Thèses sur le sujet « Poetics »
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Kramer, Christi. « Poetics of return : toward poetic imagination and peacebuilding ». Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46488.
Texte intégralGiordano, Matthew. « Dramatic poetics and American poetic culture, 1865-1904 ». Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092701770.
Texte intégralDocument formatted into pages. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.
Campbell, Charles. « Poets and Poetics in Greek Literary Epigram ». University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333736.
Texte intégralSimonyan, Astghik. « Poetics of the same : a philosophical poetic recourse into sameness ». Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1278.
Texte intégralKoutrianou, Eleni. « The emergence and crystallization of the poetics of Odysseas Elytis ». Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:67c25cfb-3860-497e-9402-46ebafdd753d.
Texte intégralTerne, Clara. « Space + Poetics ». Thesis, Konstfack, Grafisk Design & ; Illustration, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-123.
Texte intégralNykyforuk, T. M. « Poetics of poetry works by Sydir Vorobkevych (meta-language, poetic syntax, versification) ». Thesis, БДМУ, 2020. http://dspace.bsmu.edu.ua:8080/xmlui/handle/123456789/18274.
Texte intégralThornbury, Emily Victoria. « Anglo-Saxon poetics ». Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615780.
Texte intégralCui, Wendong, et 崔文东. « Politics vs. poetics ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47752981.
Texte intégralpublished_or_final_version
Chinese
Master
Master of Philosophy
Leadbetter, Gregory Marcus. « Coleridge's transnatural poetics ». Thesis, Oxford Brookes University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520917.
Texte intégralDavies, James. « stack : minimalist poetics ». Thesis, University of Roehampton, 2018. https://pure.roehampton.ac.uk/portal/en/studentthesis/stack(aebfad17-9098-4c69-831d-3af98f9d48e4).html.
Texte intégralMartin, Seth M. « The Poetics of Return| Five Contemporary Irish Poets and America ». Thesis, The University of North Carolina at Chapel Hill, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3562770.
Texte intégralA thematic study grounded in transnational and transatlantic studies of modern and postmodern literatures, this dissertation examines five contemporary Irish poets—John Montague, Padraic Fiacc, James Liddy, Seamus Heaney, and Eavan Boland—whose separation from Ireland in the United States has produced a distinct body of work that I call, "the poetics of return." As the biological heirs of the Civil War generation and the intellectual heirs of the Irish high modernists, these poets are some of the leading lights of the renaissance in Irish literary arts after midcentury.
This dissertation argues that an important aspect of this era has been its reevaluation of narratives of political and artistic exile; those created by nationalists and republicans, on the one hand, and modernists such as James Joyce and Samuel Beckett, on the other. Drawing on the criticism of Patrick Ward and Seamus Deane, I argue that the atomization of the critical vocabulary of exile has enabled modern poets greater means to consider the cultural anxieties surrounding their separation from Ireland. Accordingly they have become less interested in the meaning of leaving Ireland and more interested in the meaning of return. This project engages a range of scholarly literature devoted to the Irish poets and poetry of the last half century and reevaluates a number of standard readings and assumptions.
Bugan, Carmen. « Poetics of exile : East European poetry in translation and Seamus Heaney's Ars Poetica ». Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408092.
Texte intégralSeibel, George L. IV. « Being a Poet ». Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.
Texte intégralByrne, James. « A poetics of desire ». Thesis, Edge Hill University, 2016. http://repository.edgehill.ac.uk/7782/.
Texte intégralcom, MirahB@aol, et Rolf Vaernes. « The Poetics of Being ». Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050617.103850.
Texte intégralVaernes, Rolf I. « The poetics of being / ». Access via Murdoch University Digital Theses Project, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050617.103850.
Texte intégralRobinson, Joshua Mark. « Adorno's poetics of form ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610013.
Texte intégralKim, John Hyong. « The Poetics of Diagram ». Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11590.
Texte intégralPhilokyprou, Elli. « Greek Post-Symbolist poetics ». Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:e5a2e75a-c272-4f79-aafe-b2af905fb250.
Texte intégralMurton, Megan Elizabeth. « Chaucer's poetics of prayer ». Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/283945.
Texte intégralQuadrado, Lauro Iglesias. « The poetics of noise ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/175202.
Texte intégralThis dissertation revolves around the work of American writer, John Dos Passos (1896-1970), more specifically around his novel Manhattan Transfer (1925). This investigation is a critical reading of his fiction, especially concerning the intensity of aural experiences promoted by the author, mostly based on disruptive, noisy passages which are representative of metropolitan experience of the early twentieth century in New York. The critical and theoretical assumptions used vary from traditional literary schools of text analysis and public criticism to Sound Studies and intermediality approaches. With this support, the noise brought by Dos Passos can be listed under assorted categories: the use of songs and different styles of popular music of the time; the impossibility of silence; the annoyance of urban noise, produced by machines or people; the audiograph of characters, with the transliteration of characters' accents and foreign languages. Sonic provocation is contextualized as Manhattan Transfer was written following the invention and popularization of the phonograph as a domestic device, providing a newfound possibility of one being able to listen to music at home at any time, and giving access for new possibilities of relating with sound for people in general. This research follows Dos Passos's phonograph-like narratives, investigating the author's interest in sounds which were despised or should be eliminated from twentiethcentury ever-growing mechanization of society. The idiosyncrasies of his fiction are analyzed combined with the representation of noise as a social nuisance, an unwanted element that makes human interaction more troublesome, yet key to apprehending characters' rapport in the novel. Disruptive acoustic impressions convey, in his literature, a state of fragmentation and excitement of humans of modernity. Finally, this dissertation aspires to recuperate John Dos Passos's oeuvre and bring it back to academic and general literary discussions, opposing tendencies in theory and critique that had, in the past decades, gradually relegated his work into obscurity. This text argues that the presence of Dos Passos's work has been relevant and applicable to aesthetic objects produced beyond modernist years, reaching contemporary pertinence.
Wyatt, Holliday. « The Poetics of Appeal ». VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/595.
Texte intégralMersky, Matthew. « Poetics of The Real ». ScholarWorks @ UVM, 2016. http://scholarworks.uvm.edu/graddis/575.
Texte intégralZournazi, Mary. « A poetics of foreignness ». Thesis, View thesis, 2000. http://handle.uws.edu.au:8081/1959.7/27424.
Texte intégralZournazi, Mary. « A Poetics of foreignness / ». View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040414.092213/index.html.
Texte intégralVaernes, Rolf. « The poetics of being ». Thesis, Vaernes, Rolf (2004) The poetics of being. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/376/.
Texte intégralVaernes, Rolf. « The poetics of being ». Vaernes, Rolf (2004) The poetics of being. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/376/.
Texte intégralBurk, Chelsea D. « Poetics of the document and documentary poetics : documentary poetry by women, 1938-2015 ». Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6711.
Texte intégralPoch, John. « Sorry Guard ». Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2455/.
Texte intégralHurley, Claire. « The poetics of site : reading the spaces of experimental US women poets ». Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67055/.
Texte intégralMcInnis, Nadine. « Dorothy Livesay's poetics of desire ». Thesis, University of Ottawa (Canada), 1992. http://hdl.handle.net/10393/7902.
Texte intégralCabri, Louis de Meillon. « A poetics of aesthetic forms ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20783.pdf.
Texte intégralJones, Emma. « Christina Rossetti and maternal poetics ». Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612952.
Texte intégralRavinthiran, Vidyan. « Elizabeth Bishop's poetics of prose ». Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534279.
Texte intégralKang, Sukjin. « Joseph Conrad : his dialogic poetics ». Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.
Texte intégralHaskell, Greer. « The Oresteia : a theatrical poetics ». Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363120.
Texte intégralCABRAL, SIMONE GARRIDO ESTEVES. « BANDEIRA : THE POETICS OF COMPROMISE ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5195@1.
Texte intégralA dissertação visa abordar basicamente duas questões relativas à poética de Manuel Bandeira, a partir da troca de correspondência entre o poeta e Mário de Andrade. A primeira delas diz respeito à correspondência propriamente dita, entendendo-se essa correspondência como a enunciação de uma fala que será devolvida por outro, construindo-se, assim, um discurso que estabelece relações mútuas e interferências socioculturais. A segunda questão abordada refere-se à análise da concepção bandeiriana de poética, confrontando-a com sua própria experiência, como a poética concebida foi realizada e que meios foram utilizados para tal efeito, discutindo os elementos de tensão - morte e inspiração - sob a ótica do próprio Bandeira, demonstrada através de suas cartas e realizada na sua poesia.
The aim of this master s thesis is to discuss two questions related to the poetics of Manuel Bandeira, using the correspondence between the poet and Mário de Andrade as the research material. The first question deals with the actual correspondence between the two, the correspondence understood here as an enunciation which is to be returned by the other, constructing thus a discourse which establishes mutual relations and sociocultural interferences. The second question refers to the analysis of the bandeirian concept of poetics confronted with the poet s own life experience, taking into account the way the poetics were realized and the tools that were used to create given effects. Elements of tension - death and inspiration - are discussed from the point of view of Bandeira himself, as revealed in his letters and realized in the poetry.
Sidhu, Sonny. « Poetics of the videogame setpiece ». Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/81080.
Texte intégralCataloged from PDF version of thesis.
Includes bibliographical references (p. 131-137).
Many of today's most popular single-player videogames contain short, semi-interactive sequences of tightly scripted, visually spectacular action gameplay, which-despite being generally unrepresentative of a game's 'normal' functions-tend to receive prominent placement in the marketing campaigns that produce desire for the games they appear in. As prevalent as they have become, these setpieces (as they are called in gamers' parlance) are often critically dismissed as mere eye-candy-proof, perhaps, of the skewed priorities of an industry that would sacrifice the interactive substance of games in favor of surface qualities that enhance only their commercial appeal. This thesis attempts to place the technique of AAA videogame setpieces within a series of wider technical, aesthetic, commercial, and cultural problematics relating to the contemporary games industry. It seeks to address the question of the setpiece's artistic merit directly, by understanding the design principles that inform setpieces' creation, and-for the sake of critical context-the aesthetic, cultural, and commercial imperatives these principles exist to serve. Following a historical poetics approach that relates practices of media exhibitionism to the perpetual innovation economy of digital games, this thesis argues that the setpiece is a meaningful site of fluid agency play within games, enabling complex narrative expression as well as self-reflexive comment about a game's own relationship to a continuously reimagined technological state of the art.
by Sonny Sidhu.
S.M.
Lazarus, Micha David Swade. « Aristotle's Poetics in Renaissance England ». Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.
Texte intégralCho, Ju Gwan. « Time philosophy in Derzhavin's poetics / ». The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487694389392671.
Texte intégralRose-Vails, Shannon. « Joy Harjo's Poetics of Transformation ». Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4358/.
Texte intégralForehand, Paul. « Poetics of Lev Tolstoy's Kholstomer ». Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18396.
Texte intégralJanssen, David. « Walt Whitman's Poetics of Labor ». PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.
Texte intégralHyland, John J. « Indonesian Postcards ». Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/HylandJJ2003.pdf.
Texte intégralWarner, Ahren. « Contradictions in coherence : three poets and the poetics of the commodity as fetish ». Thesis, Queen Mary, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612567.
Texte intégralJanulevičius, Marius. « Absurdo poetika Juozo Erlicko "Prisimynimuose" ». Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060623_123217-11681.
Texte intégralKelen, Christopher, University of Western Sydney et School of Communication and Media. « Metabusiness : poetics of haunting and laughter ». THESIS_XXX_SCM_Kelen_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/542.
Texte intégralDoctor of Philosophy (PhD)
Madoc-Jones, Geoffrey. « Hermeneutics, poetics and language arts education ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0023/NQ51895.pdf.
Texte intégralMalmqvist, Jenny. « Belfast Textiles : On Ciaran Carson’s Poetics ». Doctoral thesis, Linköpings universitet, Avdelningen för moderna språk, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97390.
Texte intégralAvhandlingen är en studie av den nordirländske poeten Ciaran Carsons poetik, dess framväxt och utveckling till och med Carsons fjärde diktsamling, First Language, som publicerades 1993. Genom en undersökning av Carsons användning av olika slag av omskrivning, manifesterade som intertextualitet och översättning, syftar avhandlingen till att ge en redogörelse för hur Carsons poetik har tematiskt formulerats och formellt realiserats. Carsons poetik friläggs genom ett närstudium av två grupper dikter. Den första gruppen består av dikter från samlingarna The Lost Explorer (1978), The Irish for No (1987), Belfast Confetti (1989) och First Language, där textila tekniker tjänar som metaforer för poetiska tekniker. Dessa dikter läses som formuleringar av en poetik som förverkligas i en andra grupp dikter där omskrivning är den huvudsakliga tekniken. Genom att undersöka dikternas textila/textuella metaforer och deras gradvisa omvandling samt olika manifestationer av omskrivning i Carsons verk, söker avhandlingen beskriva och demonstrera några av de huvudsakliga principerna i Carsons poetik, liksom de uttryck dessa tar sig, samt hur dessa principer och uttryck förändras över tid. Avhandlingen ser omskrivning som en väsentlig del av Carsons poetiska metod. Tidigare texter får tjäna som underlag för en ny dikt. När det gäller textuella relationer och deras betydelseskapande kraft stöder jag mig på teorier om intertextualitet, främst Gérard Genettes och Laurent Jennys, liksom på perspektiv hämtade från samtida översättningsteori och poetik. Teoretiska perspektiv ges också av de textila/textuella metaforer som används som analytiska redskap. Omskrivning är dock inte ett mål i sig för Carson, utan ett viktigt sätt för poeten att artikulera sin syn på både estetiska och historiska frågor. I avhandlingen relateras omskrivningens praktik till något som upptagit Carson i hela hans författarskap: förhållandet mellan form och material och hur de komplexa nordirländska erfarenheterna ska kunna ges ett adekvat poetiskt uttryck. Utifrån en detaljerad analys av Carsons omskrivningsstrategier hävdas att hans genomgående bruk av återanvändning återspeglar en höggradig medvetenhet om det egna poetiska uttrycket. Hans poetik ska ses som både en estetik och en etik – ett sätt att fortlöpande återknyta, längs både estetiska och etiska linjer, till den komplexa situation han befinner sig i och till hans roll som poet.