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Littérature scientifique sur le sujet « Philosophy, Italian – 15th century »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Philosophy, Italian – 15th century"

Mnozhynska, Ruslana. « UKRAINIAN-POLISH AND ITALIAN CULTURAL CONNECTIONS IN THE 15TH CENTURY ». Baltic Journal of Legal and Social Sciences, n^o 2 (26 octobre 2022) : 138–43. http://dx.doi.org/10.30525/2592-8813-2022-2-23.

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Based on factual material, the article examines the connections between the famous Italian humanist Philippus Callimachus (1437–1496) and Grigoriy Sanotsky (1406–1477), Archbishop of Lviv, professor of the Krakow Academy, Renaissance humanist. Sanotskyi was the founder of the first humanist circle in Ukraine, which also included Callimachus, who left memories of communication with Hryhoriy Sanotskyi. Callimachus highly valued the intelligence and knowledge of Grigory Sanotskyi. Having met him, the Italian humanist was very surprised to meet in the north a person who is so deeply familiar with philosophy and adheres to advanced views. Grigory Sanotsky's talent, like that of all Renaissance humanists, was unparalleled and multifaceted. But it appeared, formed and developed not without the influence of the surrounding environment, a circle of prominent personalities of a pan-European scale.

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Bellusci, David. « Gasparo Contarini : From Scholasticism to Renaissance Humanism ». Études maritainiennes / Maritain Studies 26 (2010) : 55–67. http://dx.doi.org/10.5840/maritain2010263.

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This paper examines the shift from Scholasticism to Renaissance humanism by focussing on the Italian humanist, Gasparo Contarini (1483-1542). The politico-religious climate of 15th-16th century Italy represents the arena in which Contarini developed his philosophy. His studies at the University of Padova where Padovan Aristotelianism dominated reflected the basis of his intellectual formation. The Platonic revival of Renaissance Italy also made its way into Contarini’s humanist philosophy.

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LÉVY, TONY. « L'ALGÈBRE ARABE DANS LES TEXTES HÉBRAÏQUES (II). DANS L'ITALIE DES XVe ET XVIe SIÈCLES, SOURCES ARABES ET SOURCES VERNACULAIRES ». Arabic Sciences and Philosophy 17, n^o 1 (12 février 2007) : 81–107. http://dx.doi.org/10.1017/s0957423907000379.

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Until the end of the 14th century, the sources of Hebrew mathematical writings were almost exclusively in Arabic. This was particularly true of texts that contained elements of algebra or algebraic developments. The testimonies we present and analyze here are due to Jewish authors living in Italy, primarily in the 15th century, who made use of the most varied sources, in addition to Arabic: in Castilian, in Italian, and perhaps in Latin. These testimonies constitute both an indication, and a product, of the circulation of Arab algebraic traditions in Renaissance Italy. Simon Moṭoṭ’s book on The Calculation of Algebra stems from the Italian tradition of ‘‘treatises on the abacus’’. Mordekhay Finzi of Mantua is the author of a Hebrew version of the great work on algebra by Abū Kāmil (9th century), as well as of a version, distinct from the preceding, of the Arabic scholar’s introductory exposition. Beginning in 1473, Finzi also translated from Italian to Hebrew the important treatise on algebra by Maestro Dardi of Pisa (1344). We also indicate some 16th century continuations of Hebrew mathematical production, which contain algebraic developments.

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Montesinos Castañeda, María. « Variación en la imagen de la Prudencia : entre la tradición y la «nueva visualidad» ». IMAGO. Revista de Emblemática y Cultura Visual, n^o 11 (28 janvier 2020) : 153. http://dx.doi.org/10.7203/imago.11.15428.

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ABSTRACT: Although Italian influences prevail in the visual tradition of Prudence, beginning in the 15th century a new iconographic type emerges as a result of a «new visuality» deriving from French art. This innovation has been considered «monstrous» and breaking with the preceding visual tradition. However, this new visual manifestation is a result of the continuation of philosophic theories about Prudence. What is more, Italian art offers a response to the «new visuality» with another new iconographic type of the Prudence. KEYWORDS Prudence; Iconography; Visual Culture; Italian Art; French Art; Early Modern Age. RESUMEN: Aunque en la tradición visual de la Prudencia imperan las influencias italianas, a partir del siglo XV surge un nuevo tipo iconográfico fruto de la «nueva visualidad» procedente del arte francés. Dicha innovación ha sido considerada «monstruosa» y rompedora con la tradición visual precedente. Sin embargo, esta nueva manifestación visual es fruto de la continuación de las teorías filosóficas sobre la Prudencia. Además, el arte italiano ofrece una respuesta a la «nueva visualidad» con otro nuevo tipo iconográfico de la Prudencia.

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Gentili, Hanna. « The Art of Thinking and the Reception of the Parva naturalia in a Fifteenth-Century Hebrew Source ». Revue de Synthèse 143, n^o 3-4 (6 décembre 2022) : 321–47. http://dx.doi.org/10.1163/19552343-14234030.

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Abstract This article offers an insight into Yoḥanan Alemanno’s study of the ‘art of thinking’ through his notes from Averroes’s commentaries on Posterior Analytics, De anima and Parva naturalia. This case study represents an important example of the 15th-century Jewish learning based on the Arabic-Hebrew philosophical tradition and shows the continuity between the Provençal world and the Italian Renaissance. The textual appendix included at the end of the article aims at showing how Alemanno selected portions of Averroes’s commentaries on logic and psychology that define the role of the faculty of imagination and the processes through which we acquire true knowledge.

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Elior, Ofer. « The Affinity between Alghazali’s Intentions of the Philosophers and Maimonides’ Philosophy, According to Shalom Anabi ». Zutot 17, n^o 1 (16 novembre 2018) : 23–36. http://dx.doi.org/10.1163/18750214-12161080.

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Abstract Beginning in the late 13th century, readers of Alghazali’s Intentions of the Philosophers in the Provençal, Spanish and Italian Jewish spheres viewed this treatise as belonging to the same tradition to which the philosophical stances of Maimonides, or at least some of them, belong. Readers who espoused this view were sometimes also of the opinion that the Intentions was the direct source for Maimonides’ ideas. These views, coupled with an understanding that the tradition in question differs from the philosophical tradition whose representative is Averroes, led students of Maimonides’ philosophy to examine his stances on issues about which the two traditions were in dispute. The present Zuta shows that the same opinions and approaches were adopted and expressed by Shalom Anabi, one of the leading scholars of the Jewish intellectual community of Constantinople in the 15th century.

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Dumitrescu, Marius. « A Journey Inside the Perception of the Self-Image - from the 15th Century Italian Portrait to the Glamorized Image on the Facebook ». Postmodern Openings 12, n^o 3 (10 août 2021) : 34–59. http://dx.doi.org/10.18662/po/12.3/326.

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This article aims to present the philosophical perspective upon the birth of the idea of the individual and the consequences of the discovery of the self-image on the techniques of image reproduction from the Renaissance to the present day. The process of projecting the self-image into the public space acquires a special importance with the elaboration of the portrait technique in the Italian painting of the 15th century. Through Leonardo da Vinci's paintings, this technique of reproducing self-image reaches a certain perfection. Following the evolution of this kind of projections and reproductions of the self-image, it is found that there is an obvious tendency by which the individual tends to free himself from certain patterns, or rather canons, which a certain epoch imposes. This process manifested in the visual arts corresponds to a new philosophical perception of man opened by the works of Ficino and Pico della Mirandola. The assertion of a new type of dignity, correlated with the idea of the microcosm, of the Renaissance man will lead to an affirmation of his own personality and especially to an increase of the will to power reflected more and more in the works of art. With the resurgence of the Italian renaissance, artists and philosophers experienced a decline, but found a favorable space for their development at the court of Elizabeth I, Queen of England. The art of portraiture, but also the philosophy of renaissance survives and is even more flourishing at the court of this queen. But the most important moment of this renaissance is marked by Dutch art after its liberation from Spanish rule. From this moment on, the emancipation of the individual will occur on an unimaginable scale until then.

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Churga, Yu. « THE INFLUENCE OF ANTHROPOCENTRISM ON THE WORK OF ARTISTS OF THE HIGH RENAISSANCE ». Bulletin of Taras Shevchenko National University of Kyiv. History, n^o 148 (2021) : 71–74. http://dx.doi.org/10.17721/1728-2640.2021.148.12.

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The article describes a number of factors that influenced the work of artists of the High Renaissance, in particular the philosophical thought of this period and changes in the worldview of people of this era. The article focuses on the origins of anthropocentrism in the intellectual sphere. The author outlines how Italy became the center of new ideas and the center of their implementation. This article was conducted to explore the impact of the philosophy of anthropocentrism on the work of Italian artists (their goals, means and evolution of the concept of "artist"). In conclusion, we can observe how interest in human nature grows, and that corporeality is not only the outer shell of man, which limits it. Artists of this period tend to realism and do not abandon the image of man and discover a new aesthetic in it. At the beginning of the 15th century the artist saw his role and believed that he was serving nature, which would teach him everything he wanted, with enough effort, patience and resources. The artist proudly demonstrates his skills in depicting animals, plants, figures, beautiful robes and landscapes, he is no longer a modest executor of someone else's will.

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Suranta, Edi. « Membentuk Sumber Daya Manusia dengan Pondasi Ihsan melalui Emotional and Spiritual Quotient (ESQ) ». PARAMETER 6, n^o 2 (27 décembre 2021) : 68–81. http://dx.doi.org/10.37751/parameter.v6i2.176.

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The Italian philosopher Macevelli, who lived in the 15th-16th century AD, proclaimed that to achieve the goal of a nation-state society to achieve the goal of all means can be taken as long as the goal is achieved, tricks, tricks, and even actions that are contrary to conscience can be done. The war of right thinking is happening at this time with the help of propaganda through electronic media and mass media as it is now, in building opinions. The influence change is so real and clear. Theories and ideas put into practice that was once politically marginalized now control the state. ESQ is here to answer the SQ theory, the fruit of Ari Ginanjar's thought as a role model for spiritual training guided by the pillars of faith and the pillars of Islam, which adorn cultural understanding and work ethic back to human nature such as love, honesty, responsibility, caring, discipline, togetherness, peace, back in orbit. Abstrak Filosuf italia Macevelli yang hidup diabad 15 – 16 M memproklamirkan bahwa untuk mencapai tujuan bermasyarakat berbangsa bernegara untuk mencapai tujuan segala cara dapat ditempuh asalkan tujuan tercapai, tipu daya, trik, bahkan tindakan yang bertentangan dengan hati nurani bisa dilakukan. Perang pemikiran benar terjadi pada saat ini dengan dibantu propaganda melalui media elektronik maupun media massa seperti sekarang, dalam membangun opini . Perubahan pengaruh sebegitu nyata dan terang benderang . Teori dan pemikiran dipraktekkan yang dulu termarjinalkan secara politik sekarang mengendalikan negara. ESQ hadir menjawab atas teori SQ buah pemikiran Ari Ginanjar menjadi role model pelatihan spiritual yang berpedoman pada rukun iman dan rukun Islam banyak menghiasi pemahaman budaya dan etos kerja kembali kepada fitrah manusia seperti kasih sayang, kejujuran, tanggungjawab, peduli, disiplin, kebersamaan, kedamaian, kembali dalam garis orbit.

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Torevell, David, et Michael James Bennett. « The Naked Truth : Temptation and the Likely ‘Fall’ of Catholic Education ». Religions 12, n^o 11 (2 novembre 2021) : 958. http://dx.doi.org/10.3390/rel12110958.

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This article highlights one likely ‘fall’ to which Catholic education is susceptible in the modern era due to the oppressive climate in which it operates. Our critical method in arguing for this position is to oscillate between two texts—one written and one visual: Genesis 3: 1–18 and Masaccio’s painting of ‘The Expulsion’. The hope is that one will inform and enrich a deeper understanding of the other. As part of this exercise in creative hermeneutics, we first argue that the dramatic story of the fall through pride or amor sui (self-love) and its resultant feeling of shame is a universal one in which readers (listeners) glimpse the long history of their own fears and desires. Second, we show how one 15th century Italian painter represented the tragic consequences of the Faustian self by examining Masaccio’s painting in some detail. Third, we investigate St. Augustine’s writings on this narrative and suggest how some forms of self-elevation align dangerously with the promotion of the autonomous self in contemporary education. We also critically examine exegetical writings from Jewish and Christian perspectives to draw out further meanings of the narrative. Fourth, we point to the themes of hiding and forgiveness embedded in the account which leads us neatly into the last fifth section where we discuss the text’s implications for contemporary Catholic education. Here, the focus is on one likely ‘fall’ of Catholic education when it fails to live up to its distinctive mission to place love unconditionally at its centre. In a highly market-driven, managerial climate of competition where league tables, bureaucratisation, and data analysis assume an overwhelming significance allied to institutional survival and kudos, the temptation is to show the worth of the school by emphasising its examination success and employment rates rather than through its service to others, especially those who have been forgotten. Although we are highly sensitive to the conflictual demands on Catholic institutions at the present time from a variety of stakeholders, we conclude that their healthy continuation depends on their public, ethical avowal to love everyone unreservedly with assistance from God’s grace and when this aspiration fails, to seek forgiveness. The article is not concerned with strategies of resistance against those developments in education contrary to a Catholic philosophy.

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Plus de sources

Thèses sur le sujet "Philosophy, Italian – 15th century"

Olivastri, Valentina. « Antonio Pistoia : the poetic world of a customs collector ». Thesis, University College London (University of London), 2000. http://discovery.ucl.ac.uk/1349290/.

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The object of the present study is Antonio Pistoia (1436? - 1502), a jocular poet and customs collector who worked mainly in Northern Italy. Although his reputation as a notable literary figure has suffered from neglect in recent times, his work was appreciated by and known to his contemporaries including Pietro Aretino, Ludovico Ariosto, Matteo Bandello, Francesco Berni and Baldesar Castiglione. Research on his life and work came to a halt at the beginning of this century and since then he has failed to attract significant attention. The present study attempts to review and re-examine both the man and his work with a view to putting Antonio Pistoia back on the literary map. My thesis is based on the idea that a poet can be explored from various points of view and with different methodologies tailored to the objects under investigation. In the case of Pistoia a biographical history alone or an interpretation of his work alone would provide only partial results. By combining the two I have attempted to see how he and his work fitted within the cultural scene, the social and historical setting of Renaissance Italy in a period of political and military crisis. Based on archive work and on new textual material retrieved from a number of European libraries, this study challenges and tests widely held theories concerning both his biography and his literary production. By collecting fresh references and winnowing old ones, it throws new light on a series of specific issues from matters of identification relating to the poet's life, the critical fortune of his collection of sonnets, his play Panfila and other minor works, and to problems of uncertain authorship, including poems of undisputed, doubtful and arbitrary attribution; the final section is devoted to his Canzoniere, its composition and the tradition to which it belongs and a thematic and stylistic overview of his poems. A codicological analysis of the allegedly autograph manuscript and a listing of Pistoia's archival documents, manuscripts and early printed sources, completely assembled for the first time and comprehensive of additional new findings, conclude the study.

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Davies, Martin Charles. « Friends and enemies of Poggio : studies in Quattrocento humanist literature ». Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:d9b0db71-a5ec-426f-8ddf-ba7d05a15ab7.

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The last chapter does not directly concern Poggio, but publishes letters between two of his most bitter enemies, Niccolo Perotti and Lorenzo Valla. They date from the period of the protracted polemics exchanged between them and him (1451-54). An effort is made to characterise the scribe of these letters, and to place him in the context of humanist education. New information on Valla and Perotti is also integrated into their biographies.

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Pinkston, Pamela. « Philosophic and scientific concepts of space : their effects on sixteenth century Italian art and architecture ». Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/21733.

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Doyle, John F. (John Francis). « Humphrey Duke of Gloucester and the Introduction of Italian Humanism in Fifteenth Century England ». Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc501124/.

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Duke Humphrey of Gloucester is often given credit for the renaissance of English learning in the fifteenth century. It is true that the donations of books he made to Oxford, his patronage of English and Italian writers, and his patronage of administrators who had humanist training resulted in the transmittal of humanist values to England. But is it also true that these accomplishments were mainly the by-product of his self-aggrandizing style, rather than a conscious effort on the duke's part to promote learning. The duke, however, does deserve recognition for what he unwittingly may have done.

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Stone, Villani Nicolas. « The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.

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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in modern scholarship and revise modern interpretation of Renaissance political theory. This thesis is essentially divided into three parts, each part containing two chapters. Part I is largely introductory. Chapter 1 offers a historiographical review of modern scholarship on the reception of Aristotle in the Renaissance and early-modern political thought. Chapter 2 explores the revival of Greek studies in the fifteenth century and the changing perception of Aristotle's Politics in the Renaissance. Part II focuses on Aristotle and Machiavelli. Chapter 3 examines the similarities between Aristotle's analysis of the means of preserving tyranny and Machiavelli's discussion of how to mantenere lo stato in The Prince. Chapter 4 explores the effects that these similarities between Aristotle and Machiavelli had on the reception of Aristotle in Renaissance political thought. Part III centres on Aristotle in the republican and vernacular traditions. Chapter 5 explains the importance of Aristotle's discussion of the dissolution of constitutions to Renaissance republican political thought. Chapter 6 underlines the continuous relevance of Aristotle's Politics in the second half of the sixteenth century. The conclusion sums up the central argument of each chapter and invites us to explore the influence of Aristotle on reason of state literature.

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Meneses, Patricia Dalcanale 1980. « Espaços imaginarios : a perspectiva como expressão humanista na corte de Federico di Montefeltro ». [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278848.

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Orientador: Luiz Cesar Marques Filho
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-04T09:46:44Z (GMT). No. of bitstreams: 1 Meneses_PatriciaDalcanale_M.pdf: 8894128 bytes, checksum: 81da8af625498974d32dee145363c4fc (MD5) Previous issue date: 2005
Resumo: o objetivo desta pesquisa é estudar três pinturas de cenas urbanas conhecidas como painéis de Urbino, Baltimore e Berlim e, mais especificamente, o ambiente cultural que as produziu. Considerando a cidade de Urbino como o mais provável local de origem dessas obras, o estudo concentra-se na relação entre arte e política, e no papel da arquitetura e cultura humanistas no ducado dos Montefeltro
Abstract: The purpose of this research is to study the three paintings of urban scenes, known as the Urbino, Baltimore and Berlin panels, and more particularly the cultural milieu that produced them. Considering the city of Urbino the most probable place of origin of the works, this study focuses on the relationship between politics and art, and the role of architecture and humanistic culture at the Montefeltro ducal estate
Mestrado
Historia da Arte
Mestre em História

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Archer, Carol. « Skin to work : shifting materialities, ambiguous boundaries ». Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/380.

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This thesis challenges existing readings of paintings by Alberto Burri which discuss the work in relation to matter or the body or the psyche. The reading of Burri's Ferro, Sacco, Combustione Legno and Grande Legno G59 demonstrates how the work effects a dynamic quality of alternation between the skin and 'brute' matter. The signification of the work shifts between two types of materiality - that of sheet metal, hessian, plastic and plywood and that of the wounded human skin and psyche.It is argued that the ambiguity of the materiality of Burri's paintings effects a dynamic reciprocity between subject and object. The author argues that Burri's painting alerts the viewer to the reciprocities between industrial materials, corporeal surfaces and subjectivities, to the continuities and ambiguities with and between the skin and work

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Martino, Floriano. « Intellettuali del XX secolo : Garin e le Cronache di filosofia italiana ». Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86145.

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Troadec, Cécile. « Roma crescit. Une histoire économique et sociale de Rome au XVe siècle ». Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040202.

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Cette thèse porte sur les transformations de l’économie et de la société romaines au cours d’un long XVe siècle (1398-1527). La croissance économique de Rome est provoquée et entretenue par le retour de la papauté après la parenthèse du Schisme. À partir du milieu du XVe siècle, les rythmes de l’économie romaine s’accélèrent : l’afflux de capitaux provenant des marchands-banquiers toscans, mais aussi réinvestis de l’économie rurale dans l’économie urbaine, créent de nouvelles conditions de production et de nouveaux modes de consommation. La réactivation du statut de capitale s’accompagne d’une demande croissante, en particulier en produits de luxe. L’enjeu de cette recherche est de comprendre et d’analyser comment la société romaine, les familles et les individus qui la composent, se sont adaptés à cette nouvelle conjoncture, parfois encore incertaine. Plus largement, il s’agit d’étudier l’adaptation des comportements et des pratiques socio-économiques à la croissance démographique et économique. Les thématiques abordées couvrent un spectre très large, depuis l’économie rurale du casale jusqu’au marché immobilier, du cadre macro-économique à travers l’approvisionnement urbain et les importations jusqu’à la micro-histoire des artisans, bouchers, poissonniers. L’un des axes de la thèse porte sur les phénomènes de mobilité sociale qui affectent aussi bien les milieux populaires que la noblesse citadine. Enfin, cette thèse replace Rome dans un contexte plus large, celui des villes d’Italie, soulignant ses spécificités ou sa conformité avec les modèles d’Italie septentrionale ou méridionale
This PhD aims at improving our understanding of the deep transformations that affect both Roman economy and society during the 15th century (1398-1527). The economic revival displayed by the Quattrocento’s Rome turns out to be sustained and increased by the return of the papal Court in Rome by the end of the 14th century. From the second half of the 15th century indeed, Roman economy’s pace changes, financial resources are flooding from the country to the city also as from Tuscan merchant-bankers, creating new conditions of production and new patterns of consumption. The renewed status of capital city leads to an ever-increasing demand, especially in luxury products. What’s at stake is to analyse and enlighten how the Roman society managed to adapt itself and to respond to a changing situation and to an impressive demographic and economic growth. The six chapters of this book cover a wide scale, from the rural economy of the casale up to the real estate market ; from the macroeconomic frame through the question of urban supply and imports up to the microstoria of craftsmen, butchers, fishmongers. This PhD also deals with the process of social mobility which concern the urban nobility as well as the craftsmen. Finally, this research replaces Rome in the wider context of the Italian urban world, by trying to underline its specificities or its conformity to the models of northern and southern Italy

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Leclerc, Elise. « Affaires de familles et affaires de la cité : la transmission d'une pensée politique dans les livres de famille florentins (XIVe-XVe siècles) ». Thesis, Lyon, École normale supérieure, 2013. http://www.theses.fr/2013ENSL0857/document.

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De l'institution du priorat à la chute définitive de la république en 1530, l'organisation de la vie dans la cité florentine a évolué tant dans ses structures effectives que dans ses représentations, laissant une place plus ou moins importante aux différents groupes sociaux, aux familles et individus qui la composent. au cours de cette période, le genre des livres de famille florentins s'est développé, a fleuri et s'est fané : œuvre dans son immense majorité de marchands, d'artisans qui appartiennent au popolo florentin, partie de la population appelée à participer au gouvernement de la cité, ces livres ont pour fonction de transmettre dans le cadre familial et de génération en génération ce que l'on considère important pour le devenir de la famille. quel lien y a-t-il entre ce genre et la vie de la république florentine, entre affaires de familles et affaires de la cité ? quelle est la place du politique dans cette logique de transmission ? quels aspects de la vie de la cité y sont représentés, comment sont-ils traités ? avec quels mots cette culture politique est-elle exprimée, dans quelle mesure est-elle redevable ou distincte de la tradition politique publique antérieure et contemporaine ? mêlant les approches historique, littéraire, linguistique, il s'agira ainsi de rendre compte de la question de la transmission du politique dans le genre des livres de famille en l'inscrivant dans le cadre global de l'évolution de la cité
Based on a corpus which consists of 150 family books written between 1260 and 1480, this study intends to define the representations that Florence citizens had of their republic, of its running and of their role within it.The first part aims at identifying which room is given to historical and political passages in these books, and the functions of these excerpts in the overall writing strategy. The point is to study how the building of family identity was connected to the life of the city.The second part contains a stylistic and semantic analysis of the narrative parts that are dedicated to the major events of the 14th and 15th centuries. It offers a series of snapshots that define several specific configurations of the city’s political body and of how families refer to it. This textual analysis also provides us an image of the Florentine intellectual framework and a list of the key-concepts that characterized the political thought of the authors – which goes far beyond a mere interest in chronicles. The third part focuses on the use of those keywords in a diachronic perspective, in order to identify the evolutions, the involutions and the breaking points of this thought over the generations, and questions the link between citizens’ active political participation and their private writing on city affairs. The appendix presents transcriptions of the excerpts on the life of the city contained in the unpublished family books of the Florentine families, as well as biographical notes on their often unknown authors

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Livres sur le sujet "Philosophy, Italian – 15th century"

Miklós, Boskovits, dir. Italian paintings from the 13th to 15th century. Firenze, Italy : Polistampa, 2009.

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Ferrari, Martin. The Machiavelli model : [a 21st century strategic management guide from the 15th century Italian mastermind]. Oxford : Management Books 2000 Ltd, 2014.

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Voices, Gothic. The garden of Zephirus : Courtly songs of the early 15th century. London : Hyperion, 1985.

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Michael, Pächt, et Vyoral-Tschapka Margareta, dir. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. London : Harvey Miller, 2003.

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Santucci, Antonio. Ricerche sul pensiero italiano tra Ottocento e Novecento. Bologna : CLUEB, 2004.

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National Gallery of Art (U.S.). Italian paintings of the fifteenth century. Washington : National Gallery of Art, 2003.

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Vocazione e responsabilità del filosofo : Filosofia 2000. Genova : Il melangolo, 2000.

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The responsibility of the philosopher. New York : Columbia University Press, 2010.

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Alberto, Peruzzi, et Preti Giulio, dir. Giulio Preti : Filosofo europeo. Firenze : L.S. Olschki, 2004.

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Greeks and Latins in renaissance Italy : Studies on humanism and philosophy in the 15th century. Aldershot, Hampshire, Great Britain : Ashgate, 2004.

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Chapitres de livres sur le sujet "Philosophy, Italian – 15th century"

Ridler, Anne. « Backgrounds To Italian Paintings : 15Th Century ». Dans Contemporary Poetry : A Retrospective from the "Quarterly Review of Literature", sous la direction de Theodore Russell Weiss, 116. Princeton : Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-039.

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Montecchi, Giorgio. « File of Italian editions in 15th and 16th century (Girolamo Tiraboschi project) ». Dans Retrospective cataloguing in Europe, sous la direction de Franz Georg Kaltwasser, 167–68. Berlin, Boston : De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-029.

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Veñuda, Fabio. « General principles for an erudite data base of Italian editions in 15th and 16th century ». Dans Retrospective cataloguing in Europe, sous la direction de Franz Georg Kaltwasser, 169–71. Berlin, Boston : De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-030.

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Pelliciari, Medardo. « Considerazioni su arte francese e arte italiana : da Luigi XII e Francesco I alla Maison de Gondi di Saint-Cloud e agli Orléans ». Dans Studi e saggi, 269–85. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.14.

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The paper retraces the relationship between Italian and French art from the late 15th to the early 18th century, by focusing on some relevant episodes related especially to the Pio di Savoia and the Medici families and their connections with members of the French court.

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Soykut, Mustafa. « THE TURK AS THE "GREAT ENEMY OF EUROPEAN CIVILISATION" AND THE CHANGING IMAGE IN THE AFTERMATH OF THE SECOND SIEGE OF VIENNA : (IN THE LIGHT OF ITALIAN POLITICAL LITERATURE) ». Dans Historical Image of the Turk in Europe, 15th Century to the Present, 45–116. Piscataway, NJ, USA : Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463225483-004.

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Andrietti, Francesco, et Carlo Polidori. « The Hidden Biodiversity Data Retained in Pre-Linnaean Works : A Case Study with Two Important XVII Century Italian Entomologists ». Dans History, Philosophy and Theory of the Life Sciences, 21–54. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10991-2_2.

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Cabras, Francesco. « Dante nella Polonia del Quattro-Cinquecento. Dalla (s)fortuna di Dante ad alcune considerazioni sugli elementi costitutivi della letteratura polacca rinascimentale ». Dans Biblioteca di Studi di Filologia Moderna, 39–60. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.03.

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This article aims to show how Dante Alighieri was ‘used’ in Renaissance Polish literature. Dante was known by Polish intellectuals first of all as a political theorist. Only in the second half of the 14th century did Polish writers start to refer to him as a great poet (Długosz). However, Dante was rather known than read and ‘used’ as a topic character to demonstrate the excellence of vernacular poetry. Andrzej Trzecieski the Younger, in fact, wrote in a couple of epigrams to his friend Mikołaj Rej, that Rej is to Polish literature, what Dante (and Petrarch) was to Italian literature; in addition to this, Trzecieski underlines, through intertextual allusions, that Dante (and Rej) had the same dignity of ancient Greek and Latin poets. This attitude that vernacular literature is on par with Greek and ancient literature is found also in the elegy III 8 by Jan Kochanowski, where Ronsard is presented as a “classic” poet. The final part of this work compares the situation in 15th and 16th-century Italian and Polish literature in terms of the relationship between ancient and vernacular poetry.

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Minazzi, Fabio. « Epistemology and the History of Science : The Problem of Historical Epistemology in the Italian Debate of the 20th Century (With Some Unpublished Documents) ». Dans Studies in Applied Philosophy, Epistemology and Rational Ethics, 243–84. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96332-3_13.

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Mullaney, Ann, et Massimo Zaggia. « Florence 1438 : The Encomium of the Florentina Libertas Sent by Poggio Bracciolini to Duke Filippo Maria Visconti ». Dans Atti, 1–24. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.04.

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This article presents the critical editions of two texts: a letter by the Duke of Milan Filippo Maria Visconti (but written on his behalf by Pier Candido Decembrio) sent to Poggio Bracciolini on 28 July 1438; and the response written by Poggio on 15 September. Poggio’s letter contains a brief treatise in praise of Florence and of the Florentina libertas. The documents illuminate a crucial episode in the history of Italian Humanism. The article opens with the discussion of these two letters in their wider historical and intellectual context: on the one hand, the characteristically Florentine «civic humanism» which constitutes the background of Poggio’s positions; on the other, the political and cultural competition between Florence and Milan during the first half of the 15th century.

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Čale, Morana. « Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?) ». Dans Biblioteca di Studi di Filologia Moderna, 61–79. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.

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Actes de conférences sur le sujet "Philosophy, Italian – 15th century"

Ngo Thi Thanh, Quy, et Minh Nguyen Thi Hong. « Vietnamese Proverbs : Values Preserved in Modern Society ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.

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Vietnamese proverbs has created long-lasting values which are being passed on to the modern society with numerous passions. These values include humanistic values confirming the human position in life. They also comprise social values and human philosophy as well as aesthetic values. Therefore, typical proverbs of the Viet people which have beem transferred to the younger generations via literary works such as Việt điện u linh (A collection of Vietnamese misteries) in the 14th century, Lĩnh Nam chích quái (A selection of the Viet extraordinary stories) in the 15th century are still being passed on until the present days. With the foundation of traditional Vietnamese proverbs, modern proverbs have undergone profound changes as seen in modern life through different forms of media including printed and audiovisual media as well as internet. It is obvious that traditional proverbs has regenerated in the new appearance. Proverbs are reproduced in modern literary works. Proverbs are also recreated and transformed in prose, poetry and drama. The movement and development of proverbs in our modern society confirm their deep values of the traditional culture. Writers, journalists and artists of other art forms have not only received the art tradition of word use of the ancestors but more importantly they have inherited the culural environment, humanistic values and life philosophies in order to transfer to the next generations. Henceforth, in the modern society Vietnamese proverbs are not obliterated but remain their vitality with different forms and have been of the Vietnamese people’s favourite.

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Díez Oronoz, Aritz. « Nova Imago Urbis : the transformation of city walls in early Renaissance as a model for the contemporary city image. » Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6035.

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The introduction of the artillery in the middle 15th century represented a revolution not only from a strictly military perspective: at the same time that medieval defences become obsolete and were replaced with other kind of fortifications, the cities lost their crenelated walls and slim towers that until then had configured their image and expression. The forced loose of this medieval Imago Urbis and the urgency of finding a new formal expression for this new type of fortifications was quickly understood by the leading Italian Renaissance architects. From Francesco di Giorgio Martini to Baldassarre Peruzzi, from Giuliano da Sangallo to Michelangelo, all of them –aware of the importance of the problem– worked on developing this new type of fortifications not only from the technical standpoint but also from its symbolic and formal approach. In Albertian terms, the goal was to search a new façade that would represent once again that “great house” that is the City. The contribution will refer to the importance of the contributions made by these architects in this regard and of its exemplary value in facing this problem –that of the image of the city– in our cities, the contemporary ones, increasingly more and more extensive and without a definite limit.

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Rapports d'organisations sur le sujet "Philosophy, Italian – 15th century"

Soler, Abel. Curial e Güelfa, an Italian-Catalan Romance from the 15th Century lacking ‘Anomalies’ and ‘Mysteries’. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.03.

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