Littérature scientifique sur le sujet « Phonésie »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Sommaire
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Phonésie ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Phonésie"
Patri, Sylvain. « Un Problème de Phonologie en 1922 ». Historiographia Linguistica 25, no 3 (1 janvier 1998) : 303–44. http://dx.doi.org/10.1075/hl.25.3.06pat.
Texte intégralVlassov, Anatoli. « Manifeste de la Phonésie. Pour un « nouveau » art de rencontre entre danse et poésie ». Recherches en danse, no 12 (15 décembre 2023). http://dx.doi.org/10.4000/danse.6884.
Texte intégralPurba, Ani Sanjaya, et Andi Wete Polili. « ANALYSE CONTRASTIVE DE LA SYLLABATION EN FRANÇAIS ET EN INDONÉSIEN ». HEXAGONE Jurnal Pendidikan, Linguistik, Budaya dan Sastra Perancis 1, no 2 (14 mars 2013). http://dx.doi.org/10.24114/hxg.v1i2.430.
Texte intégralThèses sur le sujet "Phonésie"
Vlassov, Anatoli. « Phonésie : création-recherche d’une technique performative articulant danse et parole : ou Comment le sensible rencontre l'intelligible ». Electronic Thesis or Diss., Paris 1, 2022. http://www.theses.fr/2022PA01H320.
Texte intégralDances are a priori silent. However, contemporary dancers increasingly use the spoken word on stage. The problem is that they do it like actors and notas dancers in the sense that the word is not influenced by the dance and vice versa. This issue of a fixed and somewhat oppressive relationship betweendance and speech motivated me to seek to streamline this dichotomous relationship. Since 2012 I have therefore been developing Phonesia, aperformative technique that deautomates and rearranges the structural links between gesture and orality.Phonesia provides speaking dancers with a toolbox that is both practical (performative montage between gestures and speech) and theoretical (inventedconcepts of different soma-linguistic arrangements). This thesis exposes a creation-research path which, starting from phonesic works, reveals theprocesses of creation of these practical and theoretical tools; these, in turn, are reinjected into new phonesic projects, thus putting this cognitive gainback to the challenge of creation. This poïetics is part of the continuation of artists who come not only from the choreographic milieu, but also fromtheatre, sound poetry and cinema.Through phonesic works of very varied forms (immersive show, participatory performance, conference-performance, film-action, mixed reality show,interactive streaming) the reader is led to follow the evolutions of Phonesia in search of enrichment of the choreographic field, even of a new form ofexpression which tries to open up a new terrain where the sensitive and the intelligible can meet multiple entanglements
Le, Corre Gaëlle. « Variations non standard dans les écrits épistolaires de soldats de l'armée confédérée de l'état de Virginie ». Thesis, Brest, 2015. http://www.theses.fr/2015BRES0063.
Texte intégralThroughout the Civil War (1861-1865), thousands of low ranking soldiers on both sides of the conflict took up their pens to inquire after their families and give news from the front. Usually semiliterate, most of these soldiers were far from mastering written conventions. The 170,000-word corpus, on which this thesis is based, is composed of 366 letters written by 80 privates, corporals and sergeants from Virginia. Their idiosyncratic and ingenuous spellings as well as their use of non-standard morphosyntactic variations offer a great opportunity to gain further insight into the vernacular spoken by white lower-class people in Virginia around the middle of the 19th century.According to Guy Bailey (1997), certain specificities of the Southern American Vernacular English (SAVE) appeared after the Civil War, as a reaction against Northern domination and the humiliation caused by the defeat. The non standard variations found in the Virginia Civil War Corpus tend to question this hypothesis and reveal that most of the features, that are today associated with SAVE, were already present in low ranking soldiers' writings.Despite the phonetic spelling and the use of non-standard grammatical and lexical forms, the letters reveal that the soldiers were fully aware that their vernacular speech was not in line with academic conventions. We thus observe a constant tension between the academic prescriptive norm and non-standard variations. We may wonder if this constant oscillation is only triggered by an internal conflict between different linguistic models or if, on the contrary, the presence of these dialectal variations must be understood as signs of specific enunciative operations
Chapitres de livres sur le sujet "Phonésie"
Le Pors, Sandrine. « Chapitre I. Locuteurs incertains et espaces phonés ». Dans Le théâtre des voix, 41–91. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.15731.
Texte intégral