Thèses sur le sujet « Poets, Australian 20th century »
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Buchanan, David. « Contextual thesis Part I & ; Part II : Book of poems, "Looking off the Southern Edge" ; Stage play (full-length) : Ecstasis ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1015.
Texte intégralBurke, Andrew. « Two collections of poetry, Whispering gallery [and] Flight log : Selected Poems 1967-2001 : Plus an Essay : The Roots of My Writing ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/291.
Texte intégralCooley, Shevaun. « Homing : poetry ; &, An essay on the poetic leap in the late work of R.S. Thomas ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/850.
Texte intégralPapanikolaou, Dimitris. « Singing poets : literature and popular music in France and Greece / ». London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Texte intégralDowd, Ann Karen. « Elizabeth Bishop : her Nova Scotian origins and the portable culture of home ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.
Texte intégralGleeson, Damian John School of History UNSW. « The professionalisation of Australian catholic social welfare, 1920-1985 ». Awarded by:University of New South Wales. School of History, 2006. http://handle.unsw.edu.au/1959.4/26952.
Texte intégralPark, Christopher 1966. « La modernité poétique des femmes chinoises : écriture et institution ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56656.
Texte intégralSlaymaker-Jones, Lois. « Dylanwad gwaith Waldo Williams a'r ymateb iddo er 1971 ». Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678532.
Texte intégralRiley, Peter. « Moonlighting in Manhattan : American poets at work 1855-1930 ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.
Texte intégralGibson, Donald. « Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/8059.
Texte intégral莊柔玉 et Rouyu Zhuang. « Mad pursuit ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31209683.
Texte intégralIrvine, Dean J. (Dean Jay). « Little histories : modernist and leftist women poets and magazine editors in Canada, 1926-56 ». Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37900.
Texte intégralArmanno, Venero. « The volcano ». Thesis, Queensland University of Technology, 1998.
Trouver le texte intégralKneen, Kris. « Head on ». Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35902/1/35902_Kneen_1998.pdf.
Texte intégralMason, Anthony, et n/a. « Australian coverage of the Fiji coups of 1987 and 2000 : sources, practice and representation ». University of Canberra. Communication, 2009. http://erl.canberra.edu.au./public/adt-AUC20090826.144012.
Texte intégralBurke, Janine, et mikewood@deakin edu au. « A Portrait of Albert Tucker, 1914-1960 ». Deakin University. School of Contemporary Arts, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.161937.
Texte intégralHeuschele, Margaret, et n/a. « The Construction of Youth in Australian Young Adult Literature 1980-2000 ». University of Canberra. Creative Communication, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.171132.
Texte intégralSingley, William Blake. « Recipes for a nation : cookbooks and Australian culture to 1939 ». Phd thesis, 2013, 2013. http://hdl.handle.net/1885/109392.
Texte intégralMillward, William H., University of Western Sydney et of Performance Fine Arts and Design Faculty. « Beneath the surface : the role of intuition in the creative process ». THESIS_FPFAD_XXX_Millward_W.xml, 1998. http://handle.uws.edu.au:8081/1959.7/308.
Texte intégralMaster of Arts (Hons) (Visual Art)
Behin, Bahram. « Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction / ». Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.
Texte intégralAu, Chung-to, et 區仲桃. « Shifting ground : modernist aesthetics in Taiwanese poetry since the 1950s ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2554939X.
Texte intégralO’Neill, Patrick Nathaniel. « Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson ». Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
Texte intégralChatfield, Thomas Edward Francis. « Beyond realism and postmordernism : towards a post-Christian morality in the works of Philip Larkin, Kingsley Amis and Martin Amis ». Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:1db4198a-56e4-417d-b5e5-eb6586a6d7d6.
Texte intégralHattam, Katherine, et katherine hattam@deakin edu au. « Art and Oedipus ». Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070816.121927.
Texte intégral朱少璋. « 現代新詩人舊體詩硏究 = Study of Chinese classical poetry written by modern Chinese poets ». HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/471.
Texte intégralThoday, Heather Frances. « Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism / ». Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.
Texte intégralHacksley, Helen Elizabeth. « An edition of a selection of poems by John Randal Bradburne ». Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1008069.
Texte intégralMendoza-Kovich, Theresa Fernandez. « Representations of Scotland in Edwin Morgan's poetry ». CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2157.
Texte intégralRoss, Frances Pamella. « The gift : a novel ». Thesis, Queensland University of Technology, 2000.
Trouver le texte intégralPenazzi, Leonardo. « The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation) ». University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.
Texte intégralMatters, Emily Helene. « AENEAS IN THE ANTIPODES The teaching of Virgil in New South Wales schools from 1900 to the start of the 21st century ». University of Sydney. Classics and Ancient History, 2005. http://hdl.handle.net/2123/716.
Texte intégral陳志宏. « 《今天》詩群硏究 = A study on Today's poems and poets ». HKBU Institutional Repository, 1998. http://repository.hkbu.edu.hk/etd_ra/201.
Texte intégralSun, Christine Yunn-Yu. « The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry ». Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.
Texte intégralStevens, Mariss Patricia. « "Symbiosis or death" an ecocritical examination of Douglas Livingstone's poetry ». Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1002254.
Texte intégralBolton, Ken 1949. « At the flash & ; at the baci ». 2003. http://web4.library.adelaide.edu.au/theses/09PH/09phb6943.pdf.
Texte intégralBolton, Ken 1949. « At the flash & ; at the baci / Ken Bolton ». Thesis, 2003. http://hdl.handle.net/2440/21996.
Texte intégralIncludes bibliographical references (leaves 166-177)
2 v. (131, 177 leaves) ; 30 cm.
Consists principally of poems. The collection does not pursue any particular theme. It is organized chronologically. An exegetical essay written as a poem forms the second part of the thesis. The essay does not explain the poem's 'meanings' to any great extent but considers the poems' relation to each other and to poems written in the past.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2003
Caldwell, Sabrina Bleecker. « Politics of imagination : Richard Kelly Tipping and the art and technology of words, images and objects ». Phd thesis, 2008. http://hdl.handle.net/1885/149965.
Texte intégralGunn, Anthea Caroline. « Imitation realism and Australian art ». Phd thesis, 2010. http://hdl.handle.net/1885/109407.
Texte intégralGathercole, Michael University of Ballarat. « Progress in Australia over the 20th century : the ups, downs and reversals that occurred in Australian human wellbeing over the 20th century ». 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12756.
Texte intégralDoctor of Philosophy
Gathercole, Michael. « Progress in Australia over the 20th century : the ups, downs and reversals that occurred in Australian human wellbeing over the 20th century ». 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14593.
Texte intégralDoctor of Philosophy
« History in Australian popular culture : 1972-1995 ». Thesis, University of Technology, Sydney. Department of Writing & ; Contemporary Cultures, 1996. http://hdl.handle.net/10453/20231.
Texte intégral« History in Australian popular culture : 1972-1995 ». University of Technology, Sydney. Department of Writing & ; Contemporary Cultures, 1996. http://hdl.handle.net/2100/310.
Texte intégralBarker, Heather Isabel. « A critical history of writing on Australian contemporary art, 1960-1988 ». 2005. http://repository.unimelb.edu.au/10187/7134.
Texte intégralChapter One focuses on Bernard Smith and the late 1950s and early 1960s Australian intellectual context in which Australian Painting 1788-1960 was published. I will argue that, although it can be claimed that Australia was a postcolonial society, the most powerful political and social influence during the 1950s and 1960s was the Cold War and that this can be identified in Australian art criticism and Australian art. Chapter Two discusses art theorist, Donald Brook. Brook is of particular interest because he kept his art writing separate from his theories of social and political issues, focussing on contemporary art and artists. I argue that Brook's failure to engage with questions of nation and Australian identity directly ensured that he remained a respected but marginal figure in the history of Australian art writing. Chapter Three returns to the centre/periphery issue and examines the art writing of Patrick McCaughey and Terry Smith. Each of these writers dealt with the issue of the marginality of Australian art but neither writer questioned the validity of the centre/periphery model.
Chapter Four examines six Australian art magazines that came into existence in the 1970s, a decade of high hopes and deep disillusionment. The chapter maps two shifts of emphasis in Australian art writing. First, the change from the previous preoccupation with provincialism to pluralist social issues such as feminism, and second, the resulting gravitation of individual writers into ideological alliances and/or administrative collectives that founded, ran and supported magazines that printed material that focused on (usually Australian) art in relation to specific social, cultural or political issues. Chapter Five concentrates on the Australian art magazine, Art & Text, and Paul Taylor, its founder and editor. Taylor and his magazine were at the centre of a new Australian attempt to solve the provincialism problem and thus break free of the centre/periphery model.
« Greek poets in South Africa, 1960-2004 ». Thesis, 2014. http://hdl.handle.net/10210/8919.
Texte intégralThe main purpose of this study has been to investigate the work of Greek poets in South Africa's Hellenic Diaspora from 1960 up to date, a period of a more voiummous artistic production due to the noticeable increase in the number of new Hellene immigrants and the innovative cultural atmosphere they brought along. Under this perspective, we examined the forces which led individuals to artistic creation with special focus on the relation between national identity and poetic production. Research has initially been based on poem collections, personal interviews as well as on newspaper articles, magazine publications and schedules of events which constitute our primary resources. In due course, lexicons and encyclopaedias were used to clarify terminology and semantics, as well as p!Cvious studies and relevant bibliography in order to prove, substantiate and enrich our present study. Implementation of quantitative and qualitative approaches with the use of questionnaires, interviews and data analysis rendered our project the following form: In the first chapter, Hellas is examined as the poets' country of origin in order to investigate the possible historic and literary influences carried over by the Greek poets to their new home. A history review of the period between the Second World War and 1974 was conducted examining the Hellenic socio-economic conditions predominant during the said period, which are likely to have led individuals into emigrating, as well as the post-war Hellenic literary development…
Oehler-Stricklin, Dylan Olivia. « "And this I" : the power of the individual in the poetry of Forugh Farrokhzâd ». Thesis, 2005. http://hdl.handle.net/2152/1687.
Texte intégralBloch, Barbara, University of Western Sydney, College of Arts et Centre for Cultural Research. « Unsettling Zionism : diasporic consciousness and Australian Jewish identities ». 2005. http://handle.uws.edu.au:8081/1959.7/20925.
Texte intégralDoctor of Philosophy (PhD)
Dayan, Shoshana. « Poets and the Canadian Jewish community : three portraits ». Thesis, 2000. http://hdl.handle.net/2429/10456.
Texte intégralHooton, Fiona Art History & Art Education College of Fine Arts UNSW. « The impact of the counterculture on Australian cinema in the mid to late 20th century ». 2007. http://handle.unsw.edu.au/1959.4/41008.
Texte intégralMalan, Isabella Cornelia. « Die ekologiese kode in die Afrikaanse poësie ». Thesis, 2012. http://hdl.handle.net/10210/6454.
Texte intégralIn Afrikaans poetry, Nature is depicted in terms of the relationship existing among and / or inanimate organisms, i. e. an ecological mode. Man's influence on the environment, features strongly in the poetry of the eighties. The anthology, Groen (J. L. Marais), can be seen as a focal point of this involvement. Chapter one provides an overview of the ecological code in Afrikaans poetry, spanning the time from the First Afrikaans Language Movement up till the seventies. With regard to this period, the different approaches of the poets to Nature are being studied. During this era a decidedly dynamic approach to the subject existed. Nature was initially seen as the idyllic, soothing and was also used as a metaphor for beauty and purity. With time, Nature took on another dimension and came to represent destructive forces. In chapter two, the anthology Groen by J. L. Marais, under discussion in this work, concluding the eighties, Man is called to task, i. e. to protect and nurture the balance in the ecology. Man is made aware of both the threat to and the conservation of nature. These binary forces are discussed with reference to two semantic devices, cohesion and coherence. As binding factors they provide a semantic light on the above themes. Verweerde aardbol by J. L. Marais, is approached along the same lines in chapter three. The specific themes used in this anthology, serve as a classification aid. The poet's concern about the transience of nature comes to the fore, and Marais himself states that the time has come for writers to be called up in service to the environment without being apologetic about it (Marais 1993: 32). A clear paradigm shift is visible from the infant years of Afrikaans poetry to the poetry of the eighties. The "green"-awareness which inflamed / inspired the community, plays an important role in the eighties and is reflected in Afrikaans poetry. The dynamic power of the ecological code as theme, still has many untapped areas which can be explored in further studies.
Lahy, Waratah. « Painted objects : investigating the imagery of Australian iconic culture ». Phd thesis, 2007. http://hdl.handle.net/1885/149626.
Texte intégral