062-0297.
Texte intégralSmith, Ashley Lorrain. « Girl Power : Feminism, Girlculture and the Popular Media ». Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2200/.
Texte intégralPark, Ernie J. « Pulp Jesus reconsidering communication in the hyper-sensate culture of technology / ». Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Texte intégralJamison, Sally. « Popular culture and literacy learning negotiating meaning with everyday literacies / ». Online pdf file accessible through the World Wide Web, 2007. http://archives.evergreen.edu/masterstheses/Accession89-10MIT/Jamison_S%20MITthesis%202007.pdf.
Texte intégralBainbridge, Jason. « Visual law : an exegesis of vernacular jurisprudence in popular media / ». [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18608.pdf.
Texte intégralKeith, RuAnn. « Constructing professionalism reifying the historical inevitability of commercialization in mass media communication / ». Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/communication_diss/16/.
Texte intégralTed Friedman, committee chair; Alisa Perren, Kathryn Fuller-Seeley, David Cheshier, Deron Boyles, committee members. Title from title page (Digital Archive@GSU, viewed June 22, 2010) Includes bibliographical references (p. 294-305).
Fahmy, Ziad Adel. « Popularizing Egyptian Nationalism : Colloquial Culture and Media Capitalism, 1870-1919 ». Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195746.
Texte intégralDibbs, Martin G. R. « Shaping popular culture : radio broadcasting, mass entertainment and the work of the BBC Variety Department, 1933-1967 ». Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3165.
Texte intégralLibby, Caitlin A. « Consuming modernity : media's role in normalizing women's labor in India and Thailand / ». Norton, Mass. : Wheaton College, 2010. http://hdl.handle.net/10090/15513.
Texte intégralDraper, Rebecca Cupples. « At-risk students' perceptions of the impact of popular culture and the media on their lives ». Digital Commons @ East Tennessee State University, 2005. http://etd-submit.etsu.edu/etd/theses/available/etd-1209104-133937/unrestricted/DraperR011105f.pdf.
Texte intégralAhern, Sean Xavier. « The Clash and Mass Media Messages from The Only Band That Matters ». Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1340661045.
Texte intégralSibielski, Rosalind. « What Are Little (Empowered) Girls Made Of ? : The Discourse of Girl Power in Contemporary U.S. Popular Culture ». Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.
Texte intégralMiller, Elizabeth. « Manipulating the Hype : contemporary art's response to media cliches ». Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10099.
Texte intégralKatz, Jackson Tambor. « The Presidency as pedagogy a cultural studies analysis of violence, media and the construction of presidential masculinities / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930276351&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralChoyke, Kelly L. « The Power of Popular Romance Culture : Community, Fandom, and Sexual Politics ». Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1573739424523163.
Texte intégralRossie, Amanda Marie. « New Media, New Maternities : Representations of Maternal Femininity in Postfeminist Popular Culture ». The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397597413.
Texte intégralSirkin, Elizabeth Taryn. « Popular Images and Cosmopolitan Mediation : Mass Media and Western Pop Culture in the Anglophone South Asian Novel ». online version, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=case1175776213.
Texte intégralDemarchi, Carlos Henrique [UNESP]. « A campanha Quem financia a baixaria é contra a cidadania como contraposição aos produtos da cultura de massa na TV brasileira ». Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/89367.
Texte intégralUniversidade Estadual Paulista (UNESP)
A constituição da República Federativa do Brasil estabelece que a programação televisiva atenda às finalidades artísticas, culturais, educativas e de respeito aos valores éticos da pessoa e da família. Nos últimos anos, porém, tais princípios não têm sido respeitados pelas emissoras comerciais de TV, principalmente as de canal aberto, que exibem programas segundo critérios de lucratividade. Na busca cotidiana pela audiência, os canais têm recorrido, não raro, à exibição de cenas de violência, sexo e de desrespeito aos direitos humanos. Diante desta realidade, a sociedade civil organizada vem lutando para que os cidadãos sejam respeitados frente aos produtos da cultura de massa transmitidos pela televisão aberta, que chega a 95% dos lares brasileiros. Também tem atuada no busca de mecanismos para que haja maior participação do telespectador diante dos conteúdos televisivos. Exemplo dessa mobilização é a criação, em parceria com a Câmara dos Deputados, da campanha Quem financia a baixaria é contra a cidadania, voltada para a promoção e defesa dos direitos humanos na mídia televisiva. A partir da análise de conteúdo de 118 pegadinhas do programa Tarde quente, exibido em 2005 pela Rede TV!, e de diálogo com autores de quatro tendências comunicacionais que trataram da cultura de massa: Escola de Frankfurt, Escola Funcionalista, Escola Sociológica Européia e Pensamento latino-americano em Comunicação, a pesquisa analisa a importância da campanha para combater determinar produtos da cultura de massa
The Constitution of Brazil establishes that the television programming considers the artistic, cultural, educacional purposes and the personal and familiar ethical values. However, in the recent years, such principles have not been respected by the commercial television broadcasting stations, principally, the one with opened transmition that show their programs according to profitable rules. In the daily search for audience, the channels have been appealing to scenes of violence, sex and disrespect for the human rights. In front of this reality, the organized civil society has been fighting for respect, so the citizens could be respected in front of popular culture products broadcasted by the oppened transmission channels that reach 95% of the Brazilian homes. It has also been searching for mechanisms to increase the viewers' participation in front of television contents. One example of this mobilization is the creation, in association with the Chamber of Deputies, o the campaing Who supports the meanness is against the citizenship that intends to promote and defend the human rights in the television media. From the analysis of 118 pranks showed on the program Tarde Quente on Rede TV! In 2005 and a dialog with authors of four communicative tendencies who dealt with the mass culture: Frankfurt School, Funcionalist School, Contemporary French Thought and the Latin-American Thought in Communication, this research analyses the importance of the campaing to combat some popular culture products
Stephens, David F. II. « Making Profit, Making Play : Corporate Social Media Branding in the Era of Late Capitalism ». Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1595005696822323.
Texte intégralde, los Reyes Vanessa. « I Love Ricky : How Desi Arnaz Challenged American Popular Culture ». Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1209136075.
Texte intégralLe, Masurier Megan. « Fair go : Cleo magazine as popular feminism in 1970s Australia ». Phd thesis, Department of Media and Communications, 2007. http://hdl.handle.net/2123/7777.
Texte intégralDemarchi, Carlos Henrique. « A campanha "Quem financia a baixaria é contra a cidadania" como contraposição aos produtos da cultura de massa na TV brasileira / ». Bauru : [s.n.], 2010. http://hdl.handle.net/11449/89367.
Texte intégralBanca: Rozinaldo Antônio Miani
Banca: Maximiliano Martin Vicente
Resumo: A constituição da República Federativa do Brasil estabelece que a programação televisiva atenda às finalidades artísticas, culturais, educativas e de respeito aos valores éticos da pessoa e da família. Nos últimos anos, porém, tais princípios não têm sido respeitados pelas emissoras comerciais de TV, principalmente as de canal aberto, que exibem programas segundo critérios de lucratividade. Na busca cotidiana pela audiência, os canais têm recorrido, não raro, à exibição de cenas de violência, sexo e de desrespeito aos direitos humanos. Diante desta realidade, a sociedade civil organizada vem lutando para que os cidadãos sejam respeitados frente aos produtos da cultura de massa transmitidos pela televisão aberta, que chega a 95% dos lares brasileiros. Também tem atuada no busca de mecanismos para que haja maior participação do telespectador diante dos conteúdos televisivos. Exemplo dessa mobilização é a criação, em parceria com a Câmara dos Deputados, da campanha "Quem financia a baixaria é contra a cidadania", voltada para a promoção e defesa dos direitos humanos na mídia televisiva. A partir da análise de conteúdo de 118 "pegadinhas" do programa "Tarde quente", exibido em 2005 pela Rede TV!, e de diálogo com autores de quatro tendências comunicacionais que trataram da cultura de massa: Escola de Frankfurt, Escola Funcionalista, Escola Sociológica Européia e Pensamento latino-americano em Comunicação, a pesquisa analisa a importância da campanha para combater determinar produtos da cultura de massa
Abstract: The Constitution of Brazil establishes that the television programming considers the artistic, cultural, educacional purposes and the personal and familiar ethical values. However, in the recent years, such principles have not been respected by the commercial television broadcasting stations, principally, the one with opened transmition that show their programs according to profitable rules. In the daily search for audience, the channels have been appealing to scenes of violence, sex and disrespect for the human rights. In front of this reality, the organized civil society has been fighting for respect, so the citizens could be respected in front of popular culture products broadcasted by the oppened transmission channels that reach 95% of the Brazilian homes. It has also been searching for mechanisms to increase the viewers' participation in front of television contents. One example of this mobilization is the creation, in association with the Chamber of Deputies, o the campaing "Who supports the meanness is against the citizenship" that intends to promote and defend the human rights in the television media. From the analysis of 118 pranks showed on the program "Tarde Quente" on Rede TV! In 2005 and a dialog with authors of four communicative tendencies who dealt with the mass culture: Frankfurt School, Funcionalist School, Contemporary French Thought and the Latin-American Thought in Communication, this research analyses the importance of the campaing to combat some popular culture products
Mestre
Yung, Lai-fong Edith. « Popular culture and deviant youth behaviour in Hong Kong ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20622296.
Texte intégralTsoulis-Reay, Alexa. « Convergence, concern & ; the "real" girl : teenage girls' everyday media cultures / ». Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/4893.
Texte intégralAssefa, Emrakeb. « An investigation into the popularity of American action movies shown in informal video houses in Addis Ababa, Ethiopia ». Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002871.
Texte intégralBeaty, Bart H. « All our innocences : Fredric Wertham, mass culture and the rise of the media effects paradigm, 1940-1972 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/NQ55299.pdf.
Texte intégralMcCance-Price, Maris. « Making sense of Men's Health : an investigation into the meanings men and women make of Men's Health ». Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002919.
Texte intégralTrent, Caroline Jamie Grinfeld Michael Jonathan. « Culture of sex sexual linguistics and discourse of Cosmopolitan editions in the United States, France and India / ». Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/5373.
Texte intégralNittel, Gisela. « "Es ist ein unglaublicher Betrug" Ingeborg Bachmann's literary critique of the journalistic media / ». Connect to full text, 2008. http://hdl.handle.net/2123/5471.
Texte intégralTitle from title screen (viewed October 28, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Germanic Studies, Faculty of Arts. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references. Also available in print form.
Hopkins, Susan. « Pop heroines and female icons : youthful femininity and popular culture ». Thesis, Queensland University of Technology, 1999.
Trouver le texte intégralMello, Maurício de. « O encontro da cultura popular e os meios de comunicação na obra de Solano Trindade - Os anos em Embu das Artes (1961-1970) ». Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-07102009-155102/.
Texte intégralThis dissertation brings socio-historical and cultural issues that guided the formation of many conceptualizations about the Brazilian culture during the 1960s and 1970s in Brazil, and aims to research the poet Solano Trindade\'s life and work, his intellectual, poetic and theatrical activies. In support of theoretical work, the popular culture manifestations and its relations with the cultural practices certified by the mass media were investigated in order to bring to light for the consequences of this meeting, the discussions about the cultural politics that have emerged in attempt to control such expression, the focus of resistance and social configuration lined by capitalist modernity. The idea of contributing to a sense of culture, and how it permeates many settings in Brazilian society, it crossed most of the inquiries during the readings and data analysis that guided the writing. To review a confused period in terms of new social and political horizons in Brazil allowed us to evaluate a fact not always clear to most social groups.
Aoyagi, Hiroshi. « Islands of eight million smiles, pop-idol performances and the field of symbolic production ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ46312.pdf.
Texte intégralMcKenna, Libby. « Audience interpretations of the representation of women in music videos by women artists ». [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.
Texte intégralD'Olimpio, Lauralin. « The moral possibilities of mass art ». University of Western Australia. Philosophy Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0172.
Texte intégralSullivan, Rebecca. « Revolution in the convent : women religious and American popular culture, 1950-1971 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/NQ55383.pdf.
Texte intégralBoonpap, Thitinan. « Popular television and the construction of contemporary Thai cultural identity ». Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/1919/.
Texte intégralPratt, Marnie. « The L Word Menace : Envisioning Popular Culture as Political Tool ». Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1213737135.
Texte intégralBlitz, Brian. « Blood, Birth, Imagination : Ethnic Nationalism and South Korean Popular Culture ». Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1245256858.
Texte intégralLegge, Janet Helen. « Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis ». Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1005956.
Texte intégralKMBT_363
Adobe Acrobat 9.54 Paper Capture Plug-in
Di, Guglielmo Antoinette Christine. « Sex and the city : A postmodern reading ». CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3239.
Texte intégralJohnson, Alfred B. « Fascination machine : a study of pop music, mass mediation, and cultural iconography ». Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.
Texte intégralYung, Lai-fong Edith, et 容麗芳. « Popular culture and deviant youth behaviour in Hong Kong ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31978800.
Texte intégralLighty, Shaun Chandler. « The Fall and Rise of Lew Wallace : Gaining Legitimacy Through Popular Culture ». Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1130790468.
Texte intégralTitle from first page of PDF document. Document formatted into pages; contains [1], ii, 93 p. Includes bibliographical references (p. 86-93).
Cheng, ShaoChun. « Popular culture production and exchange in the greater China regional media market a case study of Taiwan symbol creator Chiungyao's Huanzhu gege TV drama trilogy / ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3263055.
Texte intégralMurphy, JoAnna R. « Living the Fat Body : Women's Experiences and Relationships with Their Bodies and Popular Culture ». Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1515055091898279.
Texte intégralStuever-Williford, Marley Katherine. « Hex Appeal : The Body of the Witch in Popular Culture ». Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1610295587336417.
Texte intégralPassero, Thomas. « Using popular culture to teach the community college business curriculum : A comparative study ». University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1310182818.
Texte intégralPisha, Nicolette Lucinda. « Anime in America, Disney in Japan : The Global Exchange of Popular Media Visualized Through Disney's "Stitch" ». W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626617.
Texte intégral