Littérature scientifique sur le sujet « Poetry Authorship »
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Articles de revues sur le sujet "Poetry Authorship"
Gómez-Bravo, Ana M. « «Female (co)authorship in Cancionero Poetry» ». Revista de Literatura Medieval 30 (31 décembre 2018) : 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.
Texte intégralFrishkopf, Michael. « Authorship in Sufi Poetry ». Alif : Journal of Comparative Poetics, no 23 (2003) : 78. http://dx.doi.org/10.2307/1350077.
Texte intégralSiebenpfeiffer, Hania. « Sibylle – Clio – Thalia. Inszenierungen mythopoetischer Autorschaft im Titelkupfer und in Gedichten von Sibylla Schwarz ». Daphnis 44, no 1-02 (21 juillet 2016) : 199–222. http://dx.doi.org/10.1163/18796583-04401010.
Texte intégralZhou, Ai, Yijia Zhang et Mingyu Lu. « Multidimensional Domain Knowledge Framework for Poet Profiling ». Electronics 12, no 3 (28 janvier 2023) : 656. http://dx.doi.org/10.3390/electronics12030656.
Texte intégralNagy, Gregory. « Authorisation and Authorship in the Hesiodic Theogony ». Ramus 21, no 02 (1992) : 119–30. http://dx.doi.org/10.1017/s0048671x00002599.
Texte intégralMañas, Amelia R. « Repositorios de poder : la poesía visual en México colonial:Repositories of Power : Visual Poetry in Colonial Mexico ». Calíope 27, no 2 (1 octobre 2022) : 203–30. http://dx.doi.org/10.5325/caliope.27.2.0203.
Texte intégralRobinson, Fred C. « Old English Poetry : The Question of Authorship ». ANQ : A Quarterly Journal of Short Articles, Notes and Reviews 3, no 2 (avril 1990) : 59–64. http://dx.doi.org/10.1080/19403364.1990.11755240.
Texte intégralHelgeson, James. « Poetic Deictics and Extra-Textual Reference (Mallarmé, Scève, Ronsard, Du Bellay) ». Nottingham French Studies 56, no 3 (décembre 2017) : 351–65. http://dx.doi.org/10.3366/nfs.2017.0196.
Texte intégralHauser, Emily. « Erica Jong’s Sappho’s Leap:(Re-)constructing Gender and Authorship through Sappho ». Synthesis : an Anglophone Journal of Comparative Literary Studies, no 12 (8 novembre 2020) : 55. http://dx.doi.org/10.12681/syn.25258.
Texte intégralFang, Alex C., Wan-yin Li et Jing Cao. « In search of poetic discourse of classical Chinese poetry ». Chinese Language and Discourse 2, no 2 (21 décembre 2011) : 232–49. http://dx.doi.org/10.1075/cld.2.2.04fan.
Texte intégralThèses sur le sujet "Poetry Authorship"
Davies, Kevin. « Paraphernalia : four poems in seven drafts / ». Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/DaviesKX2006.pdf.
Texte intégralKinsella, John. « The pastoral and modernity : AUTO visitants hunt as textual investigation of self and poetry ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1354.
Texte intégralHussey, Charlotte. « Of swans, the wind and H.D. : an epistolary portrait of the poetic process ». Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36612.
Texte intégralTo do so, I have not attempted to prove a thesis, or strive for scientific objectivity. As the portrait of a woman's imagination, this text narrates the winding course of a transformative journey brought about by my experimentation with a number of writing strategies, or heuristics. Because the drafting of poems is a highly unpredictable endeavour, I have drawn on various techniques, discarding one if I became blocked in order to experiment with the hoped for success of the next.
Chief among the heuristics I have employed was a yearlong fictive correspondence that I entered upon with the Modernist poet, H.D. [Hilda Doolittle]. During our exchanges, I would send her my musing about the writing process along with my poetry which she would critique and send back to me. After completing this epistolary venture, I analysed what our letters revealed about what both blocked and freed my developing voice. I conducted this investigation by laying down a secondary strata of theoretical intertexts addressed to a "Dear Reader" who symbolized my audience made up of my academic committee, in specific, and of writing theorists and scholars in general.
I then appended this two-tiered effort with an introduction, multiple conclusions, and a closing-poem. The resulting structure of my dissertation is that of a palimpsest, a genre that H.D. herself often employed to create a more fluid convergence of autobiographical and mythic motifs. Other heuristics such as key word analysis, bodywork, a photograph exercise, dreams, travel, and the retelling of a fairy tale have been called upon, as well, to further inspire this palimpsest of the poetic process.
Coxon, Sebastian. « The presentation of authorship on later thirteenth-century middle German narrative poetry ». Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285247.
Texte intégralKelen, Christopher, University of Western Sydney et School of Communication and Media. « Metabusiness : poetics of haunting and laughter ». THESIS_XXX_SCM_Kelen_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/542.
Texte intégralDoctor of Philosophy (PhD)
Llewellyn, M. E. « Minor poets and the game of authorship : the poetry of Thomas Randolph, Katherine Philips and Edmund Waller ». Thesis, Swansea University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637933.
Texte intégralLang, Kristen, et mikewood@deakin edu au. « Creative redemption : Uncertainty in poetic creativity ». Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050719.121154.
Texte intégralBrigley, Judith. « Unlocking and using a secret language : an exploration and analysis of effective strategies for teaching poetry writing to able students at Key Stage 4 ». Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678336.
Texte intégralKinsella, John. « Spatial relations of landscape : A poetics. Part 1 ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/671.
Texte intégralOliveira, Gisele Pereira de. « Cecília Meireles e a Índia : das provisórias arquiteturas ao "êxtase longo de ilusão nenhuma" / ». Assis, 2014. http://hdl.handle.net/11449/123392.
Texte intégralBanca: Cleide Antonia Rapucci
Banca: Sandra A. Ferreira
Banca: Dilip Loundo
Banca: José Hélder Pinheiro Alves
Resumo: A presença da Índia na biografia e na obra de Cecília Meireles é notável. A relação entre a poetisa e a Índia apresenta-se de forma explícita e implícita em sua produção: por um lado, tem-se o volume Poemas escritos na Índia, paralelamente às diversas crônicas sobre esse país, assim como conferências e aulas; por outro lado, em sua lírica, há inúmeros poemas que permitem a leitura de princípios, temas e nuances do pensamento filosóficoreligioso tipicamente indiano, reconhecíveis como associáveis ao hinduísmo ou ao budismo. Em nossa análise, partimos da premissa de ser imprescindível tanto a leitura de poemas sobre a Índia (paisagens, cotidiano e personalidades), como o levantamento temático dos aspectos filosófico-religiosos indianos na lírica ceciliana, por meio de análises interpretativas de poemas, demonstrando que a Índia e o pensamento indiano se apresentam nessa poesia horizontal e verticalmente. Assim, as primeiras seções analíticas são dedicadas ao país como locus para o qual a poetisa volta sua atenção e o adota como cenário, como motivo de alguns poemas; ou do qual elege personagens sobre os quais trata. Abordamos, primeiramente, a relação entre a poetisa e a Índia, por meio de dados biográficos, crônicas e da análise do poema "Cântico à Índia pacífica". Em seguida, falamos da relação de Cecília com os dois indianos renomados e analisamos poemas dedicados a eles: o pensador, educador e poeta Rabindranath Tagore e o poema "Diviníssimo Poeta", e o pacifista Mohandas K. Gandhi, e o poema "Mahatma Gandhi". Então, enfocamos o livro Poemas escritos na Índia, fruto de sua viagem à Índia em 1953, e pensamos, por um lado, em Cecília como poetisa-viajante, e discorremos brevemente sobre o ato de viajar para ela. E, por outro lado, averiguamos que a mulher indiana se destaca no volume, e, assim, analisamos dois poemas sobre a mulher...
Abstract: The presence of India in Cecília Meireles's biography is considerable. The relationship between the poetess and India presents itself both explicitly and implicitly in her writings: on one hand, there is the title Poems written in India, parallel to it there are a lot of chronicles and lectures about this country; on the other hand, dozens of poems allow the inference of premises, nuances, and themes related to Indian philosophical and religious thought, related to Hinduism and/or Buddhism. In this present analysis, we started up based on the premise that it is unavoidable both considering the poems on India (Indian sceneries, daily life and individuals), and the inventory of philosophical/religious aspects in the poems, by means of interpretative analysis, showing that India and Indian thought appear in Cecília's poetry vertically and horizontally. In this light, we dedicate the first analytical sections to the country as a place at which Cecília devotes her attention, employ as background for several poems, and from where she elects some individuals about whom she writes. We approach, firstly, the relationship between Cecília and India, by looking at biographical data, travel chronicles and the analysis of the poem "Hymn for peaceful India". Then, we discuss the relationship between Cecília and two renowned Indian personalities, in whose honor she dedicated poems, lectures, etc., i.e., the Indian poet, thinker and educator Rabindranath Tagore, and the poem "The most divine poet", and the pacifist Mohandas K. Gandhi, and the poem "Mahatma Gandhi". After that, we focus on the book Poems written in India, result of her trip there in 1953, and we consider, on one hand, Cecília as a traveler, and, on the other, her view on Indian women and their work as we analyze two poems, "Humility" and "Puri Women". The latter in comparison to another poem, "Ballad for the ten...
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Livres sur le sujet "Poetry Authorship"
Whitworth, John. Writing poetry. London : A. & C. Black, 2001.
Trouver le texte intégralDrury, John. Creating poetry. Cincinnati, Ohio : Writer's Digest Books, 1991.
Trouver le texte intégralBarbara, Drake. Writing poetry. 2e éd. Fort Worth : Harcourt Brace College Publishers, 1994.
Trouver le texte intégralHerbert, W. N. Writing poetry. New York : Routledge, 2009.
Trouver le texte intégralSweeney, Matthew. Writing poetry. London : Hodder Education, 2008.
Trouver le texte intégralWatson, Carly. Miscellanies, Poetry, and Authorship, 1680–1800. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-37066-4.
Texte intégralAddonizio, Kim. The Poet's Companion : A Guide to the Pleasures of Writing Poetry. New York : W.W. Norton, 1997.
Trouver le texte intégralFinch, Annie. A poet's craft : A comprehensive guide to making and sharing your poetry. Ann Arbor : University of Michigan Press, 2011.
Trouver le texte intégralHeaney, Seamus. Crediting poetry. Oldcastle, Co. Meath : Gallery Books, 1995.
Trouver le texte intégralHeaney, Seamus. Crediting poetry. London : Faber and Faber, 1995.
Trouver le texte intégralChapitres de livres sur le sujet "Poetry Authorship"
Dobranski, Stephen B. « Renaissance Authorship ». Dans A Companion to Renaissance Poetry, 115–27. Chichester, UK : John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch8.
Texte intégralWall, Wendy. « Female Authorship ». Dans A Companion to Renaissance Poetry, 128–40. Chichester, UK : John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch9.
Texte intégralAi, Zhou, Zhang Yijia, Wei Hao et Lu Mingyu. « LDA-Transformer Model in Chinese Poetry Authorship Attribution ». Dans Lecture Notes in Computer Science, 59–73. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88189-4_5.
Texte intégralGallagher, Catherine, et Yanjun Li. « Text Categorization for Authorship Attribution in English Poetry ». Dans Advances in Intelligent Systems and Computing, 249–61. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01174-1_19.
Texte intégralEisner, Eric. « “The Atmosphere of Authorship” : Landon, Byron and Literary Culture ». Dans Nineteenth-Century Poetry and Literary Celebrity, 115–35. London : Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840_6.
Texte intégralIsfahani-Hammond, Alexandra. « Poetry and the Plantation : Jorge de Lima’s White Authorship in a Caribbean Perspective ». Dans White Negritude, 17–43. New York : Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610118_2.
Texte intégralFeldman, Paula R. « Women Poets and Anonymity in the Romantic Era ». Dans Authorship, Commerce and the Public, 44–53. London : Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230375482_3.
Texte intégralRoberts, Sasha. « The Malleable Poetic Text : Narrative, Authorship and the Transmission of Lucrece ». Dans Reading Shakespeare’s Poems in Early Modern England, 102–42. London : Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230286849_4.
Texte intégralFaxneld, Per. « ‘Only Poets and Occultists Believe in Them Just Now’ : Fairies and the Modernist Crisis of Authorship ». Dans The Occult in Modernist Art, Literature, and Cinema, 93–110. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76499-3_5.
Texte intégralSidney, Philip. « 4. from An Apology for Poetry ». Dans Authorship, 31–36. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474465519-006.
Texte intégralActes de conférences sur le sujet "Poetry Authorship"
Ahmed, Al-Falahi, Ramdani Mohamed, Bellafkih Mostafa et Al-Sarem Mohammed. « Authorship attribution in Arabic poetry ». Dans 2015 10th International Conference on Intelligent Systems : Theories and Applications (SITA). IEEE, 2015. http://dx.doi.org/10.1109/sita.2015.7358411.
Texte intégralAhmed, Alfalahi, Ramdani Mohamed et Bellafkih Mostafa. « Authorship attribution in Arabic poetry using NB, SVM, SMO ». Dans 2016 11th International Conference on Intelligent Systems : Theories and Applications (SITA). IEEE, 2016. http://dx.doi.org/10.1109/sita.2016.7772287.
Texte intégralOmer, Ahmed Ibrahim Ahmed, et Michael Philip Oakes. « Arud, the Metrical System of Arabic Poetry, as a Feature Set for Authorship Attribution ». Dans 2017 IEEE/ACS 14th International Conference on Computer Systems and Applications (AICCSA). IEEE, 2017. http://dx.doi.org/10.1109/aiccsa.2017.48.
Texte intégralSuvajdžić, Boško. « NARODNA KNjIŽEVNOST I IDENTITETSKE PROMENE U SRPSKOJ KNjIŽEVNOSTI ». Dans IDENTITETSKE promene : srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.107s.
Texte intégralRibeiro Rabello, Rafaelle. « Between absence and presence : Augmented Reality as a self-fiction poetic ». Dans LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
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