Bibliographies thématiques / Perlov

Littérature scientifique sur le sujet « Perlov »

Auteur : Grafiati

Publié le 22 juin 2024

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Articles de revues sur le sujet "Perlov"

Ortiz Avilés, Luz Marina. « Perlov-Guerin : Resonancias ». Quintana : revista do Departamento de Historia da Arte, n^o 19 (18 janvier 2021) : 223–40. http://dx.doi.org/10.15304/qui.19.6250.

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David Perlov y José Luis Guerin convergen en lo esencial al pensar el cine no en relación con lo industrial sino en relación con lo artesanal: el cine como un forma de escritura. Pero no es este el único punto de encuentro entre las obras cinematográficas de estos dos directores pudiendo advertirse entre ambas otros puntos de confluencia. En este artículo trataremos, pues, de examinar la obra de sendos cineastas atendiendo a sus paralelismos, esto es rastrear aquellos elementos o rasgos del cine de Perlov que reaparecen en el cine de Guerin, así como de dilucidar la naturaleza de dicha relación.

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Khourian, Hernán. « Diario de perlov : una práctica de justeza ». Ñawi 5, n^o 1 (15 janvier 2021) : 191. http://dx.doi.org/10.37785/nw.v5n1.a10.

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Este artículo aborda Diario (1983), de David Perlov, como un hito patente en el itinerario latinoamericano que representa la preeminencia del documental como ensayo de las últimas décadas. Reflexiona sobre la dialéctica subjetiva entre el cineasta y las realidades proyectadas, planteando algunas cuestiones acerca del vínculo del ensayista consigo mismo y con su entorno y cómo asume el cineasta los distanciamientos.

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Guimarães, Cesar Geraldo. « Experiência subjetiva e experiência histórica nos diários de David Perlov ». Galáxia (São Paulo), n^o 35 (août 2017) : 45–55. http://dx.doi.org/10.1590/1982-2554130502.

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Resumo Com base no estudo do processo criador dos diários cinematográficos de David Perlov, e detendo-se sobretudo na sua experiência brasileira, o artigo analisa como a escritura fílmica do cineasta faz das imagens da memória uma superfície de dupla face – como a banda de Moebius – que passa do interior ao exterior, do dentro ao fora, da experiência subjetiva à experiência social e histórica.

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Khourian, Hernán. « Distancias justas y distanciamientos en Diario de Perlov ». Arkadin, n^o 8 (17 août 2019) : e006. http://dx.doi.org/10.24215/2525085xe006.

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Este artículo aborda Diario (1983), de David Perlov, como un hito patente en el itinerario latinoamericano que representa la preeminencia del documental como ensayo de las últimas décadas. Analiza la fenomenología del documentalista, las evidencias del entramado —un sistema de signos que entablan un diálogo vinculante con la (auto)puesta en escena— y la estrategia discursiva e intertextual, entre el rodaje y el montaje. Señala la invención asociativa, la yuxtaposición de ángulos y de puntos de vista en relación con la visión del cineasta marcada por la errancia, el deseo identitario y el choque con lo heterogéneo que definen una distancia doble, virtual y poética, generando paradojas y tensiones latentes entre lo visible y lo invisible.

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Feldman, Ilana. « As janelas de David Perlov : autobiografia, luto e política ». Arquivo Maaravi : Revista Digital de Estudos Judaicos da UFMG 11, n^o 20 (7 juin 2017) : 90–111. http://dx.doi.org/10.17851/1982-3053.11.20.90-111.

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Diante da problematização do campo das escritas de si e de seu cruzamento com cinema, testemunho, memória, crítica do sujeito e da dimensão confessional-testemunhal da cultura, o artigo tem como horizonte a investigação de modos políticos de enunciação e subjetivação, efetivados por meio dos diários cinematográficos de David Perlov, cineasta brasileiro-israelense. Nesses diários, realizados entre os anos 1970 e 2000, a errância, o trauma, o exílio e o luto são figuras de uma enunciação subjetiva e de uma narrativa em trânsito constante, para as quais o deslocamento, não sendo apenas geográfico, faz a passagem da identidade à alteridade, do singular ao coletivo, do trauma ao luto, do privado ao político.

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Fampa, Gabriel. « A condição do exílio : a permanência de David Perlov por detrás da imagem em Diary 1973-1983 ». ARS (São Paulo) 21, n^o 49 (8 décembre 2023) : 415–54. http://dx.doi.org/10.11606/issn.2178-0447.ars.2023.201112.

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O texto propõe pensar a condição do exílio na obra Diary 1973-1983 de David Perlov, cineasta brasileiro radicado em Israel, para além de sua concepção usual (a de um recolhimento do cineasta para dentro de seu próprio apartamento, de onde produziria as primeiras imagens de seu diário fílmico). Tomando como ponto de partida o sentimento de estrangeirismo que o cineasta carregava e seu anunciado desejo de documentar o cotidiano (os fatos e nada mais), apresento um exílio de outra natureza que se caracteriza como um recolhimento para detrás da imagem, ou, ainda, para um espaço-tempo metafísico entre imagem e espectadores.

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Natarajan, Priyamvada. « A comprehensive introduction to the cosmosCosmology for the Curious, Delia Perlov and Alex Vilenkin, Springer, 2017, $39.99 ». Physics Today 71, n^o 4 (avril 2018) : 55–56. http://dx.doi.org/10.1063/pt.3.3899.

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Wasmi, Hatem Rahim, Jumaa Salman Chiad et Adawiya Ali Hamzah. « Experimental Study for Materials Prosthetic above Knee Socket under Tensile or Fatigue Stress with Varying Temperatures Effect ». Journal of Engineering 20, n^o 3 (18 mai 2023) : 87–95. http://dx.doi.org/10.31026/j.eng.2014.03.08.

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The residual limb within the prosthesis, is often subjected to tensile or fatigue stress with varying temperatures. The fatigue stress and temperatures difference which faced by amputee during his daily activities will produces an environmental media for growth of fungi and bacteria in addition to the damage that occurs in the prosthesis which minimizingthe life of the prosthetic limb and causing disconfirm feeling for the amputee. In this paper, a mechanical and thermal properties of composite materials prosthetic socket made of different lamination for perlon/fiber glass/perlon, are calculated by using tesile test device under varying temperatures ( from 20oC to 60oC), also in this paper a device for measuring rotational bending fatigue stress under varying temperatures was designed, manufactured, and calibrated ( this device is not available in Iraq), to achieve S – N curves for different lamination of perlon/fiber glass/perlon composite materials of prosthetic above knee socket. In this paper, the mechanical and thermal properties set ( E, σy, σult, K, and α ) results of the above composite materials are decreased when the temperatures are increased. The S–N curves results of rotational bending fatigue for these lamination of composite materials are decreased when the temperatures are increased,also the endurance limit stresses (σe) are decreased with the increasing of number of perlon, and increasing temperatures, generaly after about 107 cycles.

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Abbas, Saif M., Ghanim Sh Sadiq et Muhammed Abdul Sattar. « Improving the Composite Materials for Bi Lateral Prosthesis with Below Knee Amputation ». Materials Science Forum 1002 (juillet 2020) : 379–88. http://dx.doi.org/10.4028/www.scientific.net/msf.1002.379.

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This study used the tensile and fatigue test to find the properties of composite material used to fabricate a prosthetic socket with below knee amputation using an excluding air technique. The composite materials consisted of eight layers of carbon-fiber for first socket and eight layers of perlon for second socket of below knee amputation. This study was conducted on a patient have 45years old of height 164cm and weight95kg were measured, and the results showed that the ultimate stress (Ϭult) and yield stress (Ϭy) for eight layers of perlon was39 MPa and 36 MPa, while for eight layers of carbon-fiber was 135 MPa and 121 MPa. The fatigue limit for eight layers of perlon was 15 MPa and for eight layers of carbon-fiber was 90 MPa. The value of pressure on the internal wall of the prosthetic socket was measured by F-socket sensor between stump and socket for four position; this data is anterior =210kPa, lateral=313kPa, posterior=225kPa and medial=180kPa. From mechanical properties and ANSYS workbench 14.5software, the safety factor for below knee socket with eight layers of carbon-fiber is (1.35) which is acceptable for socket design. The safety factor for below knee socket with eight layers of perlon is (0.22) which is failure.

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Jeryo, Abbas H., Jumaa S. Chiad et Wajdi S. Abbod. « Boosting Mechanical Properties of Orthoses - Foot Ankle by Adding Carbon Nanotube Particles ». Materials Science Forum 1039 (20 juillet 2021) : 518–36. http://dx.doi.org/10.4028/www.scientific.net/msf.1039.518.

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In this process, optimum laminating properties were used in producing prosthesis and orthoses were researched and selected based on high yield, ultimate stresses, stresses of bending and fatigue properties. The process of the optimal selection is the Response Surface Methodology (RSM), which has been used to reach two parameters: reinforcement perlon fiber and percent of multi-strand carbon MWCNT nanotube combined with the matrix resin. The response surface methodology is a combination of mathematician and statistic techniques which are used for experimental model building and analysis of problems. This technique revealed 13 separate laminations samples with a percentage of separate Perlon layers No. and MWCNT Wt %. Tests were conducted for all lamination materials as defined in RSM methods and rendered by vacuum system, including fatigue tests for the ideal laminating material as opposed to laminations developed in the prior study (three Tensile test, Bending test and Fatigue tests according to the ASTM D638 and D790 respectively). Tests from the system version 10.0.2 of Design Expert found lamination (10 perlon layers and 0.75% of MWCNTs) to be the best according to overall yield, ultimate and bending loads in the 12 other laminations. Fatigue eventually revealed that constraints were applied to the stamina tension (2,66, 1,66) for optimum lamination, relative to ten perlon lamination layers and 424 lamination respectively.

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Thèses sur le sujet "Perlov"

Rèbre, Isabelle. « Figures du deuil et du photographique. Formes du film-essai chez Naomi Kawase, Alain Cavalier et David Perlov ». Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080044.

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Cette recherche développe une réflexion autour du photographique dans son lien à la mémoire et au deuil, qu’il soit intime ou d’ordre historique. Elle montre que la photographie est une figure de deuil, autrement dit, elle fait à la fois coupe et lien. A travers un corpus restreint de trois films-essais, elle analyse des figures de deuil et des gestes filmiques singuliers. Dans La Danse des souvenirs (2002), Naomi Kawase est confrontée à une mort intime. L’imbrication de clichés photographiques dans le film produit une suspension qui provoque un renversement dans cette trajectoire dont l’issue semblait fatale. La cinéaste use de la photographie comme une figure de lien qui permet de relier les vivants et les morts. Dans Ce répondeur ne prend pas de messages (1978), Alain Cavalier, incarne un homme endeuillé. Le cinéaste reprend un grand nombre de clichés photographiques tirées de ses archives personnelles, parmi lesquelles des coupures de journaux représentant des cadavres de la guerre. A travers ce geste de reprise, la problématique prend une dimension historique. À l’instar de la photographie devenue ici figure de coupe, le film déploie un ensemble de figures où la rupture insiste, participant d’un jeu de deuil. Avec Le Journal (1973-1982) de David Perlov qui est enserrés entre deux guerres, le texte aborde la problématique dans sa dimension politique. Le cinéaste israélien qui est aussi photographe, utilise différents formats de photographies. A travers les gestes de reprises et de répétitions, le photographique permet une transformation de la figure qui permet la séparation avec un passé traumatique
This dissertation is a consideration of the photographic in its relation to memory and mourning in both their personal and historical forms. It demonstrates how photography is a figure of mourning; how it is at once a means of connecting and a means of cutting off. Figures of mourning and filmmakers’ unique formal gestures are analyzed through a pared-down corpus of three essay films. In Letter From a Yellow Cherry Blossom (2002), Naomi Kawase is personally confronted with death. Her use of photographic stills provokes an interruption that reverses a seemingly fatal trajectory. Photography is a connecting figure that brings together the living and the dead. In Alain Cavalier’s This Answering Service Takes No Messages (1978), the filmmaker embodies a man in mourning. He uses a number of photographic stills from his personal archives, including newspaper clippings showing cadavers from the Second World War. This gesture of reuse brings out the historical dimension of the issues investigated in this dissertation. Photography becomes a figure of cutting off: the film deploys a number of figures through which rupture is insistent and participates in a process of mourning. In David Perlov’s Diary (1973-1982), a project bookended by two wars, these issues take on a political dimension. The Israeli filmmaker and photographer makes use of a number of photographic formats. Through reuse and repetition, the photographic allows for a transformation of the figure that breaks off from a traumatic past

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Lagos, Labbé Paola. « La imagen bisagra. Representación de los intersticios narrativos, visuales y sonoros en los diarios documentales de David Perlov : Diary (1973-1983), Updated Diary (1990-1999) y My Stills (1952-2002) ». Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/673765.

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Aquesta tesi es basa en l’anàlisi i interpretació qualitativa i reflexiva dels recursos narratius, visuals i sonors que articulen els assajos cinematogràfics “Diary” (1973-1983), “Updated Diary” (1990-1999) i “My Stills” (1952-2002), per descriure les poètiques de l’interval que el seu autor, el cineasta, fotògraf i artista visual brasiler-israelià David Perlov (Rio de Janeiro, 1930 - Tel Aviv, 2003) desplega per representar el desarrelament. El conjunt d’aquests diaris conforma un corpus cinematogràfic únic; un film-fleuve de prop de deu hores que canalitza l’experiència quotidiana de Perlov al llarg de cinquanta anys de la seva vida i esdevé un monumental passatge que connecta els diversos plans en els què oscil·la la realitat representada pel cineasta, entre ells, la seva intimitat afectiva i personal, la seva identitat com a nòmada i les crisis i conflictes bèl·lics en els que Israel es va veure involucrat durant la segona meitat de segle XX. Per modelar una subjectivitat fracturada i en trànsit, Perlov convoca una diversitat d’estratègies assagístiques d’autorepresentació que operen tant a nivell discursiu, com estètic i polític, i que travessen les diverses manifestacions artístiques que va conrear al llarg de la seva vida. Així, les recerques expressives que emprenen els seus diaris recullen elements propis no tan sols de les arts cinematogràfiques, sinó també de la fotografia, la pintura, la literatura i la música. Per aquest motiu la mirada documental de Perlov comporta una gran complexitat audiovisual, rica en girs intertextuals, gests, rostres, cossos, trajectòries, espais, coses, cases, sons, veus i reflexions que s’imbriquen formant un teixit fílmic obert, fluid i intersticial. La investigació aspira a interrogar aquesta multiplicitat de recursos des d’una aproximació interrelacional que examini aquelles pràctiques intersticials que formulen una estètica de l’interval característica en els diaris de Perlov. A partir d’aquest enfocament i fruit de la correspondència entre teoria i anàlisi, la tesi proposa delimitar el concepte de “imatge frontissa” per simbolitzar els passatges, relacions i tensions entre vida i art; entre el privat i el públic; interior i exterior; dins i fora —metaforitzats a la llar i al carrer-; entre el domèstic i el polític; la microhistòria i la macrohistòria; el temps passat i el temps present; entre l’univers dels vius i l’univers dels morts; entre el jo i els altres; entre desterraments i retorns; entre nomadismes, fronteres, pàtries i ciutats (Tel Aviv, Sâo Paulo, Rio de Janeiro, Belo Horizonte, París); pertinença i desarrelament, entre la imatge fixa i la imatge en moviment; entre tecnologies analògiques —el cel·luloide— i dispositius electromagnètics -el vídeo-; entre so i sentit; veu i paraula, per esmentar alguns dels múltiples trànsits a través dels llindars que ens ofereix l’obra de Perlov. Entre d’altres elements, la poètica intersticial de la imatge frontissa es tradueix visualment en la persistent presència de finestres, portes i llindes, com xarneres que regulen els fluxos entre els diferents universos de representació entrellaçats en els diaris de Perlov i les relacions que operen a la problematització del seu desarrelament i estrangeria substancials.
Esta tesis se basa en el análisis e interpretación cualitativa y reflexiva de los recursos narrativos, visuales y sonoros que articulan los ensayos cinematográficos “Diary” (1973-1983), “Updated Diary” (1990-1999) y “My Stills” (1952-2002), para describir las poéticas del intervalo que su autor, el cineasta, fotógrafo y artista visual brasileño-isarelí David Perlov (Río de Janeiro, 1930 - Tel Aviv, 2003) despliega para representar el desarraigo. El conjunto de estos diarios conforma un corpus cinematográfico único; un filme-fleuve de cerca de diez horas que canaliza la experiencia cotidiana de Perlov a lo largo de cincuenta años de su vida y deviene en un monumental pasaje que conecta los diversos planos en los que oscila la realidad representada por el cineasta, entre ellos, su intimidad afectiva y personal, su identidad como nómade y las crisis y conflictos bélicos en los que Israel se vio involucrado durante la segunda mitad del siglo XX. Para modelar una subjetividad fracturada y en tránsito, Perlov convoca una diversidad de estrategias ensayísticas de autorrepresentación que operan tanto a nivel discursivo, como estético y político, y que atraviesan las diversas manifestaciones artísticas que cultivó a lo largo de su vida. Así, las búsquedas expresivas que emprenden sus diarios congregan elementos propios no solo de las artes cinematográficas, sino también de la fotografía, la pintura, la literatura y la música. De ahí que la mirada documental de Perlov detente una gran complejidad audiovisual, rica en guiños intertextuales, gestos, rostros, cuerpos, trayectorias, espacios, cosas, casas, sonidos, voces y reflexiones que se imbrican formando un tejido fílmico abierto, fluido e intersticial. La investigación aspira a interrogar esta multiplicidad de recursos desde una aproximación interrelacional que examine aquellas prácticas intersticiales que formulan una estética del intervalo característica en los diarios de Perlov. A partir de dicho enfoque y fruto de la correspondencia entre teoría y análisis, la tesis propone delimitar el concepto de “imagen bisagra” para simbolizar los pasajes, relaciones y tensiones entre vida y arte; entre lo privado y lo público; interior y exterior; adentro y afuera —metaforizados en el hogar y la calle—; entre lo doméstico y lo político; la microhistoria y la macrohistoria; el tiempo pasado y el tiempo presente; entre el universo de los vivos y el universo de los muertos; entre el yo y los otros; entre destierros y retornos; entre nomadías, fronteras, patrias y ciudades (Tel Aviv, Sâo Paulo, Río de Janeiro, Belo Horizonte, París); pertenencia y desarraigo, entre la imagen fija y la imagen en movimiento; entre tecnologías analógicas —el celuloide— y dispositivos electromagnéticos —el vídeo—; entre sonido y sentido; voz y palabra, por mencionar algunos de los múltiples tránsitos a través de los umbrales que nos ofrece la obra de Perlov. Entre otros elementos, la poética intersticial de la imagen bisagra se traduce visualmente en la persistente presencia de ventanas, puertas y dinteles, como goznes que regulan los flujos entre los distintos universos de representación entrelazados en los diarios de Perlov y las relaciones que operan en la problematización de su desarraigo y extranjería sustanciales.
This thesis is based on a qualitative and reflexive analysis in order to interpret the narrative, visual and sound resources that articulate the cinematographic essays “Diary” (1973-1983), “Updated Diary” (1990-1999) and “My Stills” (1952-2002). These operations seek to describe the poetics of the interval that its author, Brazilian-Israeli filmmaker, photographer and visual artist, David Perlov (Rio de Janeiro, 1930 - Tel Aviv, 2003), displays to represent his uprooting. The set of these diaries forms a unique cinematographic corpus; a filme-fleuve of around ten hours that shapes the daily experience of Perlov throughout fifty years of his life, and becomes a monumental passage that connects the different spheres in which his reality oscillates: his affective and personal intimacy, his identity as a nomad and the crises and wars in which Israel was involved during the second half of the 20th century. In order to depict a fractured and “in transit” subjectivity, Perlov convenes diverse essayistic self-representation strategies that operate on a discursive, aesthetic and political level, and which travers the various artistic manifestations he developed throughout his life. The expressive searches set out by his diaries gather together elements not only from the cinematographic arts, but also from photography, painting, literature and music. Hence, Perlov’s documentary gaze holds a great audiovisual complexity, rich in intertextual winks, gestures, faces, bodies, trajectories, spaces, objects, houses, sounds, voices and reflections that imbricate to shape an open, fluid and interstitial filmic weave. This research aims to interrogate this multiplicity of resources from an inter-relational approach, able to examine those interstitial practices that formulate an aesthetic of the interval, characteristic in Perlov’s diaries. Based on this scheme and as a result of the correspondence between theory and analysis, the thesis proposes to delimit the concept of “hinge image” to symbolize the passages, relations and tensions between life and art; the private and the public; interior and exterior; inside and outside —metaphorized in the home and the street—; between domestic and political; microhistory and macrohistory; past and present; between the universe of the living and the realm of the dead; between the self and the others; between exile and returns; between nomadism, borders, homelands and cities (Tel Aviv, Sâo Paulo, Rio de Janeiro, Belo Horizonte, Paris); belonging and uprooting, between the still and the moving image; between analogue technologies —celluloid— and electromagnetic devices —video—; between sound and sense; voice and word, just to mention some of the multiple transits through the thresholds offered by Perlov’s ouvre. Among other elements, the interstitial poetic of the hinge image visually decodes into a persistent presence of windows, doors and archways, as mechanisms of fluctuation that regulate both the flows between the different universes of representation intertwined in Perlov’s diaries, and the relations that operate in the problematization of his substantial uprooting and foreignness.
Universitat Autònoma de Barcelona. Programa de Doctorat en Comunicació Audiovisual i Publicitat

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Paniagua, Palavicini Gustavo Alonso. « Ladra Seguro ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652541.

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En el mundo de hoy tener una mascota es muy frecuente en todos los hogares. En Lima Metropolitana, 1.37 millones de hogares tiene alguna mascota en casa, esto representa el 55% de hogares limeños, y se estima que para el 2021 la cifra llegará a los 1.45 millones (Ipsos, 2016). Nuestra investigación nos permite conocer que las personas que tienen un perro, por lo general consideran al can como un miembro más del hogar, sin embargo el cuidado hacia las mascotas a veces no se puede dar por la falta de tiempo que presentan sus dueños y que incluso impide que puedan salir a pasear a sus mascotas por lo menos una vez al día. Por ello, si no ocurre esto los perros sufren, de estrés y de enfermedades somáticas que se desencadenan, además de problemas de conducta que a la larga acarrean problemas para los dueños y sus hogares (Mármol, 2016). Esta coyuntura da pie a que se cree “Ladra Seguro” proyecto que busca formalizar un servicio de paseadores de perros, apoyándose en herramientas tecnológicas de última generación como un aplicativo que brinde a los dueños de mascotas un servicio seguro y de buena calidad. Adicionalmente, se desarrollará un adiestramiento que permita a los caninos obtener todo el ejercicio y cuidado que requieran durante el tiempo que están fuera de su hogar.
In today's world, having a pet is very common in every home. In Metropolitan Lima, 1.37 million households have a pet at home, this represents 55% of Lima households, and it is estimated that by 2021 the figure will reach 1.45 million (Ipsos, 2016). Our research allows us to know that people who have a dog, generally consider the dog as another member of the household, however care for pets sometimes cannot be given due to the lack of time that their owners present and that they even prevent them from being able to walk their pets at least once a day. Therefore, if this does not happen, dogs suffer from stress and somatic diseases that are triggered, in addition to behavior problems that in the long run cause problems for the owners and their homes (Mármol, 2016). This situation gives rise to the creation of "Safe Barks", a project that seeks to formalize a service for dog walkers, relying on state-of-the-art technological tools such as an application that provides pet owners with a safe and good quality service. In addition, a training will be developed that allows the canines to obtain all the exercise and care they require during the time they are away from home.
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Gely-Pernot, Aurore. « Implication des protéines vitamine K-dépendantes dans la régulation de l'activité des cellules souches du cerveau et dans la réparation de la lésion rétinienne chez le rongeur adulte ». Poitiers, 2009. http://theses.edel.univ-poitiers.fr/theses/2009/Gely-Pernot-Aurore/2009-Gely-Pernot-Aurore-These.pdf.

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Les protéines vitamine K-dépendantes (PVKDs) sont une famille de protéines connues pour leur implication dans la régulation de la coagulation sanguine. Leur activité dépend d’une modification post-traductionnelle, la γ-carboxylation qui est inhibée par la warfarine. Deux PVKDs, les protéines S et Gas6 ont été identifiées comme ligands des récepteurs tyrosine kinase de la famille TAM. L'étude menée chez les souris invalidées pour ces récepteurs suggère une implication des PVKDs dans la neurogenèse. Chez les rongeurs, la neurogenèse assurée par les cellules souches neurales (CSN) persiste à l'âge adulte dans quelques régions cérébrales dont la zone sous-ventriculaire (SVZ). Mon travail de thèse a eu pour objectif majeur de comprendre l'effet des PVKDs sur l'activité des CSN de la SVZ mais aussi l'implication de la protéine Gas6 dans la rétinogenèse. Nos résultats montrent que l'inhibition de la sécrétion des PVKDs par la warfarine stimule la prolifération des CSN. En outre, nous montrons que les récepteurs TAM et leurs ligands sont exprimés par les CSN et dans le LCR, que la protéine S exogène inverse les effets de la warfarine et que l'absence de la protéine Gas6 chez les souris Gas6-/- induit une réduction de la prolifération des CSN. L'ensemble de ces résultats a permis de mettre en évidence l'implication des PVKDs dans la régulation de la prolifération des CSN. La deuxième partie de ce travail montre que les CSN possèdent une activité phagocytaire basale qui est stimulée par la protéine S. La troisième partie de ce travail montre que chez les souris Gas6-/- soumises à une lésion rétinienne, la prolifération cellulaire permettant la réparation de la lésion est moins importante que chez des souris sauvages
Vitamin K-dependent protein (VKDPs) is a family of proteins known for their involvement in the regulation of blood coagulation. Their activity depends on post-translational modification, the γ-carboxylation, witch is inhibited by warfarin. Two VKDPs, protein S and Gas6 have been identified as ligands of TAM receptor tyrosine kinase family. The study lead in mice invalidated for these receptors suggests the involvement of VKDPs in neurogenesis. In rodents, neurogenesis provided by neural stem cells (NSC) persists into adulthood in several brain regions including the subventricular zone (SVZ). My thesis had the main objective to understand the effect of VKDPs on NSC activity of the SVZ but also the involvement of Gas6 protein in retinogenesis. Our results show that the inhibition of VKDPs secretion by warfarin stimulates NSC proliferation. In addition, we show that TAM receptors and their ligands are expressed by NSC and in CSF, that exogenous protein S reverses the warfarin effects and that absence of Gas6 protein in Gas6-/ - mice induced a reduction of NSC proliferation. All these results revealed the involvement of VKDPs in the regulation of NSC proliferation. The second part of this work shows that NSC have a basal phagocytosis activity that is stimulated by protein S. The third part of this work shows that Gas6-/- mice subject to a retinal lesion, cell proliferation to repair the damage is less important than in wild mice

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Ljungberg, Caroline, et Charlotte Nyström. « En levande organisation : En studie om rekrytering och organisationskultur ». Thesis, Högskolan i Halmstad, Sektionen för hälsa och samhälle (HOS), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-17138.

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Syftet med uppsatsen är att försöka få en inblick i hur viktigt det anses vara att en nyanställd ”matchar” en organisation i form av personlighet och värderingar, snarare än att denne besitter rätt yrkeskunskaper. Syftet är även att utreda om det finns en existerande organisationskultur på ett industriföretag, samt hur genomgående denna kultur verkar vara. Avslutningsvis har författarna försökt utreda hur nya medarbetare socialiseras in i den undersökta organisationens kultur. Resultaten är baserade på tre gruppintervjuer med operativ personal, intervjuer med två personer från organisationens ledningsgrupp, samt intervjuer med två olika rekryteringsföretag. Resultaten pekar på att en ”match” med organisationen upplevs vara viktig när det gäller grundläggande värderingar, men att olika personligheter uppskattas mer än lika egenskaper hos nyanställda. Resultaten tyder även på att socialiseringsprocessen kan ha en större betydelse för en upplevd samstämmighet med organisationen, än vad en tillämpad P-O- fit vid rekryteringen kan tänkas bidra till.
The purpose with this study is to achieve a deeper knowledge and understanding for the perceived importance of using a Person-Organization fit in recruitment. The study also aims to investigate a possible existing organizational culture in an industrial company, and how concistent this culture seems to be throughout the organization. The authors have also tried to gain knowledge on how new employees are indroduced into this culture. The results are based on three group interviews with operational personnel, interviews with two persons from the manegerial group, and interviews with two recruitment firms. The results indicate that a Person-Organization fit is perceived to be important when it comes to some basic values. However, different personalities are more desirable within the investigated organization concerning recruits. Results also indicate that the socialization process, rather than an applied Person-Organization fit, might have a larger significance for a perceived congruence between personal and organizational values.

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Sourdis, Carolina. « El Ensayo cinematográfico como dialéctica de la creación filmica ». Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/461008.

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Esta tesis aborda el ensayo cinematográfico como dialéctica de la creación fílmica, entendida como método para vincular la práctica y la teoría cinematográfica. En base al estudio de la forma ensayo propuesto desde los estudios fílmicos, la tesis plantea la conceptualización del ensayo audiovisual desde sus particularidades como proceso de creación y traza su genealogía desde los planteamientos metodológico de Walter Benjamin en El Libro de los pasajes. La investigación concibe las prácticas fílmicas como una forma de pensar el cine y se aproxima a la figura del cineasta como artesano de su oficio, que apropia las formas de producción para manifestar su presencia en la imagen. Este estudio se ha centrado en los métodos de trabajo de Jean-Luc Godard y Anne-Marie Miéville, David Perlov y Jonas Mekas en donde el ensayo cinematográfico no se revela como forma sino como experiencia de descubrimiento en y para la creación.
This PhD dissertation approaches the film-essay as dialectics of film creation, understood as a method to link both film theory and practice. Based on the studies of the essay as form proposed in the field of film studies, the thesis formulates the conceptualization of the essay film from its particularities as a creative process and traces its genealogy to Walter Benjamin’s methodological approach in The Arcades Project. This research conceives filmic practices as a way of thinking cinema theoretically and understands the figure of the filmmaker as a craftsman, who appropriates the production norms to inscribe his presence in the image. This study takes as the main core the methods of creation exposed by Jean-Luc Godard and Anne-Marie Miéville, David Perlov and Jonas Mekas where the essay film is not revealed as a form but as a discovery experience in and for creation.

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Perrot, Camille Olny Xavier Guyader Jean-Louis Panneton Raymond. « Microstructure et macro-comportement acoustique approche par reconstruction d'une cellule élémentaire représentative / ». Villeurbanne : Doc'INSA, 2007. http://docinsa.insa-lyon.fr/these/pont.php?id=perrot.

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Thèse doctorat : Acoustique : Villeurbanne, INSA : 2006. Thèse doctorat : Acoustique : Université de Sherbrooke, Canada : 2006.
Thèse soutenue en co-tutelle. Titre provenant de l'écran-titre. Contient de références bibliographiques.

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Hui, Pan, et 許彬. « UNO : enabling person-centered and person-based computing ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B30150681.

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Perlo, Juan [Verfasser]. « Single-Sided NMR Tomography / Juan Perlo ». Aachen : Shaker, 2006. http://d-nb.info/1166515109/34.

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Kennedy, Michael. « An integrative investigation of person-vocation fit, person-organization fit, and person-job fit perceptions ». Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4768/.

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Person-environment (PE) fit has been considered one of the most pervasive concepts in psychology. This study presents an integrative investigation of three levels of PE fit: person-vocation (PV) fit, person-organization (PO) fit, and person-job (PJ) fit, using multiple conceptualizations (e.g., value congruence, needs-supplies fit) of each fit level. While a trend in the PE fit literature has been the inclusion of only one fit level with a single conceptualization, researchers call for the addition of multiple conceptualizations of multiple fit levels in a single study. Traditionally, PO fit has been conceptualized as value congruence, whereas PV fit has remained untouched in the literature investigating the direct measurement of fit perceptions. Therefore, new fit perceptions scales assessing PO fit using a needs-supplies fit conceptualization and PV fit using a variety of conceptualizations were introduced. To address the limitation of employing direct measures, common method variance was modeled with a positive affect factor. The study accomplished two objectives. First, a previously supported three-factor model of fit perceptions consisting of PO value congruence (PO-VC), PJ needs-supplies (PJ-NS), and PJ demands-abilities (PJ-DA) fit was strongly replicated. Second, this model was expanded by examining additional conceptualizations (needs-supplies, demands-abilities fit, value, personality, and interest congruence) of fit levels (PV, PO, and PJ fit). Results suggested that professionals make distinctions based on both the fit level and fit conceptualization and these fit perceptions uniquely influence their attitudes and behaviors. A six-factor model (PO-VC, PJ-NS, PJ-DA, PO needs-supplies fit [PO-NS], PV demands-abilities fit [PV-DA], and general PV fit) best fit the data. Providing ample evidence of construct validity, PO fit perceptions (PO-VC and PO-NS fit) were related to the organization-focused outcome of organizational identification, whereas the profession-focused outcome of occupational commitment was exclusively predicted by PV fit perceptions (PV-DA and general PV fit). As expected, both needs-supplies fit perceptions (PO-NS and PJ-NS fit) predicted intentions to quit and job satisfaction. Recommendations for future research are suggested.

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Livres sur le sujet "Perlov"

Perlov, David. Daṿid Perlov : Rishumim, tatslumim, seraṭim = David Perlov : drawings, photographs, films. ʻEn-Ḥarod : Mishkan le-omanut ʻEn-Ḥarod, 2014.

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Goodman, Anastasia. Loose ends : A Sasha Perlov novel. [United States] : CreateSpace Independent Publishing Platform, 2012.

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Perloṿ, Ḥayim Mordekhai ben Daṿid. Liḳuṭe sipurim : Zikhronot sipurim u-fitgamin ḳadishin ... asher liḳeṭ ṿe-asaf ... Ḥayim Mordekhai b.r. Daṿid ha-kohen Perlov ... asher marbitam shamaʻ mi-pi ziḳne ha-ḥasidim. Yerushalayim : Y. Slaṿin, 2001.

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Kubesova, Blanka. Perlovy svet. Praha : B.Just, 1996.

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Karpova, Tatʹi︠a︡na. Vasiliĭ Perov. Moskva : Tretʹi︠a︡kovskai︠a︡ galerei︠a︡, 2019.

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Avi. Perloo the bold. New York : Scholastic, 1998.

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Avi. Perloo the bold. New York : Scholastic Press, 1998.

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Leni͡ashin, V. A. Vasiliĭ Grigorʹevich Perov. Leningrad : "Khudozhnik RSFSR", 1987.

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Leniashin, Vladimir Alekseevich. Vasilii Grigorevich Perov. Leningrad : Khudozhnik RSFSR, 1987.

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Čechavičius, Rimantas. Dieviško perlo šviesa. Vilnius : Medinių konstrukcijų techninis centras, 2006.

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Chapitres de livres sur le sujet "Perlov"

Gooch, Jan W. « Perlon ». Dans Encyclopedic Dictionary of Polymers, 526. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8576.

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Gooch, Jan W. « Perlon U ». Dans Encyclopedic Dictionary of Polymers, 526. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8577.

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Latham, David W. « Period ». Dans Encyclopedia of Astrobiology, 1221. Berlin, Heidelberg : Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-11274-4_1170.

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Latham, David W. « Period ». Dans Encyclopedia of Astrobiology, 1846. Berlin, Heidelberg : Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-44185-5_1170.

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Gooch, Jan W. « Period ». Dans Encyclopedic Dictionary of Polymers, 526. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8569.

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Weik, Martin H. « period ». Dans Computer Science and Communications Dictionary, 1247. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_13816.

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Moss, Avigail. « Period ». Dans Keywords for Marxist Art History Today, 113–22. Göttingen : V&R unipress, 2020. http://dx.doi.org/10.14220/9783737011143.113.

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Latham, David W. « Period ». Dans Encyclopedia of Astrobiology, 1. Berlin, Heidelberg : Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-27833-4_1170-3.

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Latham, David W. « Period ». Dans Encyclopedia of Astrobiology, 2259. Berlin, Heidelberg : Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-65093-6_1170.

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Cvetković, Marija, Erdal Karapınar, Vladimir Rakočević et Seher Sultan Yeşilkaya. « Perov-Type Contractions ». Dans Approximation and Computation in Science and Engineering, 167–215. Cham : Springer International Publishing, 2012. http://dx.doi.org/10.1007/978-3-030-84122-5_11.

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Actes de conférences sur le sujet "Perlov"

Svecova, M., D. Kocur et M. Svingal. « UWB-PerLoc-MAT : MATLAB App for Person Localization by UWB Sensor ». Dans 2018 16th International Conference on Emerging eLearning Technologies and Applications (ICETA). IEEE, 2018. http://dx.doi.org/10.1109/iceta.2018.8572275.

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Zhao, Yue-peng, Ming-jiang Zhang, Yi An et Yun-cai Wang. « Experimental study on period doubling of multiple quantum well Fabry-Perot laser ». Dans 27th International congress on High-Speed Photography and Photonics, sous la direction de Xun Hou, Wei Zhao et Baoli Yao. SPIE, 2007. http://dx.doi.org/10.1117/12.725762.

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Cecchi, S., G. Giusfredi, P. Salieri et F. T. Arecchi. « Period Doubling and Intermittency in the Transmission of a Na Vapor Filled Fabry-Perot ». Dans Optical Bistability. Washington, D.C. : Optica Publishing Group, 1985. http://dx.doi.org/10.1364/obi.1985.we5.

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The transmission of a coherent beam interacting with sodium atoms in a Fabry-Perot resonator displays a complex stationary and dynamical behaviour. It follows from the presence of many degrees of freedom, arising from the atomic structure and from the "velocity group" subdivision of the atoms in the inhomogeneously broadened interaction with the field.

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« Period ». Dans ACM SIGGRAPH 96 Visual Proceedings : The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA : ACM Press, 1996. http://dx.doi.org/10.1145/253607.254034.

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Li, Yaguang, Han Su, Ugur Demiryurek, Bolong Zheng, Kai Zeng et Cyrus Shahabi. « PerNav ». Dans SIGMOD/PODS'16 : International Conference on Management of Data. New York, NY, USA : ACM, 2016. http://dx.doi.org/10.1145/2882903.2899384.

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Naber, Jens, Martin Pfannemüller, Janick Edinger et Christian Becker. « PerFlow ». Dans MobiQuitous : Computing, Networking and Services. New York, NY, USA : ACM, 2019. http://dx.doi.org/10.1145/3360774.3360778.

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Blunck, Henrik, Torben Godsk, Kaj Grønbæk, Mikkel B. Kjærgaard, Jakob L. Jensen, Tejs Scharling, Kari R. Schougaard et Thomas Toftkjær. « PerPos ». Dans the 1st International Conference and Exhibition. New York, New York, USA : ACM Press, 2010. http://dx.doi.org/10.1145/1823854.1823869.

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Jin, Yuyang, Haojie Wang, Runxin Zhong, Chen Zhang et Jidong Zhai. « PerFlow ». Dans PPoPP '22 : 27th ACM SIGPLAN Symposium on Principles and Practice of Parallel Programming. New York, NY, USA : ACM, 2022. http://dx.doi.org/10.1145/3503221.3508405.

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Wan, Xiaojun, Jianfeng Gao, Mu Li et Binggong Ding. « Person resolution in person search results ». Dans the 14th ACM international conference. New York, New York, USA : ACM Press, 2005. http://dx.doi.org/10.1145/1099554.1099585.

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Yagi, Takuma, Karttikeya Mangalam, Ryo Yonetani et Yoichi Sato. « Future Person Localization in First-Person Videos ». Dans 2018 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2018. http://dx.doi.org/10.1109/cvpr.2018.00792.

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Rapports d'organisations sur le sujet "Perlov"

Azoa Balengla, Tania M., Joseph Keneck Massil, Alphonse Noah et Bernard C. Nomo Belaya. Tax Revenue in Emerging Markets and Developing Countries : Does Digital Finance Matter ? Institute of Development Studies, mai 2024. http://dx.doi.org/10.19088/ictd.2024.042.

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This paper investigates whether adopting mobile money services influences non resource tax revenues in emerging markets and developing countries. Using a sample of 97 countries over the period 1990–2021, our empirical analyses, based on instrumental variables, system-GMM, and endogenous switching regression methods, suggest that digital finance leads to more tax revenue. We also find that bill payments, merchant payments, person-to-person payments, and person-to government payments have a greater impact on tax revenues than other mobile money services. The potential positive impact mechanisms are the decline of the informal sector, the reduction of corruption, and the facilitation of international remittance inflows.

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Lytvynova, Svitlana, Oleksandr Burov, Nataliia Demeshkant, Viacheslav Osadchyi, Сергій Олексійович Семеріков, Світлана Григорівна Литвинова, Олександр Юрійович Буров, Наталія Андріївна Демешкант et В'ячеслав Володимирович Осадчий. 3L-Person : Report. Криворізький державний педагогічний університет, mars 2022. http://dx.doi.org/10.31812/123456789/6987.

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This is an introductory text to a collection of selected papers from the VI International Workshop on Professional Retraining and Life-Long Learning using ICT: Person-oriented Approach (3L-Person 2021), held in Kherson, Ukraine, on the October 1, 2021. The volume presents the contributions to the workshops affiliated with the ICTERI 2021: the 17th International Conference on ICT in Education, Research, and Industrial Applications.

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Kirszenbaum, James. Person First Planet : A Comprehensive Review of Person First Language. Portland State University Library, janvier 2015. http://dx.doi.org/10.15760/honors.211.

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Paravisini, Daniel, Veronica Rappoport et Enrichetta Ravina. Risk Aversion and Wealth : Evidence from Person-to-Person Lending Portfolios. Cambridge, MA : National Bureau of Economic Research, juin 2010. http://dx.doi.org/10.3386/w16063.

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Kramer, Mitch. Creative Virtual V-Person. Boston, MA : Patricia Seybold Group, septembre 2012. http://dx.doi.org/10.1571/pr09-20-12cc.

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Kramer, Mitch. Creative Virtual V-Person. Boston, MA : Patricia Seybold Group, avril 2014. http://dx.doi.org/10.1571/psgp04-24-14cc.

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Momany, Elizabeth T. Iowa Family Planning Demonstration Evaluation Third Waiver Period. Period ending December 2015. Iowa City, Iowa : University of Iowa Public Policy Center, mai 2016. http://dx.doi.org/10.17077/wrk1-ta31.

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Gunther, Jilenne. Fighting Financial Exploitation on Person-to-Person Payment Platforms : What Consumers Want. Washington, DC : AARP Public Policy Institute, février 2024. http://dx.doi.org/10.26419/ppi.00213.001.

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TOTROVA, Z. H. ON THE ISSUE OF WORLDVIEW AS AN INDICATOR OF PERSONAL DEVELOPMENT. Science and Innovation Center Publishing House, avril 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-2-38-46.

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The anthropological theme is updated during periods of paradigm instability, which is characteristic of the modern period of history. The purpose of the article is to consider the worldview as an indicator of personality development, which involves solving problems of defining concepts: personality, the structure of the worldview and the factors of its formation. Research methods are philosophical and general logical. Research results. Worldview, as the highest stage of human development, is characterized by consistency and theoretical justification. Among the factors that create a personality, the person himself is decisive, making himself the object of critical analysis, becoming a formative subject, which indicates his spiritual (personal) maturity.

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Hill, Christian, et Kalle Heinola. IFRC Subcommittee on Atomic and Molecular Data for Fusion : Report on the Activities of the Atomic and Molecular Data Unit. International Atomic Energy Agency, octobre 2022. http://dx.doi.org/10.61092/8whs-zyjw.

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The 23rd meeting of the Subcommittee on Atomic and Molecular Data of the International Fusion Research Council (IFRC) was held from 16 – 17 May 2022 as a hybrid event, with seven members attending in-person and four participants using video-conferencing software. This follows two shorter, virtual meetings in 2020 and 2021. Activities of the Atomic and Molecular Data Unit for the period June 2021 – May 2022 were reviewed and recommendations were made for continuing activities in 2022 – 2023 and for new projects in the 2024 – 2025 budget cycle. The proceedings, conclusions and recommendations of the Subcommittee meeting are briefly described in this report.

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