Littérature scientifique sur le sujet « Poe, Edgar Allan (1809-1849). Ligeia – Critique et interprétation »
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Thèses sur le sujet "Poe, Edgar Allan (1809-1849). Ligeia – Critique et interprétation"
Bordellay, Jill Manon. « Mort et création chez G. De Nerval et E. A. Poe ». Paris 10, 1991. http://www.theses.fr/1991PA100024.
Texte intégralBourgain, Jean-Marie. « Le décor dans les contes d'Edgar Poe ». Rouen, 1992. http://www.theses.fr/1992ROUEL151.
Texte intégralMain features of the Gothic in the literature of the late eighteenth century and the early nineteenth. Definition of the genre considering Poe's short-stories in the literary context at the time. Influence of early "gothic" novels in the development of fantastic fiction. Study of gothic elements in the setting of his tales contributing to the creation of the supernatural. How he manages to give rise to the fantastic through the imaginary and how he succeeds in destabiliing the reader through an outstanding power of imagination. The world in which he makes his characters evolve clearly reflects his wish for self-destruction and this can be found throughout his work. Developing the writer's approach in his way of appealing to the reader's feeling by resorting to descriptive and suggestive language
Crebs, Francie. « Tracés de l'arabesque avec Edgar Allan Poe. Histoires à contretemps ». Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL122.
Texte intégralAlthough Poe scholarship has paid significant attention to his use of the term “arabesque,” there is no consensus on exactly what he means by it, and it remains enigmatic in his writings, especially in the preface to the Tales of the Grotesque and Arabesque, where it is linked to a “species of writing.” This dissertation aims to read the arabesque in Poe through the lens of expression from the preface. To do so, the first part of my dissertation provides an overview of the decorative traditions of the arabesque (European, “Oriental” and American), as well as of the attempt in Friedrich Schlegel to transpose these traditions onto narrative, an attempt which gives us clues as to what Poe suggests at with his “species of writing.” In particular, the link Schlegel establishes between arabesque and parabasis (a notion appropriated from Athenian comedy, which designates moments when the coryphaeus transgresses the space of the stage and speaks directly to the audience) is identified as particularly useful. Parts II, III and IV are devoted to Poe’s writing practice, zeroing in ever more closely on what might be the “species of writing” that is “arabesque,” and what it might imply for the history of writing. Part two examines practices of framing in Poe, and the transgression of theses frames. Part III examines the effects these transgressions have on temporality in Poe. Part IV, finally, studies how parabasis occurs at the heart of writing itself in certain Poe texts, thus revealing a species of writing that is arabesque through and through. These studies reveal ever more clearly a temporality that is proper to writing, a temporality that also calls for an other history, a history proper to writing
Lamarre, Sébastien. « L'effacement langagier : l'influence de la langue anglaise et d'Edgar Poe sur l'œuvre de Stéphane Mallarmé ». Master's thesis, Université Laval, 2010. http://hdl.handle.net/20.500.11794/21494.
Texte intégralKharazi, Chirine. « La rencontre de Sadeq Hedayat avec l'Occident et l'influence de celui-ci sur son œuvre ». Reims, 1997. http://www.theses.fr/1997REIML003.
Texte intégralHedayat, passionned by the techniques of the western works, realize his aim to liberate the persan literature from the yoke of the conventionalism, after meeting the great masters of the western literature. The thought and the works of hedayat have been influenced by western current in a large period of his life. In our study these moments of the meeting are traced. We privileged the meeting with poe and discoverd the univers of the fear and the horror of the death, accomplished in the crime and the loss of the identity. Hedayat is an innovator in adopting the new techniques of writing. Baudelaire, Poe, Rilke, Joyce, Kafka, Faulkner are authors, Hedayat admired the style. The work of Hedayat let him to express the qualms of the modern man. If Hedayat is an innovator in persan literature, he is also in western literature. Some qualifications of his work show us affinities with nouveaux romans specially, with Robbe-Grillet works, and the theater of the absurd specially with beckett's works. Hedayat in his meeting with the west discovers another enchantement. It comes from the screens. The shundders left from the nosferatu and the cabinet of dr caligari remind us the fantastic univers of the blind owl of Hedayat
Pecastaing, Sandy. « Poe et Baudelaire : pour une hantologie du texte ». Phd thesis, Université Michel de Montaigne - Bordeaux III, 2013. http://tel.archives-ouvertes.fr/tel-00997440.
Texte intégralPicot, Jean-Pierre. « Contribution à une étude de l'imaginaire chez quelques écrivains des XIXe et XXe siècles ». Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20012.
Texte intégralThis thesis is a corpus centred round jules verne's voyages extraordinaires and its coherence is meant to be psychothematic : travelling is seen as an exploration of death, and writing as an imaginary journey. Thus, travelling is not merely a dream of exhausting what a map of the world may offer, but also a dream of utopias : the utopias of the extraneous, of love, of the future, of a harmony between nature and society - such utopias are forced into the para- doxical exorcism which the various counter-utopias have formed: a moral evil explored by detective of fantastic narratives, a political evil seen as a repre- hension of desires and as the oppression inflicted by history- meanwhile science-fiction tries to see through a hazardous future. Hence our preference for the various aspects of the literature of limits, which, aware that the world is only our weltanschaaumg, is quite heedless of the rules of a reducing pseudo-realism. Therefore, the wonderful, the fantastic, science-fiction, utopias and counter-utopias, poetry and the exploration of death are as many ways of expressing not the preposterousness but the infinite significance of the world. Let transcendency begin with writing, such was, perhaps, our clew, from the first to the last of these texts
Livres sur le sujet "Poe, Edgar Allan (1809-1849). Ligeia – Critique et interprétation"
Shawn, Rosenheim, et Rachman Stephen, dir. The American face of Edgar Allan Poe. Baltimore : Johns Hopkins University Press, 1995.
Trouver le texte intégralWardrop, Daneen. Word, birth, and culture : The poetry of Poe, Whitman, and Dickinson. Westport, Conn : Greenwood Press, 2002.
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