Bibliographies thématiques / Palazzo Bevilacqua (Bologna, Italy)

Littérature scientifique sur le sujet « Palazzo Bevilacqua (Bologna, Italy) »

Auteur : Grafiati
Publié le 26 juillet 2024

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Articles de revues sur le sujet "Palazzo Bevilacqua (Bologna, Italy)"

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Leonardi, Andrea, Giuseppe De Sandi et Claudia Colella. « Ephemeral Museums in Pandemic Era : Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been ». European Journal of Interdisciplinary Studies 7, no 1 (15 mai 2021) : 124. http://dx.doi.org/10.26417/241tmv41h.

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The proposal introduces the theme of the communicative resilience of exhibitions during the Pandemic Era. On March 7, 2020, Italy and its museums, as well as the countless exhibitions housed in their rooms, were closed leaving hundreds, perhaps thousands, of works without the public: from the paintings of Raphael (Rome, Scuderie del Quirinale), to the tables of the Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), to the statues of Canova (Rome, Palazzo Braschi), to the Sant'Antonio by Antonio Vivarini and to the San Felice in the chair by Lorenzo Lotto chased by Bernard Berenson in his Apulian 'pilgrimages' (Bari, Palazzo Ateneo). Indeed, the latter is the exhibition to which particular attention is paid here. The spaces of the ancient Museum have come back to life with the exhibition “Il Museo che non c’è. Arte, collezionismo, gusto antiquario nel Palazzo degli Studi di Bari 1875-1928”. The exhibition involved lenders institutions such as Villa I Tatti - The Harvard University Center for Italian Renaissance Studies, the Central State Archive in Rome, the Pinacoteca of Bari 'Corrado Giaquinto' and several others. The exhibition in Bari was inaugurated on February 28th. After the first five days only the exhibition was closed for the advance of COVID 19 virus. In the 'great hall' - as the main space of the ancient Provincial Museum was called - everything remained suspended and perfectly finished: showcases, exhibitors, paintings, statues, clay and stone art objects. However, there was no longer the possibility of letting people, visitors enter. We said that it would have been wonderful to be said that it would have been wonderful to be able to reopen it at least 'virtually'. And so we did, with an immersive and advanced teaching perspective.
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Pesci, Arianna, Elena Bonali, Claudio Galli et Enzo Boschi. « Laser scanning and digital imaging for the investigation of an ancient building : Palazzo d’Accursio study case (Bologna, Italy) ». Journal of Cultural Heritage 13, no 2 (avril 2012) : 215–20. http://dx.doi.org/10.1016/j.culher.2011.09.004.

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Villa, Veronica, Tatiana Pignatale et Ilenia Tramentozzi. « The Lapidary of Palazzo Ancarano, head office of the Archaeological Superintendence of Emilia Romagna ». Studies in Digital Heritage 1, no 2 (14 décembre 2017) : 769–84. http://dx.doi.org/10.14434/sdh.v1i2.23252.

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In Italy, in the academic field, there are many cases of collaboration between the University and various institutions protecting Cultural Heritage. It is made possible due to the large amount of archaeological heritage requiring restoration interventions and thanks to the need from students to put their skills into practice. This is the case of the partnership between the Archaeological Superintendence of Emilia Romagna and the Fine Arts Academy of Bologna (Italy) established in 2012. This collaboration has permitted to open an important restoration site in order to recover the Lapidary located in the courtyard of the historical Palazzo Ancarano. The restoration project was developed over a period of three years, plus an additional year to reorganize the exhibition path. The maintenance of an archaeological find was assigned to each student with the purpose of producing a thorough and complete documentation on the intervention made, necessary to leave a proof of the methods and materials used. A targeted work on every archaeological find present in the court, having an aim to arrange them around the perimeter of it in chronological order based on historical era. At the conclusion of the restoration and reorganization of the area, it is now necessary to add value in particular to the stele collection: pre-Roman, Roman and Medieval. This objective will be reached by opening the courtyard of the Palazzo Ancarano to the public, to bring again its original function, that is, a museum. To reach this purpose, we propose to use appropriate digital technologies associated with the archaeological items on display to improve the understanding of the collection by a wide variety of visitors, we intend to provide an instrument presenting information of various levels of detail and thoroughness enabling each visitor to deepen their knowledge according to their own interest.
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Mazzoli, Cecilia, Rachele Corticelli, Lorna Dragonetti, Annarita Ferrante, John van Oorschot et Michiel Ritzen. « Assessing and Developing Circular Deep Renovation Interventions towards Decarbonisation : The Italian Pilot Case of “Corte Palazzo” in Argelato ». Sustainability 14, no 20 (13 octobre 2022) : 13150. http://dx.doi.org/10.3390/su142013150.

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Decarbonisation in the construction sector, consisting of a process based on the abandonment of fossil resources and the achievement of greater resource efficiency, is increasing in both new construction and renovation. The concept of circularity is seen as a strategy to reach this goal. The direct environmental impact of building designs can be quantitatively evaluated by assessing total mass, embodied energy, and embodied CO2 in combination with circularity criteria, such as design for disassembly, materials and product origin, as well as recovering potential. This paper presents a method for easily assessing these parameters, thus obtaining a Building Circularity Indicator. To validate the method, its application in a pilot case of a manor villa located in Argelato (Bologna, Italy) is provided in the framework of the European Horizon 2020 project “DRIVE 0—Driving decarbonization of the EU building stock by enhancing a consumer-centred and locally based circular renovation process”. The deep renovation intervention developed is aimed at increasing energy performance by pursuing a circular approach that has rarely been tackled in protected heritage. Furthermore, the benefits of a circular versus a linear strategy are demonstrated through an LCA as well as LCC analyses assessing the environmental and economic impact of the intervention. The research results validate the proposed method as a tool to support operators in the construction sector.
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Bauer, Aaron M., Alessandro Ceregato et Massimo Delfino. « The oldest herpetological collection in the world : the surviving amphibian and reptile specimens of the Museum of Ulisse Aldrovandi ». Amphibia-Reptilia 34, no 3 (2013) : 305–21. http://dx.doi.org/10.1163/15685381-00002894.

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The natural history collection of the Bolognese polymath, encyclopedist, and natural philosopher Ulisse Aldrovandi (1522-1605) is regarded as the first museum in the modern sense of the term. It was intended as a resource for scholarship and a microcosm of the natural world, not simply a cabinet of curiosities. In addition to physical specimens, Aldrovandi’s zoological material included a large series of paintings of animals (Tavole di Animali) that were integral to the collection. Following Aldrovandi’s death, his collection was maintained by the terms of his will, but by the 19th century relatively little remained. We examined surviving herpetological components of the collection, comprising 19 specimens of ten species, as well as the corresponding paintings and associated archival material in the Museum of Palazzo Poggi, Museo di Zoologia, and Biblioteca Universitaria Bolognese in Bologna, Italy. Although the antiquity of some of these dried preparations is in question, many are documented in the Tavole di Animali and/or are mentioned in 17th century lists of the museum, verifying them as the oldest museum specimens of amphibians and reptiles in the world. Exotic species are best represented, including two specimens of Uromastyx aegyptia and several boid snakes – the first New World reptiles to be displayed in Europe. However, the Tavole di Animali suggest that the original collection was dominated by Italian taxa and that greater effort may have been made to conserve the more spectacular specimens. The Aldrovandi collection provides a tangible link to the dawn of modern herpetology in Renaissance Italy.
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Ballarin, M., C. Balletti, P. Faccio, F. Guerra, A. Saetta et P. Vernier. « SURVEY METHODS FOR SEISMIC VULNERABILITY ASSESSMENT OF HISTORICAL MASONRY BUILDINGS ». ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (12 mai 2017) : 55–59. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-55-2017.

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On 20<sup>th</sup> and 29<sup>th</sup> of May 2012, two powerful earthquakes struck northern Italy. The epicentres were recorded respectively in Finale Emilia (magnitude 5.9 Ml) and Medolla (magnitude 5.8 Ml) in the province of Modena, though the earthquake was formed by a series of seismic shakes located in the district of the Emilian Po Valley, mainly in the provinces of Modena, Ferrara, Mantova, Reggio Emilia, Bologna and Rovigo. Many monuments in the city of Mantova were hit by the earthquake and, among these, Palazzo Ducale with the well-known Castello di San Giorgio which host the noteworthy “Camera degli Sposi”. This building, the most famous of the city, was so damaged that it was closed for more than one year after the earthquake. The emblem of the Palace and Mantova itself, the previously cited “Camera degli Sposi” realized by Andrea Mantegna, was damaged and all the economic and social life of the city was deeply affected. Immediately after the earthquake, the Soprintendenza per i Beni Architettonici e Paesaggistici of Brescia, Cremona and Mantova establish an agreement with the University Iuav of Venice, requiring an analysis and assessment of the damage in order to proceed with the development of an intervention project. This activity turned out to be very important not only from the point of view of the recovery of the architectural and artistic heritage but also because the city's economy is based primarily on tourism. The closure of one of the most important monuments of Mantova has led to a significant and alarming decline in the government income.
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Ridgway, F. R. Serra. « Art and Religion in Ancient Italy - Fede Berti, Carlo Gasparri (edd.) : Dionysos. Mito e mistero. (Exhibition catalogue : Comacchio, Palazzo Bellini 7 maggio - 17 dicembre 1989.) Pp. 197 ; colour and black and white plates. Bologna : Nuova Alfa Editoriale, 1989. - Fede Berti (ed.) : Dionysos. Mito e mistero : Atti del Convegno internazionale, Comacchio 3–5 novembre 1989. Pp. 444 ; drawings and black and white figures. Comacchio : Comune di Comacchio, 1991. - Antonella Romualdi (ed.) : Populonia in età ellenistica. I materiali dalle necropoli : Atti del Seminario, Firenze 30 giugno 1986. Pp. 222 ; drawings and black and white figures. Florence : Soprintendenza archeologica per la Toscana, 1992. - Angelo Bottini : Archeologia della salvezza : L'escatologia greca nelle testimonianze archeologiche. (Biblioteca di archeologia, 17.) Pp. 191 ; maps, drawings and black and white plates. Milan : Longanesi, 1992. L. 32,000. » Classical Review 43, no 2 (octobre 1993) : 389–91. http://dx.doi.org/10.1017/s0009840x0028791x.

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« Collegium Ramazzini, International Conference, Occupational and Environmental Significance of Chemical Carcinogens, Palazzo della Cultura e dei Congressi, Bologna (Italy), 8–10 October 1985 ». Mutation Research/Fundamental and Molecular Mechanisms of Mutagenesis 151, no 1 (août 1985) : 175–76. http://dx.doi.org/10.1016/0027-5107(85)90198-8.

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Livres sur le sujet "Palazzo Bevilacqua (Bologna, Italy)"

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Sergio, Bettini, Tuttle Richard 1941- et Vitali Samuel, dir. Palazzo Magnani in Bologna. Milano : F. Motta, 2009.

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family, Magnani. Palazzo Magnani in Bologna. Milano : F. Motta, 2009.

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Roberto, Terra, dir. Domus episcopi : Il Palazzo arcivescovile di Bologna. San Giorgio di Piano, BO [i.e. Bologna] : Minerva edizioni, 2002.

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d'arte, Bologna (Italy) Collezioni comunali. Collezioni comunali d'arte : L'appartamento del legato in Palazzo d'Accursio. Bologna : Grafis, 1989.

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Michele, Danieli, et Ravaioli Davide, dir. Palazzo Fava da San Domenico. Argelato (BO) [i.e. Bologna, Italy] : Minerva, 2008.

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Hubert, Hans W. Der Palazzo Comunale von Bologna, vom Palazzo della Biada zum Palatium Apostolicum. Köln : Böhlau, 1993.

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Bettini, Sergio. Palazzo Ghisilardi : Il sogno rinascimentale di un notaio bolognese. Ferrara : Edisai, 2004.

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Varni, Angelo. Palazzo Caprara Montpensier : Sede della Prefettura di Bologna. Bologna : Bononia Univ. Press, 2011.

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L'Archiginnasio di Bologna : Un palazzo per gli studi. Argelato (BO) [i.e. Bologna, Italy] : Minerva, 2010.

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author, Schofield Richard V., dir. Palazzo Bentivoglio a Bologna : Studi su un'architettura scomparsa. Bologna : Bononia University Press, 2018.

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Chapitres de livres sur le sujet "Palazzo Bevilacqua (Bologna, Italy)"

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Porfiri, Francesca. « Interpretative Reading of an Illusory Painted Wall ». Dans Advances in Media, Entertainment, and the Arts, 403–19. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch017.

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This study concerns architectural representation, and it focuses on the Quadratura issue: an illusory architecture painting where perspective creates the illusion of spatial depth on a flat surface. The main subject of this work is the study of the perspective scenes frescoed in the yards of historical building, during the 18th century in northern Italy, especially in Bologna; they represent architectural scenes, placed at the end of a promenade through the building. One of the most interesting example of these perspective frescoes in Bologna has been designed in 1761 by Antonio Galli Bibiena in Palazzo Vizzani's yard. This study aimed to approach a digital 3D-reconstruction of the scene, based on an accurate documentation and a combination of architectural survey techniques. Finally the digital reconstructed scene can be video-projected on the wall: it can simulate a viewer's eye guided across the building towards and inside the scene.
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Actes de conférences sur le sujet "Palazzo Bevilacqua (Bologna, Italy)"

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Predari, Giorgia. « TRADITION AND INNOVATION IN THE EARLY TWENTIETH CENTURY ECLECTICISM IN ITALY. PALAZZO RONZANI IN BOLOGNA (1911-1915) ». Dans 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.054.

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