Articles de revues : « Palais ducal »

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Fontan, François. « Le palais ducal de Nevers (1467-1480) ». Histoire de l'art 54, n^o 1 (2004) : 19–32. http://dx.doi.org/10.3406/hista.2004.3045.

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Costantini, Frédérique. « Le chantier du palais ducal de Riom ». Bulletin Monumental 152, n^o 2 (1994) : 228–31. http://dx.doi.org/10.3406/bulmo.1994.3465.

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Koering, Jérémie. « La ville par le détail : la sala di Manto au palais ducal de Mantoue ». Revue de l'art N° 200, n^o 2 (1 février 2018) : 35–44. http://dx.doi.org/10.3917/rda.200.0035.

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Moore, R. I. « Anti-Semitism and the Birth of Europe ». Studies in Church History 29 (1992) : 33–57. http://dx.doi.org/10.1017/s0424208400011207.

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In August 1976 the remains of a substantial building were uncovered in the courtyard of the Palais de Justice at Rouen, by the street which has been called at least since 1116 the rue aux Juifs (see plate I). That it was a Jewish building is confirmed by the Hebrew graffiti on its interior walls. It can be dated firmly to the years around 1100 by its scale, style, and workmanship, which are strongly reminiscent of the so-called ‘Norman exchequer’ in the ducal castle at Caen. The quality of its masonry is as good as may be found anywhere in northern Europe at this time. The function of the building is not altogether certain. At 14.14 X 9.46 metres, with at least one storey above the ground floor, it seems too large for a private dwelling, and indeed it is bigger than any known synagogue of this date north of the Alps. Not only the graffiti, but the lions of Judah finely carved at the base of one column, and the dragon from Psalm 91 on another, strongly suggest a religious purpose. The synagogue was on this street, but it is usually thought to have been on the south side, opposite the Palais de Justice site. This has led Norman Golb, the author of a major study of the Jewish community at Rouen, to suggest that the building unveiled in 1976 was a school, which acted as a centre of advanced study, not only for the Jewry of Rouen, but for a much larger region in which educational and scholarly activity is attested throughout the twelfth century by a rich crop of surviving manuscripts and other references, including many from places like Pont-Audemer, Touques, Falaise, Evreux, and Coutances, which were by no means major urban centres at this time.

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Hickson, Sally. « Jérémie Koering. Le prince en représentation : Histoire des décors du palais ducal de Mantoue au XVIe siècle. Paris : Actes Sud, 2013. 416 pp. 34. ISBN : 978-2-330-02237-2. » Renaissance Quarterly 67, n^o 3 (2014) : 952–54. http://dx.doi.org/10.1086/678792.

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Galewski, Marek. « A new variational method for thep(x)-Laplacian equation ». Bulletin of the Australian Mathematical Society 72, n^o 1 (août 2005) : 53–65. http://dx.doi.org/10.1017/s0004972700034870.

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Saint-Guillain, Guillaume. « «Tout mort que je suis, je suis doge de Venise» : les tombeaux de la famille Venier à San Giovanni e Paolo ». Mélanges de l École française de Rome Moyen Âge 115, n^o 2 (2003) : 931–85. http://dx.doi.org/10.3406/mefr.2003.9320.

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Dans l’église dominicaine de San Giovanni e Paolo, le monument du doge Antonio Venier et celui, voisin, de trois parentes témoignent des mutations de la fonction ducale, des engouements religieux et des tactiques de construction de l’identité au sein du patriciat vénitien vers 1400. Un document nouveau confirme l’attribution du premier tombeau à l’atelier de Pierpaolo dalle Masegne et la participation de son frère Jacobello à sa réalisation. Commande privée, il peut se lire en relation avec le grand chantier public confié simultanément au même atelier, celui de la fenêtre de la salle du Grand Conseil au palais des Doges : dans la tension entre honneur aristocratique et affirmation de l’État patricien, la figure du doge est le point d’articulation et le langage artistique assure une médiation. L’édification postérieure du second tombeau révèle une stratégie, peut-être vaine, d’exaltation du lignage et d’élaboration d’une memoria privée autour de la sépulture du prince défunt par l’exhibition du capital de gloire familial, spirituel et symbolique.

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Raggio, Olga. « The Liberal Arts Studiolo from the Ducal Palace at Gubbio ». Metropolitan Museum of Art Bulletin 53, n^o 4 (1996) : 3. http://dx.doi.org/10.2307/3262700.

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CANNONBROOKES, P. « The liberal arts studiolo from the ducal palace at Gubbio ». Museum Management and Curatorship 16, n^o 3 (septembre 1997) : 295–99. http://dx.doi.org/10.1016/s0260-4779(97)00049-6.

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Montes González, Francisco. « [SPA] UN PALACIO NOVOHISPANO EN LA CORTE MADRILEÑA. TESOROS VIRREINALES DE LA CASA DUCAL DE ALBURQUERQUE // A NEW SPANISH PALACE IN THE COURT OF MADRID. VICEREGAL TREASURES FROM THE DUCAL HOUSE OF ALBURQUERQUE ». Librosdelacorte.es, n^o 5 (29 mai 2017) : 145–62. http://dx.doi.org/10.15366/ldc2017.9.m5.008.

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A través del análisis de una serie de inventarios de bienes artísticos localizadosen el Archivo Histórico de la Casa Ducal de Alburquerque se pone en valor laexistencia de ajuares de procedencia americana recogidos entre sus pertenenciasfamiliares. Más allá del gusto predominante en la época moderna por la acumulaciónde estas piezas exóticas, la principal razón residirá en el cargo que ostentaron dosmiembros del linaje como virreyes de la Nueva España a mediados del siglo XVII ycomienzos de la siguiente centuria. Este hecho supuso la circulación de cuantiososobjetos de diferente tipología para la decoración de sus casas principales en la Cortemadrileña, que según los testimonios aportados debieron plasmar a la perfección laapariencia de los suntuosos palacios novohispanos.PALABRAS CLAVE: Coleccionismo, Nueva España, Duque de Alburquerque, Madrid, Palacio ** Through an analysis of a series of inventories located in the historical archiveof the Ducal House of Alburquerque, this essay considers the presence of objects fromthe Spanish American viceroyalties among the belongings of this noble family. Beyondthe predominant taste in the early modern period for the accumulation of exotic objects,their presence here is in large part due to the posts of viceroy of New Spain held bytwo family members in the middle of the 17th century and the beginning of the followingcentury. Their positions caused the circulation of numerous and varied objects,especially for the decoration of their main houses at the court of Madrid, which,according to the sources analyzed here, aimed to reflect the appearance of thesumptuous palaces in New Spain.KEYWORDS: Collecting, New Spain, Duke of Alburquerque, Madrid, Palace

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González Uriel, Ana, Manuel De Miguel Sánchez et Miguel C. Fernández-Cabo. « Los artesonados renacentistas del Palacio Ducal de Pastrana (Guadalajara) : análisis geométrico ». EGA Revista de expresión gráfica arquitectónica 24, n^o 36 (22 juillet 2019) : 60. http://dx.doi.org/10.4995/ega.2019.10530.

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<p>Pastrana conserva uno de los conjuntos más relevantes de artesonados renacentistas en España, trazados por Alonso de Covarrubias y ejecutados por Cristóbal de Nieva y Justo de Vega en 1549-50. Con la llegada del Renacimiento, los techos de madera habían adoptado formas al romano y tramas geométricas con teselaciones de polígonos presentes en restos de la antigüedad. Mientras en el resto de Europa estos patrones poblaban techos planos, el oficio y conocimiento geométrico de los carpinteros peninsulares, herederos de la tradición visigoda e hispanomusulmana, permitió su ejecución sobre techos poliédricos, en un desarrollo que supera la mera copia de formas importadas de Italia. El artículo analiza los diferentes trazados presentes en Pastrana y las variadas estrategias para encajar las teselaciones planas en la configuración de los paños inclinados, especialmente en el diseño de los cuartos de limas.</p>

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Augelli, Francesco, Valentina Nicola, Floriana Petracco et Letizia Clementina Ronchi. « The Structural Concept of the 16th Century Floors of the Ducal Palace in Sabbioneta (Mantua, Italy) ». Advanced Materials Research 778 (septembre 2013) : 857–64. http://dx.doi.org/10.4028/www.scientific.net/amr.778.857.

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Bernardi, A., D. Camuffo, M. Del Monte et C. Sabbioni. « Microclimate and weathering of a historical building : The Ducal Palace in Urbino ». Science of The Total Environment 46, n^o 1-4 (novembre 1985) : 243–60. http://dx.doi.org/10.1016/0048-9697(85)90297-9.

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Campos, Pablo Gumiel. « Water at the Ducal Palace of Vila Viçosa during the Early Modern Era ». Portuguese Studies 39, n^o 2 (2023) : 117–39. http://dx.doi.org/10.1353/port.2023.a918431.

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Abstract: The Ducal Palace of Vila Viçosa, located in the Alentejo, was one of the most important architectural projects in sixteenth-century Portugal. Its construction was the responsibility of the fourth and fifth Dukes of Bragança, Jaime I (1483–1532) and his son Teodósio I (1510–1563). Water was essential to this palace, especially for the irrigation of gardens and orchards, a fundamental characteristic of the humanist residence. This article will analyse the supply system and the different water uses within the palace site. A GIS map has been drawn to recreate this infrastructure. Resumo: O Paço Ducal de Vila Viçosa, situado no Alentejo, foi um dos projetos arquitetónicos mais relevantes do século XVI em Portugal. A sua construção foi da responsabilidade dos quarto e quinto duques de Bragança, Jaime I (1479–1532) e seu filho Teodósio I (1532–1563). A água era essencial neste palácio, sobretudo na rega de jardins e pomares, característica fundamental da residência humanista. Neste artigo, serão analisados o sistema de abastecimento e as diferentes utilizações da água no palácio. Foi elaborado um mapa GIS para recriar estas infraestruturas.

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Bhakta, Mousomi, Souptik Chakraborty, Olimpio H. Miyagaki et Patrizia Pucci. « Fractional elliptic systems with critical nonlinearities ». Nonlinearity 34, n^o 11 (28 septembre 2021) : 7540–73. http://dx.doi.org/10.1088/1361-6544/ac24e5.

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Abstract This paper deals with existence, uniqueness and multiplicity of positive solutions to the following nonlocal system of equations: }0\quad \text{in}\hspace{2pt}{\mathbb{R}}^{N},\end{aligned}\right.\qquad \qquad \qquad \qquad (\mathcal{S})\end{equation*}?> ( − Δ ) s u = α 2 s * | u | α − 2 u | v | β + f ( x ) in R N , ( − Δ ) s v = β 2 s * | v | β − 2 v | u | α + g ( x ) in R N , u , v > 0 in R N , ( S ) where 0 < s < 1, N > 2s, α, β > 1, α + β = 2N/(N − 2s), and f, g are nonnegative functionals in the dual space of H ˙ s ( R N ) , i.e., 〈 ( H ˙ s ) ′ f , u 〉 H ˙ s ⩾ 0 , whenever u is a nonnegative function in H ˙ s ( R N ) . When f = 0 = g, we show that the ground state solution of ( S ) is unique. On the other hand, when f and g are nontrivial nonnegative functionals with ker(f) = ker(g), then we establish the existence of at least two different positive solutions of ( S ) provided that ‖ f ‖ ( H ˙ s ) ′ and ‖ g ‖ ( H ˙ s ) ′ are small enough. Moreover, we also provide a global compactness result, which gives a complete description of the Palais–Smale sequences of the above system.

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Augelli, Francesco, Arianna Bordina et Jessica Migliavacca. « Diagnosis for the Conservation of Wooden Ceilings inside the Ducal Palace in Sabbioneta (Mantua, Italy) ». Advanced Materials Research 778 (septembre 2013) : 849–56. http://dx.doi.org/10.4028/www.scientific.net/amr.778.849.

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The Ducal Palace in Sabbioneta, commissioned by Vespasiano Gonzaga in the end of 16th century, keeps four precious wooden ceilings inside. Rough wooden planks nailed to a skeleton structure creates the support for fine wood decorative elements. The requirement of a conservation work has prompted a diagnosis phase about the ceilings as a whole. This was carried out by closed up observations, drilling tests and laboratory analysis.

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Bhakta, Mousomi, Souptik Chakraborty et Patrizia Pucci. « Fractional Hardy-Sobolev equations with nonhomogeneous terms ». Advances in Nonlinear Analysis 10, n^o 1 (1 janvier 2021) : 1086–116. http://dx.doi.org/10.1515/anona-2020-0171.

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Abstract This paper deals with existence and multiplicity of positive solutions to the following class of nonlocal equations with critical nonlinearity: ( − Δ ) s u − γ u | x | 2 s = K ( x ) | u | 2 s ∗ ( t ) − 2 u | x | t + f ( x ) in R N , u ∈ H ˙ s ( R N ) , $$\begin{array}{} \displaystyle \begin{cases} (-{\it\Delta})^s u -\gamma\dfrac{u}{|x|^{2s}}=K(x)\dfrac{|u|^{2^*_s(t)-2}u}{|x|^t}+f(x) \quad\mbox{in}\quad\mathbb R^N,\\ \qquad\qquad\qquad\quad u\in \dot{H}^s(\mathbb R^N), \end{cases} \end{array}$$ where N > 2s, s ∈ (0, 1), 0 ≤ t < 2s < N and 2 s ∗ ( t ) := 2 ( N − t ) N − 2 s $\begin{array}{} \displaystyle 2^*_s(t):=\frac{2(N-t)}{N-2s} \end{array}$ . Here 0 < γ < γ N,s and γ N,s is the best Hardy constant in the fractional Hardy inequality. The coefficient K is a positive continuous function on ℝ N , with K(0) = 1 = lim|x|→∞ K(x). The perturbation f is a nonnegative nontrivial functional in the dual space Ḣs (ℝ N )′ of Ḣs (ℝ N ). We establish the profile decomposition of the Palais-Smale sequence associated with the functional. Further, if K ≥ 1 and ∥f∥(Ḣs )′ is small enough (but f ≢ 0), we establish existence of at least two positive solutions to the above equation.

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Espejo Jiménez, Francisco Manuel. « El Fondo Palacio Ducal de Fernán Núñez (Córdoba) : un ejemplo de archivo de la Ilustración ». Cuadernos de Ilustración y Romanticismo, n^o 26 (2020) : 391–412. http://dx.doi.org/10.25267/cuad_ilus_romant.2020.i26.17.

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Augelli, Francesco, et Christian Amigoni. « The Strengthening Design of the Wooden Floor Structures of the Ducal Palace in Sabbioneta (MN)-Italy ». Advanced Materials Research 778 (septembre 2013) : 872–79. http://dx.doi.org/10.4028/www.scientific.net/amr.778.872.

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The paper will concerns the design choices agreed between the designers responsible for the structural consolidation and the implementation of safety of the wooden floors of the Ducal Palace in Sabbioneta near Mantova in Italy. The consolidation project and the implementation of safety has been carried out in full compliance with the structural design and materials of existing Renaissance structures with a focus on compatibility, durability, recognizability and reversibility of the process. For the characteristics of these floors and the work done in the design phases, please refer to the contributions of Augelli, Nicola, Petracco, Ronchi [1], to that of Mastropirro [2], to that of Augelli, Bordina, Migliavacca. [3]

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Augelli, Francesco. « The Conservation and Strengthening Intervention on the Wooden Floors of the Ducal Palace in Sabbioneta (MN-Italy) ». Advanced Materials Research 778 (septembre 2013) : 865–71. http://dx.doi.org/10.4028/www.scientific.net/amr.778.865.

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The paper aims to inform on the executive phases and on the problems faced during the restoration work on some wooden floors of the sixteenth century Ducal Palace in Sabbioneta near Mantua in Italy, site in the World Heritage list since 2008. The particular historical, artistic and architectural importance of the Palace-and of the floors-required the involvement of expert restorers and a constant control during the work by the Director of works, by the Manager of procedure and by the responsibles of Superintendence for Architectural Heritage and Landscape of Mantua. The paper describes the work performed mainly on wooden structures postponing in another place those relating to the restoration of the decorative elements.

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Kubies, Grzegorz. « Fantasy or a Transcendent Experience ? Study of the Painting Ascent into Heaven by Jheronimus Bosch from the Palazzo Ducale in Venice ». Roczniki Humanistyczne 66, n^o 4 SELECTED PAPERS IN ENGLISH (23 octobre 2019) : 87–120. http://dx.doi.org/10.18290/rh.2018.66.4-4e.

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The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 63 (2015), issue 4. The painting Ascent into Heaven (88.8 x 39.9 cm; dendrological dating: 1482–1490) kept in the Palazzo Ducale in Venice is one of the four eschatological panels (the other three are: Earthly Paradise, Fall of the Damned, Hell) which probably were in the collection of the Venetian Cardinal Domenico Grimani in the 1520s. The panels’ original arrangement and function are unknown. The paintings are not signed and their attribution to Jheronimus Bosch (c. 1450–1516 ) is based largely on the grounds of stylistic criteria. In the study, I put Ascent into Heaven into two fundamental contexts for the iconographic analysis of this work: eschatological literature and Netherlandish/ Flemish painting and in the context of near-death experiences (NDE) as well. The answer to the question posed in the title of the study must remain twofold. On the basis of the data gathered in the study, the content of the painting can be comprehended by references to the most frequently quoted sources of inspiration for Bosch: one painting by Dieric Bouts (left wing of the Last Judgement Altarpiece; Lille, Palais des Beaux Arts), two illuminations by Simon Marmion (Le livre des sept Ages du monde; Brussels, Bibliothèque royale de Belgique, Ms. 9047, fols. IV & 12r) and a literary work Dat rike der ghelieven by Jan van Ruusbroec. Its content can be equally understood by reference to the role of the painter’s imagination (categories of inventio and fantasia), using his theological and astronomical knowledge. The above line of interpretation that emphasizes the influence of biblical logosphere, takes into account undeniable religious experience of the painter from ‘s-Hertogenbosch resulting from being a member of the Church. The factor of an epistemological importance which influences the form of the answer to the title question is hypothetical non-verifiable Bosch’s personal transcendental experience, thus it becomes impossible to evaluate the translation of what is spiritual (experience) into visual (image). Due to the elusive, not fully scientific nature of NDE this phenomenon should be excluded from the final conclusion.

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Ferretti, Umberto, Ramona Quattrini et Mirco D’Alessio. « A Comprehensive HBIM to XR Framework for Museum Management and User Experience in Ducal Palace at Urbino ». Heritage 5, n^o 3 (5 juillet 2022) : 1551–71. http://dx.doi.org/10.3390/heritage5030081.

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Digitization of Cultural and Museum Heritage represents one of the most engaging challenges that would ensure a sustainable and ethical approach for next generations; digital technology’s pervasiveness imposes a comprehensive management of architectural heritage by producing facsimiles of buildings and artworks and by testing robust methodologies, with the final result of providing effective multipurpose models. In this context, the main goal of the present paper is to develop a semantically aware HBIM model that includes an intelligent objects parametrization, leveraging Extended Reality (XR) technologies and digital curation of contents to pursue the preservation of Cultural Heritage (CH) as a whole. This research is implemented in the case study of the Ducal Palace of Urbino that houses the National Gallery of Marche. It was chosen as a remarkable example of a museum located in an architectural complex with a relevant historical background and fine detail of shapes and mouldings. In Italy, as in other European scenarios, museums and their collections need suitable dissemination and management systems that take advantage of the recent digital paradigms. The challenging approach is to exploit existing platforms and software and to adopt a cognitive modelling process, able to develop tools supporting managers and museum curators while enabling user experiences using immersive and interactive features. In order to stress the workflow, this work proposes the use of families with high Level of Detail (LOD) and high Level of Information (LOI). The present article provides, as well, an accurate data enrichment process specifically designed for a gallery’s artworks such as paintings and sculptures, in line with the national and international policies. The study presents a robust and reproducible methodology for digital musealization and management, focusing, as future overall objectives, towards a greater merging between the HBIM approach and XR technologies, also facilitated by training new professional figures with more in-depth digital skills.

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Sandrolini, Franco, et Elisa Franzoni. « Characterization procedure for ancient mortars' restoration : The plasters of the Cavallerizza courtyard in the Ducal Palace in Mantua (Italy) ». Materials Characterization 61, n^o 1 (janvier 2010) : 97–104. http://dx.doi.org/10.1016/j.matchar.2009.10.012.

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Cipriani, Leonardo, Michele Morici, Alessandro Zona, Graziano Leoni et Andrea Dall'Asta. « Preliminary results in the automated detection of operational modal properties of the Portico Varano in the Camerino Ducal Palace ». Procedia Structural Integrity 44 (2023) : 2106–13. http://dx.doi.org/10.1016/j.prostr.2023.01.269.

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Góngora, Mar Martínez. « La censura del noble ocioso y del eclesiástico incontinente en el “palacio de los duques” : Hacia un nuevo modelo de masculinidad en Don Quijote ». Cervantes 40, n^o 1 (mars 2020) : 17–41. http://dx.doi.org/10.3138/cervantes.40.1.017.

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The episode of the ducal palace in Don Quijote (2.30-57) exhibits a critique of traditional codes of male behavior, represented by the Duke and the ecclesiastic, that extends to a more general censure of the noblemen's loss of social purpose and the clergymen's disregard of their evangelical mission. The condemnation of the Duke's conduct coincides with the diatribe against courtly efffeminacy linked to the crisis of masculinity related to imperial decline. This, and the disapproval of the ecclesiastic's verbal aggressiveness, expressed through his feminized representation, appeals to a new model of masculinity based on discipline and self-control

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Enríquez Martín, Fernando. « La escalera de honor del Palacio Ducal de los Zúñiga en Béjar : el maestro de cantería Pedro de Marquina y la arquitectura oblicua ». EGA Revista de Expresión Gráfica Arquitectónica 28, n^o 47 (23 mars 2023) : 70–81. http://dx.doi.org/10.4995/ega.2023.17334.

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De entre los elementos más característicos del patio del palacio ducal de Béjar destaca la airosa escalera levantina compuesta por un gran arco adintelado que se apoya sobre columnas jónicas, con capiteles esviados siguiendo la pendiente del dintel. Uno de los capiteles muestra una forma diferente, hallándose quebrado, conformado por una mitad de forma común y por la otra mitad de forma esviada. Ello nos ha conducido a deducir que hubo un primer proyecto de la escalera que fue objeto de modificación. Los conocimientos de la estereotomía de la piedra del maestro Pedro de Marquina, autor de las primeras condiciones del proyecto, nos sugieren que sea el artífice del proyecto, de la dirección de ejecución y de la modificación durante la obra.

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Турова, Е. А. « CONTINUATION OF THE ARCHAEOLOGICAL RESEARCH OF THE GRAND CHAMBER OF THE PALACE COMPLEX OF THE ALEXANDROVSKAYA SLOBODA IN 2019 ». Archaeology of Vladimir-Suzdal land, n^o 10 (25 décembre 2020) : 102–16. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-340-4.102-116.

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Археологическими исследованиями Древнерусской экспедицией Государственного Эрмитажа на территории юго-западного участка соборной площади древней Александровской Слободы в 2019 г. раскрыты остатки двух каменных палат великокняжеской и царской резиденции, датируемых началом XVI в и 1570-ми гг. Впервые археологически исследованы остатки парадных сооружений, которые упомянуты в чинах и разрядах свадеб Ивана Грозного и царевича Ивана Ивановича и могут быть соотнесены с изображениями на гравюрах И. Т. де Бри из издания записок Я. Ульфельда 1578 г. Archaeological research by the old Russian state Hermitage expedition on the territory of the South-Western section of the Cathedral square of the ancient Alexander Sloboda in 2019 revealed the remains of two stone chambers of the Grand Ducal and Royal residence, Dating from the beginning of the XVI century and the 1570s. For the first time, the remains of ceremonial structures that are mentioned in the ranks and categories of the weddings of Ivan the Terrible and Tsarevich Ivan Ivanovich and can be correlated with the images on engravings by I. T. de Brie from the 1578 edition of the book by Jacob Ulfeld have been studied archaeologically.

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Archilla Segade. « LA RECEPCIÓN DE LA MÚSICA DE VICTORIA EN LA COLECCIÓN DE LIBROS DE POLIFONÍA DEL PALACIO DUCAL DE VILA VIÇOSA ». Revista de Musicología 35, n^o 1 (2012) : 367. http://dx.doi.org/10.2307/41959407.

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Bauman, Guy C. « A Rosary Picture with a View of the Park of the Ducal Palace in Brussels, Possibly by Goswijn van der Weyden ». Metropolitan Museum Journal 24 (janvier 1989) : 135–51. http://dx.doi.org/10.2307/1512875.

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Cannon-Brookes, Peter. « The Liberal Arts Studiolo from the Ducal Palace at Gubbio ; The Beaulieu Motorworks ; Re-opening of the Ernst Barlach House, Hamburg ». Museum Management and Curatorship 16, n^o 3 (septembre 1997) : 295–308. http://dx.doi.org/10.1080/09647779708565855.

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Schmitz, Ryan. « Sancho's Courtly Performance : Discreción and the Art of Conversation in the Ducal Palace Episodes of Don Quijote II ». MLN 128, n^o 2 (2013) : 445–55. http://dx.doi.org/10.1353/mln.2013.0018.

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Russo, M., R. Spallone, L. J. Senatore, G. Flenghi et L. Morozzi. « INTEGRATED 3D ACQUISITION OF COMPLEX WOODEN ARTEFACTS : THE PIFFETTI'S LIBRARY IN QUIRINALE PALACE (ROME) ». International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (26 juin 2023) : 1379–86. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-1379-2023.

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Abstract. Integrated surveying with active and passive systems is a well-established process for understanding artifacts at different scales and levels of complexity. But some acquisition problems still exist, related to the presence of non-optically cooperating materials, reflective surfaces, and non-homogeneous and uncontrolled illumination conditions. Especially in these cases, the integration between different 3D acquisition techniques allows us to test the response of different instruments concerning the boundary conditions, going to compare the results. This activity highlights the pros and cons of each technique, identifying the right balance for future applications with the same conditions. The case study analyzed in the article is the Piffetti Library, a wooden work from the first half of the 1800s present at the Quirinale Palace (Rome). The artifact shows multiple levels of environmental complexity (small space with movement constraints and uncontrollable light), and it is composed of several wood pieces with a very glossy finish. The presence of shelving, free-form surfaces, and sculptural details requires careful planning to survey the artifact with consistent resolution. The use of different active and passive acquisition methods is tested, defining an integrated methodology coherent with the complexity of the artifact and the context in which it is positioned. The dual purpose is to define a possible replicable protocol, arriving at the definition of reliable 3D data for subsequent analysis and virtual reconstructions.

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Dias Pacheco, Milton Pedro. « The 'Royal Journey of Succession to Portugal' of King D. Filipe I of Portugal and the architectonic renovation of the palatine residences : the case of the Royal Palace of Lisbon (Paço da Ribeira) ». Anales de Historia del Arte 30 (26 novembre 2020) : 289–311. http://dx.doi.org/10.5209/anha.72183.

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Durante el Viaje Real de Sucesión a Portugal, emprendido en Madrid en marzo de 1580 y terminado en Lisboa en febrero de 1583, el rey español Felipe II se convirtió en D. Filipe I de Portugal. Pero esta expedición política, que tendría como resultado la legitimación del nuevo rey ante el antiguo reino, asumiría serias repercusiones en el ámbito de la arquitectura palatina, con la renovación de un importante conjunto de palacios reales pertenecientes a la Corona portuguesa, integrados desde entonces en la Monarquía Ibérica Dual. El análisis detallado de las fuentes documentales coetáneas, con énfasis en la correspondencia epistolar producida dentro del círculo del Rey-Prudente, directa o indirectamente, permite comprender los procedimientos iniciales implementados para la renovación arquitectónica y la expansión espacial del principal palacio real portugués en Lisboa: el Paço da Ribeira. Las dimensiones políticas y simbólicas otorgadas al edificio del palacio, hechas en una escala de poder y una imagen de fuerza del propio Rey, deben analizarse en el contexto de la materialización de un gobernante que inevitablemente dejaría el reino pero no a su gente.

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Jia, Ni Zheng, Arun Kumar Tarofder et Albattat Ahmad. « The Mediating Role of Public Identity in the Relationship Between Social Media Service Quality and Visitor’s Satisfaction in Palace Museum, China ». Journal of Law and Sustainable Development 11, n^o 9 (11 octobre 2023) : e1599. http://dx.doi.org/10.55908/sdgs.v11i9.1599.

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Purpose: This study presented the incorporation of social media platforms within cultural institutions has brought about a paradigm shift in the manner in which museum visitors interact with their surroundings, thereby facilitating enhanced accessibility to exhibits and cultivating immersive and participatory encounters. The present study aims to explore the implications of social media usage habits and social media usage behaviour on visitor satisfaction within the renowned Palace Museum in China with the present of mediating factor of public identity. Theoretical framework: This study aims to contribute to the existing body of knowledge by conducting a comprehensive analysis of visitor perceptions and interactions with the social media offerings of the Palace Museum. By examining the influence of social media usage habits and social media usage behaviour on visitor satisfaction, this research seeks to provide valuable insights that can be utilised to enhance the digital museum experience. Design/methodology/approach: The main research methods adopted in this paper is questionnaire survey. The questionnaire items designed in this study. The questionnaire is mainly designed from the perspective of tourist experience. This paper uses PLS-SEM statistical software to test the reliability analysis of each measurement variable of the questionnaire and carries out cumulative analysis of variance for these measurement variables. PLS-SEM is used to analyse the factors, and the relevant factors and fitting indexes are obtained. Findings: The attribution of the substantial influence of tourist satisfaction to both the habits of tourist social media usage and their behaviour in utilising social media can be ascribed to a confluence of psychological, social, and informational factors. This discourse explores the rationales behind the pivotal role played by these dual facets of social media involvement in shaping the overall contentment of tourists. Research, Practical & Social implications: The present framework offers valuable insights into the intricate dynamics that exist between one's virtual presence and their tangible experiences, particularly in the realm of contemporary travel. Through the strategic utilisation of these mechanisms, social media exerts a profound impact on the formation of tourists' expectations, the unfolding of their experiences, and the subsequent reflections thereof, thereby exerting a discernible influence on their overall satisfaction with their travel endeavours. Originality/value: The study provides valuable insight on the global trend of museums embracing digitalization, the present study provides valuable insights into the optimisation of social media strategies. By focusing on the Palace Museum and its broader implications, this research aims to enhance visitor encounters by fostering greater fulfilment and engagement.

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Lee, Jongrak, Jae-Myoung Kim, Yun-Ho Kim et Andrea Scapellato. « On multiple solutions to a nonlocal fractional $p(\cdot )$-Laplacian problem with concave–convex nonlinearities ». Advances in Continuous and Discrete Models 2022, n^o 1 (5 février 2022). http://dx.doi.org/10.1186/s13662-022-03689-6.

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AbstractThe aim of this paper is to examine the existence of at least two distinct nontrivial solutions to a Schrödinger-type problem involving the nonlocal fractional $p(\cdot )$ p ( ⋅ ) -Laplacian with concave–convex nonlinearities when, in general, the nonlinear term does not satisfy the Ambrosetti–Rabinowitz condition. The main tools for obtaining this result are the mountain pass theorem and a modified version of Ekeland’s variational principle for an energy functional with the compactness condition of the Palais–Smale type, namely the Cerami condition. Also we discuss several existence results of a sequence of infinitely many solutions to our problem. To achieve these results, we employ the fountain theorem and the dual fountain theorem as main tools.

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Houée, Guillaume, Jérémie Bardin, Damien Germain, Philippe Janvier et Nicolas Goudemand. « Developmental models shed light on the earliest dental tissues, using Astraspis as an example ». Palaeontology 66, n^o 6 (novembre 2023). http://dx.doi.org/10.1111/pala.12682.

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AbstractFossils of extinct jawless vertebrates are pivotal to deciphering the evolutionary paths that led to the various forms of the vertebrate skeleton. For example, Pteraspidomorphs (stem‐gnathostomes), such as the Ordovician Astraspis, display some of the oldest remains of bony and ‘dental’ (dentine and enameloid) tissues. However, the identification of the very nature of these early mineralized tissues has been hampered by a lack of unambiguous diagnostic characters. As development is key to identifying the derivation of these tissues, we developed an integrative and generic histogenetic model, testing several ontogenetic scenarios. We illustrate our approach on the basis of the well‐preserved Astraspis samples and show how this can be used to infer key developmental features from extinct species. This study suggests that in the odontodes of Astraspis: (1) the initial curvature of the epithelium was close to the shape of the final external surface; (2) the mesenchymal cells differentiate synchronously in the whole inner periphery; and (3) the capping tissue was produced by both mesenchymal and epithelial cells (enameloid rather than enamel). Astraspis specimens also provide evidence of a dual growth periodicity, possibly homologous to Andresen and von Ebner growth lines observed in amniotes, suggesting this type of dual periodicity may be shared by most vertebrates. We estimated that an Astraspis odontode grew up in around 60–70 days at a rate of 0.5–5 μm/day. The new developmental approach proposed in this study could be a robust framework for critically evaluating the tissues of extinct taxa in the future.

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Amadori, Maria Letizia. « The frieze of the Art of War in the Ducal Palace of Urbino : conservation issues, materials, and executive techniques ». Archaeological and Anthropological Sciences 15, n^o 11 (13 octobre 2023). http://dx.doi.org/10.1007/s12520-023-01868-4.

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AbstractThe frieze of the Art of War was originally positioned along the sides of the facade of the Ducal Palace in Urbino (Marche, Italy), and it is currently located in the palace’s Chancellery Room. The frieze, probably elaborated by Federico da Montefeltro around 1474, consists s of stone bas-reliefs illustrating a rich iconographic repertoire depicting numerous engineering machines and symbols related to the military and political spheres. The present work aims to deepen the knowledge of the Art War frieze and to clarify some doubts regarding the original shape of the bas-reliefs, the constituent material, and the executive technique; conservation issues were also considered. Polarized light microscopy observations were carried out on the stone materials, identifying the use of a packstone referable to the Calcare Massiccio A Formation (Hettangian-Lower Pliensbachian p.p.). This stone, locally known as Piobbico Travertine, was excavated in the Val d’Abisso quarries, part of the Umbria-Marche ridge. Ca-oxalates were detected by Fourier transform infrared analysis in the brownish patinas that mainly cover the surfaces of the bas-reliefs; they could be related to ancient conservation treatments and/or to biological agents. Regarding the execution technique, a thorough autoptic examination allowed for a better understanding of the original conformation of the bas-reliefs and the carving process. Stylistic and executive differences in the execution of the same detail were observed in different bas-reliefs, confirming the activity of various sculptors. Different decay typologies were used to consider the debate regarding the original arrangement of the frieze on the facade, validating the most accredited hypothesis.

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Monteiro, Patricia. « The ingenious art of deception : decorative techniques involving lime plaster mixtures in the grotto of the Ducal Palace in Vila Viçosa ». e-conservation Journal 4 (2015). http://dx.doi.org/10.18236/econs4.201508.

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Wu, Fei, Zegao Yin, Yanxu Wang et Xiutao Jiang. « Numerical investigation of the restored oyster reef flow field with the lattice Boltzmann method ». Physics of Fluids 36, n^o 4 (1 avril 2024). http://dx.doi.org/10.1063/5.0199179.

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Oyster reefs play a dual role in the ecological and economic sustainability of global estuarine resources. Due to human activity and climate change, the prevalence of cosmopolitan oyster reefs has noticeably declined in recent decades, triggering a global restoration movement. However, the hydrodynamic functions of oyster reefs during and after restoration, particularly the impacts of growth and morphology on the flow field, remain poorly understood. This study employs the lattice Boltzmann method coupled with large-eddy simulation to simulate unidirectional flow around restored oyster reef models using the open-source Palabos library. It examines the effects of unidirectional flow velocity and reef morphology on hydrodynamic characteristics. The research analyzes spatial and temporal variations in velocity, vorticity, and turbulence structure around the reef. The findings indicated significant flow field differences between the initially restored reefs and those post-restoration. The dimensionless wake region scale parameters of the initially restored reefs exhibit hysteresis effects, generating larger turbulence during the post-recruitment stage than in the initial stage. Areas of high turbulence in the wake are associated with above-canopy flow, bypass flow, and within-canopy flow. The presence of gaps and branches in the reef leads to complex turbulence structures and irregular vortex shedding in the reef's wake at the post-recruitment stage. These results are valuable for assessing oyster reef resilience and planning effective restoration interventions.

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Gatto, Stella. « Synthesizing a Dual-Definition of Façade in the Western Palaces of the Yuanming Yuan : Art, Politics, and Place-making in the Garden of Perfect Brightness ». Refract : An Open Access Visual Studies Journal 4, n^o 1 (23 décembre 2021). http://dx.doi.org/10.5070/r74155773.

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