Littérature scientifique sur le sujet « Photographie – Psychologie »
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Articles de revues sur le sujet "Photographie – Psychologie"
Guyot, Adrien. « Âges d’or et fausses nostalgies : Entre imaginaire vintage et déjà vu. Une analyse du discours nostalgique dans la culture populaire contemporaine ». Convergences francophones 6, no 2 (23 mai 2020) : 123–30. http://dx.doi.org/10.29173/cf564.
Texte intégralMuzzarelli, Federica. « Voyeurism and erotic stereotypes in fashion photography : Modernity and postmodernity from the Countess of Castiglione to Helmut Newton ». Fashion, Style & ; Popular Culture 8, no 2 (1 mai 2021) : 189–204. http://dx.doi.org/10.1386/fspc_00078_1.
Texte intégralVissers, Nathalie, Pieter Moors, Dominique Genin et Johan Wagemans. « Exploring the Role of Complexity, Content and Individual Differences in Aesthetic Reactions to Semi-Abstract Art Photographs ». Art and Perception 8, no 1 (4 mars 2020) : 89–119. http://dx.doi.org/10.1163/22134913-20191139.
Texte intégralKoureas, Gabriel. « Parallelotopia : Ottoman transcultural memory assemblages in contemporary art practices from the Middle East ». Memory Studies 12, no 5 (octobre 2019) : 493–513. http://dx.doi.org/10.1177/1750698019870689.
Texte intégralMolnar, Michael. « Freud & ; Co. » Psychoanalysis and History 8, no 2 (juillet 2006) : 255–66. http://dx.doi.org/10.3366/pah.2006.8.2.255.
Texte intégralCartwright, Lisa. « On the Face of the Photograph, and the Moving Image : Geopolitical Affect in the Speculative Landscapes of Connie Samaras ». Journal of Visual Culture 17, no 2 (août 2018) : 238–52. http://dx.doi.org/10.1177/1470412918783833.
Texte intégralKimle, Patricia Anne, et Ann Marie Fiore. « Fashion Advertisements : A Comparison of Viewers' Perceptual and Affective Responses to Illustrated and Photographed Stimuli ». Perceptual and Motor Skills 75, no 3_suppl (décembre 1992) : 1083–91. http://dx.doi.org/10.2466/pms.1992.75.3f.1083.
Texte intégralAlley, Thomas R. « Visual Detection of Body Weight Change in Young Women ». Perceptual and Motor Skills 73, no 3 (décembre 1991) : 904–6. http://dx.doi.org/10.2466/pms.1991.73.3.904.
Texte intégralFawns, Tim. « Blended memory : A framework for understanding distributed autobiographical remembering with photography ». Memory Studies 13, no 6 (13 février 2019) : 901–16. http://dx.doi.org/10.1177/1750698019829891.
Texte intégralBohm-Duchen, Monica. « Chasing Shadows ». European Judaism 56, no 1 (1 mars 2023) : 22–39. http://dx.doi.org/10.3167/ej.2023.560103.
Texte intégralThèses sur le sujet "Photographie – Psychologie"
Cailler, Julie. « L'autoportrait en photographie et la mélancolie ». Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080029.
Texte intégralThis research articulates three axes : Selfportrait, Photography and Melancholia. It questions Melancholia's issues under the devices of pictures of the self creation and their expressions within photographic selfrepresentation. Melancholia is here thought as a singular relation to the picture of the self, a definition that is supported on psychanalysis theories – although our reflexion remains aesthetic – but which also fits within history of melancholia, history of medicine, art and philosophy. The corpus is made with artists who deal with selfportraits or else, whose photographic work consists essentially or exclusively of selfportraits. Three mains artists will be summoned : Kimiko Yoshida, Marie L. and David Nebreda
Blickhan, Marko [Verfasser], Christoph [Akademischer Betreuer] Redies, Holger [Akademischer Betreuer] Wiese et Ulrich [Akademischer Betreuer] Ansorge. « Das Fourierspektrum von Gesichtsbildern in Photographie und Kunst und dessen Einfluss auf die Gesichtswahrnehmung / Marko Blickhan. Gutachter : Christoph Redies ; Holger Wiese ; Ulrich Ansorge ». Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2012. http://d-nb.info/1025255984/34.
Texte intégralRomagnoli, Bethonico Marina. « IMAGE-FICTION, IMAGE-ACTION. Mise en jeu de la photographie contemporaine entre théorie des mondes possibles et théorie des actes d’image ». Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030034.
Texte intégralThis research focuses on the possibility of applying the theories of possible worlds to the visual arts. First, an introduction to this theoretical universe is presented, starting from its foundational texts, as well as its application in literary studies, to the context of the visual arts. An introduction to speech act theories is also provided, in order to arrive at the field of image acts. Through a heterogeneous corpus, composed of contemporary photographs produced by artists of various nationalities, the categories of image-fiction and image-action are developed, articulating a theory of visual possible worlds. The dynamics between the image, the artist and the viewer, triggered by these two types of images, are then analyzed through the theory of image acts. Starting from a theoretical and image-based research method founded on complex thought, we explore the idea of a transmission of "ways of worldmaking", which emerges from an active image-fiction proposing an image play. The hypothesis worked on is that the act of self-denunciation of the image-fiction allows the viewer to find trails of the image’s manipulation, initiated by the artist's "fingere". Finally, the image-fiction – produced, manipulated – enacts a simulation of a fragment of a possible world as it presents other versions for the world of phenomena, for history and individuals. In this way, it opens up paths from fiction towards action, inviting the viewer to construct new collective contexts in the present
Pillaudin, Marine. « L'enfance dans l'art : espace transitionnel, transfiguration et transfert dans le dessin, la photographie et la vidéo ». Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010511.
Texte intégralRelying on personal experience in drawing, collage and photography, this thesis on poiesis explores the subject of childhood in Art. Designed as a work in progress, it stems from the intimacy of drawing and aims at constructing a singular outlook from the display of photography and films depicting childhood trauma. It verifies the hypothesis stating that the artist peers into his own childhood and that of others in order to conquer creative fields hitherto ignored, at the threshold of the intimate other. The first section scrutinizes the works of Louis Bourgeois, Mike Kelley and Rosemarie Trockel striving to understand how their creative processes reactivate transitional space -and its associated phenomena- by immersing us in distant recollections of childhood. The second section questions the transfiguration and the dramatic alteration of children's faces filmed and photographed by Diane Arbus, Lewis Hine, Sebastiâo Salgado and Gillian Wearing. The thesis then pursues on to evaluate the aesthetic and political stakes bound to the use of these images by artists, the likes of Mathieu Pemot and Catherine Poncin. Ultimately, the third part is centred on the work of Gerhard Richter dealing with transfer as a means of resurfacing -through reiteration- past events that haunt him. The resulting product thus making it possible to set these wounds in stone. Mythesis is that the experience of total absorption/immersion in these works -simultaneously including and excluding us- makes it possible for the artist and the observer to acknowled e the narratives of ethers within themselves
Aufraise, Marc. « Salvador Dali et la photographie : portraits du surréalisme (1927-1942) ». Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01001654.
Texte intégralDias, de Magalhães Cristina. « Vu(es) de dos : la photographie comme espace d'identité et de création ». Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010666.
Texte intégralThrough the thesis Back view(s) : photography as identity and creation space, I question my photographic practice through the phenomenology of the gaze, while facing an obsession, the desire to see my own back and the back of the others. Starting from my own body as a source of experimentation, I express the need to exist in a different way through this part of my body that remains invisible to my own gaze. This search for recognition leads me towards developing artistic protocols, to face the other from the back. While I am traveling through space and meeting the unknown, I create different spaces of reflection. The back becomes the subject being photographed and observed, the starting point of my theoretical and aesthetic research, as well as the foundation that I build with the world of art and the others. As an interface, the view of the back seems to provide a look onto an anthropological and artistic place or territoriality, suggesting another way of being, seeing and thinking the world
Couanet, Catherine. « Esthétique des images photographiques des corps intimes et politiques ». Paris 8, 2009. http://www.theses.fr/2009PA083081.
Texte intégralThe problem which underlies this research can be posed as a question: in what ways do the intimacies of bodies harbour politically challenging questions to photography? The answer to this question resides within the aesthetics of the Erotic. The Erotic yields imaginary representations of the origin and its generations. The structure of the fantasy of the subject - through social amplification, scientific discovery, the pluralizing of sexuality and its photographic creations - is in mutation. The visibility of those once marginalized and regarded as "other" signifies a new axis constituting the object of desire. What the "other" produces, then, are his mythologies. The designation of the term "others" implies a boundary of normality and of the homogeneity of the mass. Beyond this point, the physical and psychic territories are to be colonised. The power of the bodies upon themselves, and the power of the bodies despite themselves, underlines the political character of the image. As pictures or advertisements, photography’s taken between the American and the European continents reveal the sexual identity of the Nations. Thus, from the system of binary opposition between the sexes in the twentieth century, we go to the distinctions of genders - queerness - in the twenty-first century. The body and its photographic representations open a new realm of gender, which, at the rhythm of the tempo of a caress, leads to a veritable revolution of the views
Hodifa, Wael. « Pratiques photographiques et jugements esthéthétiques chez les enfants ». Caen, 2009. http://www.theses.fr/2009CAEN1538.
Texte intégralAndré, Fresner. « Le traumatisme de l’amputation de membre : les ressources culturelles de la résilience ». Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. http://www.theses.fr/2023UBFCH040.
Texte intégralThis research focuses on a particularly trying experience: the trauma of limb amputation. Whether accidental or medical, the loss evidenced by the stump has both physical and psychological consequences. It is part of the research on the links between resilience and culture developed in North America in particular. To carry out this research, we used a qualitative methodology. The research was carried out with amputees in two cultural universes: Haiti (N=20) and France (N=12), using two methods: photolangage® and the clinical research interview. The results, in the form of 5 studies, show a clear difference between the two populations. Whereas the people we met in Haiti put a lot of emphasis on spirituality (religious beliefs and practice) and family support as cultural resources, in France the people stressed above all the need for quality social welfare services. Family support is also an important element, but more so in Haiti, where the adaptation of public spaces and the integration of people with disabilities remain major challenges. In the discussion, we focus on the challenges of the cultural framework and the protective factors that contribute to the resilience process of limb amputees. And then, to orient the results of the research in a care perspective, we present the outline of a care device that could accommodate people who have been confronted with a traumatic experience and who call on their cultural resources to make sense of it.Key words: trauma - limb amputation - resilience process - cultural resources - family
Chouba, Skhiri Faten. « L'art comme emballage : oscillation entre invagination et évagination ». Paris 1, 1999. http://www.theses.fr/1999PA010653.
Texte intégralLivres sur le sujet "Photographie – Psychologie"
Mike, Robinson, et Picard David, dir. The framed world : Tourism, tourists, and photography. Farnham, Surrey, England : Ashgate Pub., 2009.
Trouver le texte intégralKaite, Berkeley. Pornography and difference. Bloomington : Indiana University Press, 1995.
Trouver le texte intégralPornography and difference. Bloomington : Indiana University Press, 1995.
Trouver le texte intégralLe pouvoir de l'intime dans la photographie documentaire. Arles : Arnaud Bizalion éditeur, 2020.
Trouver le texte intégralDolivet, Frédérique, Pascal Hoël et Simon Baker. Love songs : Photographies de l'intime. Paris : MEP, 2022.
Trouver le texte intégralSehen und photographie : Ästhetik zum Bild. 2e éd. Berlin : Springer, 2010.
Trouver le texte intégralSroka, Iris E. Young children's photographic practice : Representation and world knowledge. Ann Arbor, Mich : UMI Dissertation Services, 2002.
Trouver le texte intégralL'image en art-thérapie : La photographie comme médium relationnel. Paris : L'Harmattan, 2010.
Trouver le texte intégralPhotographic engagements : Belonging and affective encounters in contemporary photography. Göteborg : Makadam, 2018.
Trouver le texte intégralMark, Haworth-Booth, Squiers Carol 1948-, San Francisco Museum of Modern Art. et Grey Art Gallery & Study Center., dir. Police pictures : The photograph as evidence. San Francisco : San Francisco Museum of Modern Art, 1997.
Trouver le texte intégralChapitres de livres sur le sujet "Photographie – Psychologie"
Michel Fariña, Juan Jorge, et Florencia González Pla. « Photography and Film in the Experience of Identity Restitution : Writing with Light ». Dans Peace Psychology Book Series, 59–69. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97542-5_5.
Texte intégralMartínez, Ariel. « The Diaspora of Identity. A Cuir Look upon Identifications in the Photograph of Lariza Hatrick ». Dans Latinx Queer Psychology, 25–41. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82250-7_3.
Texte intégralGupta, Deepa, et Nandita Chaudhary. « Breaking Down Complex Realities : The Exploration of Children’s Prosocial Actions Using Photographs ». Dans Courageous Methods in Cultural Psychology, 71–90. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93535-1_5.
Texte intégralDaxböck, Jennifer, Maria Laura Dulbecco, Sintija Kursite, Tommy Kristoffer Nilsen, Andrada Diana Rus, Joanne Yu et Roman Egger. « The Implicit and Explicit Motivations of Tourist Behaviour in Sharing Travel Photographs on Instagram : A Path and Cluster Analysis ». Dans Information and Communication Technologies in Tourism 2021, 244–55. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65785-7_22.
Texte intégralSekerina, Irina A., et Patricia J. Brooks. « Multilingual Linguistic Landscapes of New York City as a Pedagogical Tool in a Psychology Classroom ». Dans Educational Linguistics, 199–222. Cham : Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-39578-9_9.
Texte intégralKurtz, Jaime L., et Sonja Lyubomirsky. « Happiness promotion : Using mindful photography to increase positive emotion and appreciation. » Dans Activities for teaching positive psychology : A guide for instructors., 133–36. Washington : American Psychological Association, 2013. http://dx.doi.org/10.1037/14042-021.
Texte intégralBrzezicki, Marcin. « Reflection Overlay as a Potential Tool for Separating Real Images from Virtual Images in Photographs of Architecture ». Dans Engineering Psychology and Cognitive Ergonomics, 125–32. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07515-0_13.
Texte intégralMazzanti, Anna. « Operazione Arcevia. Existential Community. The Reality of the Experience and the Utopia of the Vision ». Dans Springer Series in Design and Innovation, 569–83. Cham : Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_54.
Texte intégralAtay, Simber. « On Seduction ». Dans Seduction in Popular Culture, Psychology, and Philosophy, 58–75. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0525-9.ch003.
Texte intégral« Photography and the photographic image ». Dans Psychology of the Image, 166–82. Routledge, 2012. http://dx.doi.org/10.4324/9780203446928-17.
Texte intégralActes de conférences sur le sujet "Photographie – Psychologie"
Briandana, Rizki, et Dini Ari Mukti. « Understanding Photography Representation : Humanism and Social Criticism in Social Media ». Dans Proceedings of the International Conference on Psychology and Communication 2018 (ICPC 2018). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/icpc-18.2019.13.
Texte intégralCarvalho, Ana Cláudia Pires, Stella Angelis Trivellato, Guilherme Jardini Drumond Anastacio, Fernanda Rezende Dias, Luisa Crevelin Costa, Juliana Akita et Natália de Castro Fim Nakao. « Lambert-Eaton syndrome without an identified neoplasm ». Dans XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.504.
Texte intégralSayar, Alperen, Tuna Çakar, Tunahan Bozkan, Seyit Ertuğrul et Mert Güvençli. « Emotional Analysis of Candidates During Online Interviews ». Dans 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003278.
Texte intégralMartins, João. « Design of products to honor people post mortem ». Dans Systems & Design : Beyond Processes and Thinking. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3323.
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