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Troiani, Igea, et Mark Durden. « Places ». Sophia Journal 8, no 1 (31 décembre 2023) : 11–13. http://dx.doi.org/10.24840/2183-8976_2023-0008_0001_3.
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In this panel, focusing on place in terms of Landscapes of Care, Richard Wiliams, Sotiria Alexiadou with Vassilis Colonas, and Joao Gadelho Novais Tavares examine urban architectures through a shared aperture of film, thereby showing an engagement with the historical, spatial and ‘social production of space’.1 The temporal dimension of film opens up for analysis of the places of their individual studies in historical, real-time and fictitious dimensions, showing how visual images contribute to understandings of the care of places and peoples. Lars Rolfsted Mortensen’s photographs of dams in the Swiss Alps raise broader questions about place and our need for care of the landscape. The photographs present us with the ambivalence of sublime infrastructures that are both destructive and removable interventions in Alpine ecosystems but vital for green energy.
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Stoffle, Richard, Richard Arnold et Kathleen Van Vlack. « Landscape Is Alive : Nuwuvi Pilgrimage and Power Places in Nevada ». Land 11, no 8 (31 juillet 2022) : 1208. http://dx.doi.org/10.3390/land11081208.
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Cultural landscapes are defined at Creation, according to the beliefs of the Nuwuvi (Paiute) and Newe (Shoshone peoples). After Creation, the Native people came to understand the purpose of living landscapes and special places within them. During this time, some places that were designated as essential parts of landscapes at Creation had been inscribed by Native people with peckings and paintings and honored with offerings. Special spiritual places within the landscape were networked like the pearls on a string to produce the foundation of pilgrimage trails. This is an analysis of one such valley landscape in southern Nevada, USA and a pilgrimage trail extending between the Pahranagat Valley and the Corn Creek oasis at the foot of the Paiute Origin place called Nuvagantu (Spring Mountains). Tribal representatives from 18 consulting tribes participated in a special environmental impact assessment to explain this landscape, its components, and potential impacts that could derive from it being removed from a wildlife refuge to become a part of a military land and air use area.
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MCPHERSON, ROBERT S. « Navajo Places : History, Legend, Landscape ». Utah Historical Quarterly 68, no 4 (1 octobre 2000) : 362–64. http://dx.doi.org/10.2307/45062566.
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Mitchell, W. J. T. « Reframing Landscape ». ARTMargins 10, no 1 (février 2021) : 14–19. http://dx.doi.org/10.1162/artm_a_00281.
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Abstract “Reframing Landscape” explores three distinct landscapes that have been decisively impacted by conquest and colonization, reframed by three artistic interventions: painting, photography, and sculpture. August Earle shows us the de-forested landscape of 19th century New Zealand, still guarded by a Maori totem; Miki Kratsman photographs a wall mural in occupied Palestine that erases the presence of indigeneous people; and Antony Gormley anticipates the clearing of Manhattan by a pandemic in whirlwind of metal. Real spaces and places are converted into landscapes of attention into what has been lost and what is to come.
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Wei, Zhen, et Wei Zhang. « Evaluation of landscape relevance in Shanghai's historical landscape places ». International Journal of Wireless and Mobile Computing 11, no 2 (2016) : 124. http://dx.doi.org/10.1504/ijwmc.2016.080174.
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Zhang, Wei, et Zhen Wei. « Evaluation of landscape relevance in Shanghai's historical landscape places ». International Journal of Wireless and Mobile Computing 11, no 2 (2016) : 124. http://dx.doi.org/10.1504/ijwmc.2016.10001086.
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Hami, Ahmad, et Babak Abdi. « Students' landscaping preferences for open spaces for their campus environment ». Indoor and Built Environment 30, no 1 (19 novembre 2019) : 87–98. http://dx.doi.org/10.1177/1420326x19887207.
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This study seeks to find appropriate landscape patterns of campus based on students’ preferences. A photo questionnaire containing scenes of different types of campus landscapes was distributed among 200 students in University of Tabriz, Iran. The results emphasized the importance of vegetation, seating areas and water features of campuses. Also, students prefer open spaces consisting of lawn and grass (M = 3.31, S.D. = 1.00). Students also prefer a campus, which has a natural base, landscape elements and seating places, while the least preferred (M = 2.96, S.D. = 0.89) scenes comprise a large amount of hardscape. Students had a different preference for landscaping of open study area and leisure time place where the studying area should be designed with vertical natural elements. Shading trees and benches were also highlighted as very important furniture for these places. In terms of spatial organization, the content analysis revealed that these areas should be open and spacious. Places for leisure time need to be decorated with informal landscape design for creating a pleasant view. Designing a landscape with various forms will make these places more pleasant. Scenes of curved paths and colourful plants for these places showed a positive association with student socialization activities.
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Liu, Hong Fang, Qing Zhong Ming et Fen Lu. « Construction Research by Introducing Sense of Place into Cultural Landscape Design in Ethnic Areas : A Tentative Approach to Intensify Place Identity ». Advanced Materials Research 1046 (octobre 2014) : 139–43. http://dx.doi.org/10.4028/www.scientific.net/amr.1046.139.
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Cultural landscape reflects the historical and traditional heritage of a place and has a symbolic significance and function. Place identity is a kind of psychological experience gradually achieved through perception, acceptation and satisfaction with a place and by living for some time in certain environment. The widespread and rapid acceleration of modernization and globalization lead to many places achieving "non-places" characteristics and homogenous landscapes, even in ethnic areas. This construction research attempts to grasp the inner relationship between cultural landscape and place identity in ethnic areas, and introduce the theory of sense of place and some methods that may shape rational cultural landscapes, seek some specific constructing measures to make the cultural landscapes more harmonious with environment, hence to enhance and strengthen place identify of ethnic groups and cultivate the delicate physical culture landscape against the background of emerging globalization.
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Spencer, Diana. « VI Spaces and Places ». New Surveys in the Classics 39 (2009) : 135–71. http://dx.doi.org/10.1017/s0017383510000434.
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Pictures and spaces, like literary texts, tell a story. This chapter, together with the Survey's envoi, tackles a range of these stories. At our first two sites we focus on painted landscapes in suburban villas (the Villa ‘Farnesina’, and the Villa of Livia at Prima Porta, near Rome). The next two, the famous but now mostly lost Horti Sallustiani and Porticus of Pompey, open a window onto the political and civic role of peri-urban Roman landscape gardens. Rounding off the survey, a stroll around the parkland of the emperor Hadrian's villa near Tibur (modern Tivoli) uses the contemporary site to reflect on villa visits then and now.
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Stoffle, Richard, Octavius Seowtewa, Cameron Kays et Kathleen Van Vlack. « Sustainable Heritage Tourism : Native American Preservation Recommendations at Arches, Canyonlands, and Hovenweep National Parks ». Sustainability 12, no 23 (25 novembre 2020) : 9846. http://dx.doi.org/10.3390/su12239846.
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The sustainable use of Native American heritage places is viewed in this analysis as serving to preserve their traditional purposes and sustaining the cultural landscapes that give them heritage meaning. The research concerns the potential impacts of heritage tourism to selected Native American places at Arches National Park, Canyonlands National Park, and Hovenweep National Monument. The impacts of tourists on a heritage place must be understood as having both potential effects on the place itself and on an integrated cultural landscape. Impacts to one place potentially change other places. Their functions in a Native American landscape, and the integrity of the landscape itself. The analysis is based on 696 interviews with representatives from nine tribes and pueblos, who, in addition to defining the cultural meaning of places, officially made 349 heritage management recommendations. The U.S. National Park Service interprets Natives American resources and then brings millions of tourists to these through museums, brochures, outdoor displays, and ranger-guided tours. Native American ethnographic study participants argued that tourist education and regulation can increase the sustainability of Native American places in a park and can help protect related places beyond the park.
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Riechers, Maraja, Werner Henkel, Moritz Engbers et Joern Fischer. « Stories of Favourite Places in Public Spaces : Emotional Responses to Landscape Change ». Sustainability 11, no 14 (15 juillet 2019) : 3851. http://dx.doi.org/10.3390/su11143851.
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Understanding emotions is necessary to analyse underlying motivations, values and drivers for behaviours. In landscapes that are rapidly changing, for example, due to land conversion for intensive agriculture, a sense of powerlessness of the inhabitants can be common, which may negatively influence their emotional bond to the landscape they are living in. To uncover varied emotional responses towards landscape change we used an innovative approach that combined transdisciplinary and artistic research in an intensively farmed landscape in Germany. In this project, we focused on the topic of favourite places in public spaces, and how change in such places was experienced. Drawing on workshops and interviews, we identified themes of externally driven societal and internal personal influences on the public favourite places. “Resilient” emotional responses towards landscape change showed a will to integrate the modifications, while “non-resilient” responses were characterised by frustration and despair. We argue that identifying emotions towards change can be valuable to strengthen adaptive capacity and to foster sustainability.
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Crawford, Sharon, et William H. Tishler. « American Landscape Architecture : Designers and Places ». APT Bulletin 21, no 2 (1989) : 78. http://dx.doi.org/10.2307/1504258.
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Guideri, Silvia, et Tessa Matteini. « Cultivating Archaeological Landscape ». Joelho Revista de Cultura Arquitectonica, no 11-12 (9 septembre 2021) : 101–20. http://dx.doi.org/10.14195/1647-8681_11_12_6.
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The paper proposes an interdisciplinary exploration in order to define a set of strategies and tools oriented at planning/design/management of archaeological landscapes, especially featured by productive layers. The article adopts as a key dimension the “cultivating” approach, which can become a fertile ground for experimentation for developing sustainable and innovative planning methodologies to be applied in layered landscapes. In an extended semantic dimension, the term cultivation can be interpreted as a continuous attitude of taking care of (archaeological) places over time, to preserve and regenerate resources for the future in a holistic vision, also considering economic sustainability and liveability for inhabitants and local fauna. The cultivating approach can preserve heritage places by an active and inventive conservation, also fostering biodiversity and temporal diversity. As a case study, the article proposes the Landscape Masterplan for the Baratti and Populonia Archaeological Park.
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Auböck, Maria, et János Kárász. « Open Spaces – Dinamic Places : S M L XL ». Journal of Landscape Architecture and Garden Art, no 70 (29 décembre 2023) : 2–13. http://dx.doi.org/10.36249/4d.70.4894.
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The article offers insights in the design practice of Maria Auböck and János Kárász, landscape architects in Vienna, Austria. The purpose of this text is to mark the occasion of us being awarded honorary professorships at MATE University. The selected methods describe the mission of Landscape Urbanism by presenting a variety of projects, each of them has a history and story of its own. The chosen design methods described include selected inspirations, for instance sketching on site, the choice of plant material and constructive challenges. The main methods applied offer varied aspects of team building, following questions for work cooperation. How can clients be motivated to consider time as a building material that extends beyond their decision-making horizon? How can affordable and attractive landscapes be created based on the insight that within these we are able to provide even added value in economic sense? How can sophisticated empty spaces be introduced in urban sites, and get public acceptance without overstaging them? To summarize the presented project palette the title “Open Spaces – Dynamic Places: S M L XL” was chosen as the article includes selected works in different scales. The projects include aspects of inner city renovation by example of a baroque monastery’s courtyard and art in public spaces (a memorial of a destroyed synagogue), explaining landscape designs for subsidized housing quarters and the urban greening of Baku- in four steps. The main aspects of the conclusion deals with landscape urbanism, a new field of planning in the challenging time of Climate Change.
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Bakytova, L. « The «space» landscape of Ulytau ». Bulletin of the L.N. Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religion Series 145, no 4 (2023) : 205–25. http://dx.doi.org/10.32523/2616-7255-2023-145-4-205-225.
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pe research is a highly relevant topic for interdisciplinary sciences such as astrosociology, space anthropology as well as science and technology studies (STS). In recent years, space research in Kazakhstan has increased beyond the study of the Baikonur Cosmodrome alone and its influence on the formation of space landscapes in neighbouring regions. One example of this research expansion is the Ulytau region, where space infrastructure sites and «space» memory places can be found, the union of which can be considered as a separate case study of the Ulytau space landscape. The purpose of this article is to provide a primary overview of the space landscape of the Ulytau region, based on the materials of field studies of the cities of Zhezkazgan, Satpayev, Zhezdy, the villages of Karsakbai, Baikonur, Shalginsky, Ulytau in the period from 2020-2023. The main part of the study will be presented in the form of a register – a list of places of memory related to the theme of space. This register will include places of memory associated with the first Baikonur cosmodrome, monuments of historical and cultural heritage located near the space infrastructure and places associated with meetings of cosmonauts. The register will be complemented by descriptive analyses based on archival and museum materials, as well as oral histories collected during expeditions. Using a methodology based on Pierre Nore’s concept, the study will examine the visibility and invisibility of places of memory, and analyse how the theme of
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Žukauskienė, Odeta. « A Philosophical Topography of Place and Non-Place : Lithuanian Context ». Coactivity : Philosophy, Communication 24, no 2 (29 septembre 2016) : 108–18. http://dx.doi.org/10.3846/cpc.2016.244.
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Drawing on French anthropologist Marc Augé and his seminal book Non-Places (1995) the author pays attention to the transformation of contemporary urban landscapes. In thinking trough the dialectic of place and non-place, this paper aims to account for the apparent sense of placelesness in our cultural landscapes and in increasingly globalised world. If we want to ask fundamental questions about what has happened to our urban landscape and to the spirit of cities during the last decades then the concepts of place and non-place help us to describe the actual changes. Besides, Augé’s work gives us the methodological tools to address philosophical questions about the nature of supermodernity and the relationship between modernity and postmodernity moving toward new conditions of globality. This article will attempt to apply anthropological and philosophical concepts of place and space to the context of Lithuania, comparing the ways of spreading of non-places (non-lieu) in the Soviet modernity and contemporary global, hyper-visual and liquid cultural landscape.
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Shcherbakov, Oleg V., et Zoya G. Proshina. « CULTURE OF TRANSLATION IN RUSSIAN LINGUISTIC LANDSCAPES ». HUMANITIES AND SOCIAL STUDIES IN THE FAR EAST 20, no 1 (2023) : 217–24. http://dx.doi.org/10.31079/1992-2868-2023-20-1-217-224.
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Translation in linguistic landscapes greatly contributes not only to place branding, but also to the urban attractiveness for investment and student mobility. In recent years, the Russian urban space has seen an increase in the number of bilingual linguistic landscape elements–navigation signs, advertisement, informational audio messages. The paper analyses elements of Moscow’s linguistic landscape with the special focus on newly opened popular places to determine the level of translation culture. The results are compared to those of previous studies from other cities of Russia to conclude on the dynamics in the attitude towards translation in linguistic landscapes. According to the results, the higher culture of translation is observed at privately owned places, which are interested in their promotion. Transport hubs and street navigation, in turn, display consistently low dynamics. The study reveals a change in the attitude to translations–the number of bilingual elements in the linguistic landscape of Moscow is decreasing, which may be due to geopolitical changes.
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Hickman, Clare, et Sarah Bell. « Unlocking Landscapes Through Westonbirt’s Archive ». Plant Perspectives 1, no 1 (15 avril 2024) : 165–88. http://dx.doi.org/10.3197/whppp.63845494909711.
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There are growing calls across research, policy and practice to enable historic designed landscape experiences – from country estate gardens through to public parks and arboretums – that are accessible and engaging for all. In this paper, we highlight how meaningful access reaches beyond measures to enable physical presence in a landscape to the ways in which such landscapes, and human-plant relationships, are storied and interpreted, ensuring that people can also identify as part of the evolving stories of such places. Using twentieth century archival sources, particularly the diaries of foresters, held on site at Westonbirt, the National Arboretum in Gloucestershire, UK, we suggest ways in which sensory history approaches can be used to bring greater depth, context and diversity to historic designed landscape interpretation. Applying these approaches to archival research offers the potential to broaden the stories shared about such landscapes, enabling people to learn about and relate to the varied social and sensory histories of these significant places, plants and the people that shaped them.
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Hasim, Irfan Sabarilah, Indah Widiastuti et Iwan Sudradjat. « Symbolic interactionism in vernacular cultural landscape research ». ARTEKS : Jurnal Teknik Arsitektur 8, no 1 (1 avril 2023) : 135–44. http://dx.doi.org/10.30822/arteks.v8i1.2080.
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Customary and traditional villages, also called vernacular cultural landscapes, are local settlement units whose inhabitants adhere to ancestral beliefs. It is important to conduct research on vernacular cultural landscapes in Indonesia, given the usual and concerning degradation of cultural landscapes. Different places have different cultures and different customary rules and habits. Each has its uniqueness and distinctiveness, so there is no one standardized approach or method that can be adapted to study the vernacular cultural landscape. Different places may require different research approaches or methods; even the same place if studied under a different topic or time frame, may also require a different approach or method. There are research approaches commonly used by the researcher of the vernacular cultural landscape, including phenomenology, narrative study, case study, grounded theory, and ethnography. This article will review one approach that can be an alternative for the researcher of the vernacular cultural landscape, namely Symbolic Interactionism. Symbolic Interactionism is an approach that can be effectively applied to study human groups, community life, and social interactions. Symbolic interactionism is able to reveal the relationships that occur naturally among members of the society, particularly the relationship between intangible symbols, rules, norms, and daily activities, with tangible things such as the formation of space, buildings, circulation, and other physical configurations.
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Puolamäki, Laura. « Tracing Cultural Landscape Values of Children with Participatory Geographic Information System ». European Countryside 9, no 2 (27 juin 2017) : 375–96. http://dx.doi.org/10.1515/euco-2017-0023.
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Abstract The cultural landscape value categories found from the workshop evaluation describe the character of the cultural landscape of children: living, learning and moving in the network of places between home and the world outside based on the local and family culture creates both individually and collectively valuable places. When these places are situated in a listed building or landscape area, the cultural landscape values of expert evaluation and children ́s evaluation connect. But based on this case study these value objects are more often disconnected. Landscape evaluation produced with children by suitable methods reveal the network of places and ways to experience them. Experience is a key for opening cultural heritage to this group. By finding a way to afford the experience they desire in the places of listed heritage, children could connect better to cultural landscape.
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Bedyński, Wojciech. « Liminalność krajobrazu kulturowego ». Politeja 16, no 1(58) (31 octobre 2019) : 31–45. http://dx.doi.org/10.12797/politeja.16.2019.58.03.
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Liminality of the Cultural Landscape
According to Tim Ingold, cultural landscape is not „land” nor „space”, but is a dweller’s narration on the reality that surrounds him or her. This narration is in permanent process, it grows with the society that lives in a certain place, parts of it die with the people that pass away. Although it is subject to individual reception, some narrations are shared by many. Therefore it is both personal and social phenomenon. This narrative landscape is full of borders and spheres that are built on symbolic values of places and objects. In traditional societies it has been well visible – one could easily distinct the narration of the forest from the narration of the village. In the modern world the landscape has gone through a major transformation, nonetheless it kept crucial mechanisms of its construction. Contemporary multi‑sited landscapes or virtual landscapes also contain borders and spheres, are individual and shared by many. This article presents recent changes in the approach to the liminality of the cultural landscape, differences that were experienced when passing from traditional to modern society. This change is particularly visible when comparing generations: new global generation (generation Y, generation Z) has a different experience of the landscape than generation of their parents and grandparents – who had grown in a still local and territorially defined places. But new landscapes do have borders and spheres, however their shape may be slightly different.
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Parsons, Cóilín. « The Turd in the Rath : Antiquarians, the Ordnance Survey, and Beckett's Irish Landscapes ». Journal of Beckett Studies 22, no 1 (avril 2013) : 83–107. http://dx.doi.org/10.3366/jobs.2013.0059.
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This paper engages with one of the potential sources to which the experience of being lost, or misrecognising the landscape, that is so common in Beckett's work might be traced. Linking Beckett's often ignored early collection of short stories, More Pricks Than Kicks, to the abstract landscapes of the post-war fiction, allows us to trace an interest in unsettled places to a much earlier point in Beckett's work than is usually allowed. The interest in antiquities so prevalent in the early fiction emerges from a larger national conversation in Ireland about the preservation of the Gaelic past in the face of capital's push for abstract space. This work of preservation was begun by the Ordnance Survey in the 1830s, and the Survey's abstract representations of a landscape fractured by colonialism bears many resemblances to Beckett's early landscapes, which this paper traces. The tendency towards placelessness was already a key component of Beckett's most placed early work – he recognised that the landscape of Ireland was radically alienated from itself.
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Hedquist, Saul L., Stewart B. Koyiyumptewa, Wesley Bernardini, T. J. Ferguson, Peter M. Whiteley et Leigh J. Kuwanwisiwma. « Mapping the Hopi Landscape for Cultural Preservation ». International Journal of Applied Geospatial Research 6, no 1 (janvier 2015) : 39–58. http://dx.doi.org/10.4018/ijagr.2015010103.
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For the Hopi people, named places on the landscape localize, commemorate, and transmit traditional knowledge within a spatial context used to reference and explain Hopi history and culture—geographic information the Hopi Tribe seeks to preserve. This paper discusses the Hopi Cultural Preservation Office's use of geospatial technologies during recent collaborative efforts to document important places and associated cultural information. It considers how GIS and other geospatial technologies have been used to produce maps and digital imagery in a manner guided by traditional landscape perspectives and native epistemologies. Mapping Hopi lands provides many benefits, foremost being the preservation of place-related knowledge for future generations of Hopis. Geospatial technologies also facilitate Hopi efforts of heritage management by providing a medium that effectively demonstrates use of traditional landscapes to non-Hopi audiences.
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Lévesque, Luc. « Towards an interstitial approach to urban landscape ». TERRITORIO, no 48 (mai 2009) : 77–82. http://dx.doi.org/10.3280/tr2009-048013.
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- The history of western landscape can be conceived as the conquering of ‘non-places', by which is meant above all unknown lands with a reputation of being ‘horrendous' or uninhabitable, that are gradually brought under control, assigned a cultural value and subsequently transformed into ‘places' and landscapes. These are generic spaces without any clear history or identity. Airports, intersections and shopping centres, as well as the residual spaces associated with these, are just some examples of environments that Augé refers to as ‘non-places'. In order to breach this impasse, it becomes necessary to relinquish a privileged relationship that links one's living environment with an image of protection, the latter being associated in turn with archetypical places. By the same token, one must resist the temptation to classify an area as a ‘place' or ‘non-place' without prior examination or analysis. Various methods capable of altering our perception of urban areas can be used to set this process in motion.
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Pedroli, Bas. « Towards new commons and sharing interests in the landscape, integrating natural and cultural heritage ». Ex Novo : Journal of Archaeology 4 (31 décembre 2019) : 13–22. http://dx.doi.org/10.32028/exnovo.v4i0.367.
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Heritage values represent a common good, contributing to societal identity. Landscape is a topical issue because it represents character and identity in both a spatial and a temporal dimension, uniting natural and cultural aspects of heritage at the same time. Especially in Europe, practically all natural heritage can be considered cultural heritage as well, since it is through human action that Europe’s biodiversity has evolved. Heritage perspectives on landscape and nature underline time depth, human agency and social value within landscape. Its cultural starting point does not marginalise nature, but places nature within cultural filters, thus highlighting the reciprocity of nature and culture in the creation of sustainable places. Today’s changing society is transitioning towards new forms of governance dominated by collaboration and continuously shifting networks or actors. Reported examples of cultural landscapes explore heritage management approaches that benefit from combining natural and cultural heritage perceptions. In this context, commonly accessible heritage can bring people together in joint efforts to use the inherited landscape as a shared and cherished resource rather than a conserved and regulated landscape.
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Stalmaszczyk, Piotr. « The Permanence of Place : Places and Their Names in Irish Literature ». Studia Celto-Slavica 2 (2009) : 93–109. http://dx.doi.org/10.54586/bcbf2160.
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This paper discusses the relation between places and their names as reflected in Irish literature. According to Robbie Hannan (1991: 19) attachment to place is among the strongest human emotions, explicitly revealed in literature. Celtic literature is ‘saturated’ with images of landscape and preoccupied with places and their names, landscape is constantly present in ancient sagas and bardic poetry, modern drama, short stories, novels and essays. The sense of place is explicitly manifest in medieval heroic tales (such as The Táin), and twentieth century novels (e.g. James Joyce’s Ulysses) and poetry, or contemporary drama (e.g. Brian Friel’s Translations). Patrick Sheeran (1988: 194) has observed that the idea of the Irish sense of place is: (a) a product of the native tradition; (b) it is a verbal or nominal preoccupation and has little to do with any actual cultivation of things; (c) it relates to death rather than to life. The principal aim of this paper is to further add to the above characteristics.
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Comber, Michelle. « Central Places in a Rural Archaeological Landscape ». Journal of the North Atlantic 21, no 36 (octobre 2018) : 1–12. http://dx.doi.org/10.3721/037.006.3601.
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Arthur, Chris. « Sacred places : spirit and landscape Paine, Crispin ». Material Religion 1, no 3 (novembre 2005) : 424–25. http://dx.doi.org/10.2752/174322005778054096.
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Oosten, Jarich. « Landscape and Cosmology ». Archaeological Dialogues 4, no 2 (décembre 1997) : 152–54. http://dx.doi.org/10.1017/s138020380000101x.
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The notion of the landscape has become a central issue in anthropological debates (Hirsch 1995). By comparing different conceptualizations of the relationship between people and land we can get a better understanding of our own categories of nature and landscape. But the notions of nature and landscape are not a universal categories. Each society has its own categories to conceptualize the land. Notions of landscape are always embedded in cosmological notions. Burial places, river-crossings, or mountains are not neutral places. They have meanings and values. A landscape derives its meanings and values from a wider whole encompassing the earth, the sky, the underworld, and the sea. It is populated by people, animals, imaginary beings such as dwarfs, spirits, spirits of the dead. It is also embedded in temporal categories. It has a history. Each place derives meaning from its history. Therefore a landscape is never objectively given, it is a social construction.
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Huang, Dongsheng, Ning Zhang et Yaou Zhang. « Traditional Village Landscape Identification and Remodeling Strategy : Taking the Radish Village as an Example ». Mobile Information Systems 2022 (21 juillet 2022) : 1–7. http://dx.doi.org/10.1155/2022/2350310.
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As an important relic of traditional Chinese culture, traditional villages have important cultural values. With the continuous deepening of modern urbanization and the development of rural tourism, the village landscape is also facing profound challenges. In the context of rural revitalization and tourism development, it is necessary to strengthen the landscape identity of traditional villages. Based on the background of rural revitalization, this article reviews and discusses the related concepts and research status of traditional village landscapes, the identity of village landscapes and existing problems in landscapes, and remodeling strategies by sorting out relevant research literature at home and abroad in recent years. People’s awareness of local landscape identity reshapes the landscape uniqueness of traditional villages so that the local culture and foreign culture can reach a state of balance and integration. The village landscape identity and the impact of digital technology and self-media platforms on landscape remodeling are reviewed and discussed. The study found that the landscape identity of traditional villages is reflected in the activity places with local regional cultural characteristics and relies on the spiritual emotions of the villagers. For the existing problems in the landscape, a landscape remodeling strategy is proposed to restore people’s awareness of local landscape identity and reshape the landscape uniqueness of traditional villages.
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Guler, Arzu, et Ebru Erbas Gurler. « Recoding Landscape Education : Research-Based Studio Approach ». Journal of Design Studio 4, spi1 (9 avril 2022) : 5–18. http://dx.doi.org/10.46474/jds.1074514.
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The landscapes and the memory of the landscapes are evolving with natural and human-centered activities. In some places, landscapes continue to reveal their memory ecologically, socially, and culturally. On the other hand, in some places, landscapes lose their ecologic and socio-cultural archive as a result of globalization. This issue causes to emerge fragile landscapes according to lack of water resources, global warming, a decrease in biodiversity. Preserving the memory of landscapes and using it in the practice of landscape is a deeply crucial issue. The paper tries to answer two questions: How can landscape memory be used in design education? How can a research-based design studio pedagogy be conducted on this approach? This paper focuses on the research-based design approach in landscape architecture education to decode and recode the memory of the landscapes in the design process. ITU Landscape Architecture Department 2019-2020 Fall Semester Landscape Design Studio I-II, which is the case study of the research, worked in Savur, Mardin. The study area provides unexpected landscape carpet including browns and greens together in the valleys of the region that have a rich social and ecological structure. The methodological process of the studio was based on the three approaches which are integrated into each other: The Landscape Memory Model, Action-based Design Studio, and Research-based Design Studio. The model provides a guide for reading the memory of the landscape with various memory codes hidden under the visible and invisible values of it. This core process is used by the students for understanding the cultural and ecological values of the study area and implementing them into the design process. The action-based studio approach allows the tutors to find the problematic points in the design process of each student and resolve them in a positive way. Covering these two approaches, the research-based design studio expresses the discovery of the knowledge through a strong research process. The results are as followed: Implementing a research-based process ensured a place-based and innovative perspective to shape a design concept. Using the pre-specified landscape memory model empowered the research phase and helped students to analyze and discern the place with their own perceptions. Action-based flow allowed the instructors to leave the conventional studio performing and helped to use in-situ (special to the studio) instructing techniques within the semester. This paper may be influential for especially landscape design studios and relocate conventional studio approaches with more flexible and progressive techniques to understand the place and beyond.
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Markova, Madara. « Aspects of rural landscape planning related to abandoned places and objects ». Landscape architecture and art 19, no 19 (30 décembre 2021) : 131–39. http://dx.doi.org/10.22616/j.landarchart.2021.19.13.
Texte intégralRésumé :
The study gives insight into the definition of abandoned places and objects in rural landscape planning. The goal of the study is to identify the essential aspects of rural landscape planning, that are related to abandoned places and objects, to use these findings from the literature review in further research already defining abandoned places and objects and giving guidelines for these kinds of places and object inclusion in planning documents. Rural landscape planning is considered to be the beginning of the development of planning, but planning issues have moved these days in the direction of metropolitan areas. There are still relevant initial planning goals in rural landscape planning - the creation of a quality living environment and job creation. Nowadays the importance of the landscape planning approach at the local level is emphasized. Rural landscape development and change processes are closely linked to the Common Agricultural Policy. Abandoned place/object in the context of planning can be considered as one that is not used for one year or more according to the defined function, or a place/object as abandoned, defined in human perception.
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Bedyński, Wojciech. « Cultural landscape as element of spatial negotiations in a small town : The example of Giżycko, Poland ». Journal of Urban Cultural Studies 8, no 1 (1 mars 2021) : 3–16. http://dx.doi.org/10.1386/jucs_00031_1.
Texte intégralRésumé :
We are used to situations where landscapes are decomposing, changing and disappearing – it is a common side-effect of globalization, migrations, weakening of cross-generational transmission, climate change, rapid and chaotic urbanization processes, etc. However, what happens when the physical part of a landscape remains but the people are gone? After the Second World War, there were several places in Europe where the change of population was in total due to mass exterminations and forced migrations of all nations or groups. One of these was Mazury, where the former German population was moved in 1945 and replaced by Polish immigrants from many different areas. The new community had to reintegrate the landscape and put new narrations to places and objects they found on site. Some of the pre-war characters of the region remained despite an almost complete population shift, which may lead to a conclusion that landscapes have an element of their own biography.
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Car, Chrili, Erwin Frohmann et Dagmar Grimm-Pretner. « Solar Landscapes : A Methodology for the Adaptive Integration of Renewable Energy Production into Cultural Landscapes ». Sustainability 16, no 5 (6 mars 2024) : 2216. http://dx.doi.org/10.3390/su16052216.
Texte intégralRésumé :
The increasing use of solar energy is an integral step toward carbon neutrality. At the same time, outdoor solar farms are significantly altering existing cultural landscapes. This work examines the possibilities of integrating the use of solar energy into these landscapes in such a way that the unique, regional character of places is preserved and enhanced. The research project that was carried out developed a conceptual design approach that takes as its starting point landscape architectural and aesthetic analyses of existing sites in Styria, Austria, the spatial characteristics of the cultural landscapes in which they are embedded, and their suitability for generating solar energy. The comparison of a site’s characteristics with the technical possibilities evaluated from a literature review enables a responsive design practice using solar modules. The result is a method of landscape architectural design that integrates solar energy on the basis of an adaptive site-specific approach as well as a catalogue of sample cases that illustrate how designing with solar modules can honor and add value to existing places while enhancing their ecological, economic, and social functions.
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Ruban, Luidmila. « LANDSCAPE DIVERSITY OF THE NATIONAL DENDROLOGICAL PARK "SOFIYIVKA" OF THE NATIONAL ACADEMY OF SCIENCES OF UKRAINE ». Current problems of architecture and urban planning, no 63 (14 avril 2022) : 87–99. http://dx.doi.org/10.32347/2077-3455.2022.63.87-99.
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The article reveals the landscape diversity of the historical garden and park landscape – the National Dendrological Park "Sofiyivka" of the National Academy of Sciences of Ukraine in the city of Uman, Cherkasy region, founded in 1796-1800. In the classification of landscape gardening landscapes, developed by the Ukrainian landscape architect, doctor of biological sciences Rubtsov L.I., 6 types of landscapes are distinguished. The landscape of the NDP "Sofiyivka", as an object of landscape gardening art, belongs to the group of anthropogenic landscapes and is classified as a cultural, recreational, slightly modified landscape (historical core of the park) and modified landscape (Grekova and Lesnaya beams). On the territory of the arboretum, all types of landscape gardening landscapes are presented: forest, park, meadow, garden, regular, alpine landscapes. Most of the historical core of the park is occupied by the park landscape; the forest landscape has been preserved closer to the boundaries of the arboretum. The meadow landscape exists both at the bottom of the beams and in elevated places, such as on the Fungus lawn. The garden type of landscape is presented in the English Park, created in 1890 91 by Pashkevich V.V. and in a series of new monocultural gardens (of lilacs, magnolias, maples, chrysanthemums, dahlias, daylilies, hosts, etc.). The Kamyanka River is an alpine (or mountainous) type of garden and park landscape due to natural granite outcrops and shifted boulders. Examples of the regular landscape are the amphitheater, alleys, greenery protection strips, as well as the regularly planned area of the new entrance to the arboretum from the street Kyivskaya with a fountain and a rosary. These garden and park landscapes of the arboretum "Sofiyivka" are the most valuable natural ecosystem formations within the arboretum, which must be preserved and maintained accordance with the strategic principles of ecological unity and reproduction of natural resources.
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F. Nunes, Israel, et Lucia Maria S. A. Costa. « Paisagem Experimental : ». Revista Prumo 4, no 7 (15 novembre 2019) : 152–65. http://dx.doi.org/10.24168/revistaprumo.v4i7.1127.
Texte intégralRésumé :
The links among public space, landscape, and contemporary art are the central theme of this paper. In shaping a landscape design essay for a public park on a silted waterfront in the city of Ilhéus - BA, Brazil, dynamic alter-natives are introduced for the renovation of the public space, based upon the diversification of common uses. The purpose is to build a connection between landscape and art through the re-signification of the natural and cultural processes of the specific site, which may promote a new collective sense of place. The work presents as its theoretical support studies that look at the landscape from its active aspect and discuss the extended field of contemporary art. The paper concludes stressing the importance of the active role of landscape architecture in urban places reconfiguration. Key-Words: Landscape architecture, Urban park, Contemporary Art
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Mahieddin, Émir. « Believing in Non-Places and Counter-Places ». PentecoStudies 22, no 1 (20 juin 2024) : 88–111. http://dx.doi.org/10.1558/pent.24456.
Texte intégralRésumé :
Based on 20 months of fieldwork in Stockholm’s Arabic-speaking and Spanish-speaking Evangelical and Pentecostal churches between 2017 and 2020, this article intends to give an account of the different ways in which the figures of the “immigrant” and the “refugee”, as well as the question of migration at large, are conceived in the Pentecostal congregations I visited between 2018 and 2020 in Stockholm and its outskirts. I propose to reflect further on the effects of urbanity on Pentecostalism, and reciprocally on the interpretations that Pentecostals make of the city. In so doing, this paper aims to contribute to one of the research questions raised by the collective project “Pentecostal Migrants in Secular Sweden”, which was concerned with highlighting the fluidity of the contemporary logics of religious belonging in a late modern cosmopolitan landscape such as the contemporary urban Swedish society.
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Gomółka, Mikołaj. « GEOMETRIC FORMS IN LANDSCAPE – LIGHTHOUSES ». Space&FORM 2022, no 49 (30 janvier 2022) : 135–56. http://dx.doi.org/10.21005/pif.2022.49.d-01.
Texte intégralRésumé :
The subject of this study is the potential of lighthouses located in the West Pomeranian Voivodeship as a leitmotif for the EuroVelo 10 bicycle trail. The study examined from which places on the trail lighthouses can be seen, marked places where panoramic views of the sea open, and suggested activities that could help improve the exposure of lighthouses from the perspective of the trail. It was found that 6 of the 7 surveyed objects are already visible, in some form, from the trail. It was concluded that lighthouse objects are already or could become valuable landmarks for EuroVelo 10 route, but it should be considered how to maintain continuity of visual experience on the sections between lighthouses.
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Viljoen, A., K. Bohn, M. Tomkins et G. Denny. « PLACES FOR PEOPLE, PLACES FOR PLANTS : EVOLVING THOUGHTS ON CONTINUOUS PRODUCTIVE URBAN LANDSCAPE ». Acta Horticulturae, no 881 (novembre 2010) : 57–65. http://dx.doi.org/10.17660/actahortic.2010.881.3.
Texte intégral
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Steinberg, Michael K. « Hemingway's Cuban Landscape ». Human Geography 10, no 3 (novembre 2017) : 71–78. http://dx.doi.org/10.1177/194277861701000306.
Texte intégralRésumé :
Hemingway tourism in Cuba represents an evocative geographical landscape of inquiry for two primary reasons. First, Hemingway tourism, and tourism in general in Cuba, exists side by side with the larger socialist economy and political system that limits local interactions with the very things and places foreigners desire and visit. Thus contrasting messages are presented in the “text” of the landscape. And second, Hemingway was an American, yet his landscape and image in Cuba is vigorously preserved and promoted, often as one of their own. The Cuban government packages Hemingway for foreign tourists who wish to visit authentic Hemingway memorials and landscapes. Packaging heritage landscapes, literary or other, is not limited to Cuba and Hemingway, but instead a common landscape phenomena. Again though, the political dimensions and economic inconsistencies of Hemingway promotion in Cuba make it especially interesting. This essay discusses three locations in the literary landscape of writer Ernest Hemingway in Cuba; Finca Vigía, his long time home located 12 miles outside Havana; his favorite bar El Floridita, found in the heart of old Havana; and the Marina Hemingway, located just outside Havana. This paper is interested in what these landmarks tell us about Hemingway's image and meanings within Cuba, and how the public, broadly speaking, views the landmarks and Hemingway.
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Wells, Otho S., et J. Brent Loy. « Row Covers : A Changing Landscape ». HortScience 20, no 5 (octobre 1985) : 800. http://dx.doi.org/10.21273/hortsci.20.5.800.
Texte intégralRésumé :
Abstract “The French market gardens in the environs of Paris and other large cities are very curious-looking places.” Thus was the report in McCall's magazine in July of 1909 (1) in reference to the burgeon of bell glasses (cloches) used for winter and spring production of vegetables. Perhaps the gardening scenery around Paris was the fulfillment of the words of a classic English gardener, Mrs. Loudon, who in 1869 stated, “The cloche is quite unknown to the majority of amateurs, but nothing ever introduced to their notice will prove of greater or more varied utility” (4). By 1910, McKay (5) had placed the number of bell glasses in Paris at 2,160,000. Hence, the bell glass/cloche is the forerunner of the row cover/tunnel which is so prevalent in Europe and Japan today and which is becoming more popular in the United States.
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de San Eugenio Vela, Jordi, Joan Nogué et Robert Govers. « Visual landscape as a key element of place branding ». Journal of Place Management and Development 10, no 1 (6 mars 2017) : 23–44. http://dx.doi.org/10.1108/jpmd-09-2016-0060.
Texte intégralRésumé :
Purpose The purpose of this paper is to propose an initial, exploratory and tentative theoretical construct related to the current consumption of landscape as a key symbolic and physical element in territorial representation and evocation, and for the deployment of place branding strategy. It constructs a line of argument to support what shall be referred to as “landscape branding”, that is, the paradigmatic role of landscape in place branding. It is, therefore, of interest to define the value of landscape as a social and cultural construction, which is why the paper awards importance to the specific analysis of their capacity for visual and/or aesthetic evocation within the context of a general branding strategy for geographical spaces. Design/methodology/approach To develop a sufficient proposal for sustaining “a theory of landscape branding”, the paper deploys a meta-analysis, that is, an extensive review and interpretation of the literature related to visual landscape and place branding, to propose a tentative initial approach to landscape-infused place branding theory. Findings The relationship existing between landscape images and texts and their possible situating and subsequent interpreting within the context of the political, cultural and economic logics of contemporary society give rise to a renewed analytical framework for cultural geographies (Wylie, 2007). At this point, place branding becomes a recurring argument for the consumption of carefully staged places, representing, to use Scott’s terms (2014), the arrival of a cognitive-cultural capitalism characteristic of post-Fordism. Practical implications From a practical perspective, the landscape branding approach provides several benefits. First of all, regardless of the fact that many commentators have argued that logos, slogans and advertising campaigns are relatively ineffective in place branding, practitioners still seem to be focussed on these visual design and advertising tools. The landscape branding approach facilitates an identity-focussed perspective that reconfirms the importance of linking reality with perception and hence reinforces the need to link place branding to policy-making, infrastructure and events. Social implications Landscapes’ imageability facilitates visual storytelling and the creation of attractive symbolic actions (e.g. outdoor events/arts in attractive landscape and augmented reality or landscaping itself). This is the type of imaginative content that people easily share in social media. And, of course, landscape branding reiterated the importance of experience. If policymakers and publics alike understand this considerable symbolic value of landscape, it might convince them to preserve it and, hence, contribute to sustainability and quality of life. Originality/value The novelty lies not in the familiar use of visual landscape resources to promote places, but in the carefully orchestrated construction of gazes, angles, representations, narratives and interpretations characteristic of geographic space, which somehow hijack the spontaneous gaze to take it to a certain place. Everything is perfectly premeditated. According to this, the visual landscape represents a critical point as a way of seeing the essence of places through a place branding strategy. In this sense, that place branding which finds in visual landscape a definitive argument for the projection of aspirational places imposes a new “way of seeing” places and landscape based on a highly visual story with which to make a particular place desirable, not only for tourism promotion purposes but also with the intention of capturing talent, infrastructures and investment, among other objectives.
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Slavishak, Edward. « Bleak Reclamation : Anthracite Mining Moods ». Pennsylvania History : A Journal of Mid-Atlantic Studies 90, no 2 (avril 2023) : 199–232. http://dx.doi.org/10.5325/pennhistory.90.2.0199.
Texte intégralRésumé :
ABSTRACT In the late 1960s, the hills and valleys of Pennsylvania’s anthracite region came alive via two imaginative responses to the devastation of strip-mined landscapes. Paramount Pictures’ The Molly Maguires and a multiyear Penn State landscape architecture study both attempted to make something new of gouged, abandoned land. This article argues that these reclamation attempts relied upon the attraction of melancholic landscapes. The filmmakers and landscape scholars assumed that places of ruin provoked emotional reactions in viewers and visitors, producing ambiguous moods of pastness. Part contemplation and part sensation, these moods were intended to make people feel their way into new, complex relationships with the land. This article analyzes these projects within scholarly conversations about the historical dimensions of landscape tourism, the narrative framing of Appalachia, and the cultural significance of moods.
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Lacina, Jan, et Petr Halas. « Landscape Painting in Evaluation of Changes in Landscape ». Journal of Landscape Ecology 8, no 2 (1 novembre 2015) : 60–68. http://dx.doi.org/10.1515/jlecol-2015-0009.
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Abstract One of common methods of determining landscape change usually is to compare maps and photographic images of the same places in different time horizons. Landscape painting, which has a long and rich tradition in the Czech Republic, can be used similarly. Landscape-ecological interpretation of selected works by painters of the 19th century - Julius Mařák, František Kaván and Antonín Slavíček was done in this paper. Some pictures of the Českomoravská vrchovina (Bohemian-Moravian highlands) by Josef Jambor from the mid-20th century were used for detailed comparative analysis to the level of habitats. We compared 80 landscape paintings and found that most of the painted sceneries have changed for worse.
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Harmanşah, Ömür, Peri Johnson, Müge Durusu-Tanrıöver et Ben Marsh. « The Archaeology of Hittite Landscapes ». Journal of Eastern Mediterranean Archaeology and Heritage Studies 10, no 1 (1 février 2022) : 1–48. http://dx.doi.org/10.5325/jeasmedarcherstu.10.1.0001.
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ABSTRACT This article layers material, physical, and textual landscapes of the Hittite Empire in a compact borderland region. We argue that a real strength of landscape archaeology is in understanding and articulating medium-scale landscapes through archaeological survey methods and critical study of physical geography. Medium-scale landscapes are a milieu of daily human experience, movement, and visuality that spawn a densely textured countryside involving settlements, sacred places, quarries, roads, transhumance routes, and water infrastructures. Using the data and the experience from eight field seasons by the Yalburt Yaylası Archaeological Landscape Research Project team since 2010, we offer accounts of three specific landscapes: the Ilgın Plain, the Bulasan River valley near the Hittite fortress of Kale Tepesi, and the pastoral uplands of Yalburt Yaylası. For each, we demonstrate different sets of relationships and landscape dynamics during the Late Bronze Age, with specific emphasis on movement, settlement, taskscapes, land use, and human experience.
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Ter-Ghazaryan, Diana K. « “Civilizing the city center” : Symbolic spaces and narratives of the nation in Yerevan's post-Soviet landscape ». Nationalities Papers 41, no 4 (juillet 2013) : 570–89. http://dx.doi.org/10.1080/00905992.2013.802766.
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In the years since the collapse of the Soviet Union, the landscape of Armenia's capital has transformed tremendously. Promoting a new vision for the city, Armenia's political elites have imbued the urban landscape of Yerevan with narratives of modernization, progress and a renewed sense of nationalism. While this new vision is noticeable throughout Yerevan's landscape, it is most apparent in three places in the center of Yerevan - Opera Square, Northern Avenue and Republic Square. These three prominent places represent the vision that the Armenian elites have for the city of Yerevan, while at the same time serving as backdrops for the expression of a critical voice regarding the changing urban landscape from the local residents. These three places are compelling representations of the tensions and struggles that are present in contemporary Armenian society. In this article, I examine the symbols and narratives that Armenia's elites produce and promote in and via these places, and consider the complicated set of reactions from residents that have formed in response.
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Furia, Paolo. « Place and Image. The Role of Representation in the Aesthetic Experience of Places ». AM Journal of Art and Media Studies, no 33 (15 avril 2024) : 17–31. http://dx.doi.org/10.25038/am.v0i28.596.
Texte intégralRésumé :
In my paper, I will discuss the role of the image in the determination of people’s approaches and attitudes towards places. After a short introduction (§1), in the first part of the essay I will discuss the main points of criticism against the image in relation to the issue of environmental appreciation. In doing so, I will relate Allen Carlson’s criticism towards the so-called ‘landscape cult’ in environmental aesthetics (§2) to the post-structuralist critique of the concept of landscape that has been carried out in the field of human geography (§3). In the fourth section, I will emphasize the structuring and performative character of representations, and will show how, in the present, the image remains one of the fundamental ways of regulating relations between subjects of experience and places (§4). The task of a theory of place-image, informed by knowledge acquired in the fields of visual and media studies, is to learn to read images as tools for understanding and defining the environment around us.
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Spencer, Diana. « IV Landscape : Time and Motion ». New Surveys in the Classics 39 (2009) : 47–61. http://dx.doi.org/10.1017/s0017383510000410.
Texte intégralRésumé :
We have already thought about how Golden Age imagery influences understanding of what landscape should be about, and we will return later to issues of chronology and temporality. Here, we start with some strategies for reading landscape as a sequence of places that can be combined to tell a story. One definition of space makes it what we experience by moving through a series of places, which we connect up into patterns by picking particular routes to follow. Using this model, landscape stories invite us to move into and around them, offering different ‘ways of going out and coming back in’, depending on how we map our route. Following the narrative flow through a landscape takes time. Time, however, is relative – and culturally constructed; depending on context and terminology, time can move at different speeds and follow different logics. Bakhtin's chronotope is helpful here. Using the natural environment to create a structure for understanding how time passes gives meaning and order to the passage of the year. For agricultural communities, it was a matter of life and death: studding the calendar with legends and myths closely linked to places, seasons, and appropriate activities was one way to ensure that good and bad ways of doing things were remembered over time. Calendars therefore engage in a complex dialogue with religious and cultural assumptions, and they also respond to scientific advances in measuring the passage of time.
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Vaz de Freitas, Isabel, Makhabbat Ramazanova, Helena Albuquerque et Plínio Soares. « Traditional Wine Landscape as a Rural Heritage : ». International Conference on Tourism Research 15, no 1 (13 mai 2022) : 459–68. http://dx.doi.org/10.34190/ictr.15.1.241.
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Verde wine has a traditional and unique range of patterns and processes of cultivation that result from the interactions between communities and environments. The result of this interaction characterizes the local wine culture and rural landscape and creates diversity of characteristics developed through times. In this context, vineyard historical landscape assures the range of differentiation of rural places and contributes to the image of wine as a cultural asset based on the cultural heritage accumulation and the slow transformation of the landscapes. Safeguard this historical resilient landscape could reinforce the local character in his own unicity, authenticity, significance, diversity as a testimony of identity. Safeguard the historical wine landscape promotes the preservation of old techniques and fragile tangible and intangible heritage condemned to disappearance with the new standardized exploitations.
In this context, this study identifies the values of Verde wine landscape as a unique heritage in the world, aiming to safeguard this traditional landscape in the perspective of local communities with a tourism approach.
The methodological approach is to analyse, reflect and open the debate about Verde wine landscape elements and characteristics, to evaluate its importance and residents´ satisfaction, and to compare aesthetic perceptions with other elements of Verde wine landscape. Quantitative approach with survey questionnaires was applied to residents of the Verde wine region.
The results identify local wine culture and rural landscape and find the diversity of characteristics developed through times in different places. The residents find Verde wine landscape beautiful and attractive, and they are attached to the traditional Verde wine vineyards, quality of wine and quality of gastronomy.
The study reinforces the safeguard of this historical resilient landscape and the local character in his own unicity, authenticity, significance, diversity as a testimony of identity. It promotes the preservation of traditional and ancient techniques and fragile tangible and intangible heritage of Verde wine.
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Whitley, David S. « Ontological Beliefs and Hunter–Gatherer Ritual Landscapes : Native Californian Examples ». Religions 15, no 1 (17 janvier 2024) : 123. http://dx.doi.org/10.3390/rel15010123.
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Landscapes are socially produced and reproduced spaces. This is easily recognizable for large-scale urban groups with built environments that dominate living places. But it also pertains to all types of societies and cultures, even small-scale hunter–gatherers, once the ontological beliefs structuring landscape perception and use are acknowledged. The foragers of south–central and southern California and the Great Basin illustrate this fact. They maintained a widely shared ontological perspective supported by a fundamental cognitive postulate. This is that supernatural power, the principle causative agent in the universe, was differentially distributed among individuals and places. The distribution of power, revealed by certain geomorphological features and natural events, structured their perceptions of landscape. These perceptions were expressed in ritual and symbolism, including petroglyphs and pictographs as durable manifestations of ceremonies on the landscape. The ontological relationship between power and landscape explains a longstanding question in hunter–gatherer archaeology: Why were rock writing sites created at specific locations? It also explains another equally significant but rarely considered and related problem: Why do some localities have massive quantities of rock writings that dwarf most other sites? The landscape symbolism of and the placement of sites by Native Californian and Great Basin tribes is explained by reference to their shared ontological beliefs, illustrating how they structured their ritual practices and archaeological record.