Littérature scientifique sur le sujet « Piacentini Marcello »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Piacentini Marcello ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Piacentini Marcello"
Maulsby, Lucy M. « Giustizia Fascista ». Journal of the Society of Architectural Historians 73, no 3 (1 septembre 2014) : 312–27. http://dx.doi.org/10.1525/jsah.2014.73.3.312.
Texte intégralMonzo, Luigi. « Marcello Piacentini. Moderner Städtebau in Italien ; ». Architectura 45, no 1 (30 décembre 2015) : 88–91. http://dx.doi.org/10.1515/atc-2015-0008.
Texte intégralGodoli, Ezio. « Marcello Piacentini y el Art Déco en los cines italianos = Marcello Piacentini et l’Art Déco dans les cinémas italiens ». Aldaba, no 33 (13 décembre 2017) : 103. http://dx.doi.org/10.5944/aldaba.33.2008.20511.
Texte intégralDobler, Ralph-Miklas. « Marcello Piacentinis Casa Madre dei Mutilati in Rom ». Architectura 49, no 1 (1 janvier 2019) : 94–116. http://dx.doi.org/10.1515/atc-2019-1005.
Texte intégralErben, Dietrich. « Christine Beese, Marcello Piacentini. Moderner Städtebau in Italien. Berlin/Hamburg, Reimer 2016 ». Historische Zeitschrift 307, no 3 (5 décembre 2018) : 879–81. http://dx.doi.org/10.1515/hzhz-2018-1584.
Texte intégralMarcello, Flavia. « Between censure and celebration : the decorative plan of the Casa Madre dei Mutilati in Rome (1926-1939) ». Modern Italy 24, no 02 (mai 2019) : 179–98. http://dx.doi.org/10.1017/mit.2019.11.
Texte intégralBAXA, PAUL. « Piacentini's Window : The Modernism of the Fascist Master Plan of Rome ». Contemporary European History 13, no 1 (février 2004) : 1–20. http://dx.doi.org/10.1017/s0960777303001449.
Texte intégralCalderón Roca, Belén. « La gestión de la ciudad histórica en la Roma fascista 2 : Urbanística, Piani Regolatori y conservación del Patrimonio a través de la trayectoria de Marcello Piacentini ». Boletín de Arte, no 28 (25 mars 2018) : 279–306. http://dx.doi.org/10.24310/bolarte.2007.v0i28.4487.
Texte intégralBruna, Paulo. « Arquitetura Italiana Racionalista nos Anos 1930 ». Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, no 5 (19 avril 1995) : 151. http://dx.doi.org/10.11606/issn.2317-2762.v0i5p151-155.
Texte intégralCalderón Roca, Belén. « La gestión de la ciudad histórica en la Roma fascista 1 : la instrucción sobre restauro urbano a través de la obra de Gustavo Giovannoni ». Boletín de Arte, no 28 (25 mars 2018) : 253–77. http://dx.doi.org/10.24310/bolarte.2007.v0i28.4486.
Texte intégralThèses sur le sujet "Piacentini Marcello"
Tognon, Marcos 1966. « Marcello Piacentini : arquitetura no Brasil ». [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280824.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-18T20:33:55Z (GMT). No. of bitstreams: 1 Tognon_Marcos_M.pdf: 11942360 bytes, checksum: 242c1a560a9f07666c269ae9cdc94c25 (MD5) Previous issue date: 1993
Resumo: Esta pesquisa tem como objetivo o estudo e a catalogação das obras brasileiras do arquiteto Marcello Piacentini. Analisa a cultura artística do período entre Guerras na Itália, assim como as teorias sobre a arquitetura de Placentini. Apresenta a iconografia e a documentação, fortuna crítica, cronologia e a atribuição destas obras brasileiras ao arquiteto italiano.
Abstract: This research aims at studying and classifying the work of the architect Marcello Placentini developed In Brazil. It analyses the artistic culture of the period In between the two Wor1d Wars In Italy, as well as the theories on Placentini's architecture. It presents Iconography and documentation, how his works have been discussed by different authors, cronology, and the attribution of the Brazilian Works to the Italian architect.
Mestrado
Mestre em História
DI, TRAPANI Maria Stella. « Declinazioni del rapporto tra le arti e l'architettura nella prima metà del Novecento : i Palazzi di Giustizia in Sicilia ». Doctoral thesis, Università degli Studi di Palermo, 2021. http://hdl.handle.net/10447/515343.
Texte intégralThe thesis addresses the theme of the relationship between arts and architecture, recurring in cultural debates for many centuries but of particular importance in the first decades of the twentieth century: first, it frames it at a general level, through the analysis of three peculiar episodes, namely the fifth edition of the “Triennale di Milano” in 1933, dedicated to mural painting, the sixth “Convegno Volta” in 1936, conference devoted to the theme “Relationships of Architecture with the Figurative Arts”, and the promulgation of the “2% Law”, which provided for the allocation of at least the aforementioned percentage to artistic decorations in relation to the total expenditure planned for public buildings to be constructed. The analysis then dwells on a particular type of monumental building, that of the Palace of Justice: all the buildings constructed from the unification of Italy to the 1950s are briefly presented, focusing on the two cases that constitute the reference models, namely the Palace of Justice in Rome, designed at the end of the nineteenth century by Guglielmo Calderini, and the Palace of Justice in Milan, designed in the 1930s by Marcello Piacentini, which is one of the main protagonists of research. Subsequently, the same theme is investigated in depth in three specific cases, namely the Palaces of Justice built in Sicily during the defined period, in Messina, Catania and Palermo. The comparison of the three cases reveals the peculiarities, the common characteristics and the different declinations of the theme in relation to the context, the historical period, the functional requirements and the aesthetic and architectural changes occurred in a few years. The analysis returns, therefore, a detailed description of the architectural and artistic aspects of the three Palaces and reconstructs the figures of the architects who designed them – Marcello Piacentini, Francesco Fichera and Gaetano and Ernesto Rapisardi respectively – and of the numerous artists involved in the realization of the external and internal decorative apparatus of the buildings, tracing their biographical profiles and reconstructing their production. The study, however, is not limited to highlight the individual characteristics of the three cases but identifies the stylistic evolutions that took place at an architectural and artistic level in those years. Moreover, it traces the relationships and connections between the protagonists, identified not only by means of bibliographical surveys but also through numerous archival analyses and the perusal of specialized magazines, such as "Architettura e Arti Decorative", "Architettura", "Emporium" and many others, and some newspapers of the period. The several documents identified, in fact, constitute the backbone of the story, with the aim of returning the dynamics that took place and certain details otherwise neglected by the existing bibliographic sources.
D'Abate, Sara. « Traduttori e interpreti della classicità. Francesco Fariello, Saverio Muratori, Ludovico Quaroni (1928-1940) ». Doctoral thesis, 2019. http://hdl.handle.net/11589/161561.
Texte intégralThe thesis investigates the experience of Francesco Fariello, Saverio Muratori and Ludovico Quaroni, a Rome-based architectural team, that worked together from 1934 to 1940. During their brief but intense partnership, they took part in the most important Italian competitions and they were actively involved in the heated architectural debate in the Thirties, as they wrote for the main architecture magazines and newspapers. In their projects, they experimented different languages. At first, they endorsed an original modernity, inspired by models mostly observed in foreign magazines, and later they started to look at classicism as a renewed source of architectural shapes. During the fascism's last years, they fully embodied the complexity of Italian architectural culture, participating in the late Thirties, as a lot of their peers, in the planning of the Esposizione Universale di Roma 1942 (E42). The projects proposed for Palazzo dei Ricevimenti e dei Congressi and for Piazza Imperiale and its facing buildings appear to be - both now and then - contradictory to their first works. The stylistic turning point, as known, reflects a more general step back of modern architecture in Italy, due to the new imperial and monumental character expected by Benito Mussolini after the Italo-Ethiopian War and to the autarchic policy, which restricted the use of materials such as steel and glass, but it also depended on the closeness of the three young architects to Marcello Piacentini. One of the thesis' chapter deals with their relationship, starting from the participation of Fariello and Muratori in the editorial staff of «Architettura» to the collaboration between Quaroni and Piacentini in the set-up of several expositions in the two editions of Triennale di Milano of 1936 and 1940. The analysis of many unpublished drawings realized by the three architects for E42 projects, preserved in Quaroni's archive held by Associazione Archivio storico Olivetti, shows the attempt to build their own classic identity, founded on the study of a large collection of buildings, both Italian and foreign, and both ancient and contemporary. This is the proof that E42 projects were not exclusively influenced by the Scandinavian classicism, as claimed first by Manfredo Tafuri in his monograph research about Quaroni in 1964 and taken for granted by the subsequent literature, but they were rather inspired by a broad spectrum of design references, taken from «the classic architecture of all time», as they wrote on the report for Palazzo dei Ricevimenti e dei Congressi's competition. The thesis ascribes this design method to the legacy of the Scuola superiore di Architettura di Roma, which they attended between 1928 and 1934. In fact, the School, and especially the two-year courses Storia e stili dell'architettura and Disegno architettonico ed elementi di composizione, respectively held by Vincenzo Fasolo and Enrico Del Debbio, taught the students to search in the entire history of architecture spatial schemes and design rules to abstract and propose again in contemporary projects. Second World War interrupted both the construction of the Esposizione Universale di Roma and their partnership, which had probably been in crisis since 1938. Their collaboration dissolved in three different careers, and even though they became all academics at the Faculty of Architecture of the University of Rome, they undertook very distant paths from each other, both for the subjects taught and for the method proposed. An echo of this collaborative experience remains, especially in Muratori and Quaroni, in the ability to interpret the lesson of the past: the former through the formulation of the theory of “storia operante”; the latter through the development of a gaze able to seize and report, in books as Immagine di Roma and in projects as Teatro dell'Opera's extension, the Roman history and spirit, which have always been present in its architecture and in its people.
Livres sur le sujet "Piacentini Marcello"
Lupano, Mario. Marcello Piacentini. Roma : Editori Laterza, 1991.
Trouver le texte intégralMarcello Piacentini. Roma : Carocci editore, 2022.
Trouver le texte intégralDe, Rose Arianna Sara. Marcello Piacentini : Opere 1903-1926. Modena : Franco Cosimo Panini, 1995.
Trouver le texte intégralCiucci, Giorgio, editor of compilation, Lux, Simonetta, editor of compilation, Purini, Franco, 1941- editor of compilation et Piacentini Marcello 1881-1960, dir. Marcello Piacentini architetto, 1881-1960. Roma : Gangemi editore, 2012.
Trouver le texte intégral1881-1960, Piacentini Marcello, dir. Architetture di Marcello Piacentini : Le opere maestre. Roma : CLEAR, 2004.
Trouver le texte intégralScarrocchia, Sandro. Albert Speer e Marcello Piacentini : L'architettura del totalitarismo negli anni trenta. Milano : Skira, 1999.
Trouver le texte intégralTognon, Marcos. Arquitetura italiana no Brasil : A obra de Marcello Piacentini : história, catálogo, documentos. Campinas, SP, Brasil : Editora da Unicamp, 1999.
Trouver le texte intégralEllade e Roma ! : Lo stadio nazionale tra Giulio Magni e Marcello Piacentini. Pescara : Carsa, 2012.
Trouver le texte intégralFelice, Erika Di. Marcello Piacentini e Vincenzo Pilotti : I concorsi di architettura nell'Abruzzo della Grande Guerra. Martinsicuro - Italia : Di Felice edizioni, 2020.
Trouver le texte intégralChapitres de livres sur le sujet "Piacentini Marcello"
Ribichini, Luca, et Lorenzo Tarquini. « Marcello Piacentini, Genesis of a Form : The Drawing of the University City of Rome by “La Sapienza” ». Dans Digital Modernism Heritage Lexicon, 1077–87. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_46.
Texte intégral« 1930 Marcello Piacentini ». Dans The Barcelona Pavilion by Mies van der Rohe, 117–18. De Gruyter, 2020. http://dx.doi.org/10.1515/9783035619935-030.
Texte intégral« 1930 Marcello Piacentini ». Dans Mies van der Rohe Barcelona-Pavillon, 126–27. De Gruyter, 2020. http://dx.doi.org/10.1515/9783035619911-030.
Texte intégralTahmasebi, Aban. « The Necessity of the Study of Humanities in Analysis of Intangible Architectural Heritage of Europe in the 1930s ». Dans Advances in Religious and Cultural Studies, 212–41. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6936-7.ch010.
Texte intégral