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Littérature scientifique sur le sujet « Polish literature – 20th century »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Polish literature – 20th century"

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Ulicka, Danuta. « Między światami. Rzeczywistość w literaturze – literatura w rzeczywistości – rzeczywistość literatury ». Przestrzenie Teorii, no 28 (8 mai 2018) : 21–75. http://dx.doi.org/10.14746/pt.2017.28.1.

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The author attempts to reconstruct a short history of modern Polish literary studies not from the perspective of schools or methodological orientations that are usually applied, but from the perspective of what is known in sociology as cultural themes. This point of view offers the opportunity to (re)construct the process of continuity /discontinuity in the whole field of research focused on the problem of reference, which has been recognized as the most important one in Polish studies (as well as in Polish literature, and art) since its beginning in the first decade of the 20th century. In the broader scope the article attempts to rearticulate the definition of the discipline conventionally called “the theory of literature”, and to propose a new way of writing its history.
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Starikova, Nadezhda. « Questions of Description and Interpretation of Slavic Literatures of the 20th century (some aspects of the development of a monographic series) ». Stephanos Peer reviewed multilanguage scientific journal 57, no 1 (31 janvier 2023) : 128–36. http://dx.doi.org/10.24249/2309-9917-2023-57-1-128-136.

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The article gives information about the monographic series “Literature of the 20th century”, which is produced by the Department of Contemporary Literatures of Central and Southeastern Europe at the Institute of Slavic Studies of the Russian Academy of Sciences. On the material of the author’s monographs by Victor A. Khorev “Polish Literature of the 20th century” (2009) and Galina Ya. Ilyina “Croatian Literature of the 20th century” (2015), as well as the collective work “Slovenian Literature of the 20th century” (ed. by Nadezhda N. Starikova, 2014), is presented a genre of “small” literary history, describing the most important stages in the Slavic peoples’ literary development during the last century. Each of the book in this series has created a canon of names and texts, reflecting the experience of specific Slavic literature of the 20th century, which allows Russian (and more broadly Russian-speaking) readers to be guided in its achievement.
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Łaszkiewicz, Weronika. « Warriors of Our Imagination : Native Americans in 20th-Century Polish Literature ». Ad Americam 17, no 17 (2016) : 173–87. http://dx.doi.org/10.12797/adamericam.17.2016.17.13.

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Stanisławska, Dorota. « The history of Polish viola literature – the 19th and 20th centuries ». Notes Muzyczny 2, no 16 (30 décembre 2021) : 101–16. http://dx.doi.org/10.5604/01.3001.0015.5493.

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After the Romanticism era, when virtuoso music was dominated by the violin, cello and piano, there was a noticeable tendency among composers to search for new and fresh sound inspired by instruments previously functioning mainly in an orchestra. One of the instruments which acquired a new glory back then was the viola. Even though Western European literature earned a permanent place in the repertoire of violists worldwide, Polish pieces representing this genre are lesser-known and performed not as often, except for a few compositions. The library of Polish 20th century viola works is quite rich, but many compositions did not stand the test of time and we would look for them in vain within the performance canon; others were not published in print or recorded, and their manuscripts are owned by private collections. Some autographs of compositions have gone missing and only their titles have been preserved to this day. The present article is an attempt to systematise the state of knowledge about Polish viola compositions written before the end of the 20th century.
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Rzepecki, Karol. « Recepcja twórczości Józefa Wieniawskiego w świetle XIX-wiecznego piśmiennictwa – przegląd źródeł ». Kwartalnik Młodych Muzykologów UJ, no 47 (4) (2020) : 105–39. http://dx.doi.org/10.4467/23537094kmmuj.20.019.13205.

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Reception of Joseph Wieniawski’s work in the light of nineteenthcentury literature – a review of sources The work of Polish composers active at the turn of the 20th century has largely been forgotten, awaiting to be researched nowadays. Józef Wieniawski and his output, which used to attract the attention of Polish and foreign critics, is the case in point. This article seeks to provide a synthetic study of this issue on the basis of 19th century literature.
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Krauze-Karpińska, Joanna. « EMIGRANT RESEARCHERS OF OLD LITERATURE ». Polish Studies of Kyiv, no 35 (2019) : 27–31. http://dx.doi.org/10.17721/psk.2019.35.27-31.

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In the geopolitical area of Eastern and Central Europe 20th century was a period of unwilling and un- planned migration of huge numbers of individuals, groups of people, societies or even whole nations, and the displace- ment of borders and states. Two destructive wars, two totalitarian systems fighting against each other forced millions of human beings to change the place of living. Especially the experience of the World War II settled the fate of many people in the region and caused several waves of political emigration. The author uses the term ‘old literature’ in broad sense, including also 19th century literary output, as for the big number of young researchers this period of history seems to be a very old one. Among the Polish refugees fleeing the country in various times and circumstances there were also politicians, soldiers, artist, writers, people of culture and scholars. The article presents and reminds of some Polish researchers of literature who had to change their country of living by political reasons, but did not abandon their research. The first group of emigrants formed those who left Poland short before or during the world war II. Some of them worked as professors at west European universities, an decided not to returned into the country occupied by Germans or emigrated with Polish Government, others get in Western Europe leaving Soviet Union with the Polish army formed by general Anders. They continued scholar work abroad and took part in formation of several new generations of researchers in Slavonic litera- ture. Another wave of emigration took place after the war, in late 40. and included mainly Polish citizens of Jewish origin who in spite of surviving the holocaust and returning home decided to leave Poland for fear of communism. A numerous emigration of Polish Jews was also provoked by communist government of Poland in march 1968. The author presents briefly the silhouettes of such scholars as Stanisław Kot, Wacław Lednicki, Józef Trypućko, Wiktor Weintraub, Jadwiga Maurer, Rachmiel Brandwajn and Jan Kott. The situation of 20th century Polish emigrants seems very similar to that of 19th and also represents the common experience of many Eastern and Central European countries and societies. Losing the homeland scholars of these countries also lost the close contact with their cultural roots, but on the other hand they gained a wider glance, distanced outlook of national literature and art and common platform of dialog and confrontation. Many times the foreign Universities, where they found the possibility to provide their research and meet the representative émigrés of other nations, became for them such places as Collège de France for Adam Mickiewicz and constitute the space where they all could meet together without mutual distrust and give lectures about Slavonic literature and culture for German, British of American students, inspiring them to pursue studies in Slavonic philology.
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Shaidurov, Vladimir. « The Siberian Polonia in the second half of the 19th - early 20th century in the Polish historiography ». Przegląd Wschodnioeuropejski 8, no 1 (1 juin 2018) : 11–20. http://dx.doi.org/10.31648/pw.3600.

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The period between the 19th – early 20th century witnessed waves of actively forming Polish communities in Russia’s rural areas. A major factor that contributed to the process was the repressive policy by the Russian Empire towards those involved in the Polish national liberation and revolutionary movement. Large communities were founded in Siberia, the Volga region, Caucasus, and European North of Russia (Arkhangelsk). One of the largest communities emerged in Siberia. By the early 20th century, the Polonia in the region consisted of tens of thousands of people. The Polish population was engaged in Siberia’s economic life and was an important stakeholder in business. Among the most well-known Polish-Siberian entrepreneurs was Alfons Poklewski-Koziell who was called the “Vodka King of Siberia” by his contemporaries. Poles, who returned from Siberian exile and penal labor, left recollections of their staying in Siberia or notes on the region starting already from the middle of the 19th century. It was this literature that was the main source of information about the life of the Siberian full for a long time. Exile undoubtedly became a significant factor that was responsible for Russia’s negative image in the historical memory of Poles. This was reflected in publications based on the martyrological approach in the Polish historiography. Glorification of the struggle of Poles to restore their statehood was a central standpoint adopted not only in memoirs, but also in scientific studies that appeared the second half of the 19th – early 20th century. The martyrological approach dominated the Polish historiography until 1970s. It was not until the late 20th century that serious scientific research started utilizing the civilizational approach, which broke the mold of the Polish historical science. This is currently a leading approach. This enables us to objectively reconstruct the history of the Siberian Polonia in the imperial period of the Russian history. The article is intended to analyze publications by Polish authors on the history of the Polish community in Siberia the 19th – early 20th century. It focuses on memoirs and research works, which had an impact on the reconstruction of the Siberian Polonia’s history. The paper is written using the retrospective, genetic, and comparative methods.re.
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Pauliukevičiūtė, Dalia. « Pursuing the Past : Hunting in Józef Weyssenhoff’s The Sable and the Girl ». Literatūra 64, no 1 (30 décembre 2022) : 45–57. http://dx.doi.org/10.15388/litera.2022.64.1.3.

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The article investigates Józef Weyssenhoff’s novel The Sable and the Girl (Polish: Soból i panna) published in 1911. The name of its author is rarely mentioned when discussing the Polish literature of the late 19th and early 20th century. Most literary critics agree, however, that the signature feature in Weyssenhoff’s works is his poetic descriptions of nature and hunting, especially in aforementioned work. The article analyses the interplay of Lithuanian and Polish cultures in this text as well as its Lithuanian literary geography. The question is raised as to what cultural and literary meanings might have been concentrated in the novel at the turn of the 20th century, and what Polish-Lithuanian cultural connections were revealed due to it. The article introduction offers a brief overview of the changes in depicting hunting in Western literature and cultural tradition, and considers to what extent those insights are still valid when analysing the works of various authors attributed to and impacted by the legacy of the Grand Duchy of Lithuania. The article further traces the competing plots of love and hunting in Weyssenhoff’s novel, and the writer’s ambition to employ the symbol of the lost world – hunting. A combination of extratextual references, internal textual relations, and detectable intertexts has been employed to interpret the novel; therefore, when delving into the development of the narrative, none of the theories (e.g., intertextuality) is clearly dominant. When discussing The Sable and the Girl in the Lithuanian cultural field, the historical contexts of the early 20th century Russian Empire, the intertexts of Polish literary tradition as well as the concept of hunting and a colonial look at the sociocultural environment where the narrative is developed remain of similar significance.
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Jakóbiec-Semkowowa, Milica. « Grzegorz Łatuszyński and Serbian literature ». Prilozi za knjizevnost, jezik, istoriju i folklor, no 87 (2021) : 133–42. http://dx.doi.org/10.2298/pkjif2187133j.

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Grzegorz ?atuszy?ski (1933-2020) was undoubtedly one of the finest Polish translators of 20th century Serbian poetry. Apart from 16 volumes devoted to poems by selected authors, he also published two-volume anthology presenting poems by 155 Serbian poets. Even an on surface analysis of the translations proves ?atuszy?ski?s ability to combine his poetic sensi?tivity with philological precision. Grzegorz ?atuszy?ski also translated two important novels (by Milos Crnjanski and Borislav Pekic) as well as a book of letters by Filip David and Mirko Kovac. Each volume of ?atuszy?ski?s translations is accompanied by a biographical profile of the poets and some characteristics of their work. Another aspect of ?atuszy?ski professional profile is essay writing and journalism. Besides, he translated Polish poetry into Serbian. All ?atuszy?ski?s professional activities has led to a closer cooperation between Polish and Serbian literary circles.
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Marinelli, Luigi. « Polish Dantism : between the Epic and Ethics ». Roczniki Humanistyczne 66, no 1 SELECTED PAPERS IN ENGLISH (23 octobre 2019) : 33–71. http://dx.doi.org/10.18290/rh.2018.66.1-3e.

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The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 60 (2012), issue 1. This essay proposes a synthesis of the major themes and issues of Polish Dantism, with a particular reference to the 20th century and beyond. The author retraces the traditional motifs which connect 20th-century authors to the Romantic tradition, and discusses some examples (Gombrowicz, Vincenz, Miłosz) in a broader comparative context (referring specifically to Eliot, Mandelstam, Brodsky). The author argues that the Modernist ethical idea of “necessary Dante” tends to be gradually replaced by a Postmodernist notion of “aesthetic Dante,” with a flowering of new translations—not only of the Divina Commedia. These works restore a balance between Polish literary Dantism and Dante studies. In this sense, the Polish situation displays a lot of similarity to the European and international context, abundant with trends and concerns which go far beyond those of a national language and literature.
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Thèses sur le sujet "Polish literature – 20th century"

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Machala, Marta. « At home in the world : Czesław Miłosz and the ontology of space ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:a551d588-fcb4-4c5c-81c3-3e81e8f7e593.

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Space constitutes one of the main leitmotifs of Czeslaw Milosz's work, both theoretical and poetic. Central in this respect is the notion of imagination as a faculty organizing space, the faculty which, from the times of the Scientific Revolution, has been subject to erosion, especially as far as the religious imagination is concerned. The abolition of the anthropocentric, hierarchical vision of space, threw human beings into a state of alienation, conceptual nowhere. Religion was replaced by the dogmatism of scientific reductionism, the reality of Ulro. Milosz shows the way out of Ulro, the way out of nowhere to the somewhere. This thesis aims to illustrate the conceptual map of the way out of Ulro as portrayed in four selected volumes of poetry and the novel Dolina Issy, anchored in different points of Milosz's biography. The Land of Ulro, the collection of essays which encapsulate Milosz's ideas on space, constitutes a canopy work for the interpretation of the practical realization of those ideas in Milosz's poetic work. Trzy zimy (1936), Swiat, poema naiwne (1943), Miasto bez imienia (1969), and Druga przestrzen (2002) provide the material for the analysis of different aspects of Milosz's conception of space. Subject to analysis is the relationship between object and human subject as regards the formative, childhood experience of the space of the house (manor) and surrounding landscape, the act of building space on the basis of memory and retrospection in the context of distance and exile, and the workings of religious imagination in the context of the realm of second space. Through his conception of space, Milosz defends human existence in its completeness. He shows the way out of Ulro. This thesis aims to retrace Milosz's map out of the land of alienation on the basis of the poet's selected works.
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Ganczak, Iwona. « At the crossroads of politics and culture : Polish dissident art of the 1980s ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.

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This thesis will examine the political and social significance of the new artistic language that emerged in Poland in the 1980s. The new artistic language pertains to symbols, imagery and themes that originated in the discourse of the opposition and can be defined as the amalgam of the traditional religious vocabulary and time-specific symbols of oppression under Communism. The most prominent in this category are the symbols of the cross, the flowers, the national red and white flag, exclusively contemporary symbols such as the "television-people" as well as an array of traditional religious vocabulary. This unusual relationship between symbolic language of art and the symbols of the Church and the Solidarity accounted for the inherently political nature of dissident art. This thesis will discuss dissident art in context of the contemporary discourses: the discourse of the Communist Party, the Church, John Paul II and Solidarity.
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Schrader, Villegas Julie. « The racial shadow in 20th century American literature / ». Thesis, Connect to this title online ; UW restricted, 1997. http://hdl.handle.net/1773/9525.

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Vandenborre, Katia. « Le conte dans la littérature polonaise du XXe siècle ». Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209735.

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La présente thèse étudie le développement historico-esthétique du conte littéraire polonais au XXe siècle sur la base d’un corpus qui s’étend de la Jeune Pologne à 1989, en se limitant à la littérature pour adultes. Cette étude se combine avec une réflexion théorique sur la nature du conte en tant que forme littéraire et propose l’outil de la convention pour cerner sa dynamique et sa polymorphie. Dans le conte, nous distinguons quatre niveaux de convention :le monde représenté, les motifs, la narration et le style. Les modèles conventionnels de ces quatre catégories, exposés dans le premier chapitre, servent de repères pour évaluer l’apport des écrivains à la convention du conte dans les deuxième et troisième chapitres. Le deuxième chapitre met en évidence le dynamisme historique qui anime le conte au XXe siècle dans la littérature polonaise, tandis que la troisième partie dégage de façon transversale les principales tendances esthétiques dans l’écriture féerique. Ainsi, le fil de la convention permet de tracer un panorama historique ainsi que de dégager les tendances esthétiques majeures du conte dans la littérature polonaise du XXe siècle, se révélant par là un outil pertinent dans l’étude du conte littéraire. Notons enfin que cette étude du conte littéraire offre un nouveau regard sur quelques uns des écrivains majeurs de la littérature polonaise du XXe siècle :B. Lesmian, W. Gombrowicz, St. I. Witkiewicz, Br. Schulz, T. Konwicki, St. Lem, Sl. Mrozek, Cz. Milosz et bien d’autres. /

Based on a wide corpus of adult literature, the present doctoral thesis is devoted to the historical and esthetical development of Polish literary fairy tale in the twentieth century from the Young Poland to the year 1989. It proposes at the same time a theoretical reflection on the literary form of fairy tale. Accordingly the convention is used as the main tool to apprehend its dynamics and its polymorphism. In the fairy tale, four conventional levels can be distinguished: represented world, motives, narration and style. Presented in the first chapter, the conventional models of theses four categories are used as reference points to gauge writers’ contribution to the fairy-tale convention in the second and the third chapters. The second chapter highlights historical dynamism of the fairy tale in Polish literature of the twentieth century, while the third part draws transversally the main esthetical tendencies in fairy-tale writing. Therefore the convention allows to outline an historical panorama and to define the main esthetical tendencies in Polish literature of the twentieth century, which proves its relevance in the study of literary fairy tale. Moreover this study of literary fairy tale takes a fresh look at some of the most important Polish writers of the twentieth century: B. Lesmian, W. Gombrowicz, St. I. Witkiewicz, Br. Schulz, T. Konwicki, St. Lem, Sl. Mrożek, Cz. Milosz.


Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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Baker, James Andrew. « Necessary evil : rhetorical violence in 20th century American literature ». Diss., Texas A&M University, 2003. http://hdl.handle.net/1969.1/5766.

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Wayne Booth and other rhetorical critics have developed methods for examining the rhetorical aspects of fiction. In this dissertation, I examine, specifically, the use of rhetorical violence in American fiction. It is my premise that authors use rhetorical violence and the irrationality of violence created mimetically to construct ironic metaphors that comment on the irrationality of the ideology behind the violence, pushing that ideology's maxims to its logical ends. The goal of rhetorical violence, therefore, is to create the conditions for a transfer of culpability so that the act becomes transitive-transferable-loosed from its moorings. Culpability, if indeed it reflects something intrinsically awry with an ideology, becomes the fault of the ideology-€”it becomes the perpetrator of illogic and the condemnatory force associated with the act of violence gets transferred to it. Hence, if the author has created an effective metaphor, when he or she flips the violent scene'€™s "€œvalue," the audience is willing to follow along. The violence remains a great evil, but the culpability for the act is shifted to a representative of the ideology in question-as-victimizer; nonetheless, that transfer can only occur inasmuch as the audience is willing to force-fit the incongruities of the metaphor.I examine this rhetorical phenomenon in the works of three modern American writers: Flannery O'Connor, Toni Morrison, and Chuck Palahniuk. I seek to examine the ideologies questioned in these works, the contradictory beliefs expressed by the authors, and to explicate primary episodes in the works of fiction wherein rhetorical violence functions in a rhetorical fashion to promulgate the author's ideology by emotionally jarring the reader loose from commonly-held ideological assumptions in three specific appeals: first, to negate one socially-held ideology in order to promote a conflicting one (Wise Blood); second, to elicit compassion for victimized characters representing social ills (Beloved); third, to call into question the validity of social institutions and practices (Fight Club).
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Bachorz, Stephanie Vanessa. « Dialectics of postcoloniality : Adorno and 20th-century Irish literature ». Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517204.

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Cook, Jordan Ellington. « Space, Time, and the Self in 20th Century Literature ». University of Toledo / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1525456817163611.

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Ben-Sira, Tallya. « Representation of motherhood in 19th and 20th century texts ». Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262312.

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Kaufman, David B. « Polish-Jewish relations during the rebirth of Poland, November 1918-June 28, 1919 ». Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/199.

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This study examines Polish-Jewish relations during the pivotal eight months between the declaration of Polish Independence on November 11, 1918 and the formal re-establishment of the Polish state by its recognition by the Allied and Associated Powers at the Paris Peace Conference on June 28, 1919. The thesis explores the background to Polish-Jewish relations in the years immediately preceding the period under investigation in order to place the events in their political and socio-economic context. The key to the present study is a detailed examination of the controversial anti-Jewish outrages that occurred in the disputed Russo-Polish-Ukrainian borderlands, namely in Lwów in November 1918, and at Pińsk in April 1919. It is important not only to scrutinise these events in detail, but furthermore to place them in their full international perspective. The direct result was the imposition of a Minorities Treaty upon Poland, which was largely drafted during the final months of the Peace Conference. Polish anti-Jewish violence was not the only factor that influenced the Allies gathered at Versailles, yet the peacemakers felt compelled to treat Poland as a special case. The Treaty further strained the interdependent links between Poles and Jews, both in Poland and the west, as the dominant group saw it as an unfair limitation on its sovereignty. Polish resentment at the perceived influence of ‘international Jewry’ further heightened tensions between the two, yet the drafting of the Minorities Treaty was emphatically not as a result of the ‘Jewish lobby’ (which was in fact divided) that had gathered in the French capital in an attempt to further Jewish demands in both Eastern Europe and Palestine. The damage done to Polish-Jewish relationships during the crucial period of 1918-1919 not only strained interaction between those groups in the months covered by the thesis, but also exacerbated the Jewish ‘problem’ during the course of the Second Polish Republic and beyond.
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Chou, Mei-ching Tammy, et 周美貞. « Feminism and the representations of teenaged girls in 20th century children's literature ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31940201.

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Livres sur le sujet "Polish literature – 20th century"

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Dunin-Wąsowicz, Paweł. Parnas bis : Słownik literatury polskiej urodzonej po 1960 roku. 3e éd. Warszawa : Lampa i Iskra Boża, 1998.

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Dunin-Wąsowicz, Paweł. Parnas bis. 2e éd. Warszawa : Empik, 1995.

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Dunin-Wąsowicz, Paweł. Parnas bis. Warszawa : Lampa i Iskra Boża, 1995.

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Adamczewska, Izabella. "Krajobraz po Masłowskiej" : Ewolucja powieści środowiskowej w najmłodszej polskiej literaturze. Łódź : Primum Verbum, 2011.

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Katastrofizm, personalizm, realizm : O krytyce literackiej Kazimierza Wyki w latach 1932-1948. Kraków : Universitas, 2001.

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Anti-portraits : Poetics of the face in modern English, Polish and Russian literature, 1835-1965. Leiden : Brill, 2015.

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Kisiel, Marian. Zmiana : Z problemów świadomości literackiej przełomu 1955-1959 w Polsce. Katowice : Wydawn. Uniwersytetu Śląskiego, 1999.

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1949-, Kątny Andrzej, dir. Das literarische und kulturelle Erbe von Danzig und Gdańsk. Frankfurt am Main : Lang, 2004.

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Polish, hybrid, and otherwise : Exilic discourse in Joseph Conrad and Witold Gombrowicz. New York : Continuum, 2011.

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Lem, Stanisław. A Stanislaw Lem Reader. Evanston, Ill : Northwestern University Press, 1997.

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Chapitres de livres sur le sujet "Polish literature – 20th century"

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Siedina, Giovanna. « Le traduzioni ucraine della Divina Commedia nei secoli XX-XXI : Karmans’kyj/Ryl’s’kyj, Drob’jazko, Stricha ». Dans Biblioteca di Studi di Filologia Moderna, 225–43. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.14.

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In the present article, the author briefly retraces the stages of Dante’s reception in Ukraine, then analyzes the main Ukrainian translations of Dante’s Divine Comedy in the 20th-21st century, namely those by Petro Karmans’kyj, Jevhen Drob’jazko and Maksym Stricha. The author briefly dwells on Karmans’kyj’s translation, highlighting the flaws already noted by H. Kočur and M. Stricha. Then the author analyzes Drob’jazko’s and Stricha’s translations, the only two complete Ukrainian translations of the Divine Comedy published so far. The author particularly compares the translators’ approaches to potential difficulties (e.g., the rendering of verse lines or single words in Latin, the verse lines in Provencal in Purgatory, song XXVI, ll. 141-147; the translations of some characters’ names, especially speaking names), and highlights the merits of their long and accurate work, which finally allowed Ukrainian readers to truly experience the Italian national poet, on one side, and filled the gap that divided Ukrainian literature from the neighboring Polish and Russian literature, on the other.
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Phillips, Ursula. « Gombrowicz’s Polish Complex ». Dans New Perspectives in Twentieth-Century Polish Literature, 28–46. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_3.

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Fiut, Alexander. « At the End of the Century ». Dans New Perspectives in Twentieth-Century Polish Literature, 164–79. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_11.

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Eile, Stanislaw. « Introduction ». Dans New Perspectives in Twentieth-Century Polish Literature, 1–5. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_1.

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Hyde, George. « Tadeusz Konwicki : A Personal View ». Dans New Perspectives in Twentieth-Century Polish Literature, 154–63. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_10.

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Eile, Stanislaw. « Between Absurdity and Apocalypse : Contemporary Poland in Drama and Fiction, 1977–87 ». Dans New Perspectives in Twentieth-Century Polish Literature, 180–200. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_12.

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Pirie, Donald P. A. « Internal Exile in a Free Society ? New Poetry in Poland in the 1980s and Early 1990s ». Dans New Perspectives in Twentieth-Century Polish Literature, 201–29. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_13.

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Czerniawski, Adam. « A Poetical Political History ». Dans New Perspectives in Twentieth-Century Polish Literature, 6–27. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_2.

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Hyde, George. « State of Arrest : The Short Stories of Bruno Schulz ». Dans New Perspectives in Twentieth-Century Polish Literature, 47–67. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_4.

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Eile, Stanislaw. « The Prison of Self : Moral Dilemmas in Jerzy Andrzejewski’s Fiction ». Dans New Perspectives in Twentieth-Century Polish Literature, 68–86. London : Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12331-5_5.

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Actes de conférences sur le sujet "Polish literature – 20th century"

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Bykova, A. M. « Between painting and literature : 3 types of ekphrasis in Polish poetry of the 20th century (analysis of selected examples) ». Dans CULTURAL STUDIES AND ART CRITICISM : THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-78.

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Guseva, Olga. « Bidermejer in Polish children's literature of the nineteenth century ». Dans 45th International Philological Conference (IPC 2016). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.68.

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Zabelina, Daria. « THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA ». Dans 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armenia; 3) Spanish missioners played an important role in the formation of the genre; 4) komedya is the national theater; 5) komedya is a secular genre as adventures dominate over the religious motives. In the middle of the 19th century komedya was criticized by the most progressive Filipinos for being extravagant, lacking logic and not touching upon current Philippine problems. By the beginning of the 20th century komedya was not staged anymore almost everywhere in the Philippines. Its place was taken by the other genres. A number of actions to bring komedya back to its former popularity have been undertaken from the 1970s with the great support of the cultural center of the Philippines and University of the Philippines. It is important to mention that the genre is being changed in order to correspond the needs of the modern Philippine society. For example, the Muslim conflict is not the main topic of the modern Philippine national play as it contradicts the national policy of the Philippines.
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Гусева, О. В. « Женский голос в современной польской поэзии ». Dans Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.46.

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Women have been involved in the creation of Polish literature since the 17th century. A new page in the history of Polish literature, which came after 1989, is associated with the rapid development of feminism. An important phenomenon of poetry at the beginning of the XXI century was the abundance of female names: at this time, the authors of the older generation, such as V. Szymborska, E. Lipska, K. Miłobędzka, J. Hartwig, continue to create, but new names also appear: J. Mueller, M. Cyranowicz, J. Bargielska, M. Podgórnik, M. Lebda, J. Fiedorchuk, M. B. Kielar. Contemporary Polish women’s poetry is very soulful, sensual and deep, it is filled with empathy, and at the same time it is subjective. Corporeality and frankness become one of the characteristic features of women’s writing: women’s poetry tells more openly and directly about the most intimate experiences.
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Nguyen Thi Mai, Chanh. « Chinese Language and Literature Reform in The Beginning of The 20th Century ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.6-1.

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It is difficult not to mention language reform when referring to Chinese literature modernization between the end of the 19th century and the beginning of the 20th century. Language played a critical role in facilitating the escape of Chinese literature from Chinese medieval literary works in order to integrate into world literature. The language reform not only laid a foundation for modern literature but also contributed considerably to the grand social transformation of China in the early days of the 20th century. Chinese new-born literature was a literature created by spoken language; in Chinese terms, it was considered as a literature focusing on “dialectal speech” instead of “classical Chinese” used in the past. In international terms, it can be named as living language literature which was used to replace classic literary language in ancient books – a kind of dead language. This article will analyze how language reform impacted Chinese modern literature at the beginning of the 20th century.
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Sheng, Yinghong, et Xiaowen Lin. « The Aesthetic Embodiment of Modernity in Chinese Literature in the 20th Century ». Dans 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France : Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.052.

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Janas, Karol. « POLISH-SLOVAK POLITICAL RELATIONS AT THE TURN OF THE 1920S AND 1930S OF THE 20TH CENTURY ». Dans 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.2/s01.024.

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Terziev, Venelin, et Silva Vasileva. « LITERATURE AS HISTORY AND EDUCATION IN THE MODERN BULGARIAN SOCIETY OF THE 20TH CENTURY ». Dans ADVED 2022- 8th International Conference on Advances in Education. International Organization Center of Academic Research, 2022. http://dx.doi.org/10.47696/adved.202209.

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Burima, Maija. « TRAVELOGUES IN LATVIAN LITERATURE (LATE 20TH - EARLY 21ST CENTURY) : DECONSTRUCTION AND RECONSTRUCTION OF MENTAL BORDERS ». Dans SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.037.

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Yue, Shengdong, et Yutong Xuan. « Commentary of Sichuan Opera Music Reform' Research Literature in the Latter Half of the 20th Century ». Dans 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.113.

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Rapports d'organisations sur le sujet "Polish literature – 20th century"

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Kholoshyn, I., T. Nazarenko, O. Bondarenko, O. Hanchuk et I. Varfolomyeyeva. The application of geographic information systems in schools around the world : a retrospective analysis. IOP Publishing, mars 2021. http://dx.doi.org/10.31812/123456789/4560.

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The article is devoted to the problem of incorporation geographic information systems (GIS) in world school practice. The authors single out the stages of GIS application in school geographical education based on the retrospective analysis of the scientific literature. The first stage (late 70 s – early 90s of the 20th century) is the beginning of the first educational GIS programs and partnership agreements between schools and universities. The second stage (mid-90s of the 20th century – the beginning of the 21st century) comprises the distribution of GIS-educational programs in European and Australian schools with the involvement of leading developers of GIS-packages (ESRI, Intergraph, MapInfo Corp., etc.). The third stage (2005–2012) marks the spread of the GIS school education in Eastern Europe, Asia, Africa and Latin America; on the fourth stage (from 2012 to the present) geographic information systems emerge in school curricula in most countries. The characteristics of the GIS-technologies development stages are given considering the GIS didactic possibilities for the study of school geography, as well as highlighting their advantages and disadvantages.
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Lozynskyi, Maryan. Main Features of Publishing Activities of the Ivan Franko National University of Lviv (end of the 1990s – first two decades of the 21st c.). Ivan Franko National University of Lviv, février 2022. http://dx.doi.org/10.30970/vjo.2022.51.11392.

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The article desribes the main features of the publishing activity of the Ivan Franko National University of Lviv from the end of the 1990s and in the first two decades of the 21st century. The aim of the author was to show this activity with the help of stages of formation of the Publishing Centre at the University. For this purpose, he used historical method, the methods of analysis, synthesis, content analysis etc. One of the important landmarks of the end of the 20th century in the publishing activity of the Ivan Franko National University of Lviv which has its traditions in the past was the foundation of the mentioned Publishing Centre on the basis of Editing and Publishing Department, Machine Offset and Polygraphic Laboratories. This process was favoured by the administration of the University which supported the transfer of printing base to another building of the University. Professionals with respective qualification level and experience in the sphere of publishing and printing were gathered there. Another stage of the development of the Publishing Centre of the Ivan Franko National University of Lviv was the creation in 2006 of the Publishing Board within the University which became a generator of ideas on the development of scientific book publishing and actively cooperated with printing enterprises of Ukraine (the author of the article was a member of this board). The administration of the Ivan Franko National University of Lviv provided a substantial financial support for publication of educational and scientific literature of different genres and on different topics for educational needs both of the University itself and Ukrainian educational sphere in general. As a result of active publishing activity, the Publishing Centre of the Ivan Franko National University of Lviv since 1996 has published more than 4.5 million copies of publications whose authors are members of the academic community of the University. Among the significant publications of the Publication Centre of the last two decades the article notes Ivan Franko (10 volumes, authors – R. Horak and Ya. Hnativ), Encyclopedia. The Ivan Franko National University of Lviv (2 volumes), Social Geography (2 books, author – Prof. O. Shabliy) and others. The results of the activities of the Publication Centre of the Ivan Franko National University of Lviv were demonstrated during participation at Book Forums and other events in the publication and printing sphere. This article permits researchers in Humanities to analyze and evaluate the achievements and at the same time problems of the scientific publication activity of the Ivan Franko National University of Lviv.
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