Littérature scientifique sur le sujet « Pino nero »

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Articles de revues sur le sujet "Pino nero"

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Cantiani, P., G. Iorio et F. Pelleri. « Effects of thinnings inPinus nigraartificial stands (Umbria, Italy) ». Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 2, no 2 (8 juin 2005) : 207–16. http://dx.doi.org/10.3832/efor0292-0020207.

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Cantiani, P., U. Di Salvatore et R. Romano. « Silvicultural aspects of artificial black pine plantations : analysis of Italian regional laws ». Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 15, no 1 (31 décembre 2018) : 99–111. http://dx.doi.org/10.3832/efor2985-015.

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Mercurio, R., C. Mallamaci, A. Muscolo et M. Sidari. « Gap size effects on tree regeneration in afforestations of Black pine (Pinus nigra Arn.) ». Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 6, no 1 (18 septembre 2009) : 312–19. http://dx.doi.org/10.3832/efor0591-006.

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Bianchi, L., M. Paci et A. Bresciani. « Effects of thinning intensities in experimental plots of Black European pine in “Foreste Casentinesi, Monte Falterona and Campigna National Park” (Tosco-Romagnolo Apennine, Italy), eight years after the felling ». Forest@ - Rivista di Selvicoltura ed Ecologia Forestale 7, no 1 (1 avril 2010) : 73–83. http://dx.doi.org/10.3832/efor0616-007.

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Marín Cruz, Víctor Hugo, David Cibrián Tovar, Silvia Edith García Díaz, Omar Alejandro Pérez, Herón Huerta Jiménez et Edgar Magdaleno Hernández. « Identificación y distribución del mosquito fungoso negro, Bradysia impatiens Johannsen, 1912 (Diptera : Sciaridae) en viveros de clima templado ». Revista Mexicana de Ciencias Forestales 13, no 73 (31 août 2022) : 175–96. http://dx.doi.org/10.29298/rmcf.v13i73.1261.

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El mosquito fungoso negro es un díptero que causa severos daños en plantas ornamentales y en viveros forestales que cultivan especies de Pinus en el centro de México, con pérdidas superiores al 30 %. Los informes más recientes del mosquito fungoso negro son de 2013 y 2015; se desconoce la distribución actual del género Bradysia. Por lo anterior, los objetivos del presente estudio consistieron en identificar morfológica y molecularmente a las especies del mosquito, conocer su distribución y las especies de pino que ataca en cinco regiones de México. Se realizó un muestreo de abril a junio de 2019 en 20 viveros con especies de pino. Las muestras recolectadas se colocaron en cámaras de emergencia durante 45 días en condiciones de fotoperiodo 12:12 h y humedad relativa (HR) de 75 %. Se obtuvieron 934 adultos, y la especie identificada por caracterización morfológica y un fragmento del gen mitocondrial COI correspondió a Bradysia impatiens (Johannsen, 1912) (Diptera: Sciaridae), presente en 17 especies de pino y, como nuevos hospederos, en Pinus arizonica, P. ayacahuite, P. cembroides, P. cooperi, P. douglasiana, P. durangensis, P. engelmannii, P. hartwegii, P. leiophylla, P. oaxacana, P. oocarpa, P. patula y P. teocote. Además, el mosquito fungoso se registró en nueve estados mexicanos: Chiapas, Chihuahua, Durango, Hidalgo, Jalisco, Oaxaca, Querétaro, Veracruz y Zacatecas. Actualmente, B. impatiens se conoce en 15 estados de la república mexicana.
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Samus, A. V., et E. A. Konstantinov. « Vegetation dynamics in the Rostov lowland (Yaroslavl oblast) during the Late G lacial and Holocene based on a new pollen data ». Limnology and Freshwater Biology, no 4 (2022) : 1565–67. http://dx.doi.org/10.31951/2658-3518-2022-a-4-1565.

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Abstract. Our reconstructions of vegetation changes are based on the results of pollen analysis that was carried out for the sedimentary sequence located on the lacustrine-alluvial terrace west of Lake Nero. To clarify our conclusions, six 14C dates were obtained and an age-depth model based on these dates was constructed. It is established that open spruce-birch forests were widespread during the Aller d and Younger Dryas. Since the Preboreal stage of the Holocene, a peat bog began to form surrounded by pine and birch forests with spruce. The Boreal stage was marked by an increased role of broad-leaved trees in the forests. During the Atlantic period, climatic conditions became warmer and spruce-pine forests with thermophilous deciduous trees started to grow. The vegetation cover of the Late Holocene (SB-SA periods) was dominated by spruce forests with pine and birch.
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Fine, Leigh E. « The McElroy Brothers, New Media, and the Queering of White Nerd Masculinity ». Journal of Men’s Studies 27, no 2 (21 août 2018) : 131–48. http://dx.doi.org/10.1177/1060826518795701.

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Nerd masculinity is in the midst of a cultural rebirth. Podcasters the McElroy Brothers—Justin, Travis, and Griffin—are exemplars of how nerds queer contemporary masculinity discourse. Their podcasts’ multidimensional characters, bodily practices, and inclusive language reconstruct a nerd masculinity that does not pine for hegemonic masculinity as nerd media of the past. However, while the Brothers’ performance of masculinity may illuminate new frontiers for the inclusion of gender and sexual diversity, it yet retains an inextricable connection to their Whiteness. Thematic analysis of 41 episodes across three of the McElroy’s properties shows how the Brothers reconceptualize nerd masculinity while highlighting their lack of transformative attention to matters of race.
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Adeyemi, M. A., et S. O. Oseni. « Análisis discriminante canónico aplicado en datos biométricos de pavos autóctonos nigerianos ». Archivos de Zootecnia 67, no 257 (15 janvier 2017) : 7–12. http://dx.doi.org/10.21071/az.v67i257.3485.

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Para diferenciar tres variantes de color (blanco, negro y lavanda) de las poblaciones indígenas de pavo de Nigeria se utilizaron el peso corporal y ocho variables morfométricas: peso corporal (BW, kg), longitud de la caña (SL), longitud del pico (BL), circunferencia abdominal (AC), longitud del muslo (TL) pluma de cola (TF) y carúncula (CR). La homogeneidad fenotípica y las diferencias se evaluaron mediante análisis discriminante lineal. Los resultados indicaron que las variantes de color negro y lavanda fueron las más cercanas en todos los parámetros evaluados. Entre negro y lavanda la distancia de Mahalanobis fue de 6,745, mientras que las correspondientes distancias entre blanco y negro o lavanda fueron 9,242 y 57,595, respectivamente (P
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Valencia-Herverth, Raúl, Jorge Valencia-Herverth, Raúl Padilla Calderón, Moisés Olivares Nochebuena, René Hernández Hernández et Melchor Olivares Nochebuena. « Información adicional sobre la avifauna de Hidalgo, México ». Huitzil Revista Mexicana de Ornitología 13, no 2 (1 juillet 2012) : 95–103. http://dx.doi.org/10.28947/hrmo.2012.13.2.155.

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Reportamos cinco especies de aves no registradas previamente en el estado de Hidalgo: gavilán zancón (Geranospiza caerulescens), gallineta morada (Porphyrio martinica), tucán pico canoa(Ramphastos sulfuratus), titira pico negro (Tityra inquisitor) y tordo arrocero (Dolichonyx oryzivorus).Ratificamos la presencia de la anhinga americana (Anhinga anhinga), del hormiguero-cholino escamoso(Grallaria guatimalensis) y del mirlo-acuático norteamericano (Cinclus mexicanus), que sólo contaban con un registro para Hidalgo.
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Palacios-Méndez, Leonardo Román, Jesús Alejandro León-Mendoza et Emilio Ismael Romero-Berny. « Primer registro del mono aullador negro (Alouatta pigra) en el Parque Nacional Lagunas de Montebello, Chiapas, México ». Revista Mexicana de Mastozoología (Nueva Epoca) 11, no 1 (31 juillet 2021) : 41–48. http://dx.doi.org/10.22201/ie.20074484e.2021.11.1.312.

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Resumen Durante diciembre de 2020, reportamos la presencia de un individuo macho adulto de mono aullador negro (Alouatta pigra) en un bosque de pino-encino del Parque Nacional Lagunas de Montebello, en la Meseta Central de Chiapas, México. Para un periodo de 14 días, el individuo se desplazó 636.5 m en un rango altitudinal entre los 1,483 y 1,510 msnm. Es uno de los registros hechos a mayor altitud para esta especie en México y una contribución al conocimiento de la mastofauna del Parque Nacional Lagunas de Montebello. Palabras clave: altitud, Área Natural Protegida, Atelidae, bosque templado, primates.
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Thèses sur le sujet "Pino nero"

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Ara?jo, Ver?nica Gilcineide de. « O t?pico discursivo na aula de l?ngua portuguesa : proposta de interven??o com o g?nero f?bula ». MESTRADO PROFISSIONAL EM LETRAS - PROFLETRAS, 2017. https://repositorio.ufrn.br/jspui/handle/123456789/23939.

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Nesta pesquisa elegemos o t?pico discursivo como objeto de investiga??o, privilegiando especificamente o estudo da organiza??o hier?rquica nas produ??es de texto de alunos do sexto ano de uma escola municipal, a partir do g?nero f?bula. Discutimos inicialmente, acerca de texto, seguindo-se das considera??es sobre o g?nero f?bula, para em seguida refletir sobre a quest?o do t?pico como elemento por meio do qual os assuntos tratados no texto se relacionam entre si, pois de acordo com a Lingu?stica Textual, um texto coerentemente constru?do apresenta conex?es das partes entre si e destas com o todo. Tendo em vista as dificuldades encontradas por nossos alunos em organizar adequadamente os t?picos nos textos que produzem, estabelecemos como crit?rio necess?rio ? constru??o do texto um trabalho com a organiza??o hier?rquica. Na perspectiva de colaborar com a aprendizagem dos discentes no que se refere ? progress?o t?pica dos textos, desenvolvemos uma sequ?ncia did?tica, embasada nas orienta??es de Dolz, Noverraz e Schneuwly (2004). Nosso trabalho teve por base os princ?pios de uma pesquisa-a??o, seguindo uma metodologia orientada para uma a??o especifica. Nessa dire??o, objetivamos minimizar alguns problemas na ordem da produ??o textual, a partir dos princ?pios b?sicos da centra??o e da organicidade do texto. Nosso estudo seguiu pressupostos da Lingu?stica Textual, teoricamente amparado pelos trabalhos de Cavalcante (2012), Koch (2002, 2006), Antunes (2009), Marcuschi (2008), Jubran (2006), entre outros. Nossas an?lises e reflex?es revelaram que, ap?s a proposta com as sequ?ncias did?ticas, os alunos produziram textos escritos com percept?veis avan?os no aspecto da hierarquia t?pica, fato que evidenciou a melhoria na compreens?o destes com rela??o ? import?ncia de escrever, relacionando as ideias entre si, fato que estabelece a coer?ncia entre as unidades de sentido do texto. Como resultado desse trabalho, os alunos apresentaram como produto final, um livreto constitu?do por f?bulas de suas autorias.
In this research the discursive topic was elected as work purpose, specifically emphasizing the study of hierarquical organizations in texts productions made by elementary students of a municipal school. The texts were produced based on the fable genre. The topic issue was discussed as an element capable of relating subjects of the text. According to the Textual linguistics a coherently constructed text presents connections between all parts of it. Taking into account all difficulties faced by students when properly organizing ideas in texts produced by them, It was established as a necessary criteria to the construction of the text, a study taking into relevance hierarquical organization. Hoping to collaborate in the students? learning process regarding the topical progression of texts, it was developed a didactic sequence based on the Dolz, Noverraz and Schneuwly (2004) guidelines.This academic research was based on principles of an action research, based on a methodology focused on a specific action. So, the final purpose is to minimize some problems in textual production, based on the basic principles of centralization and text consistency. This study followed the assumptions of Textual Linguistics, theoretically supported by the works of Cavalcante (2012), Koch (2002, 2006), Antunes (2009), Marcuschi (2008), Jubran (2006). The reviews and reflections revealed that, after the didactic sequence?s purpose, the students produced written texts with great progress in the aspect of the topical hierarchy, fact that evidenced the improvement in their understanding of writing importance, relating each other's ideas. As a result, students presented as a final product, a small book full of original fables written by them.
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Park, Seo Yoean Hong. « The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano ». Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707242/.

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Paul Schoenfeld (b. 1947) is considered one of the major American composers of the present day to have incorporated many different styles in his music. Although Schoenfeld primarily uses a combination of folk, popular music, klezmer, and jazz in most of his compositions, he has also incorporated other distinctive musical styles in his works, such as neo-Baroque, particularly in his Partita for Violin and Piano (2002). The purpose of this dissertation is to explore the eclectic combination of neo-Baroque and klezmer elements found in Schoenfeld's Partita. This research provides a detailed comparative analysis of his work with Johann Sebastian Bach's Clavier-Übung I, BWV 825–830, and 6 Sei Solo a Violino senza Basso accompagnato, BWV 1001–1006, primarily to see how Schoenfeld made use of Baroque forms, imitative passages, rhythms, and other stylistic features, then fused them with klezmer elements. Klezmer is a genre of music stemming from the Eastern European Jewish tradition; its distinctive characteristics are modal scales and Hasidic vocal ornaments. Knowing the mixture of Baroque and klezmer stylistic influences should help performers to interpret the piece.
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Sologub, Olga. « Sergei Prokofiev's Piano Sonata No. 8, Op. 84 and Symphony No. 5, Op. 100 : Neo-Riemannian and Kholopovian perspectives ». Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/sergei-prokofievs-piano-sonata-no-8-op-84-and-symphony-no-5-op-100-neoriemannian-and-kholopovian-perspectives(1e3b29e4-2086-4f12-bd5b-ea02635bbccd).html.

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Sergei Prokofiev is among the ranks of early-twentieth century composers whose music endures in the concert hall and whose life has attracted much musicological research. Fewer studies, however, have undertaken an analytical investigation into his music, and the body of scholarly work on the musical theoretical issues raised by his compositions does not rival that exploring the music of such major contemporaries as Igor Stravinsky and Béla Bartók. Existing Anglo-American contributions to the field of Prokofiev theory have mostly employed the tools of common-practice musical analysis, many of them using Schenkerian methods, with the more recent accounts of Richard Bass and Deborah Rifkin expanding these to incorporate the chromatic features of Prokofiev’s music in more sophisticated ways. A notable exception is Neil Minturn, who proposes an analytical approach informed by pitch-class set theory; his methodology, however, has not been developed in any further research. This thesis aims to make a contribution to Prokofiev analysis by applying recent developments in neo-Riemannian theories and the work of the noted Russian musicologist, Yuri Kholopov, whose early monograph on Prokofiev’s harmony has not been engaged with in English language accounts to date. Neo-Riemannian theories are well suited to this task due to the correspondence between their remit and the diatonic chromatic aspect of Prokofiev’s music. This thesis also introduces and explores the potential of Kholopov’s theoretical concepts regarding the nature of twentieth-century music, and in particular processes such as polyharmony, in original analytical applications. Prokofiev’s Symphony No. 5 and Piano Sonata No. 8 have been selected as focal works as they are acknowledged masterworks on an ambitious scale and arguably represent a shift in Prokofiev’s compositional thinking towards more abstract music in his later period. Existing analyses of extracts from these two works also offer the opportunity of making comparative observations. By focusing on harmony and large scale tonal design in these two works, this thesis hopes to demonstrate that a dialogue between the theoretical perspectives of Kholopov and those of neo-Riemannian theories may contribute valuable insights into Prokofiev’s music, at both surface and deep structural levels.
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Ishihama, Kanako. « Triangles of Soul—Schubert the “Wanderer” and His Music Explained by Neo-Riemannian Graphs ». Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23148.

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In Schubert’s music, the theme “wandering” is used frequently, closely related to human life and death. I presume that, being stricken by serious illness and facing challenging relationships, Schubert lived his short life with agony and dismay, confronting the life theme “death.” In that sense, Schubert himself was probably the wanderer who kept trudging throughout his life journey. In 1822, Schubert composed the allegorical tale “My Dream,” and in that tale, he writes as follows; “when I attempted to sing of love, it turned to pain. And again, when I tried to sing of pain, it turned to love. Thus were love and pain divided in me” (Deutsch 1977, 227). Schubert lived his life, struggling between love and pain, and between life and death. Human life and death conflict with each other, but exist together in the same place. In other words, death is a root of life. If one can perceive that life and death both exist at the root of one’s life, the form of life should be represented by a circular path, not by a linear formation. This notion accords with Schubert’s musical style, where the same material comes back again and again in a circular formation. I assume that the notion—death as a root of life—is the essential conception of “wandering” that Schubert’s music expresses. In this dissertation, I would like to offer several Neo-Riemannian analyses and graphs of Schubert’s piano compositions; Impromptus D. 899, Moments Musical D. 780, Sonata in C-minor D. 958, and the “Wanderer” Fantasy D. 760. For each work and movement, I will map out the harmonic structure and key progressions on a Tonnetz graph, and suggest a new way to comprehend the nature of “wandering” that Schubert’s music portrays. Through the configurations and harmonic motions on the Tonnetz graphs, I will establish a way to comprehend Schubert’s concept of circular “wandering” visually and geometrically.
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Lee, Gui Sook. « Aspects of neo-classicism in the first movements of piano sonatas by barber, sessions, copland and stravinsky ». The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1242747182.

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Yi, Kwi-suk. « Aspects of neo-classicism in the first movements of piano sonatas by Barber, Sessions, Copland, and Stravinsky / ». Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1242747182.

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Medeiros, Flávia Vanessa de Araújo. « Influência de correntes de média e baixa frequência e da dobra cutânea sobre o desconforto sensorial e o pico de torque extensor do joelho ». reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17504.

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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Educação Física, Programa de Pós-Graduação Stricto-Sensu em Educação Física, 2014.
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Contextualização: Tem sido afirmado que a corrente de média frequência é mais eficaz do que a corrente de baixa frequência para a induzir elevado torque articular com baixo desconforto sensorial; e que a espessura da dobra cutânea (EDC) pode influenciar na eficiência da eletroestimulação neuromuscular (EENM). Entretanto, existem poucos estudos comparativos sobre o tema. Objetivo: Investigar os efeitos de duas correntes de média frequência (AUS1 e AUS2), duas de baixa freqüência (FES1 e FES2) e da EDC sobre o desconforto e o torque isométrico extensor do joelho. Métodos: O estudo foi dividido em duas partes: 1) Comparação do torque evocado por cada uma das correntes e do grau de desconforto percebido durante e imediatamente após a EENM. 2) investigação dos efeitos da EDC sobre as variáveis analisadas em dois subgrupos G1(EDC menor) e G2 (EDC maior). Resultados: Parte 1: FES1 evocou torque 21% superior a FES2 e 23% superior a AUS2. AUS1 induziu torque 21% superior a FES2 e 22% superior a AUS2 (p<0,01 em todas as comparações). Não houve diferença significativa entre FES1 e AUS1, bem como entre AUS2 e FES2 (p>0,05 nas duas comparações). Correntes com maior largura de pulso foram mais desconfortáveis que correntes com menor largura de pulso. Parte 2: G1 evocou torque 28% superior ao G2 (p<0,01), o desconforto eliciado pela EENM não diferiu significativamente entre os subgrupos (p=0,425). Conclusão: Parte 1: correntes com maior largura de pulso eliciam maior torque articular com maior desconforto. Parte 2: a EDC influencia na magnitude do torque evocado e na intensidade de corrente requerida, mas não na percepção de desconforto.
Background: It has been supposed that the medium frequency current is more effective than low frequency current to induce torque with less sensory discomfort and that skinfold thickness (SFT) can to influence on efficacy of neuromuscular electrical stimulation (NMES). However, there have been few comparative studies on the subject. Objective: To investigate the effects of two medium frequency currents (AUS1 and AUS2), two low frequency currents (FES1 and FES2) and SFT on discomfort and on the isometric knee extensor torque. Methods: The study was divided into two parts: 1) Comparison of the torque evoked by each of the currents and the degree of discomfort perceived during and immediately after the NMES. 2) investigation of the effects of skinfold thickness on the variables analysed into two subgroups G1 (lower skinfold thickness) and G2 (larger skinfold thickness). Results: Part 1: FES1 evoked torque 21% higher than FES2 (p<0,01) and 23% higher than AUS2 (p<0,01). AUS1 induced torque 21% higher than FES2 (p<0,01). Currents with smaller pulse width (FES2 and AUS2) are more comfortable than currents with higher pulse width (FES1 and AUS1). Part 2: There are significant differences between the subgroups in relation to the NMES-evoked torque; the intensity of the current correlates positively with the skinfold thickness, negatively with the evoked torque and does not correlate with the induced discomfort. Conclusion: Part 1: currents with greater pulse width induce greater joint torque with greater discomfort. Part 2: G1 evoked torque 28% higher than G2 (p<0,01), the discomfort elicited by NMES did not differ significantly between subgroups.
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Whalen, Kevin Patrick. « Harold Shapero’s Sonata for C Trumpet and Piano : the Influence of Idiomatic Jazz Elements on a Prominent Mid-20th Century Neo-classical Composer ». Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500207/.

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Harold Shapero’s Sonata for Trumpet in C and Piano is a significant work that it is rarely performed and studied. Shapero’s composition contains musical attributes that demand artistically accurate choices if the style of this jazz-influenced sonata is to be achieved. Written in 1940 in dedication to Aaron Copland, the Sonata for C Trumpet and Piano makes use of a variety of stylistic influences, blending those of early 20th century jazz with Stravinsky-influenced neo-classicism. The intent of this study is to examine the unique performance practice implications and musical considerations of Harold Shapero’s Sonata for C Trumpet and Piano in correlation to the composer’s implementation of jazz idiomatic elements within the constructs of neo-classicism. The first section of this study examines the historical context necessary for understanding the social and musical conditions of the early to mid 1940s. The second section addresses the musical elements that characterize this work; the primary focus of this section is an exploration of Harold Shapero’s implementation of jazz idioms into his first composition for trumpet. The final section of the study interprets the utilization of idiomatic jazz elements within the work so as to allow the trumpet player with little jazz experience to accurately perform the piece.
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Helme, Lisa, et Linnea Halatchev. « Utveckling av ett verktyg för lossning och montering av masterpinne i larvkedja ». Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-73067.

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Detta är ett examensarbete på 15 högskolepoäng inom Teknisk design vid Luleå Tekniska Universitet. Arbetet har genomförts på uppdrag av Nevo Maskin AB som är en företag som utför reparationer och service av entreprenadmaskiner. Detta produktutvecklingsprojekt har genomförts i samarbete med Sigma Industry East North. Syftet med detta projekt är att förbättra och förenkla arbetet med en Trackpress. Arbetet ska göras säkrare, mobilt och mer ergonomiskt för användaren. En Trackpress används för att demontera och byta masterpinne i länken på larvkedjan på en grävmaskin. Detta arbete behandlar mellansegmentet (12-45 ton) av grävmaskiner. Verktyget som används på Nevo Maskin består av tre huvudsakliga delar: en bygel som läggs ovanpå bandet, en cylinder som expanderar med hjälp av tryckluft och en kompressor som styr tryckluften. Kompletterande delar måste användas mellan länken och cylindern för att den ska nå att pressa ut masterpinnen på länken. Verktyget väger 86 kg och kan inte hanteras av en person, utan ett lyfthjälpmedel måste användas. Ibland lyfts verktyget av två personer, men detta är ytterst oergonomiskt och medför stora risker för arbetsskador. För att förbättra detta verktyg har vi arbetat efter en designprocess där faser med förstudie, litteraturstudie, idéarbete och detaljutveckling genomförts för att utveckla ett koncept. I designprocessen som används i det här projektet är en av faserna idéarbete, där vi använt oss av workshops där medlemmarna skissar, diskuterar och skriver ned idéer som kommer fram. Genom att använda oss av olika metoder och olika grupper av människor i våra workshops kunde vi få flera infallsvinklar på problemet. Vidare har vi inom de olika faserna genomfört studiebesök, användarstudier, intervjuer, marknadsundersökning och kreativa metoder för att arbeta fram ett koncept som ritades upp i NX och Inventor. Resultatet är ett utvecklat verktyg kallat Masterpusher som består av tre delar. En ram uppbyggd av två parallella plåtar, med en platta baktill där cylindern placeras mellan de två sidoplåtarna, en domkraft för positionering av hydraulcylindern i höjdled och en insats för centrering av verktyget. I botten på ramen finns två skenor för att cylindern och domkraften inte inte ska falla ned. Ett kompletterande koncept för förflyttning och transport har rekommenderats för vidareutveckling. Konceptet medger säkrare hantering och mer ergonomiskt arbetssätt. Vikten har reducerats och materialåtgången minskats. Förbättringen innebär även en minskad produktionskostnad vilket bidrar till en konkurrensfördel jämfört med de konkurrenter som finns idag. Nyckelord:  Industridesign, Teknisk design, Konstruktion, Master pin pusher, Produktutveckling,  Ergonomi, Nevo Maskin AB
This is a bachelor degree project in Industrial design engineering at Luleå University of Technology. It has been carried out at the request of Nevo Maskin AB, a company that performs service and repairs on heavy construction equipment. The project has been executed in collaboration with Sigma Industry East North in Luleå. The purpose of this project is to improve and simplify the work with a Trackpress. The work process must be made safe, mobile and ergonomic for the user. The Trackpress is a tool that is used for dismantling and replacing the master pin in the link of the caterpillar chain on excavators. The project covers the middle segment of excavators which means excavators between 12 to 45 tons and this is the most common segment of excavators repaired by Nevo Maskin AB. The Trackpress tool used by Nevo Maskin AB consists of three parts: a frame that is placed over the caterpillar chain, a hydraulic cylinder that expands by compressed air and a compressor that controls the compressed air. Supplementary parts are needed between the link and cylinder in order for it to reach the master pin, here they use whatever they have in reach. The exciting Trackpress weighs 86 kgs and cannot be lifted by one sole person, a lifting device must be used. Sometimes two people lifts it but this is not to recommend because of the great risk of injuries. To improve the Trackpress the project has been carried out through a design process with five phases of planning, feasibility study, literature study, ideation and detail development to develop a concept. in one of the phases, Ideation, we have worked with workshops where the members draw, discuss, and write down all the ideas generated. By using different methods and groups of people in the workshops we got different angles and points of view on the problem. Furthermore we have done field trips, user studies, interviews market research and creative methods to develop a concept that was drawn in NX and Inventor. The final concept consists of three parts, a frame constructed by two parallel steel plates with another plate in the rear, a jack for positioning the cylinder, which is placed on top of the jack and between the parallel plates and a additional part for centering the tool over the chain. In the bottom there are two rails that keep the jack in place. A concept for transporting the tool has been left for future development. The concept idea gives the user safer handling of the tool and a more ergonomic way of working with it. The weight and the material consumtion has been reduced. This improvement also reduces de production cost whitch gives the company an advantage against other competitors in the same segment.   Keywords: Industrial design engineering, Master pin pusher, Construction, Product development, Ergonomics, Nevo Maskin AB
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Boeira, Alex Perozzo. « O princ?pio da igualdade no direito previdenci?rio brasileiro : uma proposta de distribui??o equ?nime das presta??es previdenci?rias em fun??o do g?nero ». Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2012. http://tede2.pucrs.br/tede2/handle/tede/4180.

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Made available in DSpace on 2015-04-14T14:33:51Z (GMT). No. of bitstreams: 1 437993.pdf: 58370 bytes, checksum: 2d318bbae75d57b9dd1c25b84f068af5 (MD5) Previous issue date: 2012-03-20
O princ?pio da igualdade, norma fundamental do Estado Social Democr?tico brasileiro, assume especial relevo quando se analisa o modelo de distribui??o de benef?cios previdenci?rios em fun??o do g?nero. A realiza??o do direito ? previd?ncia social, direito fundamental de segunda dimens?o, deve orientar-se pela isonomia no acesso aos bens jur?dicos, com vistas ? maior concretiza??o poss?vel. A m?xima j? h? muito preconizada de tratar igualmente os iguais e, em consequ?ncia, desigualmente os desiguais exige, na perspectiva material do aludido postulado, que se afira a adequa??o do modelo atual de concess?o de benef?cios previdenci?rios afetados pelo g?nero. As esp?cies previdenci?rias em quest?o - aposentadoria por tempo de contribui??o e aposentadoria por idade - diferenciam homens e mulheres para a sua frui??o, demandando, em s?ntese, trinta e cinco anos de tempo de contribui??o para homens e trinta para mulheres, ou sessenta e cinco anos de idade para homens e sessenta anos para mulheres. Nesse desiderato anal?tico, diversos fatores hist?rico-sociol?gicos e jur?dicos (quer sob o vi?s doutrin?rio, jurisprudencial ou puramente normativo) devem ser sopesados, examinando as mudan?as de paradigma em rela??o ? participa??o e ? integra??o da mulher ?s mais diversas fun??es sociais e conduzindo a um cen?rio de composi??o da igualdade previdenci?ria. As vari?veis demonstram, em ?ltima an?lise, a impropriedade do quadro atual e a consequente disparidade na outorga das aposentadorias a homens e mulheres, segurados do regime geral de previd?ncia social. O crit?rio orientador de qualquer modifica??o no sistema deve convergir para a origem comum do direito envolvido e assumir como norte a raz?o de ser dos direitos fundamentais: a pessoa como valor fundamental, independentemente de sexo ou g?nero. Considerando, ent?o, a experi?ncia da legisla??o anterior a 1991, a possibilidade de recrudescimento das exig?ncias legais, a representatividade econ?mica, a participa??o dessas duas esp?cies de benef?cios no contexto do regime geral de previd?ncia, bem como todas as demais condicionantes que atuam sobre esse direito (? aposentadoria) em forma??o, algumas altera??es normativas podem ser propostas. As sugest?es principiam com a redu??o da idade ou do tempo de contribui??o para homens, perpassam pela majora??o desses requisitos para mulheres e mesclam redu??o para homens com majora??o para mulheres at? o termo m?dio. Prosseguem tamb?m com a formula??o de tabelas de transi??o para a minora??o dos impactos ?s popula??es atingidas, contemplando ainda a eleva??o dos atuais limites de idade e de tempo de contribui??o e facultando, ao final, a aplica??o das novas regras apenas para novos segurados.
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Livres sur le sujet "Pino nero"

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Nero a metà : Dalle origini a Grande madre, tutta la poesia di Pino Daniele. Roma : Arcana, 2012.

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Desai, Anita. Sagar nere ikk pind. 2e éd. Delhi : National Book Trust, 1996.

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Nina Simone : Il piano, la voce e l'orgoglio nero. Milano : Vololibero, 2016.

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The necro-luminescence of pink mist. [United States] : Skeleton Man, 2017.

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Pino Bellinetti : Un giornalista in camicia nera, 1895-1969. Rovigo : Minelliana, 2014.

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Chu Ton-i : Sŏngnihak ŭi pijo. Sŏul Tʻŭkpyŏlsi : Sŏnggyunʼgwan Taehakkyo Chʻulpʻanbu, 2007.

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Xuan ru ping lin. Changsha Shi : Hunan ren min chu ban she, 1985.

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Xuan ru ping lin. Changsha Shi : Hunan ren min chu ban she, 1985.

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Nanjing da xue. Zhongguo si xiang jia yan jiu zhong xin., dir. Cheng Hao Cheng Yi ping zhuan. [Nanjing Shi] : Nanjing da xue chu ban she, 2001.

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Pasquandrea, Sergio. Breve storia del pianoforte jazz : Un racconto in bianco e in nero. Roma : Arcana, 2015.

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Chapitres de livres sur le sujet "Pino nero"

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van Dam, Daný. « An Instrumental Thing : Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner ». Dans Neo-Victorian Things, 91–110. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06201-8_5.

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Hoesle, Adi. « Between Neuro-potentials and Aesthetic Perception. Pingo Ergo Sum ». Dans The International Library of Ethics, Law and Technology, 99–108. Dordrecht : Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8996-7_8.

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Nold, Verena, et Kelly Allers. « Consequences of Chronic Stress on the PINE Network ». Dans Oxytocin and Health. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.97149.

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Stress is a risk factor for the development and progression of a variety of disorders. At the same time stress is essential to initiate adaptation to the current situation and to promote survival of the fittest. Thus, responses to stress evolved to be fast and efficient. This is implemented by a tight networking of the psycho-immune-neuro-energy (PINE) system. Within the PINE network, glucocorticoids are the universal messengers that regulate overall physiology jointly with cytokines, neurotransmitters and energy status. While the secretion of glucocorticoids in response to stress is itself a rather unspecific reaction to any kind of stressor, complexity of the outcome is encoded by lifetime, recent and present events. Together, these individual experiences modulate the diurnal and ultradian rhythmicity of glucocorticoid levels. Given the time- and dose-dependency of glucocorticoid signaling, this rhythmicity allows for flexibility in the coping with stress. In a chronic stress setting, the interaction of PINE network components is altered. While stress-resilient individuals retain adaptive capacity, vulnerable individuals lose flexibility in their responsiveness. Gene × environment interactions could explain individual differences. To better elucidate the molecular underpinnings of risk and resiliency, models that allow studying the consequences of chronic stress on the PINE network are required.
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« AU PIANO DE JEAN ECHENOZ : UN ROMAN NEO-REALISTE ». Dans Chevillard, Echenoz, 53–62. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789004358157_006.

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« 17 Apuntamientos para un estudio de la difusión de Pico en la España renacentista ». Dans Acta Conventus Neo-Latini Monasteriensis, 248–58. BRILL, 2015. http://dx.doi.org/10.1163/9789004289185_018.

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Cox, Karen L. « Jim Crow’s Investigation ». Dans Goat Castle. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635033.003.0007.

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Maurice O’Neill’s arrival sends the investigation into the black community after Minor’s “strange negro” reference. Local blacks are rounded up and the name Lawrence Williams emerges. Separately, a black man is shot and killed in Pine Bluff, Arkansas. His name is George Pearls and the police chief in Pine Bluff thought he might be the person to have killed Merrill. Book Roberts initially disregards the call. The investigation continues until someone tips Roberts off that a man named Williams was staying with Emily Burns and her mother Nellie Black. Deputies go to their home, find Williams trunk, and discover papers with the name George Pearls. Pearls/Williams are the same person. Emily is arrested alongside her mother. Emily is browbeaten and threatened with being whipped before she offers a “confession.” She remained in jail without an attorney. Her only visitor, her minister from Antioch Baptist Church, Charles Anderson.
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Maxile, Horace J. « Florence B. Price, Piano Sonata in E minor (1932) ». Dans Analytical Essays on Music by Women Composers : Concert Music, 1900–1960, 137–63. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190236984.003.0006.

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Abstract The first movement of Florence Price’s Piano Sonata in E minor (1932) highlights a strong sense of conventional form while exploring the possibilities of thematic material based on Black musical emblems. The melodies feature syncopations, modal inflections, and pentatonic collections. These features, among others, signify a distinctive vernacular presence, and yet her penchant for neo-Romanticism, replete with intriguing chromatic excursions, denotes an undeniable western European influence. This essay investigates the interactions of Price’s use of Black folk elements within the prevailingly learned style of the sonata’s first movement. Because of the cultural potency and historical bearing of Black vernacular emblems, ideas and approaches to musical signification and meaning are particularly viable in this analytical reading. Thus, her use of such emblems not only offers effective surface-level subtleties, but also poses veritable signifiers that affect the formal and expressive trajectories of the work.
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Tomás, António. « Shattering the Walls of Silence ». Dans Amílcar Cabral, 77–86. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197525579.003.0005.

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Up to 1959, Cabral had been over-cautious and avoided the fate of many of his comrades, such Agostinho Neto or Mário Pinto de Andrade, who either were in jail or exiled on account of their subversive political activities. However, after his last trip to Angola and Guinea, in 1959, where he had witnessed the crackdown of nationalist organizations, he could no longer maintain his duplicity. He then comes out as a nationalist in a grand way. It was in London, in early 1960s, that he publishes the first political pamphlet under his name, Facts about Portugal’s African colonies,” and he gives a press conference to denounce Portuguese colonialism. From there, Cabral settles in West Africa, particularly in Guinea-Bissau, where he started the work of preparing to launch the anti-colonial war against the Portuguese.
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Manning, Jane. « PETER CHILD (b. 1953)Emily Dickinson Songs (1998) ». Dans Vocal Repertoire for the Twenty-First Century, Volume 1, 61–63. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0018.

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This chapter describes seven miniatures created by Peter Child. These songs are written in an accessibly ‘neo-tonal’ idiom. Here, lean, nimble, relatively undemanding vocal lines are supported, and often driven, by highly characterful piano parts which convey much of the detail of the textual images. The piece forms a nicely balanced whole, its hypnotic slow movements contrasted by more animated rhythmical settings. The first four songs muse, fleetingly, on various features of the natural world (both animate and inanimate), but the last two plumb more deeply beneath the surface. The final setting is particularly affecting in its ambivalent soul-searching. The composer has a distinctive way of concluding each song with a pithy musical comment, sometimes leaving a question hovering in the air.
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Callahan, Mat, Robin D. G. Kelley et Kali Akuno. « Slave Songs ». Dans Songs of Slavery and Emancipation, 56–67. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496840172.003.0004.

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This chapter discusses slave songs arranged in approximately chronological order, the oldest first. It presents the lyrics of the songs, which are shown as they appeared in the most authoritative source, with a few obvious typos corrected. The chapter opens with a discussion on the three versions of “Uncle Gabriel, the Negro General” (ca. 1800). The first was in Poor Jack, a novel by Frederick Marryat published in 1840, the second version was collected by Lawrence Gellert, and the third was in the Christy Minstrels' Ethiopian Glee Book (1849). The chapter then follows how the author discovered Recognition March of the Independance of Hayti, published in 1820, in the Library of Congress. The march, written for piano and flute, was composed by Francis Johnson, a free Black man who was an abolitionist and one of the most famous band leaders of the early nineteenth century. The chapter chronicles the discovery of “Nat Turner,” ca. 1830, composed after Nat Turner's rebellion of 1831.
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Actes de conférences sur le sujet "Pino nero"

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Cantiani, Paolo, et M. Plutino. « Le pinete di impianto di pino nero appenniniche. Indagini sperimentali sul trattamento selvicolturale ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.210.

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Nocentini, Susanna, et Nicola Puletti. « La rinaturalizzazione dei rimboschimenti. Prova sperimentale su un popolamento di pino nero e laricio ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.028.

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Bianchi, Livio, Orazio Ciancio, Piermaria Corona, Antonio Faini, Barbara Ferrari, Anna Luisa Freschi, Susanna Nocentini et Nicola Puletti. « progetto MOGFUS : nuove metodologie operative per la gestione sostenibile delle fustaie a prevalenza di pino nero e delle fustaie e dei cedui invecchiati di cerro della Toscana ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.162.

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Sianipar, Imelda Masni Juniaty, et Arthuur Jeverson Maya. « Pink Tide : Neo-developmentalism in Brazil and Argentina ». Dans International Conference on Social Political Development (ICOSOP) 3. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0010001900230032.

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Thomas, E., M. Clerc, A. Carpentier, E. Daucea, D. Devlaminck et R. Munos. « Optimizing P300-speller sequences by RIP-ping groups apart ». Dans 2013 6th International IEEE/EMBS Conference on Neural Engineering (NER). IEEE, 2013. http://dx.doi.org/10.1109/ner.2013.6696120.

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Caverly, Robert H. « Numerical Modeling of Surface Effects in RF Switching PIN Diodes ». Dans 2018 IEEE MTT-S International Conference on Numerical Electromagnetic and Multiphysics Modeling and Optimization (NEMO). IEEE, 2018. http://dx.doi.org/10.1109/nemo.2018.8503081.

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Erdin, Ihsan, et Ram Achar. « Multi-pin Optimization of Decoupling Capacitors on Segmented Resonant Planes ». Dans 2019 IEEE MTT-S International Conference on Numerical Electromagnetic and Multiphysics Modeling and Optimization (NEMO). IEEE, 2019. http://dx.doi.org/10.1109/nemo.2019.8853730.

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Erdin, Ihsan, et Ram Achar. « Pin-capacitor spacing as a design guide to power delivery networks ». Dans 2017 IEEE MTT-S International Conference on Numerical Electromagnetic and Multiphysics Modeling and Optimization for RF, Microwave, and Terahertz Applications (NEMO). IEEE, 2017. http://dx.doi.org/10.1109/nemo.2017.7964190.

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Erdin, Ihsan, et Ram Achar. « Analytical Modeling of Power Pin Impedance in Parallel Power & ; Ground Planes ». Dans 2018 IEEE MTT-S International Conference on Numerical Electromagnetic and Multiphysics Modeling and Optimization (NEMO). IEEE, 2018. http://dx.doi.org/10.1109/nemo.2018.8503111.

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Maraes, Paula, Marly Costa et Cicero Filho. « Previsão de Cheias Sazonais para o Rio Negro Usando Redes Neurais Artificiais e Árvores de Decisão com Aprendizado Baseado em Comitê ». Dans X Workshop de Computação Aplicada à Gestão do Meio Ambiente e Recursos Naturais. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wcama.2019.6419.

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A ocorrência das cheias sazonais dos rios afeta, principalmente, a população ribeirinha. Neste trabalho foram avaliados métodos capazes de prever o pico da cheia de rios, utilizando dois tipos de preditores: Redes Neurais Artificiais (RNA) e Árvores de Decisão. Para o treinamento dos preditores, as variáveis foram selecionadas através da técnica de seleção escalar de características modificada a partir de um conjunto de dados das cheias do Rio Negro relativo ao período de 1951-2017. Para melhorar a generalização das Redes Neurais foram utilizadas as técnicas de regularização L 2 e parada antecipada, associadas a técnica bootstrap. Para melhorar a performance das árvores de decisão, métodos de aprendizado baseado em comitê (boosting e bagging), foram empregados. Esse artigo propõe ainda a classificação das cheias em faixas de valores. A eficiência dos preditores foi avaliada através do coeficiente de correlação de Pearson e da acurácia da classificação das cheias. As predições foram obtidas com 4,3,2 meses e 1 mês de antecedência em relação a ocorrência do pico da cheia. A melhor acurácia obtida na classificação em faixas foi de 85,07% com um mês de antecedência com relação ao pico da cheia, para o preditor RNA (parada antecipada e bootstrap).
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