Thèses sur le sujet « Photography »
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De, Lorenzo Nicholas. « Photography Post-Photography : Materiality of the Photograph ». Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.
Texte intégralOscar, Sara. « Into this wild abyss learning through fabricated photographs / ». Connect to full text, 2007. http://hdl.handle.net/2123/3965.
Texte intégral"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.
Jolly, Martyn. « Fake photographs : making truths in photography ». Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.
Texte intégralJolly, Martyn. « Fake photographs making truths in photography / ». Click here for electronic access to document : http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.
Texte intégralTeichmann, Esther. « Falling into photography : on loss, desire and the photographic ». Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1173/.
Texte intégralKanar, Ege. « Photography as artificial memory : Construction of the Photographic Self ». Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78095.
Texte intégralStotzer, Talhy. « Photography and the medium : a photographic dialogue in China ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/598.
Texte intégralNapier, Ellen Bethany. « Thomas Struth's Museum Photographs and the Textual Experience of Photography ». The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1364223682.
Texte intégralAbdullah, Ismail Bin. « Documentary photography : a study of nineteenth century documentary photography with special reference to West Malaysian historical photographs 1874-1910 ». Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344016.
Texte intégralAshworth, Brad. « Architecture Lucida : photography and design--a center for photographic studies ». Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23780.
Texte intégralCooper, Elena Sophia Christina. « Art, photography, copyright : a history of photographic copyright, 1850-1911 ». Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.
Texte intégralBelknap, Geoffrey David. « 'From a photograph' : photography and the periodical print press 1870-1890 ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.
Texte intégralGmuender, Christopher. « On black-and-white paper image-stability enhancement effectiveness of toning treatments on silver gelatin prints determined by the hydrogen peroxide fuming test / ». Online version of thesis, 1992. http://hdl.handle.net/1850/10950.
Texte intégralShirley, Anne. « What a photograph and cannot do exegesis submitted in partial fulfilment of requirements for the degree Master of Art and Design, to Auckland University of Technology, 2008 ». Click here to access this resource online, 2008. http://hdl.handle.net/10292/455.
Texte intégralMthethwa, Zwelethu. « "Personal" constructs / ». Online version of thesis, 1988. http://hdl.handle.net/1850/11638.
Texte intégralCurtin, Tansy. « Contemporary German photography and American realism : is colour the only link ? / ». Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmc9782.pdf.
Texte intégralLenon, Melyssa Ann. « The chemistry of photography ». Diss., Connect to online resource - MSU authorized users, 2006.
Trouver le texte intégralTitle from PDF t.p. (viewed on June 19, 2009) Includes bibliographical references (p. 115-118). Also issued in print.
Smyrnova, Anna. « Fashion photography ». Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13164.
Texte intégralMakotrenko, D. S. « Femto photography ». Thesis, Сумський державний університет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/33731.
Texte intégralMiller, Larry S., et Norman Marin. « Police Photography ». Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1455777633.
Texte intégralhttps://dc.etsu.edu/etsu_books/1060/thumbnail.jpg
Sénéchal, Gilles. « Essai de recontextualisation de la photographie / ». Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1993. http://theses.uqac.ca.
Texte intégralCette communication a été réalisée à l'UQAC dans le cadre du programme de maîtrise en Arts plastiques de l'UQAM extensionné à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU
Grayson, Louise. « Streets apart genres of editorial photographs and patterns of photographic practice ». Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50796/1/Louise_Grayson_Thesis.pdf.
Texte intégralHudson, Giles. « The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer ». Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.
Texte intégralForrest, Eve. « On photography and movement : bodies, habits and worlds in everyday photographic practice ». Thesis, University of Sunderland, 2012. http://sure.sunderland.ac.uk/3304/.
Texte intégralRuminski, Jarret. « “A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism ». Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162.
Texte intégralFitzgerald, Shane. « Abstraction, Space and Photography ». Thesis, Griffith University, 2020. http://hdl.handle.net/10072/391080.
Texte intégralThesis (Masters)
Master of Visual Arts (MVA)
Queensland College of Art
Arts, Education and Law
Full Text
Hacking, Juliet Louise. « Photography personified : art and identity in British photography 1857-1869 ». Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266787.
Texte intégralDavey, Gerald John. « Understanding Photographic Representation : Method and Meaning in the Interpretation of Photographs ». Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/5372.
Texte intégralMikuriya, Junko Theresa. « Imitations of photography ». Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518923.
Texte intégralYu, Kit-yee Flora, et 余潔儀. « Postmodernism and photography ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31950152.
Texte intégral譚美兒 et Mei-yee Eve Tam. « Orientalism and photography ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B4413938X.
Texte intégralCollingham, Maria. « Photography : locus suspectus ». Thesis, De Montfort University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391990.
Texte intégralLarsen, Jonas. « Performing tourist photography / ». Roskilde : Department of Geography and International Development Studies, Roskilde University, 2004. http://hdl.handle.net/1800/788.
Texte intégralTam, Mei-yee Eve. « Orientalism and photography ». Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262099.
Texte intégralLin, Chiawen. « Photography and Poetry ». Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172935.
Texte intégralDiFrancesco, A. Gary. « An investigation of the competition between surface/internal latent-image formation in AgBr core-shell emulsions / ». Online version of thesis, 1985. http://hdl.handle.net/1850/8753.
Texte intégralScarsella, Thomas M. « An investigation of the potential mobility of gold ions in core/shell silver bromide emulsions / ». Online version of thesis, 1991. http://hdl.handle.net/1850/11293.
Texte intégralSchwab, Michael. « Image automation : post-conceptual post photography and the deconstruction of the photographic image ». Thesis, Royal College of Art, 2008. http://researchonline.rca.ac.uk/309/.
Texte intégralOrain, Hélène. « Pure Photography : la photographie pure en Grande-Bretagne, matière à discours (1860-1917) ». Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H058.
Texte intégralThis study is an analysis of the evolution of the notion of pure photography, in discourses happening in Great Britain between 1860 and 1917. Defined as a photograph that is neither retouched nor manipulated, pure photography is envisaged in regard to retouching and negative and positive interventions. An exploration of British periodicals has brought to light the constant preoccupation for the definition and legitimacy of the photographic tools. First, the question of combination printings, the notion of truth as the essence of photography and the aspect of photographic images are a source of debate. The discourses of acceptance and rejection of practices such as printing-in clouds, colouring and retouching shine light on the genesis of retouching. These aspects, paralleled with the presence of pure photography in exhibitions, highlight the emergence of a purist aspiration as early as 1860. Finally, the discourses of Peter Henry Emerson and Frederick H. Evans on pure photography are confronted and contextualized within pictorialism, to further its definition. Thus, through these debates on purity, the limits of experimentation and the aspects of photography, the figures of Alfred H. Wall, Oscar Gustav Rejlander, Julia Margaret Cameron, Robert Demachy, Alvin Langdon Coburn and Alfred Stieglitz are connecting. Their discourses and research put forth an ideal, out of reach, impractical, a myth more than a reality
Kirkpatrick, Erika Marie. « Photography, the State, and War : Mapping the Contemporary War Photography Landscape ». Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.
Texte intégralShtonda, A. O. « Great Contemporary Photographers ». Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8399.
Texte intégralBlomgren, Constance, et University of Lethbridge Faculty of Education. « Family photos : an exploration of significant exposures ». Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.
Texte intégralxvii, 199 leaves : ill. ; 28 cm.
O'Toole, Sean W. P. « The effect of environment on latent image formation and stability / ». Online version of thesis, 1995. http://hdl.handle.net/1850/12173.
Texte intégralJIASHEN, HAN, et JING NING. « Study on wedding photography and Strategic business plan for wedding photography Studi ». Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20170.
Texte intégralProgram: Magisterutbildning i fashion management med inriktning modemarknadsföring
Godeau, Vincent. « La photographie africaine contemporaine : vers une photographie panafricaine ». Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040097.
Texte intégralContemporary African photography is here photography practiced by Africans living in Africa. In our period (1989-2009), the acknowledgement of the absence of specificity of African photography takes the place of the photographic gaze brought by Westerners to Africa: “What is the real african photography?” is a question that characterizes this photography. In parallel, the portrait genre imposes itself, searching to end up outside of the consciences of an ambient afropsessimism, while documentary photographs show the Africa lived by Africans. Even more militant, citizen photography develops and is accompanied by a discursive hegemony. But the true photography engaged has been given by some of the Anglophone countries that therefore contribute to the collective march to recognition, France and the United States playing an essential role, since 1990, in this process. The interest in those two northern countries may also be explained by a diaspora of African photographers whose work feeds a number of manifestations that highlight a relative deficit of local photographers that practice “art photography”. In this fragile context, the nursery of South African photographers evolving in an economic market similar to that of the occident takes a counter-point to French speaking countries where French civil servants distribute state assistance of European origin. It is this South Africa, alongside other English speaking countries and Mozambique, that demonstrates the path of a clearly gestating African photography
Gheorghiu, Rares Cosmin. « Dark Humour in Photography ». Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018.
Trouver le texte intégralDal, Pezzo Rolando. « Photography, sociology & ; anthropology ». FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2708.
Texte intégralRaina, Priyanka. « Architectures for computational photography ». Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/82393.
Texte intégralCataloged from PDF version of thesis.
Includes bibliographical references (p. 93-94).
Computational photography refers to a wide range of image capture and processing techniques that extend the capabilities of digital photography and allow users to take photographs that could not have been taken by a traditional camera. Since its inception less than a decade ago, the field today encompasses a wide range of techniques including high dynamic range (HDR) imaging, low light enhancement, panorama stitching, image deblurring and light field photography. These techniques have so far been software based, which leads to high energy consumption and typically no support for real-time processing. This work focuses on hardware architectures for two algorithms - (a) bilateral filtering which is commonly used in computational photography applications such as HDR imaging, low light enhancement and glare reduction and (b) image deblurring. In the first part of this work, digital circuits for three components of a multi-application bilateral filtering processor are implemented - the grid interpolation block, the HDR image creation and contrast adjustment blocks, and the shadow correction block. An on-chip implementation of the complete processor, designed with other team members, performs HDR imaging, low light enhancement and glare reduction. The 40 nm CMOS test chip operates from 98 MHz at 0.9 V to 25 MHz at 0.9 V and processes 13 megapixels/s while consuming 17.8 mW at 98 MHz and 0.9 V, achieving significant energy reduction compared to previous CPU/GPU implementations. In the second part of this work, a complete system architecture for blind image deblurring is proposed. Digital circuits for the component modules are implemented using Bluespec SystemVerilog and verified to be bit accurate with a reference software implementation. Techniques to reduce power and area cost are investigated and synthesis results in 40nm CMOS technology are presented
by Priyanka Raina.
S.M.
Coombes, Justin. « Photography, memory and ekphrasis ». Thesis, Royal College of Art, 2012. http://researchonline.rca.ac.uk/1280/.
Texte intégralBalaba, M. A. « The invention of photography ». Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/34848.
Texte intégral