Thèses sur le sujet « Poet as the Historian »
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Bender, Lucas Rambo. « Du Fu : Poet Historian, Poet Sage ». Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493294.
Texte intégralEast Asian Languages and Civilizations
Hewitt, Anne. « Between God and beast : an examination of the ethical and political ideas of the poet, Pindar, the historian, Thucydides, and the philosopher, Aristotle ». Thesis, London School of Economics and Political Science (University of London), 2004. http://etheses.lse.ac.uk/1762/.
Texte intégralMorini, Carolle Robin. « Anne Bradstreet, poet historian, 1612-1672 : the anglicization of puritan new England as reflected in the poems A dialogue between old England and new, The four seasons of the year, and Contemplations / ». Access resource online, 2008. http://scholar.simmons.edu/bitstream/handle/10090/7338/Morini_Thesis_2008.pdf?sequence=1.
Texte intégralBenassi, Alessandro. « «L'ultima meta de’ simboli» : poetica e retorica delle imprese nel XVI secolo in Italia ». Doctoral thesis, Scuola Normale Superiore, 2016. http://hdl.handle.net/11384/86104.
Texte intégralSlagle, Judith Bailey. « Joanna Baillie and the Poetry of Intellectual and Historical Romanticism ». Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/459.
Texte intégralAiras, A. (Aino). « Historian museo Turkuun ». Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201606012074.
Texte intégralKinsella, Michael. « Poet to poet : Seamus Heaney's Wordsworth ». Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/14185/.
Texte intégralKaramanoglu, Sema. « One Historian Two Books : Beatriz Colomina ». Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615519/index.pdf.
Texte intégrals life in order to understand how architecture became accessible to the public through media and how this has affected the perception of modern architecture. This new lens entailed not only the inseparability of media and architecture but also how war and domesticity featured in this relationship. Against this background, this study attempts to investigate the innovative approach of Beatriz Colomina by comparing and contrasting her two prominent books: Privacy and Publicity: Modern Architecture as Mass Media (1994) and Domesticity at War (2007). The former introduces us to the relationship between architecture and media, whereas the latter exemplifies this relationship by focusing on the cold war period as a time where media became an integral part of the domestic environment. This study aims to extract Colomina&rsquo
s contribution to architectural history by first disentangling and analysing and then merging these two books under common themes. In doing so, it seeks to answer the following questions: What is the role of archives in Colomina&rsquo
s methodology in writing these two books? What is the relationship between the document and the historian that emerges from this methodology? What common themes can be extracted from these two books as an analytical framework in order to better understand and study Colomina&rsquo
s approach? What differentiates her as a historian from other historians of modern architecture, specifically from Siegfried Giedion and Kenneth Frampton? What messages does Colomina give her reader through the form as well as the content of her books? What is her contribution to architectural historiography?
Seibel, George L. IV. « Being a Poet ». Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.
Texte intégralTolley-Stokes, Rebecca. « The Publisher-Poet ». Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/5769.
Texte intégralValkama, V. (Ville). « Keskiaikakuva WSOY:n alakoulun historian oppikirjoissa 1987–2006 ». Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201601201062.
Texte intégralCooke, Peter David. « Gustave Moreau, #painter-poet' ». Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307413.
Texte intégralKAPLAN, SHEILA. « MURILO MENDES : COLLECTOR POET ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14602@1.
Texte intégralCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Nesta série de ensaios interdependentes sobre Murilo Mendes, buscamos iluminar diferentes aspectos de sua obra, em especial aquela produzida na Itália, onde o autor se fixou de 1957 até sua morte, em 1975. O fio implícito que liga estes ensaios é a indagação sobre a sua relação com o repertório da cultura ocidental, elemento destacado tanto em sua poesia quanto na prosa. Relação esta que o distingue de outros escritores modernistas, uma vez que, para Murilo Mendes, não se tratava de contrapor uma cultura à outra, mas de formar um conjunto único, em que as diferenças não assumem posição hierárquica, nos moldes, por exemplo, de uma equação centro-periferia. A metáfora do colecionador, que guia o primeiro ensaio, é utilizada como uma chave que permite analisar sua prosa-inventário da tradição ocidental. O surrealismo à brasileira do autor, tema de outro ensaio, mostra o modo peculiar como Murilo absorveu as vanguardas do início do século XX. E o seu projeto universalista é tratado no terceiro capítulo. Os textos que compõem este estudo procuram, assim, acercar-se dessa obra por meio de uma escrita ensaística, conforme definição de Adorno, em que os vários pontos se entrelaçam como em um bordado. Escrita marcada pelo experimento, mais do que pela busca de um pensamento sistêmico e conclusivo.
This is a series of interdependent essays on Murilo Mendes which focus on different aspects of his work, particularly the texts he wrote in Italy, where he lived from 1957 until his death in 1975. The thread that implicitly runs through these essays is his relationship with the Western cultural repertoire, an aspect that stands out in both his poetry and his prose. Indeed, it is this that differentiates him from other Modernist writers. Murilo Mendes was not interested in setting one culture against another, but in uniting them in such a way that their differences were not represented hierarchically, such as center versus periphery. The metaphor of the collector that appears in the first chapter serves as a key for analyzing his body of prose from the Western tradition. His Brazilian-style surrealism is the object of another essay that discusses the particular way he incorporated the European vanguards of the early twentieth century. The third chapter is about his universalism. Overall, this study seeks to address the work of Murilo Mendes using the essay form as defined by Adorno, where points in the different texts interweave like a tapestry. The style is more experimental than strictly systematic or conclusive in its thinking.
JUNIOR, JUAREZ DE QUEIROZ CAMPOS. « PARMÊNIDES THE LOGOS POET ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26061@1.
Texte intégralCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A interpretação do Poema de Parmênides tradicionalmente tem como fontes Platão, Aristóteles e os neoplatônicos. Recentemente as questões lógicas e filológicas relacionadas ao verbo ser vem atraindo atenção não só de comentadores da filosofia antiga como Charles Kahn, mas também da filosofia analítica a partir dos críticas de Frege e Russell. Nesta dissertação, utiliza-se como eixo interpretativo os textos de Gorgias e Melisso sobre o ser, considerando a hipótese de que como estes pensadores desenvolveram os seus trabalhos em uma época mais próxima a Parmênides do que Platão e Aristóteles as suas interpretações nos fornecem uma leitura mais aproximada do sentido inicial do Poema. A partir da apresentação dos diversos sentidos do verbo ser pela filologia e das formulações de Kahn, será investigado o ser nas formulações de Melisso, Górgias comparando-o com o ser de Parmênides.
Plato, Aristotle and the Neo-Platonists have traditionally been considered to be the main sources for interpreting Parmenides The Poem. However, in the last century, the logical and filological dilemmas regarding the concept of being have begun to draw the attention of other scholars seeking more precise interpretations of The Poem, such as ancient philosophy commentator Charles Kahn and analytical philosophers Frege and Russell. In this paper I will argue that philosophers Gorgias and Melisso offer a more accurate interpretation of the concept of being discussed in Parmenides original text. Consequently, it will also be shown that in order to understand precisely The Poem, it is necessary to focus on the interpretations drawn by the two pre-Socratic philosophers supra-cited regarding the Poem, rather than to emphasize on the analysis made by Plato and Aristotle. The main reason supporting this argument that will be presented is that the works of such pre-Socratic philosophers were written in a time period much closer to the one of Parmenides than the works of Plato and Aristotle were. In order to build my argument I will first analyze the filological meanings of the concept of being. Then I will scrutinize the formulations of this concept as Kahn presents them. After that, I will examine the formulations of the concept of being in the works of both Melisso and Gorgias. Finally, I will compare and apply all of these formulations and meanings to Parmenides original text, and therefore conclude my argument.
Svanefjord, Natasha. « Varför är Platon poet ? » Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30074.
Texte intégralOade, Stephanie. « Catullus : lyric poet, lyricist ». Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:469ce045-65e7-4df3-8a1e-c16e4195b9f7.
Texte intégralGarcia, Quesada George Ivan. « Karl Marx : historian of social times and spaces ». Thesis, Kingston University, 2017. http://eprints.kingston.ac.uk/40677/.
Texte intégralRoman, Zoltan. « Gustav Mahler : Conductor and Composer as ’Music Historian’ ». Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38338.
Texte intégralGalve, Fernanda Rodrigues. « Ser(tão) Severino : Memórias Poéticas de João Cabral De Melo Neto (1950-1960) ». Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/12977.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The thesis deals with relations between History and Literature to reflect the being and Recife as a city. Study about the poet João Cabral de Melo Neto through his book Morte e Vida Severina , written in 1954, which is a dramatic poem that approaches the tough life of the people from the Northeast Brazil and its social and historical aspects. In his literature, João Cabral mixes the historical moment to biographical elements in order to achieve an identity as a poet, he deals with images and facts, and consequently he can t consider poetry without History. Thus, the comprehension of João Cabral poetry depends on the comprehension of the historical moment, since the text dialogs constantly with concepts as culture and space. This research analyzes the connection between History and Literature, in order to show the poetry as a reflection of time and memory. This study uses a literary composition as its main source to investigate the Pernambuco society through the 50 s. Maybe this is the way to contribute to overcoming the ever-growing gap that separates the dream-like landscapes from daily life´s
A presente dissertação faz uma articulação da História com a Literatura, numa reflexão do ser e da cidade do Recife. Tem como objetos de estudo o poeta João Cabral de Melo Neto e sua obra Morte e Vida Severina - Auto de Natal Pernambucano , de 1954, poema dramático que nos conduz ao fluxo do rio da vida severina e nos leva a refletir sobre questões sociais e históricas que procuram levantar um retrato das condições e dos problemas do homem nordestino. Ler a lógica de uma obra literária é um modo de ligar-se a uma realidade histórica e, ao mesmo tempo, reconhecer os processos biográficos e a busca da identidade do poeta João Cabral. Seu trabalho com a palavra se faz na construção das imagens e dos fatos, pois não existe para ele poesia sem os acontecimentos e sem História. Assim, a abordagem do contexto histórico que origina a obra literária se coloca como compreensão da própria obra. Poesia com a qual se estabelece um diálogo constante, na perspectiva de pensar conceitos importantes como espaço e cultura. Analisa-se, ainda, a junção entre história e literatura, evidenciando-se que a palavra poética apresenta tempos e memória. Neste caso, a pesquisa propõe um novo olhar histórico que se utiliza de uma obra poética como fonte. Pondera, também, uma obra literária como percepção crítica e histórica da sociedade de Pernambuco dos anos 50. Talvez este seja um caminho possível de contribuir para a superação do desvão que separa as paisagens de sonho
Peters, Friedrich Ernst. « Der Gewaltige und der Poet ». Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/5891/.
Texte intégralWeyer, Christine Louise. « Joan Metelerkamp : poet of connection ». Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/734.
Texte intégralMcDowell, Stacey. « Keats and the chameleon poet ». Thesis, University of Bristol, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654573.
Texte intégralGuensberg, M. « Torquato Tasso : Theoretician and poet ». Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.354075.
Texte intégralGeater, Charlotte. « Former Young Poet : a novel ». Thesis, University of Kent, 2018. https://kar.kent.ac.uk/67566/.
Texte intégralSmith, Alex. « Charles Tomlinson : poet of encounter ». Thesis, University of South Wales, 2001. https://pure.southwales.ac.uk/en/studentthesis/charles-tomlinson(6221e80a-b566-49f1-8daf-7f8958ab625d).html.
Texte intégralSmorodinskaya, Tatiana E. « Konstantin Sluchevsky : the untimely poet / ». The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487950658547887.
Texte intégralOlson, Ted. « Robinson Jeffers : Appalachian, Californian, Poet ». Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1129.
Texte intégralDavaze, Virginie. « Memnon, historien d’Héraclée du Pont : commentaire historique ». Thesis, Le Mans, 2013. http://www.theses.fr/2013LEMA3005/document.
Texte intégralMemnon wrote a local history, the one of his native city, Heraclea Pontica, megarian colony located in the Black Sea. His chronicle is partially preserved thanks to fragments, more or less substantial, summarized in Photius’ Library. The latter passed on to us only a part of Memnon’s work, since he related only the facts contained in books IX to XVI, which cover a period from the 60’s of the third century to the 40’s of the first century BC., but with a big gap between the mid-third century to the arrival of the Romans. The text was the object of a detailed historical commentary which highlights the inconsistencies of the story and the events for which Memnon is our only source. My research also aims to identify the historical method of Memnon through the study of the recurring themes in the text and the analysis of the chronological order of events. It is obvious that Photius’ intervention has incidences on the chronological organization initiated by Memnon, nevertheless it seems that the method of the historian of Heraclea has distorted from the start the chronology of events he related. Furthermore, analysis of the text allowed to identify the objectives of Memnon who tries to revive the glorious past of Heraclea and to denounce the excesses of the Roman rule, especially to his city of origin. The author of the History of Heraclea remains unknown but it seems to me that his literary activity should be placed in the second half of the second century AD
Davaze, Virginie. « Memnon, historien d'Héraclée du Pont : commentaire historique ». Phd thesis, Université du Maine, 2013. http://tel.archives-ouvertes.fr/tel-00951324.
Texte intégralFollini, T. L. « 'Hero and Historian' : the autobiographical writings of Henry James ». Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355264.
Texte intégralMacartney, Hilary. « Sir William Stirling Maxwell as historian of Spanish art ». Thesis, Courtauld Institute of Art (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398295.
Texte intégralOinonen, J. (Janne). « Muuttuva sota:sisällissodan kuvaus WSOY:n kansakoulun historian oppikirjoissa 1918–1972 ». Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201612023189.
Texte intégralTuikkala, I. (Ilpo). « Alakoulun historian oppikirjojen kuvat ihmiskuvan ja ihmiskunnan edistyskertomuksen rakentajina ». Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201604081427.
Texte intégralStokes, Caitlin C. « Re-Drawing History : the Artist as Author and Historian ». The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343046777.
Texte intégralGroth, Helen. « Defining the woman poet 1837-1896 ». Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363862.
Texte intégralWilson, Robert Neal. « The American poet : a role investigation / ». New York : Garland, 1990. http://catalogue.bnf.fr/ark:/12148/cb355378740.
Texte intégralHand, Angela René. « Francis Hopkinson : American poet and composer / ». Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983125.
Texte intégralKillick, H. K. S. « Thomas Hoccleve as poet and clerk ». Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/1300/.
Texte intégralNikoloudeÌ„s, Nikolaos G. « Laonikos Chalkokondyles : a translation and commentary of the #Demonstrations of Histories' books I-III ». Thesis, King's College London (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282873.
Texte intégralBaumstark, Moritz. « David Hume : the making of a philosophical historian : a reconsideration ». Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3265.
Texte intégralGUIMARAES, GESSICA GOES. « THE TASK OF THE HISTORIAN IN THE DAWN OF HISTORICISM ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11402@1.
Texte intégralO presente trabalho analisa a construção do conceito historicismo na Alemanha - no limiar do século XVIII - a partir de sua relação com o Iluminismo e a sua constituição como uma nova weltanschauung e uma nova prática historiográfica, sobretudo nos trabalhos de Herder, Humboldt e Ranke. O estudo abarcou três características centrais do historicismo: primeiramente, a tensão entre o universal e o singular; em segundo lugar, o conflito entre a idéia de progresso e a concepção da história como um processo de amadurecimento; e, finalmente, sua relação muito próxima com o luteranismo e, em especial, com a religiosidade pietista.
The standing work analyzes the building of the concept historicism in the Germany - in the border of the XVIIIth century - from its relation with the Enligthenment and its constitution as a new Weltanschauung and a new historiographical practice, above all at the works of Herder, Humboldt and Ranke. This study has comprised three central characteristics of historicism: firstly, the tension between the universal and the singular; secondly, the conflict between the idea of progress and the conception of history as a process of maturity; and, finally , its close relation with the lutheranism and, specially, with the pietist religiousity
Tuikkala, I. (Ilpo). « Siirtomaasta ainoaksi supervallaksi:Yhdysvaltain kuva suomalaisissa lukion historian oppikirjoissa 1982–2006 ». Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201305201296.
Texte intégralHurlburt, Karin Yvonne. « An interview with Mac McGrew, American typeface historian and typographer / ». Online version of thesis, 1996. http://hdl.handle.net/1850/11900.
Texte intégralJames, Carol. « Edmund Jones 'the old prophet' (1702-1793) : minister, historian, spiritist ». n.p, 2001. http://ethos.bl.uk/.
Texte intégralTsang, Kam-Kwan. « Xin Qiji (1140-1207) : the guerrilla-poet ». Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26934.
Texte intégralHorne, Andrew. « Gerard Manley Hopkins, the poet at Penuel ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0032/MQ38381.pdf.
Texte intégralDobson, Caroline L. H. « Paul Celan's practice as poet and translator ». Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253774.
Texte intégralWilliams, David. « Beowulf the poet : a deconstruction of narratives ». Thesis, Bangor University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367308.
Texte intégralCoombe, Clare. « Claudian the poet : poetology, myth, and storytelling ». Thesis, University of Reading, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558749.
Texte intégralMiyauchi, Kazuko, et 宮內和子. « Reality inhabited by a poet, Nishiwaki Junzaburo ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B30097447.
Texte intégral