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Littérature scientifique sur le sujet « Philosophy, Italian – 16th century »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Philosophy, Italian – 16th century"

Bellusci, David. « Gasparo Contarini : From Scholasticism to Renaissance Humanism ». Études maritainiennes / Maritain Studies 26 (2010) : 55–67. http://dx.doi.org/10.5840/maritain2010263.

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This paper examines the shift from Scholasticism to Renaissance humanism by focussing on the Italian humanist, Gasparo Contarini (1483-1542). The politico-religious climate of 15th-16th century Italy represents the arena in which Contarini developed his philosophy. His studies at the University of Padova where Padovan Aristotelianism dominated reflected the basis of his intellectual formation. The Platonic revival of Renaissance Italy also made its way into Contarini’s humanist philosophy.

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LÉVY, TONY. « L'ALGÈBRE ARABE DANS LES TEXTES HÉBRAÏQUES (II). DANS L'ITALIE DES XVe ET XVIe SIÈCLES, SOURCES ARABES ET SOURCES VERNACULAIRES ». Arabic Sciences and Philosophy 17, n^o 1 (12 février 2007) : 81–107. http://dx.doi.org/10.1017/s0957423907000379.

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Until the end of the 14th century, the sources of Hebrew mathematical writings were almost exclusively in Arabic. This was particularly true of texts that contained elements of algebra or algebraic developments. The testimonies we present and analyze here are due to Jewish authors living in Italy, primarily in the 15th century, who made use of the most varied sources, in addition to Arabic: in Castilian, in Italian, and perhaps in Latin. These testimonies constitute both an indication, and a product, of the circulation of Arab algebraic traditions in Renaissance Italy. Simon Moṭoṭ’s book on The Calculation of Algebra stems from the Italian tradition of ‘‘treatises on the abacus’’. Mordekhay Finzi of Mantua is the author of a Hebrew version of the great work on algebra by Abū Kāmil (9th century), as well as of a version, distinct from the preceding, of the Arabic scholar’s introductory exposition. Beginning in 1473, Finzi also translated from Italian to Hebrew the important treatise on algebra by Maestro Dardi of Pisa (1344). We also indicate some 16th century continuations of Hebrew mathematical production, which contain algebraic developments.

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Eamon, William. « Cannibalism and Contagion : Framing Syphilis in Counter-Reformation Italy* ». Early Science and Medicine 3, n^o 1 (1998) : 1–31. http://dx.doi.org/10.1163/157338298x00013.

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AbstractThe outbreak of syphilis in Europe elicited a variety of responses concerning the disease's origins and cure. In this essay, I examine the theory of the origins of syphilis advanced by the 16th-century Italian surgeon Leonardo Fioravanti. According to Fioravanti, syphilis was not new but had always existed, although it was unknown to the ancients. The syphilis epidemic, he argued, was caused by cannibalism among the French and Italian armies during the siege of Naples in 1494. Fioravanti's strange and novel theory is connected with his view of disease as corruption of the body caused by eating improper foods. His theory of bodily pollution, a metaphor for the corruption of society, coincided with Counter-Reformation concepts about sin and the social order.

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Barton, William M. « Latin and Vernacular Translation in Early Modern Natural Philosophical Literature ». Scientia Poetica 20, n^o 1 (1 décembre 2016) : 27–43. http://dx.doi.org/10.1515/scipo-2016-0103.

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Abstract The late 16th century saw the publication of two descriptions of Monte Baldo written by apothecaries working in the nearby town of Verona. Both texts were published in Latin and Italian and have come to the attention of scholars for the vibrant descriptions of the mountain they contain, as well as for the insight they allow into the European networks of natural philosophers. A more detailed examination of the circumstances that produced Latin and Italian versions of these two descriptions of the same mountain, containing the same type of scientific investigation by men engaged in the same profession and from the same town, makes for a neat case study in considering the issues surrounding translation and authorship in the natural philosophical literature of the early modern period. By setting the study’s findings into the context of the recent ›translation turn‹ in literary studies - and Neo-Latin studies in particular - the case study reveals interesting data for the use of Latin in early modern natural philosophy, as well for the dynamics of northern Italy’s scientific community in the period.

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Uvarov, Pavel. « Historical Research and Directions of French Royal Expansion in 16th — 17th Centuries ». ISTORIYA 12, n^o 7 (105) (2021) : 0. http://dx.doi.org/10.18254/s207987840015333-5.

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In the seventeenth century, the search for the “forgotten” rights of the king were an important aid in organizing French expansion, mainly in the eastern and northeastern directions. At the sovereign courts of Lorraine, Alsace and Franche-Comté “chambers of annexations” (chambres d’annexion) were created in 1680 to organize search for archival documents supporting royal claims to neighboring lands. The idea of creating special institutions engaged in the search for documents revealing the precedents of relations with other countries and forgotten rights, that French king had supposedly enjoyed in those parts, was expressed back during the reign of Henry II. In 1556, Raoul Spifame, a lawyer at the Paris Parliament, published a book consisting of fictitious royal decrees, of which many would be implemented in the future. Among other things he ordered, on behalf of the king, the creation of thirty chambers, each specializing in the search for documents in the “treasury of charters” relating to a particular province. He had determined the composition of these chambers, the procedure for work and the form of reporting, — all this in order to arm the king with knowledge of his forgotten rights and the content of antique treaties and agreements. The nomenclature of “provincial chambers” is especially interesting, from the Chambers of Scotland and England to the Chamber of Tunisia and Africa, as well as the Chamber of Portugal and the New Lands. Much more attention was attracted by those lands to which a century later the French expansion would be directed: Franche-Comté, Artois and Flanders, Lorraine, the Duchy of Cleves. But more than half of chambers specialized in the Italian lands. This is not surprising, since in the 1550s France was entering the climax of the Italian Wars. Under Henry II (1547—1559) one of the four secretaries of state, Jean du Thier, was the person responsible for the southwestern direction of French policy. There is reason to believe that Spifame was associated with du Thier or with other members of the king’s “reform headquarters”. The large-scale transformations already at work were interrupted by the unexpected death of Henry II and the subsequent Wars of Religion. But continuity was inherent in the “spirit of the laws” of the Ancien Régime, so Spifame was able to predict future developments, including the creation of “chambers of annexation”.

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Yusim, Mark. « “Status Rei Publicae” : from the History of Concepts and Institutions ». ISTORIYA 13, n^o 1 (111) (2022) : 0. http://dx.doi.org/10.18254/s207987840018842-5.

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In the Modern Times European political thought definitively adopted the term which goes back to the Latin “status” and translates in Russian as «государство». It signifies the institute of public authority present in one or another form to every people reached a determined stage of evolution. The history of the concept “state” by itself and the establishing of corresponding terminology, including that of different forms of rule, were often discussed and continues to be discussed in modern works on the history and politology. Controversial are the questions on the impact of preceding epochs on the conception of the state and on its definition in the Early Modern Times, in particular in Italian political thought at the beginning of 16th century; such questions will be dealt with in this contribution.

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Suranta, Edi. « Membentuk Sumber Daya Manusia dengan Pondasi Ihsan melalui Emotional and Spiritual Quotient (ESQ) ». PARAMETER 6, n^o 2 (27 décembre 2021) : 68–81. http://dx.doi.org/10.37751/parameter.v6i2.176.

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The Italian philosopher Macevelli, who lived in the 15th-16th century AD, proclaimed that to achieve the goal of a nation-state society to achieve the goal of all means can be taken as long as the goal is achieved, tricks, tricks, and even actions that are contrary to conscience can be done. The war of right thinking is happening at this time with the help of propaganda through electronic media and mass media as it is now, in building opinions. The influence change is so real and clear. Theories and ideas put into practice that was once politically marginalized now control the state. ESQ is here to answer the SQ theory, the fruit of Ari Ginanjar's thought as a role model for spiritual training guided by the pillars of faith and the pillars of Islam, which adorn cultural understanding and work ethic back to human nature such as love, honesty, responsibility, caring, discipline, togetherness, peace, back in orbit. Abstrak Filosuf italia Macevelli yang hidup diabad 15 – 16 M memproklamirkan bahwa untuk mencapai tujuan bermasyarakat berbangsa bernegara untuk mencapai tujuan segala cara dapat ditempuh asalkan tujuan tercapai, tipu daya, trik, bahkan tindakan yang bertentangan dengan hati nurani bisa dilakukan. Perang pemikiran benar terjadi pada saat ini dengan dibantu propaganda melalui media elektronik maupun media massa seperti sekarang, dalam membangun opini . Perubahan pengaruh sebegitu nyata dan terang benderang . Teori dan pemikiran dipraktekkan yang dulu termarjinalkan secara politik sekarang mengendalikan negara. ESQ hadir menjawab atas teori SQ buah pemikiran Ari Ginanjar menjadi role model pelatihan spiritual yang berpedoman pada rukun iman dan rukun Islam banyak menghiasi pemahaman budaya dan etos kerja kembali kepada fitrah manusia seperti kasih sayang, kejujuran, tanggungjawab, peduli, disiplin, kebersamaan, kedamaian, kembali dalam garis orbit.

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Joost-Gaugier, Christiane L., Colin Rowe et Leon Satkowski. « Italian Architecture of the 16th Century ». Sixteenth Century Journal 35, n^o 2 (1 juillet 2004) : 605. http://dx.doi.org/10.2307/20477014.

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RA, Youngsoon. « Staff of the 16th Century Italian Banquet ». Journal of Western Medieval History 40 (30 septembre 2017) : 151–82. http://dx.doi.org/10.21591/jwmh.2017.40.2.151.

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Zholudeva, Lyubov. « Discourse Marker Dico in the 16th Century Italian Language ». Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, n^o 1 (avril 2019) : 159–69. http://dx.doi.org/10.15688/jvolsu2.2019.1.13.

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The article is devoted to the functional and semantic analysis of the form dico in the 16 th-century Italian language, the main aim being to show how it gradually begins to function as a discourse marker. The study is performed on the basis of texts belonging to different genres (mainly comedies and treatises in the dialogue form) where certain peculiarities of spoken language are imitated. We come to the conclusion that the invariant pragmatic meaning of this unit is "second attempt to establish successful communication". We also claim that the promotion of dico to the role of a discourse marker is the result of the secondary metaphorization of dire. We point out to the parallelism between the metaphoric uses of dire, namely, the epistemic one ("to say" = "to claim, to consider") and the volitional one ("to say" = "to order, to command"), on the one hand, and the use of dico in its two main functions, on the other hand. The functions in question are a) adducing a comment to the previous statement, and b) urging the addressee to act in a certain way. In both cases one can speak of a partial desemantization of dico and its metaphorization that allows it to function as a pragmatic signal rather than a regular verbal form. On the formal level it is manifested by the absence of complements, syntactic freedom of dico and its tendency to occupy a certain position within a sentence depending exclusively on its pragmatic (and not grammatical-syntactic) function.

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Thèses sur le sujet "Philosophy, Italian – 16th century"

Stone, Villani Nicolas. « The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.

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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in modern scholarship and revise modern interpretation of Renaissance political theory. This thesis is essentially divided into three parts, each part containing two chapters. Part I is largely introductory. Chapter 1 offers a historiographical review of modern scholarship on the reception of Aristotle in the Renaissance and early-modern political thought. Chapter 2 explores the revival of Greek studies in the fifteenth century and the changing perception of Aristotle's Politics in the Renaissance. Part II focuses on Aristotle and Machiavelli. Chapter 3 examines the similarities between Aristotle's analysis of the means of preserving tyranny and Machiavelli's discussion of how to mantenere lo stato in The Prince. Chapter 4 explores the effects that these similarities between Aristotle and Machiavelli had on the reception of Aristotle in Renaissance political thought. Part III centres on Aristotle in the republican and vernacular traditions. Chapter 5 explains the importance of Aristotle's discussion of the dissolution of constitutions to Renaissance republican political thought. Chapter 6 underlines the continuous relevance of Aristotle's Politics in the second half of the sixteenth century. The conclusion sums up the central argument of each chapter and invites us to explore the influence of Aristotle on reason of state literature.

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Graheli, Shanti. « The circulation and collection of Italian printed books in sixteenth-century France ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7809.

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This thesis is an examination of the circulation networks and the patterns of collection of Italian printed books in France in the sixteenth century. Although the cultural relations between the Italian and French territory have been studied, a systematic survey to assess the impact of books on the shaping of the French Renaissance has never been attempted. The first section of this study examines the trade routes and networks which facilitated the circulation of Italian printed books across the French territory. Because of the nature of the French early modern book trade, focused primarily on two major centres (Paris and Lyon), a geographical division has been adopted in investigating this phenomenon. Chapter one explores the trade networks existing in sixteenth-century Lyon, from the powerful Compagnie des Libraires to the activity of the libraires italianisants in the second half of the century. Chapter two examines the importance of Italian editions in Paris. Chapter three is devoted to the circulation of Italian books in the provinces and the impact of large regional centres and trade routes on the availability of books locally. Chapter four investigates private networks and their importance in making specific texts available to French readers. The second section of this study investigates the status and importance of Italian printed books within French Renaissance libraries. Chapter five looks into the development of the French Royal library and the role played by Italian items in defining its identity as an institution. Chapter six examines the presence of Italian books in French aristocratic and courtly collections. Chapter seven is devoted to the libraries of the French literary milieu, analysing the extent to which Italian books were cherished as literary exemplars, particularly with regard to vernacular texts. Chapter eight examines the presence of Italian books in professional collections, with particular attention here given to texts in Latin and other scholarly languages imported from Italy. The conclusion draws all of these strands together, looking at the specific role played by Italian culture, through the printed book, on the development of the French Renaissance. A catalogue of about 2,400 Italian printed books with early modern French provenance is included as an appendix volume. This data provides the evidential basis for this study.

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Diffley, Paul Brian. « Paolo Beni : a biographical and critical study ». Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:fcd4391e-4bfc-41bb-abbd-37ae4ba33158.

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The thesis is divided into three parts. Part One treats Beni's life and works from his birth in 1553 to 1604. His birth, his ancestry, his early education, his early careers, his Jesuit career and its aftermath are described from documentary evidence. His works of this period, most of which are inextricably connected with his life, are also briefly treated, Part Two narrates the events of the remainder of his life: his writing, his teaching, his publishing, his polemical writing, his relationship with his family, his last illness and death. Part Three provides a more ample critical assessment of his major writings after 1604, grouped according to subject-matter. Chapters are devoted to his criticism of Tasso, to his linguistic writings, to his theory and practice of poetry, history and rhetoric. The conclusion summarizes the pattern of his life and reassesses his importance. The Bibliography is divided into two parts. The first contains Beni's writings in three sections: (a) published works, with a note on the Opera omnia; (b) MS works; (c) a chronological reference list of his (mostly unpublished) letters. Part Two contains all other works consulted, MS and printed.

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Murdock, Mark Cammeron. « In the Company of Cheaters (16th-Century Aristocrats and 20th-Century Gangsters) ». BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1775.

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This document contains a meta-commentary on the article that I co-authored with Dr. Corry Cropper entitled Breaking the Duel's Rules: Brantôme, Mérimée, and Melville, that will be published in the next issue of Essays in French Literature and Culture, and an annotated bibliography of primary and secondary sources featuring summaries and important quotes dealing with duels, honor, honor codes, cheating, historical causality, chance, and sexuality. Also, several examples of film noir are cited with brief summaries and key events noted. The article we wrote studies two instances of cheating in duels: one found in Brantôme's Discours sur les duels and the other in Prosper Mérimée's Chronique du règne de Charles IX, and the traditional, as well as anti-causal, repercussions they had. Melville's Le Deuxième souffle is also analyzed with regards to the Gaullist Gu Minda and the end of the aristocratic codes of honor that those of his generation dearly respected but that were overcome by the commercial world of republican law and order.

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Pinkston, Pamela. « Philosophic and scientific concepts of space : their effects on sixteenth century Italian art and architecture ». Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/21733.

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Luscombe, Desley School of History UNSW. « Inscribing the architect :the depiction of the attributes of the architect in frontispieces to sixteenth century Italian architectural treatises ». Awarded by:University of New South Wales. School of History, 2004. http://handle.unsw.edu.au/1959.4/31896.

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This study investigates the changing understanding of the role of the ???architect??? in Italy during the sixteenth century by examining frontispieces to published architectural treatises. From analysis of these illustrations four attributes emerge as important to new societal understandings of the role of ???architect.??? The first attribute is the desire to delineate the boundaries of knowledge for architecture as a discipline, relevant to sixteenth-century society. The second is the depiction of the ???architect,??? as an intellectual engaged in the resolution of practical, political, economic and philosophical considerations of his practice. The third represents the ???architect??? having a specific domain of activity in the design of civic spaces of magnificence not only for patrons but also for the city per se. The fourth represents the ???architect??? and society as perceiving a commonality of an architectural role beyond the boundary of individual locations and patrons. Five treatises meet the criteria set for this study: Sebastiano Serlio???s Regole generali di architetura sopra le Cinque maniere de gli edifici cio??, Toscano, Dorico, Ionico, Corinthio, et Composito, con gli essempi dell???antiquita, che, per la magior parte concordano con la dottrina di Vitruvio, 1537, his, Il Terzo libro nel qual si figurano, e descrivono le antichita di Roma, 1540, Cosimo Bartoli???s translation of Alberti???s De re aedificatoria titled L???architettura di Leonbattista Alberti, tradotta in lingua fiorentina da Cossimo Bartoli, Gentilhuomo, & Academico Fiorentino, 1550; Daniele Barbaro???s translation and commentary on Vitruvius??? De???architetura titled, I dieci libri dell???architettura di M. Vitruvio tradutti et commentati da monsignor Barbaro eletto Patriarca d???Aquileggia, 1556; and Andrea Palladio???s I quattro libri dell???architettura, 1570. A second aim for the study was to review the usefulness of frontispieces as an historical archive. It was found that frontispieces visually structure important ideas by providing a narrative with meaning as an integral part of the illustration. In this narrative frontispiece illustrations prioritise concepts found in the accompanying text and impose a hierarchical structure of importance for fundamental ideas.

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Langford, Charles K. « Le utopie rinascimentali : esempli moderni di polis perfetta ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.

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The citizens of utopian Renaissance cities have in common the confidence in the power of reason and moral virtues. The purpose of the thesis is to prove that, in spite of the imaginative and unreal aspects of these utopian societies, they contain the prodroms of the modern societies.
The utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those considered in this thesis, besides Utopia, are: Francesco Doni's Il mondo savio e pazzo (1552), Francesco Patrizi's La Citta felice (1553), Ludovico Agostini's La Repubblica immaginaria (1580), Tommaso Campanella's La Citta del Sole (The City of the Sun) (1602) and Lodovico Zuccolo's Il Belluzzi (1621).
The thesis examines these six main literary works according to the concept of uchronie and escapism, the definitions of utopia by Karl Mannheim, J.C. Davis and Mikhail Bakhtin, the religious and Arcadian elements and the relationship between utopia and satire. The thesis analyzes three essential aspects of the utopian tales: city planning, relationship between man and woman, and education. The utopias of the Renaissance also reveal two different visions: one innovative if compared to the society of the time, and another, post-tridentina, oriented towards a return to more traditional values. The thesis examines the influence of More's work on the utopias of the Renaissance by analyzing and comparing a series of topics, like the title of the work, the narrator, fantastical names and ideas, the role of Plato, property and inequity, the choice of woman and the concept of beauty, daily labor, the function of God, and the concept of law.
The utopias of the Renaissance have various modern aspects: a utilitarian justice, a better place of woman in the society, the laicity of the government, the "rationality" of war, secularism, education, health, social justice, assistance to elderly. They also contain myopias, like an unrealistic economic model and a static society.

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Scheu, Julia. « Ut pictura philosophia ». Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2017. http://dx.doi.org/10.18452/17801.

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Die Untersuchung widmet sich der visuellen Thematisierung autoreferentieller Fragestellungen zur Genese sowie den Grundlagen und Zielen von Malerei in der italienischen Druckgraphik des ausgehenden 16. und 17. Jahrhunderts. Erstmals wird diese bildliche Auseinandersetzung mit abstrakten kunsttheoretischen Inhalten zum zentralen Untersuchungsgegenstand erklärt und anhand von vier hinsichtlich ihrer ikonographischen Dichte herausragenden druckgraphischen Beispielen - Federico Zuccaris Lamento della pittura, Pietro Testas Liceo della pittura, Salvator Rosas Genio di Salvator Rosa und Carlo Marattas Scuola del Disegno – vergleichend analysiert. Neben der Rekonstruktion der Entstehungszusammenhänge befasst sich die Analyse mit dem Verhältnis von Text und Bild, offenen Fragen der Ikonographie, der zeitgenössischen Verlagssituation sowie dem Adressatenkreis und somit schließlich der Motivation für jene komplexen bildlichen Reflexionen über Malerei. Als zentrale Gemeinsamkeit der kunsttheoretischen Blätter, welche im Kontext der römischen Akademiebewegung entstanden sind, konnte das Bestreben, die Malerei im Sinne einer Metawissenschaft über das neuzeitliche Wissenschaftspanorama hinauszuheben, erschlossen werden. Anhand einer umfassenden Neubewertung der einzigartigen Ikonographien wird erstmals aufgezeigt, dass dem Vergleich zwischen Malerei und Philosophie als der Mutter aller Wissenschaften in der visuellen Kunsttheorie des 17. Jahrhunderts eine vollkommen neuartige Bedeutung zukommt. Dieser hat neue Spielräume für die bildliche Definition des künstlerischen Selbstverständnisses eröffnet, die der traditionelle, aus dem Horazschen Diktum „Ut pictura poesis“ hervorgegangene Vergleich zwischen Malerei und Dichtung nicht in ausreichender Form bereit hielt. Folglich thematisiert die vorliegende Untersuchung auch die Frage nach dem spezifischen reflexiven Potenzial des Bildes, seiner medialen Autonomie und seiner möglichen Vorrangstellung gegenüber dem Medium der Sprache.
The study deals with the pictorial examination of self-implicating topics relating to the genesis, the fundamentals and the aims of painting by Italian printmaking of the late 16th and 17th century. For the first time, a research is focussed on the pictorial examination of abstract contents of art theory as shown in the selected and compared examples which are extraordinary regarding their iconographical concentration – the Lamento della pittura by Federico Zuccari, the Liceo della pittura by Pierto Testa, the Genio di Salvator Rosa by Salvator Rosa and the Scuola del Disegno by Carlo Maratta. Besides the reconstruction of the history of origins the research is dealing with the relationship of image and text, problems of iconography, the coeval publishing situation as well as the target audience of these prints and finally the motivation for those very complex visual reflections on painting. As essential similarity of those arttheoretical prints, which all araised within the context of the Roman Art Accademy, has been determined the ambition to specify painting as a kind of Meta-science, which is somehow superior to all other modern age sciences. By means of an extensive reevaluation of the unique iconography of every single sheet it became feasible to illustrate that the comparison between painting and philosophy as the origin of the entire spectrum of sciences has attained a completely new dimension within the pictorial art theory of the 17th century. The novel comparison has opened a wider range and diversity for the visual definition of the artists` self-conception compared to the traditional comparison between painting and poetry, as it emerged from the dictum „Ut pictura poesis“ by Horaz. Accordingly the study deals with the question of the particular reflexive capability of images, their medial autonomy and their potential primacy over language.

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Giselbrecht, Elisabeth Anna. « Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620) ». Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.

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Adrien, Marie-Hélène. « Pontus de Tyard, 1521-1605, entre Platon et Aristote ». Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65959.

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Livres sur le sujet "Philosophy, Italian – 16th century"

Italian architecture of the 16th century. New York, NY : Princeton Architectural Press, 2003.

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Padovani, Serena, Sonia Chiodo, Miklós Boskovits, Peter Spring, Frank Dabell, Grazia Badino et Mark Roberts. Italian paintings from the 14th to 16th century. Florence, Italy : Mandragora, 2014.

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Galleria del Laocoonte (Rome, Italy), dir. Laocoon zoo : Art fauna 16th-21st century. Todi (PG) : D'arte, 2021.

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Damiano, Nelda, et Benedetta Spadaccini. Master, pupil, follower : 16th- to 18th-century Italian works on paper. Athens] : Georgia Museum of Art, University of Georgia, 2019.

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Marchesini, Laura, Maurizio Nobile et Davide Trevisani. La magia del disegno : Italian drawings from the 16th century to the 19th century. Bologna : M. Nobile, 2013.

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Bijutsukan, Kokuritsu Seiyo, et British Museum, dir. Italian 16th and 17th century drawings from the British Museum. Tokyo : National Museum of WesternArt, 1996.

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Victoria and Albert museum. 16th-century Italian ornament prints in the Victoria and Albert Museum. London : V&A, 1999.

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Clerici, Luca, dir. Italian Victualling Systems in the Early Modern Age, 16th to 18th Century. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-42064-2.

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Craig (Craig A.) Monson. Disembodied voices : Music and culture in an early modern Italian convent. Berkeley, CA : University of California Press, 1995.

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Santucci, Antonio. Ricerche sul pensiero italiano tra Ottocento e Novecento. Bologna : CLUEB, 2004.

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Chapitres de livres sur le sujet "Philosophy, Italian – 16th century"

Montecchi, Giorgio. « File of Italian editions in 15th and 16th century (Girolamo Tiraboschi project) ». Dans Retrospective cataloguing in Europe, sous la direction de Franz Georg Kaltwasser, 167–68. Berlin, Boston : De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-029.

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Vilain, Christiane. « Circular and Rectilinear Motion in the Mechanica and in the 16th Century ». Dans Mechanics and Natural Philosophy Before the Scientific Revolution, 149–72. Dordrecht : Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-5967-4_5.

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Veñuda, Fabio. « General principles for an erudite data base of Italian editions in 15th and 16th century ». Dans Retrospective cataloguing in Europe, sous la direction de Franz Georg Kaltwasser, 169–71. Berlin, Boston : De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-030.

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Cremante, Renzo. « Una tragedia cinquecentesca italo-spagnola : La Reyna Matilda di Giovan Domenico Bevilacqua ». Dans Studi e saggi, 117–37. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.9.

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The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16th Century, the tragedy La Reyna Matilda, written in Naples in Spanish by an Italian writer, Giovanni Domenico Bevilacqua, secretary of the Prince of Conca, Matteo di Capua, and preserved in a single, very rare Neapolitan edition of 1597. It necessarily precedes a brief overview of the other few previously printed works by the author, all in Italian, including the renown octave-rhyme translation of the De raptu Proserpinae by Claudiano. Set in the city of Tarragona at the time of Reconquista, the fabula ficta is characterized by the contamination of tragic plot and novelistic themes, the representation and exaltation of Spanish values and customs, with some reflections of contemporary Neapolitan reality, the pietistic and edifying motivations. Through detailed findings, both formal and intertextual, the analysis focuses, in particular, on the debts that the tragedy has, even before the contemporary Spanish developments of the genre, towards the 16th Century Italian tragic grammar, along the entire arc of its codification, from Trissino’s Sofonisba to Tasso’s Re Torrismondo.

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Brotons, Victor Navarro. « Mechanics in Spain at the End of the 16th Century and the Madrid Academy of Mathematics ». Dans Mechanics and Natural Philosophy Before the Scientific Revolution, 239–58. Dordrecht : Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-5967-4_10.

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Helbing, Mario Otto. « Mechanics and Natural Philosophy in Late 16th-Century Pisa : Cesalpino and Buonamici, Humanist Masters of The Faculty of Arts ». Dans Mechanics and Natural Philosophy Before the Scientific Revolution, 185–93. Dordrecht : Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-5967-4_7.

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Andrietti, Francesco, et Carlo Polidori. « The Hidden Biodiversity Data Retained in Pre-Linnaean Works : A Case Study with Two Important XVII Century Italian Entomologists ». Dans History, Philosophy and Theory of the Life Sciences, 21–54. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10991-2_2.

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Castelnuovo, Guido. « «Quel nome pernicioso di nobile» : Uberto Foglietta e la nobiltà di Genova fra tardo medioevo e prima età moderna ». Dans Reti Medievali E-Book, 41–55. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-423-6.03.

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The present contribution aims at discussing the many late medieval and early modern interpretations elaborated in urban and (post)communal Italy on nobility. It does so by attentively analysing the first book of the La Repubblica di Genova, written around 1550 by Uberto Foglietta, a Genoese patrician and a future historian of the city. Foglietta’s libello therefore is a good starting point to reinterpret the vexata quaestio of being noble both in 16th century Genoa, and in the broader context of Renaissance Italian urban culture.

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Čale, Morana. « Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?) ». Dans Biblioteca di Studi di Filologia Moderna, 61–79. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.

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Rosa, Cristina. « L’Asia orientale vista con gli occhi di viaggiatori italiani del secolo XVI ». Dans Studi e saggi, 283–94. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-467-0.23.

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The Italian travellers to the East during the 16th century left us some important works that they elaborated after their return to their homeland, works whose declared motivation was not only to leave a tangible memory of their life experiences but also to offer the cultured public of Old Europe and people interested in those geographical areas for professional reasons, useful material for a better understanding of the world. These texts, produced in accordance with certain literary canons that were already relatively well defined, are often documents capable of testifying to travel experiences in the era of the great geographical explorations in the Far East after Vasco da Gama’s voyage.

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Actes de conférences sur le sujet "Philosophy, Italian – 16th century"

Ozola, Silvija. « FORMATION OF CITIES IN THE COURLAND AND SEMIGALLIA DUCHY DURING THE 16TH � 17TH CENTURY UNDER THE INFLUENCE OF ITALIAN AND POLISH RENAISSANCE URBAN PLANNING TRADITIONS ». Dans 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s20.016.

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Dolinšek, Eva. « Monteverdi and Seconda Pratica : Music Should be at the Ser-vice of the Word ». Dans Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d21.

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This article provides insight into the music of the late Renaissance and early Baroque in Italy. Com-poser Claudio Monteverdi was one of the most important figures in the music of the early Italian Baroque. We consider the events that led to the creation of the new early Baroque style – Seconda pratica - (second practice) and describe the significant changes in vocal music that took place with the aim to depart from strict counterpoint at the turn of the 16th century. Keywords: Claudio Monteverdi; Seconda pratica; Venetian school; Madrigalisms; Ornamentation

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Petrović, Dragana. « TRANSPLANTACIJA ORGANA ». Dans XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.587p.

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Even the mere mention of "transplantation of human body parts" is reason enough to deal with this topic for who knows how many times. Quite simply, we need to discuss the topics discussed from time to time !? Let's get down to explaining some of the "hot" life issues that arise in connection with them. To, perhaps, determine ourselves in a different way according to the existing solutions ... to understand what a strong dynamic has gripped the world we live in, colored our attitudes with a different color, influenced our thoughts about life, its values, altruism, selflessness, charities. the desire to give up something special without thinking that we will get something in return. Transplantation of human organs and tissues for therapeutic purposes has been practiced since the middle of the last century. She started (of course, in a very primitive way) even in ancient India (even today one method of transplantation is called the "Indian method"), over the 16th century (1551). when the first free transplantation of a part of the nose was performed in Italy, in order to develop it into an irreplaceable medical procedure in order to save and prolong human life. Thousands of pages of professional literature, notes, polemical discussions, atypical medical articles, notes on the margins of read journals or books from philosophy, sociology, criminal literature ... about events of this kind, the representatives of the church also took their position. Understanding our view on this complex and very complicated issue requires that more attention be paid to certain solutions on the international scene, especially where there are certain permeations (some agreement but also differences). It's always good to hear a second opinion, because it puts you to think. That is why, in the considerations that follow, we have tried (somewhat more broadly) to answer some of the many and varied questions in which these touch, but often diverge, both from the point of view of the right regulations and from the point of view of medical and judicial practice. times from the perspective of some EU member states (Germany, Poland, presenting the position of the Catholic Church) on the one hand, and in the perspective of other moral, spiritual, cultural and other values - India and Iraq, on the other.

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