Littérature scientifique sur le sujet « Photocopiers »
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Articles de revues sur le sujet "Photocopiers"
Kasi, V., N. Elango, S. Ananth, B. Vembhu et JG Poornima. « Occupational exposure to photocopiers and their toners cause genotoxicity ». Human & ; Experimental Toxicology 37, no 2 (20 février 2017) : 205–17. http://dx.doi.org/10.1177/0960327117693068.
Texte intégralJasuja, Om Prakash, Suryakant Mishra et Mohinder Singh. « The effect of photocopier types on line quality features of handwriting in multi-generational photocopies ». Nowa Kodyfikacja Prawa Karnego 59 (9 novembre 2021) : 57–70. http://dx.doi.org/10.19195/2084-5065.59.5.
Texte intégralYuli Prasetyo, Dwi. « Sistem Diagnosis Kerusakan Mesin Fotocopy Canon iR 5000 ». JUTI UNISI 3, no 2 (28 décembre 2019) : 1–9. http://dx.doi.org/10.32520/juti.v3i2.837.
Texte intégral&NA;. « Contamination from Photocopiers ». Journal of Occupational and Environmental Medicine 30, no 10 (octobre 1988) : 762–64. http://dx.doi.org/10.1097/00043764-198810000-00003.
Texte intégralBickmore, J. T. « Fluorescent Lamps in Photocopiers ». Science 284, no 5411 (2 avril 1999) : 49f—49. http://dx.doi.org/10.1126/science.284.5411.49f.
Texte intégralOSADOLOR, H. B., O. D. VITTU et U. O. IDEMUDIA. « TOXICITY OF COPPER, LEAD, IRON AND ZINC IN OCCUPATIONAL PHOTOCOPIER OPERATORS AND REPAIRERS IN THE UNIVERSITY OF BENIN COMMUNITY- A PILOT STUDY ». Nigerian Journal of Life Sciences (ISSN : 2276-7029) 5, no 1 (25 mars 2022) : 236–42. http://dx.doi.org/10.52417/njls.v5i1.228.
Texte intégralIyere, Sunday F., Bernard O. A. Ozigi et Joseph K. Yeboah. « Response characteristics of a negative temperature coefficient thermistor ». Journal of Electrical, Control and Telecommunication Research 1 (29 juillet 2020) : 17–22. http://dx.doi.org/10.37121/jectr.vol1.113.
Texte intégralMorton, Susan E. « A Look at Newer Photocopiers ». Journal of Forensic Sciences 34, no 2 (1 mars 1989) : 12658J. http://dx.doi.org/10.1520/jfs12658j.
Texte intégralWolkoff, Peter. « Photocopiers and indoor air pollution ». Atmospheric Environment 33, no 13 (juin 1999) : 2129–30. http://dx.doi.org/10.1016/s1352-2310(99)00066-7.
Texte intégralNakashima, Takuya, Hiroyuki Suhara, Hidekazu Murata et Hiroshi Shimoyama. « Method for Estimating the Charge Density Distribution on a Dielectric Surface ». Microscopy and Microanalysis 23, no 3 (12 avril 2017) : 472–83. http://dx.doi.org/10.1017/s1431927617000423.
Texte intégralThèses sur le sujet "Photocopiers"
Chaumont, Myriam. « Existe-t-il une pathologie professionnelle liée à l'utilisation des photocopieurs ? » Université Louis Pasteur (Strasbourg) (1971-2008), 1985. http://www.theses.fr/1985STR1M210.
Texte intégralTremblay, Erik. « Étude de l'influence des paramètres affectant le désencrage de vieux papiers photocopiés ». Thèse, Université du Québec à Trois-Rivières, 1996. http://depot-e.uqtr.ca/4827/1/000628938.pdf.
Texte intégralPaint, Estelle. « Les projets Luther Blissett et Wu Ming : les prémices d'une nouvelle ère de la littérature ? Ou comment, à l'heure d’Internet et de la mondialisation, un collectif d'auteurs italiens remet en cause le façonnement de l'œuvre littéraire, les modalités de sa diffusion, et le statut de l'auteur ». Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100196/document.
Texte intégralIn 1999, the novel Q, authored by Luther Blisset, enjoyed considerable success. One of its special characteristics is that it bears a copyleft notice allowing free reproduction of the work. Indeed, an open, international group artists and media activists hides behind this peculiar nom de plume and has distinguished itself at various public actions and happenings. About a year later, the authors of the novel set out a new project under the pseudonym Wu Ming (a Chinese translation of “anonymous”) and advocated free circulation of written works. Their publications in literary theory have given rise to controversy in the Italian literary circles. Breaking with the figure of the author that has reigned supreme over the past three decades, Wu Ming is building on new technologies and more specifically on the Internet in order to enforce a new conception of both literary creation and the circulation of works.This dissertation investigates the novelty of the ethical and literary position of Luther Blissett and Wu Ming and looks into their productions in relation to avant-gardism, postmodernism and littérature engagée. In cross-examining the stakes and functioning of both projects with their actual creations, we aim to determine whether Luther Blissett and Wu Ming are heralding a change in literary paradigm or if, in spite of their singularities, these authors do not actually fit into existing patterns
Carrillo-López, María Eugenia. « Automatización de bibliotecas de la Unidad Torreón de la Universidad Autónoma de Coahuila ». Thesis, 1992. http://eprints.rclis.org/11517/1/1992.Carrillo-Lopez.M.E.UANL.Master.Thesis.Librarianship.pdf.
Texte intégralVillegas-Tovar, Ricardo. « Information Services in Libraries for Printed and Digital Materials : Selected Legal Issues ». Thesis, 2008. http://eprints.rclis.org/15160/1/VersionFinal.pdf.
Texte intégralChen, Hsin-you, et 陳信佑. « The optical design of the color photocopier ». Thesis, 2009. http://ndltd.ncl.edu.tw/handle/k82997.
Texte intégral國立中央大學
光電科學研究所
97
The lack of color photocopier for the optical design of the study in Today’s thesis, but color photocopier for the development of human civilization has a contribution that can not be ignored, therefore, we design a color photocopier for the optical design that analyzing and study by optical simulating software Code V, first choice the US patent 4974948, and first order calculation, standards set, optimization analysis, draw zoom tracking map, manufacturing requirements confirmation, tolerance analysis, finally, This thesis is a color photocopier design to photocopy A4, B4, A3 size, total track is 521 mm, Three optical zoom, the zoom design is satisfied, the quality of imaging MTF, MTF VS FIELD, Distortion, Lateral color, Relative illumination.
Huang, Kuan-Lin, et 黃冠霖. « Vibration Characteristics Analysis of Driving Apparatus of Optical System for Photocopier Scanner ». Thesis, 2010. http://ndltd.ncl.edu.tw/handle/55jn53.
Texte intégral國立臺北科技大學
製造科技研究所
98
This study discusses vibration characteristics of driving apparatus of optical system for photocopier scanner. The commercial finite element analysis software is used to analyze the mode shapes and natural frequencies of the driving apparatus selected. Major components of driving apparatus of optical system are two mirrors, two designs of spring steel and frame, and bottom of the frame is fixed on the track by the magnet. The modal analysis about the frame based on FEM is performed and the natural frequencies obtained are in good agreement with the experimental modal analysis. According to the results, some of the mode shapes of frame will make mirror to deform easily. In the analysis of driving apparatus of optical system, because contact spring elements exert the pre-compressive force on the mirrors to fix to the frame, the mass element and spring element are used to replace the original contact elements. And then, the effects of natural frequency and mode shape under the different pre-compressive force are studied. The results show that the natural frequencies of reflective mirror component are higher than those without pre-compressive force and yield stiffer structure.
Lo, Huan Lun, et 羅煥倫. « The mechanics of the papers in the paper feeding mechanism of photocopier ». Thesis, 1994. http://ndltd.ncl.edu.tw/handle/35543733681035479452.
Texte intégralSantos, Bruno Daniel Ministro dos. « Todas as Cópias são Originais : eletrografia e copy art em Portugal ». Doctoral thesis, 2020. http://hdl.handle.net/10316/91050.
Texte intégralEnquanto práticas de criação experimental assentes no uso da fotocopiadora, eletrografia e copy art problematizam a oposição histórica entre cópia e original ao conceber, através do processo de fotocópia, artefactos que podem ser considerados originais. Comercializada a partir dos anos 60 do século XX, a fotocopiadora foi de imediato apropriada por artistas para produzir obras de arte. Ao desviar a máquina da sua funcionalidade pragmática de origem, o seu uso enquanto meio de criação interpela as noções de autenticidade e singularidade ao explorar a transformação material sob um eixo diferencial de repetição e variação. Nesse gesto, abre-se lugar ao múltiplo em substituição do igual, posto que tais práticas revelam a natureza produtiva do meio de reprodução. Os trabalhos de Abílio-José Santos, António Aragão, António Dantas, António Nelos e César Figueiredo integram-se num quadro amplo de práticas, processos e projetos caraterizados pela apropriação, remistura e experimentação intermedial. Dialogam, por isso, com a instabilidade do conceito de arte, proposta pelas vanguardas do início do século XX e intensificada, a partir da década de 1960, pelos experimentalismos poéticos, conceptualismos, práticas Fluxus e artes dos novos meios. Esta investigação propõe entender a eletrografia e copy art portuguesas nas suas dimensões materiais, mediais e sociais, criando um lugar para o estudo desta prática artística enquanto poética transgressora de linguagens, meios e géneros. Nesse sentido, importa perceber de que forma é que a materialidade destas obras, aqui entendidas enquanto artefactos que inscrevem em si mesmos os processos que as geram, contribui para a reconceptualização das noções tradicionais de autoria e obra de arte. Considera-se, assim, que entender o objeto de estudo, tanto no contexto da prática internacional que o engloba, como na sua relação com outras práticas artísticas disruptivas do século XX, permitirá fornecer um contributo crítico para repensar a obra de arte no contexto de uma ecologia da mediação técnica. Deste modo, questiona-se a linearidade cronológica do desenvolvimento e uso dos sistemas técnico-mediais ao estabelecer pontos de contacto entre a colagem, a experimentação copigráfica e os meios programáveis digitais e em rede. Enquanto práticas de apropriação material, transferência sígnica e ressignificação performativa, eletrografia e copy art interpelam diretamente o universo das imagens técnicas e os seus programas. As práticas coletivas de criação em torno da fotocopiadora e a associação dos seus autores a comunidades alternativas como a rede internacional de arte postal permitem tecer uma malha de ligações críticas nos trabalhos dos artistas portugueses. Em particular, são relevantes as obras que assentam na transformação, remistura, erro, ruído visual e ilegibilidade e que, dentro desse quadro semiótico e técnico-medial, se dão a ver enquanto gestos de interferência material, social e política.
As experimental creative practices based on the use of photocopying, electrography and copy art problematize the historical opposition between copy and original by creating artifacts through the photocopy process that can be considered original. Commercialized from the 1960s onwards, the photocopier was immediately appropriated by artists to produce works of art. By deviating the machine from its original pragmatic functionality, its use as a creative medium challenges the notions of authenticity and uniqueness while exploring material transformation under a differential axis of repetition and variation. In this gesture, multiplicity replaces sameness, since such practices reveal the productive nature of the technological means of reproduction. The works of Abílio-José Santos, António Aragão, António Dantas, António Nelos and César Figueiredo are part of a broad set of practices, processes and projects characterized by appropriation, remixing and intermedial experimentation. Therefore, they suggest a dialogue with the instability of the concept of art, proposed by the avant-gardes of the early twentieth century and intensified, from the 1960s onwards, by literary experimentalisms, conceptualisms, Fluxus practices and new media arts. This research proposes to understand the Portuguese electrography and copy art in its material, medial and social dimensions, considering this artistic practice as a transgressive poetics of languages, media and genres. In this sense, it is important to understand how the materiality of these works, seen here as artifacts that self-reflexively inscribe themselves the processes that generate them, contributes to the reconceptualization of traditional notions of authorship and artwork. It is considered, therefore, that understanding the object of study, both in the context of the international practice that encompasses it, and in its relation with other disruptive artistic practices of the 20th century, will allow us to provide a critical contribution to rethink the work of art in the context of an ecology of technical mediation. Thus, the chronological linearity of the development and use of technical-medial systems is questioned by establishing points of contact between collage, copigraphic experimentation, networked and digital programmable media. As practices of material appropriation, signic reframing and performative ressignification, electrography and copy art directly call into question the universe of technical images and their programs. The collective practices of creation using the copy machine and the association of its authors with alternative communities such as the international Mail Art Network allow us to weave a rhizome of critical connections in the works of Portuguese artists. As such, of particular noteworthy mention are the works based on transformation, remixing, error, visual noise and illegibility, specifically understood as gestures of material, social and political interference within this semiotic and technical-medial framework.
Livres sur le sujet "Photocopiers"
Publications, Key Note, dir. Photocopiers. 3e éd. London : Key Note Publications, 1986.
Trouver le texte intégralPublications, Key Note, dir. Photocopiers & fax. 6e éd. Hampton : Key Note Publications, 1991.
Trouver le texte intégralJacob, Howard, et Key Note Publications, dir. Photocopiers & fax machines. Hampton : Key Note Ltd, 2000.
Trouver le texte intégralDominic, Fenn, et Key Note Publications, dir. Photocopiers & fax machines. Hampton : Key Note, 2004.
Trouver le texte intégralSamantha, Miller, et Key Note Publications, dir. Photocopiers & fax machines. 8e éd. Hampton : Key Note Publications, 1994.
Trouver le texte intégralLisa, Morrison, et Key Note Publications, dir. Photocopiers & fax machines. Hampton : Key Note, 1998.
Trouver le texte intégralSimon, Howitt, et Key Note Ltd, dir. Photocopiers & fax machines. 9e éd. Hampton : Key Note Ltd, 1997.
Trouver le texte intégralCommission, Monopolies and Mergers. Indirect electrostatic photocopiers : A report on the supply bymanufacturers and importers of indirect electrostatic photocopiers in the United Kingdom. London : H.M.S.O., 1991.
Trouver le texte intégralCommission, Monopolies and Mergers. Indirect electrostatic photocopiers : A report on the supply by manufacturers and importers of indirect electrostatic photocopiers in the United Kingdom. London [England] : HMSO, 1991.
Trouver le texte intégralBerger, John. Photocopies. London : Bloomsbury, 1996.
Trouver le texte intégralChapitres de livres sur le sujet "Photocopiers"
Chaowanapong, Jirapan, et Juthathip Jongwanich. « Sustainable Manufacturing for Thai Firms : A Case Study of Remanufactured Photocopiers ». Dans Sustainable Design and Manufacturing 2017, 245–56. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57078-5_24.
Texte intégralGiesekam, Greg. « Third-hand Photocopies : Forced Entertainment ». Dans Staging the Screen, 116–41. London : Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09099-7_6.
Texte intégralVisintin, Filippo. « Photocopier Industry : At the Forefront of Servitization ». Dans Servitization in Industry, 23–43. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-06935-7_2.
Texte intégralEllen, David, Stephen Day et Christopher Davies. « The Examination of Printed and Photocopied Documents ». Dans Scientific Examination of Documents, 153–83. Fourth edition. | Boca Raton, FL : CRC Press, [2019] | David Ellen is the main author on all earlier editions of this work. : CRC Press, 2018. http://dx.doi.org/10.4324/9780429491917-8.
Texte intégralLopez, Vanina Soledad. « Resistance Through Photocopies : An Analysis of the Argentine Fanzine Resistencia During the 1980s ». Dans Punk, Fanzines and DIY Cultures in a Global World, 143–57. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28876-1_7.
Texte intégralTsoka, Lydia, Georgios P. Mastrotheodoros et Konstantinos Choulis. « The Usefulness of X-ray Fluorescence Analysis on Photocopies Identification – A Case Study ». Dans Advanced Nondestructive and Structural Techniques for Diagnosis, Redesign and Health Monitoring for the Preservation of Cultural Heritage, 55–70. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03795-5_11.
Texte intégralMatsumoto, M., et K. Kamigaki. « Development and Changes in the Industrial Product Service Systems – A Case Study of the Photocopier PSS ». Dans The Philosopher's Stone for Sustainability, 167–72. Berlin, Heidelberg : Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-32847-3_28.
Texte intégral« Photocopiers ». Dans Scientific Examination of Questioned Documents, 235–44. CRC Press, 2006. http://dx.doi.org/10.1201/9781420003765-27.
Texte intégralBeal, Bonnie, et Susan Morton. « Photocopiers ». Dans Forensic and Police Science Series, 217–25. CRC Press, 2006. http://dx.doi.org/10.1201/9781420003765.ch17.
Texte intégralBuckland, Michael K. « PHOTOCOPIERS ». Dans Information, 655–58. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1pdrrbs.88.
Texte intégralActes de conférences sur le sujet "Photocopiers"
Pastor, Jose. « Vibration Analysis Of Photocopiers ». Dans 1st Int'l Conf on Vibrational Control in Optics and Metrology, sous la direction de Lionel R. Baker et Daniel Vukobratovich. SPIE, 1987. http://dx.doi.org/10.1117/12.937920.
Texte intégralGirgensohn, Andreas, Lynn Wilcox et Qiong Liu. « Automatic Rights Management for Photocopiers ». Dans DocEng '18 : ACM Symposium on Document Engineering 2018. New York, NY, USA : ACM, 2018. http://dx.doi.org/10.1145/3209280.3209531.
Texte intégralCaldwell, J. Brian. « Optical Design with Wood Lenses ». Dans International Lens Design. Washington, D.C. : Optica Publishing Group, 1990. http://dx.doi.org/10.1364/ild.1990.ltha5.
Texte intégralRees, James, et Robert Loce. « Reduction and Enlargement using Unity Magnification Gradient-Index Lens Arrays ». Dans Gradient-Index Optical Imaging Systems. Washington, D.C. : Optica Publishing Group, 1994. http://dx.doi.org/10.1364/giois.1994.gwc7.
Texte intégralRoh, Y., et E. Lyu. « 255. The Levels of Electromagnetic Field Strength Emitted From Several Commercial Photocopiers ». Dans AIHce 2003. AIHA, 2003. http://dx.doi.org/10.3320/1.2758027.
Texte intégralNeil, Iain A., et Ellis I. Betensky. « High performance, wide angle, macro focus, zoom lens for 35mm cinematography ». Dans International Optical Design Conference. Washington, D.C. : Optica Publishing Group, 1998. http://dx.doi.org/10.1364/iodc.1998.ltua.2.
Texte intégralMacAndrew, J. A. « Vibration Control In Photocopier Optical Systems ». Dans 1st Int'l Conf on Vibrational Control in Optics and Metrology, sous la direction de Lionel R. Baker et Daniel Vukobratovich. SPIE, 1987. http://dx.doi.org/10.1117/12.937921.
Texte intégralFukuda, K., V. Ceperic et A. Baric. « Photocopier PID controller with iterative error compensation ». Dans 2014 37th International Convention on Information and Communication Technology, Electronics and Microelectronics (MIPRO). IEEE, 2014. http://dx.doi.org/10.1109/mipro.2014.6859548.
Texte intégralWang, Changyou, Xiangwei Kong, Shize Shang et Xin'gang You. « Photocopier forensics based on arbitrary text characters ». Dans IS&T/SPIE Electronic Imaging, sous la direction de Adnan M. Alattar, Nasir D. Memon et Chad D. Heitzenrater. SPIE, 2013. http://dx.doi.org/10.1117/12.2005524.
Texte intégralWoolard, Deonna F., et K. Elliott Cramer. « The thermal photocopier : a new concept for thermal NDT ». Dans Defense and Security, sous la direction de Douglas D. Burleigh, K. Elliott Cramer et G. Raymond Peacock. SPIE, 2004. http://dx.doi.org/10.1117/12.541881.
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