Thèses sur le sujet « Pantaleoni »
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Asipkova, Hanna. « Díla Maffea Pantaleoniho, vybrané otázky ». Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-17247.
Texte intégralMoreira, Ana Carolina Gamarano. « O Castelinho dos Bracher : herança arquitetônica e artística em Juiz de Fora ». Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6597.
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O Castelinho dos Bracher apresenta uma grande importância histórica e cultural para Juiz de Fora. A edificação foi projetada no início do século XX pelo arquiteto Raphael Arcuri - filho mais velho do imigrante italiano Pantaleone Arcuri - para ser a residência de sua família, ficando conhecida como: Castelinho do Pantaleone. O Castelinho pertenceu a diferentes famílias até ser adquirido, no ano de 1951, pelos Bracher. Essa família exerceu um importante papel no ambiente cultural e artístico da cidade; sua mudança para o Castelinho atribuiu a ele um novo significado, uma nova denominação, nome que permanece no imaginário da população. Com os Bracher, a importante edificação eclética passou a ser, além de tudo, um lugar aberto, democrático, acessível e de intensa produção de arte e cultura. O presente trabalho apresenta a importância do Castelinho, desde sua construção até os dias atuais, mostrando as modificações que a edificação sofreu para poder atender às necessidades dos diversos moradores. Além disso, evidencia a relevância da família Bracher retratada nos espaços da casa e analisa-se o Castelinho dos Bracher inserido no contexto urbano, observando suas singularidades que lhe conferem identidade e que auxiliaram na construção das memórias dos juiz-foranos.
The "Castelinho dos Bracher" has a great cultural and historical importance to the city of Juiz de Fora. At the beginning of the 20th century, the building was design by the architect Raphael Arcuri - the oldest son of the Italian immigrant Pantaleone Arcuri. It was projected to be the residence of his family, becoming known as "Castelinho dos Pantaleone". The structure belonged to different families until its acquirement, in 1951, by the Brachers. This family held an important role in the cultural and artistic environment of the city; your moving to "Castelinho" assigned it a new meaning, a new title, name that remains on the population’s mind. With the Brachers the important eclectic building became, above all, an open, democratic and accessible place, with an intense production of art and culture. This work aims to present the importance of the "Castelinho", from its construction until nowadays, showing the modifications the building suffered in order to meet the needs of individual residents. Furthermore, it emphasizes the relevance of Bracher family depicted in the house’s spaces and analysis the edifice placed in the urban context, noting its uniqueness that confers identity and helped constructing the memories of the population of Juiz de Fora.
Pantaleo, Felice [Verfasser], et Alexander [Akademischer Betreuer] Schmidt. « New Track Seeding Techniques for the CMS Experiment / Felice Pantaleo ; Betreuer : Alexander Schmidt ». Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1163013633/34.
Texte intégralApril, Anik. « Discursos de autoridad y formación de identidades en Pantaleón y las visitadoras de Mario Vargas Llosa ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq36657.pdf.
Texte intégralSoares, Janara Laíza de Almeida. « Os aspectos epistemológicos da sátira e da paródia na obra Pantaleón y las visitadoras, de Mario Vargas Llosa ». reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/23259.
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O objetivo dessa pesquisa é analisar os desdobramentos epistemológicos da sátira e da paródia na literatura, utilizando como corpus o livro Pantaleón y las visitadoras (1973), do peruano Mario Vargas Llosa. Partiu-se da noção de que a atividade estética é um jogo amplo, correspondente às relações estabelecidas entre obra, autor, leitor e mundo, que permite a reflexão acerca dessas relações, apresentadas através de elementos estéticos que oferecem outras visões não abarcadas pela objetividade. Analisaram-se, então, as relações específicas entre a arte literária e a produção de saberes, discutindo a noção de conhecimento proporcionada pela literatura e sua diferenciação dos demais tipos de conhecimento. Posteriormente, consideraram-se as particularidades da sátira e da paródia realizadas no corpus desta pesquisa, concluindo que tais manifestações possibilitam a desautomatização e a desconstrução dos discursos hegemônicos, a partir de onde se pode construir novas visões sobre as realidades às quais os discursos parodiados satiricamente se referem.
The objective of this research is to analyze the epistemological repercussions of satire and parody on literature considering the book Pantaleón y las visitadoras (1973) wrote by the Peruvian author Mario Vargas Llosa. From the idea of aesthetic activity as a wide game, which refers to the relations established between work, author and world, it is allowed a reflection on these relations presented through aesthetic elements that offer other visions not embraced by objectivity. So that, it was examined specific relations between literary art and the production of knowledge discussing the idea of awareness brought by literature and its distinction of other types of knowledge. Afterwards, it was regarded the characteristics of satire and parody analyzed on this research objects. It was concluded that these manifestations permit the desautomatization and the deconstruction of hegemonic speeches based on where is possible to build new visions over realities which parodied speeches satirically refers to.
Estremadoyro, Tamayo Farah Evelyn, et Meza Valeria Milagros Mannucci. « Hacia un teatro musical limeño con la estructura dramatúrgica y musical de Broadway : El caso de Pantaleón y las visitadoras ». Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/16651.
Texte intégralTurcios, Pantaleón Ariel Eliseo [Verfasser]. « Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón ». Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.
Texte intégralTurcios, Ariel [Verfasser]. « Use of halophytes as biofilter to decrease organic and inorganic contaminants in water and their further use for biogas production / Ariel Eliseo Turcios Pantaleón ». Hannover : Technische Informationsbibliothek (TIB), 2017. http://d-nb.info/1128666901/34.
Texte intégralTumes, Salas Lucía Solange. « La representación del personaje del periodista en el cine peruano. Los casos de Pantaleón y las visitadoras, Tinta roja, Mariposa negra, Ojos que no ven y La última noticia ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/651646.
Texte intégralThe cinema presents historical characters and facts that have marked humanity. The representation given to a particular character is important, because within that reality built in a film, the viewer assumes as true what he is observing. Journalism, has its own social weight, because it is a profession that has access to information that no other professional has and therefore, it is important to know what is the representation that is given to this character in Peruvian cinema. Specific variables have been chosen that adapt to this and allow us to know this character in its entirety, in every aspect of his life: personal, professional and internal. In this way we can approach to know what characterizes this representation.
Tesis
Tengroth, Vibeke. « La masculinidad en la literatura de Vargas Llosa : Análisis de la masculinidad en los dos protagonistas de Pantaleón y las visitadoras y Travesuras de la niña mala ». Thesis, Stockholms universitet, Institutionen för spanska, portugisiska och latinamerikastudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-28572.
Texte intégralTerrones, Félix. « Les maisons closes dans la littérature latino-américaine, un lieu de métamorphoses ». Bordeaux 3, 2011. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2011BOR30062.
Texte intégralThis work proposes a study of fictional whorehouses in Latin American literature based on four novels of the Boom : Juntacadáveres (1964) by the Uruguayan novelist Juan Carlos Onetti, and El lugar sin límites (1965) by the Chilean novelist José Donoso as well as La Casa Verde (1966) and Pantaleón y las visitadoras (1973) by the Peruvian novelist Mario Vargas Llosa. Through textual analysis, we strive to highlight the diverse narrative modalities utilized to represent these spaces and notably the stakes behind their appearances in the texts, and the alternative order they propose as well as the pretenses inherent to them. Spaces promised by the established order while at the same time rejected by society, whorehouses succeed in bringing together opposites: bodily lowliness and the heights of imagination, the outside and the inside, passage and imprisonment, rational order and instinctual anarchy… The exceptional character of fictional whorehouses is due not only to their carnivalesque character, but also to the unexpected activities that they house. Real « mises en abyme » of encompassing spaces that welcome them, they reveal themselves in the course of analysis as places of all metamorphosis, whether they are on the individual, sexual, social, professional or political. The conclusion presents a reflection on the whorehouses novels as a novelistic form unto itself in Latin American literature
OTTONELLI, OMAR. « Dalla storia delle istituzioni al corporativismo. La vicenda scientifica di Gino Arias (1879-1940 ». Doctoral thesis, 2010. http://hdl.handle.net/2158/535456.
Texte intégralChen, Li-Chun, et 陳俐君. « The Analysis and Interpretation of Histoire du Tango by Ástor Pantaleón PiazzollaThe Analysis and Interpretation of Histoire du Tango by Ástor Pantaleón Piazzolla ». Thesis, 2019. http://ndltd.ncl.edu.tw/handle/w8m855.
Texte intégral國立臺灣師範大學
音樂學系
107
Ástor Pantaleón Piazzolla was an Argentine composer, conducter and bandoneon player in the 20 century. The “Histoire du Tango’’ was a duo for flute and guitar, composed in 1985. Piazzolla used his music to write down the Tango's historical development, by dividing it into four movements- each movement represents a 30-year period of history- in which they are “bordel 1900”, “café 1930”, “Night club 1960” and “Concert d’aujourd’hui” respectively. Along with the development of the change between movements describe how tango develop its popular scenario in the different performing occasion. The thesis consists five chapters: the first chapter is the introduction of the research motivation, scope and methods. The second chapter introduces the history of tango, and the background of Piazzolla. The third chapter is an analysis of “Histoire du Tango”. The four chapter is the exploration of the performance interpretation of “Histoire du Tango”. The final chapter is the conclusion.
Chen, Hui-hsuan, et 陳蕙萱. « The Analysis and Practice of Astor Pantaleon Piazzolla’s《Histoire du Tango》for Flute and Guitar ». Thesis, 2013. http://ndltd.ncl.edu.tw/handle/75505560935049227172.
Texte intégral國立臺北教育大學
音樂學系碩士班
101
Abstract This thesis is a research of Histoire du Tango for Flute and Guitar by Astor Pantaleon Piazzolla. It includes fourth chapters. The first chapter is a introduction includes research purpose, literature review, research limitation and the methods. The second chapter describes a short biography of Piazzolla and introduces his living background. Then, the characteristic and compositional technique of Histoire du Tango are discribed. The third chapter is the analysis of Histoire du Tango in aspects of form structure, motive development, pitch, rhythm, special compositional technique, etc. The fourth chapter raises the view of interpretation to the composition. In the conclusion, it summarizes the personality and the time which had influence on Astor Piazzolla. It presents the orchestration of Flute and Guitar and characteristic of Histoire du Tango. Key words: Astor Piazzolla, Histoire du Tango, Argentina composer, Flute, Guitar
Frimlová, Petra. « Humor a kritika v díle Pantaleón a jeho ženská rota Maria VargaseLlosy ». Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-339890.
Texte intégralYin, Chen Tzu, et 陳姿尹. « The Analysis and Practice of Ástor Pantaleón Piazzolla《Tango Etude》for Bassoon and Piano ». Thesis, 2009. http://ndltd.ncl.edu.tw/handle/11913309424733643314.
Texte intégral國立臺北教育大學
音樂學系碩士班
98
Astor Piazzolla has known in Argentina as “El Gran Astor”. Because of his revolution and creation, Argentina Tango began appearing worldwide and gains the reputation throughout the world. The purpose of this thesis is to examine Piazzolla’s unique compositional style and personal sensual essence, and to research the emergence, development and style of Argentina music. This thesis includes four chapters with the Introduction and the conclusion. Chapter by chapter, the thesis presents the biographical sketch of the composer, the origin of compositional style, the historical background and the characteristic of Argentina music, and the stylistic analysis and interpretation on “Tango Etude for Bassoon and piano”. Chapter one is the introduction, which describes the purpose of this thesis, the research materials and the discussion of literature. Chapter two is to discuss the biographical background and compositional style of the composer and to provide the general overview of “Tango Etude for Bassoon and piano” as well as the information of editors and publishers. Chapter three is to conduct the research on Argentina Tango, including the origin of Tango, the history of development, stylistic characteristics. Chapter Four is to analyze the form structure, motive figure, rhythmic device, and harmonic language. Chapter five is the interpretation on the relationship between thematic motives and Argentina Tango which is the main characteristic of the piece. Piazzolla’s revolutionary Tango reawakens interests in traditional Tango which was nearly replaced by Rock ’n’ Roll. Piazzolla’s unique compositional style is an important vehicle for the development of Argentina Tango music, and it helps Argentina Tango earn the place in the world.
chen, Yu-wen, et 陳幼汶. « The Study and Interpretation of Astor Pantaleon Piazzolla’s Histoire du Tango for Flute and Guitar/Yu-wen chen flute concert ». Thesis, 2010. http://ndltd.ncl.edu.tw/handle/29658738672465570281.
Texte intégral東吳大學
音樂學系
99
Astor Pantaleon Piazzolla was an Argentine tango composer, conductor and bandoneon player in the 19th century. This thesis explores mainly one of his masterpieces: Histoire du Tango. The 4 movements with titles in this composition are closely associated with Tango’s historical evolution, regional transformation and the occasions of performance. Thus the time range of research would be focused on the period between 1900 and 1960. The thesis was divided into 6 sections. The first section is introduction, which examines the motive, the scope, the methods, and the literature of the research. The second section narrates Piazzolla’s biography and the domain of his music. The third section briefly talks about the history of Tango music and the Tango musicians who influenced Piazzolla through literatures and periodicals. The fourth section is the analysis of Histoire du Tango which made up of the musical form and structure, tempo and accent melodies analysis, and special sound effects. The fifth section integrates the first 4 sections to discuss the interpretation of this composition. The sixth section is the conclusion. This composition is highly related to the history of Tango music. Through the evolution of history we can explore deep into it. Key Words : Histoire du Tango, Astor Piazzolla, flute Yu-wen Chen Flute Concert Program: Friedrich Kuhlau (1786-1832): Introduction et Rondo, Op. 98a Astor Piazzolla (1921-1992): Histoire du Tango for flute and guitar Philippe Gaubert (1879-1941): Sonate in A major for flute et piano, No. 1 Henri Dutilleux (1916-): Sonatine pour flute et piano Gary Schocker (1956-): Regrets and Resolutions for flute and piano
Tylová, Kateřina. « Toskánské cisterciácké kláštery : filiace San Galgana vzniklé ve 13. století ». Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404658.
Texte intégralDE, VIVO TOMMASO. « La fortuna europea dello Zodiacus vitae di Marcello Palingenio Stellato ». Doctoral thesis, 2015. http://hdl.handle.net/2158/1006634.
Texte intégralPantaleon, Stemberg Gesa Carola [Verfasser]. « Tue Gutes und stifte darüber : pflichtteilsreduzierende Zuwendungen in Form des Stifterbriefes ; unter besonderer Berücksichtigung des BGH Urteils zur Dresdner Frauenkirche (BGH, Urt. v. 10.12.2003 - IV ZR 249/02) / vorgelegt von Gesa Carola Pantaleon genannt Stemberg ». 2006. http://d-nb.info/979001234/34.
Texte intégral