Bibliographies thématiques / Paint Pouring

Littérature scientifique sur le sujet « Paint Pouring »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 30 juillet 2024

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Articles de revues sur le sujet "Paint Pouring"

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Hanindharputri, Made Arini, Putu Astri Lestari et A. A. Sagung Intan Pradnyanita. « MURAL SEBAGAI MEDIA PENGENALAN OLAHRAGA TRADISIONAL BALI DI LAPANGAN ASTAGINA PADANGSAMBIAN KELOD DENPASAR ». Jurnal Lentera Widya 2, no 1 (22 décembre 2020) : 36–41. http://dx.doi.org/10.35886/lenterawidya.v2i1.142.

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This community service activity was carried out by a team of lecturers from the Bali Design and Business Institute (IDB Bali) together with the Visual Communication Design Department Student Association and also the “Perkamen” Student Activity Unit held at the end of 2020 to be precise starting on November 7, 2020 until handover on 13. December 2020, at the Astagina Field, Padangsambian Klod Village, West Denpasar. This activity received a very good welcome and high enthusiasm from both lecturers, students and also the community in the area, and received sponsorship from Dulux. The purpose of the collaborative mural activity between IDB Bali and Padangsambian Klod Village and sponsored by PT ICI Paints Indonesia or better known as Dulux ™ premium paint manufacturer apart from being a forum for pouring out student talents in the field of images in the realm of developing modern designs in society, as well as a medium in introducing Balinese traditional sports culture to the general public. Some of the supporting factors for these activities include: the enthusiasm of lecturers and students in mural activities, sponsorship support from Dulux in supporting the paint used for murals, and the support of the Padangsambian Klod Village. Some of the obstacles faced during this mural activity include: (1) Erratic weather, especially rain, (2) The Covid 19 outbreak caused the team involved in the work to not work optimally to avoid the crowd.
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Li, Lan, Long Mei Tian et Ning Zhao. « Study on the Effects of the Indirect Liquid Forging Die Life ». Applied Mechanics and Materials 364 (août 2013) : 483–87. http://dx.doi.org/10.4028/www.scientific.net/amm.364.483.

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In this paper, the influence factors of liquid die forging die life are talked about, mainly for example with the key universal parts Squeeze chamber of indirect liquid die forging. In the Premise to guarantee product quality, the mould preheating temperature, pouring temperature, casting alloy type, suitable and reliable cooling methods and effective paint could influence bigger on the peak and variation range of the mold temperature. These factors should be taken into consideration and remembered its effects for mould design in order to improve die life, further a new direction and thinking of liquid forging die life design criterion will be given.
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Koivisto, Antti Joonas, Andrea Spinazzè, Frederik Verdonck, Francesca Borghi, Jakob Löndahl, Ismo Kalevi Koponen, Steven Verpaele et al. « Assessment of exposure determinants and exposure levels by using stationary concentration measurements and a probabilistic near-field/far-field exposure model ». Open Research Europe 1 (21 juin 2021) : 72. http://dx.doi.org/10.12688/openreseurope.13752.1.

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Background: The Registration, Evaluation, Authorization and Restriction of Chemicals (REACH) regulation requires the establishment of Conditions of Use (CoU) for all exposure scenarios to ensure good communication of safe working practices. Setting CoU requires the risk assessment of all relevant Contributing Scenarios (CSs) in the exposure scenario. A new CS has to be created whenever an Operational Condition (OC) is changed, resulting in an excessive number of exposure assessments. An efficient solution is to quantify OC concentrations and to identify reasonable worst-case scenarios with probabilistic exposure modeling. Methods: Here, we appoint CoU for powder pouring during the industrial manufacturing of a paint batch by quantifying OC exposure levels and exposure determinants. The quantification was performed by using stationary measurements and a probabilistic Near-Field/Far-Field (NF/FF) exposure model. Work shift and OC concentration levels were quantified for pouring TiO2 from big bags and small bags, pouring Micro Mica from small bags, and cleaning. The impact of exposure determinants on NF concentration level was quantified by (1) assessing exposure determinants correlation with the NF exposure level and (2) by performing simulations with different OCs. Results: Emission rate, air mixing between NF and FF and local ventilation were the most relevant exposure determinants affecting NF concentrations. Potentially risky OCs were identified by performing Reasonable Worst Case (RWC) simulations and by comparing the exposure 95th percentile distribution with 10% of the occupational exposure limit value (OELV). The CS was shown safe except in RWC scenario (ventilation rate from 0.4 to 1.6 1/h, 100 m3 room, no local ventilation, and NF ventilation of 1.6 m3/min). Conclusions: The CoU assessment was considered to comply with European Chemicals Agency (ECHA) legislation and EN 689 exposure assessment strategy for testing compliance with OEL values. One RWC scenario would require measurements since the exposure level was 12.5% of the OELV.
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Fonseca, Ana Sofia, Anna-Kaisa Viitanen, Tomi Kanerva, Arto Säämänen, Olivier Aguerre-Chariol, Sebastien Fable, Adrien Dermigny et al. « Occupational Exposure and Environmental Release : The Case Study of Pouring TiO2 and Filler Materials for Paint Production ». International Journal of Environmental Research and Public Health 18, no 2 (7 janvier 2021) : 418. http://dx.doi.org/10.3390/ijerph18020418.

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Pulmonary exposure to micro- and nanoscaled particles has been widely linked to adverse health effects and high concentrations of respirable particles are expected to occur within and around many industrial settings. In this study, a field-measurement campaign was performed at an industrial manufacturer, during the production of paints. Spatial and personal measurements were conducted and results were used to estimate the mass flows in the facility and the airborne particle release to the outdoor environment. Airborne particle number concentration (1 × 103–1.0 × 104 cm−3), respirable mass (0.06–0.6 mg m−3), and PM10 (0.3–6.5 mg m−3) were measured during pouring activities. In overall; emissions from pouring activities were found to be dominated by coarser particles >300 nm. Even though the raw materials were not identified as nanomaterials by the manufacturers, handling of TiO2 and clays resulted in release of nanometric particles to both workplace air and outdoor environment, which was confirmed by TEM analysis of indoor and stack emission samples. During the measurement period, none of the existing exposure limits in force were exceeded. Particle release to the outdoor environment varied from 6 to 20 g ton−1 at concentrations between 0.6 and 9.7 mg m−3 of total suspended dust depending on the powder. The estimated release of TiO2 to outdoors was 0.9 kg per year. Particle release to the environment is not expected to cause any major impact due to atmospheric dilution
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Fonseca, Ana Sofia, Anna-Kaisa Viitanen, Tomi Kanerva, Arto Säämänen, Olivier Aguerre-Chariol, Sebastien Fable, Adrien Dermigny et al. « Occupational Exposure and Environmental Release : The Case Study of Pouring TiO2 and Filler Materials for Paint Production ». International Journal of Environmental Research and Public Health 18, no 2 (7 janvier 2021) : 418. http://dx.doi.org/10.3390/ijerph18020418.

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Pulmonary exposure to micro- and nanoscaled particles has been widely linked to adverse health effects and high concentrations of respirable particles are expected to occur within and around many industrial settings. In this study, a field-measurement campaign was performed at an industrial manufacturer, during the production of paints. Spatial and personal measurements were conducted and results were used to estimate the mass flows in the facility and the airborne particle release to the outdoor environment. Airborne particle number concentration (1 × 103–1.0 × 104 cm−3), respirable mass (0.06–0.6 mg m−3), and PM10 (0.3–6.5 mg m−3) were measured during pouring activities. In overall; emissions from pouring activities were found to be dominated by coarser particles >300 nm. Even though the raw materials were not identified as nanomaterials by the manufacturers, handling of TiO2 and clays resulted in release of nanometric particles to both workplace air and outdoor environment, which was confirmed by TEM analysis of indoor and stack emission samples. During the measurement period, none of the existing exposure limits in force were exceeded. Particle release to the outdoor environment varied from 6 to 20 g ton−1 at concentrations between 0.6 and 9.7 mg m−3 of total suspended dust depending on the powder. The estimated release of TiO2 to outdoors was 0.9 kg per year. Particle release to the environment is not expected to cause any major impact due to atmospheric dilution
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Saputra, Bisma Rahmad, et Imam Djati Widodo. « Analisis Pengendalian Risiko Keselamatan dan Kesehatan Kerja (K3) dengan Metode Failure Mode and Effect Analysis (FMEA) pada PT. ABC ». JMPM (Jurnal Material dan Proses Manufaktur) 7, no 2 (12 décembre 2023) : 128–39. http://dx.doi.org/10.18196/jmpm.v7i2.19405.

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PT. ABC is engaged in metal casting such as drinking water pipe connections and quality drainage components. Existing manufacturing processes involve direct interaction of workers with equipment in production situations that have sufficiently high safety risks. The research aims to identify the type or source of hazard, determine the value of high risk, and appropriate risk control measures. Using the Failure Mode and Effect Analysis (FMEA) method to identify failures from facilities, systems or equipment that have an impact on work accidents. The results of the study found 48 hazards with identifying the risk of work accidents with categories are very low (7), low (48), medium (17), high (10) and there is no risk of work accidents with very high categories. Work accidents that have a high risk in the metal casting process at PT. ABC is at the die-making, smelting and pouring, roughing, and finishing work stations. Potential risks to work safety include dust from mixing, being crushed by solid iron, exposed to sparks, exposed to molten liquids, electrocuted, and exposed to odors from paint. Risk control measures are proposed in the metal casting process at PT. ABC is carried out with engineering control and the use of PPE according to the source of danger.
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Hasbi, Hasbi. « Sappo : Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting ». Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni 16, no 1 (5 mai 2021) : 37–46. http://dx.doi.org/10.33153/dewaruci.v16i1.3234.

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Lontara is a traditional script of the Bugis-Makassar community, derived from the word lontar, a type of plant in South Sulawesi, which is still used and maintained. Sappo (Bugis): fence used to limit (surround, insulate) land and houses. The Bugis-Makassar community as a whole always has a Sappo / fence to protect themselves, their families, and their nation. Sulapa eppa (four sides) is a mystical form of classical Bugis-Makassar belief that symbolizes the universe’s composition, wind-fire-water-earth. Walasuji is a kind of bamboo fence in a rhombic ritual. Walasuji comes from the word wala, which means separator/fence/guard, and suji means daughter (metaphor of something of value, which must be under protection). The research aims to create three-dimensional paintings with the idea of creation, Sappo: Sulapa eppa walasuji. The symbolic expression concept borrows the Lontara tradition’s idioms, making works of metaphorical Sappo (montage) titles; Posi’ Symbolic expressions are used as research methods to create works. Researchers borrow traditional idioms as a place of expression. Symbolic abstraction works are conceptually a form of modern art by utilizing the Lontara tradition's idiom as a basic element of preparing the work. The contextual use of idioms is no longer intact because there is a degradation in the artists’ processing when interpreting symbolic forms. The expression of tradition is no longer a thematic pouring of ideas, still, as a textual symbol offered by artists to provide freedom of interpretation, Sappo: Sulapa eppa walasuji as the idea of creating paintings. The results of the study explore the elements of form and express the message conveyed through the work of three-dimensional images with the concept of creation, Sappo: Sulapa eppa walasuji, a work of metaphorical painting Sappo (montage) title: Posi, which is essentially God, as the protector of everything from the whole Sappo metaphor. Sappo, an idiom of tradition, is portrayed as a form of the symbolism of reflections on researchers’ lives visualized in the entire artwork. The visual elements used, stone, wood, bamboo, and paint, are at the same time a metaphor for the universe, which is God’s creation.
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R, Arse. « Role of Taila Dhara Therepy in the Management of Various Types of Knee Joint Disorder ». Journal of Natural & ; Ayurvedic Medicine 6, no 3 (5 juillet 2022) : 1–5. http://dx.doi.org/10.23880/jonam-16000361.

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Dhara is a part of Keraliya Panchkarma which means pouring liquid medium in a thin, continuous, stream over the body or affected area, when it is done all over the body it is known as Sarvanga Dhara. It comes under Parisheka Swedana. Dhara means pouring liquid medium in a thin, continuous, stream over the body or affected area. In this, fermented liquids are poured over the body in streams for a fixed duration of time as is done in any type of Dhara. It has been truly stated that Dhara is good for almost all diseases. The word Janu refers to knee and Dhara means to pour, mainly medicated oil. It is a very unique procedure mentioned as ‘Snehayukta Swedana’ due to the fact that it comprises both Snehana (therapeutic oleation) and Swedana (sudation therapy). The Taila (oil) used for this procedure does the Snehana and due to the Agni Samyoga in this procedure it has the resulting Swedana effect. Janu Dhara is advised in painful conditions caused mainly by Vata Dosha, usually for degenerative diseases, stiffness associated with bone, joint and or musculoskeletal pains, it relieves swelling and inflammation in the knee joint. At the end of the procedure perspiration is noticed and an increased range of motion can be observed. Previous clinical studies also suggest the efficacy of Janu Dhara in knee joint pain. Janu Dhara helps to tone muscles, provides lubrication and improves the working mobility of the joint.
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Tanta, Pak, Habid AL Hasbi, Sarwoko, Ahmad Syamsul Bahri et Rismawati. « Pouring Tea For Therapy To Improve Physical Mobility In Lumbal Back Pain Patients ». JURNAL PENGABDIAN TEKNOLOGI TEPAT GUNA 4, no 3 (25 novembre 2023) : 219–23. http://dx.doi.org/10.47942/jpttg.v4i3.1484.

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Old resources are a gift from God Almighty so that they can be used as well as possible for the benefit of many people. It is hoped that natural resources can be used for all levels of society, both those who are healthy and those experiencing health problems/deterioration. Likewise, using raw data sources can increase people's income so the economy rises. It is essential to utilize natural resources with various innovations that are needed for the benefit of the surrounding community, ranging from health, recreation, or culinary. Kebakan Hamlet, Metuk Village, has abundant natural water resources that have yet to be used optimally to improve the residents' economy and health. Residents only use natural resources for bathing, washing, and irrigation. The existing natural resources have made swimming pools for therapy for low back pain sufferers so that visitors who come for treatment can have a more positive impact on the surrounding community by opening food stalls, renting out floats or parking so that the existence of the pool can be beneficial from a health perspective. And economic value for local residents
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Ekengoue, Clautaire Mwebi, Rodrigue Fotie Lele et Armand Kagou Dongmo. « Influence De L’exploitation Artisanale Du Sable Sur La Santé Et La Sécurité Des Artisans Et L’environnement : Cas De La Carrière De Nkol’Ossananga, Région Du Centre Cameroun ». European Scientific Journal, ESJ 14, no 15 (31 mai 2018) : 246. http://dx.doi.org/10.19044/esj.2018.v14n15p246.

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Sand is classified among the low value development minerals, even though it is massively used in the world. The exploitation of that construction mineral at Nkol’Ossananga, around Yaounde, is done by craftsmen in unsafe conditions, such as: the exposure to a wide range of diseases and the destruction of the environment. We carried out a study on occupational health and safety and environmental impacts on the Nkol’ossananga site. Our method consisted firstly of the bibliographic review, sandpit quarry investigations afterwards, and lastly the data analysis. Tabulation of results showed that the population in the site is essentially threatened by diseases such as dysentery (15%), fibromyalgia (25%), typhoid fever (55%), otalgia (10%), ocular pains (15%), and malaria (45%). Craftmen work without any personal protective equipment (PPE) and are often victims of drowning and bacterial infections. The high demand of sand in Yaoundé involves the development of the activity in other sites and, in consequence, there is a deforestation and disappearance of many animals and vegetables species. The soil and water pollution is also noticeable due to pouring of engines waste oil in the site.
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Livres sur le sujet "Paint Pouring"

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Kelley, Carrie. Acrylic Pouring Logbook and Journal : A Notebook to Record Your Painting Projects. USA : Carrie Kelley, 2023.

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Kelley, Carrie. Acrylic Pour Painting : A Beginner's Guide with Instructions, Ideas, and Tips for Creating Unique Abstract Paintings. USA : Carrie Kelley, 2023.

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Kelley, Carrie. Acrylic Pour Painting : A Beginner's Guide with Instructions, Ideas, and Tips for Creating Unique Abstract Paintings. USA : Carrie Kelley, 2023.

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Paint Pouring : Mastering Fluid Art. Skyhorse Publishing Company, Incorporated, 2019.

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Cheadle, Rick. Paint Pouring : Mastering Fluid Art. Skyhorse Publishing Company, Incorporated, 2019.

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Briseno, Ralph. Practical Tips for Creating Colorful Poured Art in Acrylic : Paint-Pouring Skills : Paint Pouring. Independently Published, 2021.

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Ferro, Marcy. Paint Pouring Workshop : Learn to Create Dazzling Abstract Art with Acrylic Pouring. Sterling Publishing Co., Inc., 2019.

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Ferro, Marcy. Paint Pouring Workshop : Learn to Create Dazzling Abstract Art with Acrylic Pouring. Lark Books, 2019.

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Zella, Jerrold. Keys to Master Acrylic Pouring : Beginners Guide and Painting Techniques for Acrylic Paint Pouring : Stencils for Acrylic Pouring. Independently Published, 2021.

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Lyon, A. J. I'd Rather Be Pouring : Acrylic Paint Pouring Log Book to Track Your Art Projects. Independently Published, 2019.

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Chapitres de livres sur le sujet "Paint Pouring"

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Davies, David. « Telling Pictures : The Place of Narrative in Late Modern ‘Visual Art’ ». Dans Philosophy and Conceptual Art, 138–56. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199285556.003.0008.

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Abstract Helen Chadwick’s Viral Landscapes (1988 – 9) consists of five photographs, each three metres wide, in enamelled frames. The photographs are of the Pembrokeshire coastline, with a monochromatic rectangle to the left of each image and with smearings of paint and of what looks to be cellular matter superimposed over the entire manifold. This much one can tell by looking at the objects hanging on the gallery wall and the appended labels. However, if one reads Mark Sladen’s commentary (2004) on Chadwick’s work in the catalogue for the recent retrospective at the Barbican Gallery, one learns that the cells are samples taken from the artist’s own body, that the images of smeared paint were produced by pouring paint onto the sea and dragging a canvas through the waves, and that the various elements were merged using computer-imaging technology.
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Callegari, Danielle. « Heavenly Gluttony ». Dans Dante’s Gluttons. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463720427_ch05.

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Paradiso necessarily turns away from the appetites for food that have appeared so far in the poem, yet it is also where Dante confirms definitively how good provisioning and convivial consumption strengthen the bonds of community. This occurs most crucially in the prophecy of his exile through a food-based metaphor, but also in the presentation of the poet’s body as it shrinks in the face of a lean diet. Pouring himself into his work, the last self-portrait Dante paints in the Comedy is of a man who finds himself finally beyond the reach of gluttony: through his poem, he has found the means for a fruitful fast, a method of channeling his appetite into work that produces for the community.
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