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Littérature scientifique sur le sujet « Ontology – early works to 1800 »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 30 juillet 2024

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Articles de revues sur le sujet "Ontology – early works to 1800"

Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid et Rahimin Affandi Abdul Rahim. « Analyse Malay Fiqh Works Writing 1600-1800 ». Al-Muqaddimah : Online journal of Islamic History and Civilization 6, n^o 2 (31 décembre 2018) : 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.

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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the early days of the great intellectual nature of the Malay world. There are features of fiqh writing in the year 1600 and it is different from the features of fiqh writing in 1700 and 1800. The discussion of this writing includes the difference between the writing text and the style of writing fiqh and being reviewed from various scopes, items and writing features. The method of analysis used is the method of historiography or historicalism which examines the development of an idea. Facts obtained will be thoroughly screened using the Malay induction history approach. Research shows that the earliest classic Malay fiqh writing has its own identity and superiority and is a Malay intellectual work.

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Špelda, Daniel. « Kepler in the Early Historiography of Astronomy (1615–1800) ». Journal for the History of Astronomy 48, n^o 4 (novembre 2017) : 381–404. http://dx.doi.org/10.1177/0021828617740948.

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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be the person who brought the work of Tycho Brahe to completion, rather than an original astronomer. The second section is devoted to the evaluation of Kepler in interpretations of the history of astronomy that appeared in the eighteenth century (often as part of the history of mathematics). In these works, Kepler is regarded as a genius who deserves tremendous credit for the advancement of the human spirit. Both sections also devote attention to Copernicus and Tycho Brahe because this facilitates the explanation of how Kepler’s contribution was judged. By studying the reception of Johannes Kepler’s work, we may gain greater insight into the transition from a cyclical perception of the history of science to the progressive model.

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Lukyanenko, Roman, Veda C. Storey et Oscar Pastor. « Foundations of information technology based on Bunge’s systemist philosophy of reality ». Software and Systems Modeling 20, n^o 4 (18 janvier 2021) : 921–38. http://dx.doi.org/10.1007/s10270-021-00862-5.

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AbstractGeneral ontology is a prominent theoretical foundation for information technology analysis, design, and development. Ontology is a branch of philosophy which studies what exists in reality. A widely used ontology in information systems, especially for conceptual modeling, is the BWW (Bunge–Wand–Weber), which is based on ideas of the philosopher and physicist Mario Bunge, as synthesized by Wand and Weber. The ontology was founded on an early subset of Bunge’s philosophy; however, many of Bunge’s ideas have evolved since then. An important question, therefore, is: do the more recent ideas expressed by Bunge call for a new ontology? In this paper, we conduct an analysis of Bunge’s earlier and more recent works to address this question. We present a new ontology based on Bunge’s later and broader works, which we refer to as Bunge’s Systemist Ontology (BSO). We then compare BSO to the constructs of BWW. The comparison reveals both considerable overlap between BSO and BWW, as well as substantial differences. From this comparison and the initial exposition of BSO, we provide suggestions for further ontology studies and identify research questions that could provide a fruitful agenda for future scholarship in conceptual modeling and other areas of information technology.

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McManus, Denis. « Error, Hallucination and the Concept of ‘Ontology’ in the Early Work of Heidegger ». Philosophy 71, n^o 278 (octobre 1996) : 553–75. http://dx.doi.org/10.1017/s003181910005347x.

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Recently the attempt has been made to demonstrate Heidegger's relevance to the concerns of analytic philosophers. A focus for this effort has been the criticism in his early work of Cartesian ontology. While a number of important works have mapped out this area of Heidegger's thought, a crucial task has not been carried out, namely that of assessing how Heidegger can accommodate those phenomena which motivate the Cartesian to adopt his highly counter-intuitive ontology. As long as we fail to examine how Heidegger's early ontology copes with the possibilities of error and of hallucination, the suspicion will remain that Heidegger is simply insensitive to those phenomena on which the Cartesian focuses. Neither Heidegger nor the Cartesian have been done any favours by commentators showing little inclination to bring the opponents into closer combat. This paper attempts to correct that omission.

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Bowers, Katherine. « Ghost Writers : Radcliffiana and the Russian Gothic Wave ». Victorian Popular Fictions Journal 3, n^o 2 (17 décembre 2021) : 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying, classifying, and analysing the provenance of Russian corporate Radcliffe works reveals insight into the transnational circulation of texts and the role of copyright law within it, the nature of the early nineteenth-century Russian book market, the rise of popular reading and advertising in Russia, and the gendered nature of critical discourse at this time. The Russian corporate Radcliffe assures the legacy and influence of Radcliffe in later Russian literature and culture, although a Radcliffe that represents much more than just the English author. Exploring the Russian corporate Radcliffe expands our understanding of early nineteenth-century Russian literary history through specific case studies that demonstrate the significant role played by both women writers and translation, an aspect of this history that is often overlooked.

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Pavlov, Ilia. « An Ontology of Power as an Ontology of History : An Appraisal of Vladimir Bibikhin’s Political Philosophy ». Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, n^o 3 (2019) : 195–223. http://dx.doi.org/10.17323/1728-192x-2019-3-195-223.

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The paper deals with the phenomenological, ontological, and existential grounds of the political philosophy and the philosophy of history as proposed by Vladimir Bibikhin in a course of lectures called (It’s) Time (Time-Being). Following the crucial ideas of Martin Heidegger’s Being and Time, Bibikhin introduces the concepts of “early” and “late” disciplines, illustrated by the rules of Sophia Alekseyevna and Peter the Great, accordingly. These concepts are introduced to indicate two different ontological structures of historical and political action. An ‘early’ discipline stands for an ontological basis for democracy, whereas a ‘late’ one refers to autocracy and despotism. Drawing on multiple Bibikhin’s works dedicated to Russia, such as Introduction to the Philosophy of Law, The Power of Russia, and Our Place in the Word, the author argues that Bibikhin further elaborates the political and ontological aspects of the above-mentioned concept of the ‘late’ discipline in these texts. In contrast, the book New Renaissance is considered as an illustration of an ‘early’ discipline which is prevalent in the West, according to Bibikhin. Finally, the author proposes a critical evaluation of Bibikhin’s political philosophy in regards to its close link with an ideology and outlines the possible perspectives of implementing some of Bibikhin’s ideas in contemporary debates about the political.

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Ståhle Sjönell, Barbro. « Det tidiga 1800-talets svenska novellistik ». Tidskrift för litteraturvetenskap 43, n^o 2 (1 janvier 2013) : 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.

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Swedish Short Stories in the Early 19th Century. Publication and Subgenres The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publication varied. Out of 45 works found in the catalogues of the National Library of Sweden, 27 are published separately, while 14 are published in periodicals or newspapers and two in anthologies (one of which is a frame story and the other a modern collection). Authors connected to the Romantic school introduced two new varieties of short story: the exotic story and the fantastic story. The pre-existing subgenres included, for instance: adventures, satirical or comic stories, stories of family life, travel stories and historical short stories. Among these, the historical story was the only subgenre to be printed separately. Characteristic for the short story is its ability to be inserted into many different kinds of publications. Another result of the study is the discovery of the ease with which a short story may be transferred from one form of publication to another. For instance, the short story may originate as part of a novel, only to turn into a separate work in its own right. Alternatively, it may develop as a serial story in a newspaper and go on to be printed separately, and later appear in a publishing house series or in a volume of selected works. This adaptive, or transferable, quality should be included in the ongoing discussion pertaining to the definition of the short story.

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Vogler, Nikolai, Kartik Goyal, Kishore PV Reddy, Elizaveta Pertseva, Samuel V. Lemley, Christopher N. Warren, Max G'Sell et Taylor Berg-Kirkpatrick. « Contrastive Attention Networks for Attribution of Early Modern Print ». Proceedings of the AAAI Conference on Artificial Intelligence 37, n^o 4 (26 juin 2023) : 5285–93. http://dx.doi.org/10.1609/aaai.v37i4.25659.

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In this paper, we develop machine learning techniques to identify unknown printers in early modern (c.~1500--1800) English printed books. Specifically, we focus on matching uniquely damaged character type-imprints in anonymously printed books to works with known printers in order to provide evidence of their origins. Until now, this work has been limited to manual investigations by analytical bibliographers. We present a Contrastive Attention-based Metric Learning approach to identify similar damage across character image pairs, which is sensitive to very subtle differences in glyph shapes, yet robust to various confounding sources of noise associated with digitized historical books. To overcome the scarce amount of supervised data, we design a random data synthesis procedure that aims to simulate bends, fractures, and inking variations induced by the early printing process. Our method successfully improves downstream damaged type-imprint matching among printed works from this period, as validated by in-domain human experts. The results of our approach on two important philosophical works from the Early Modern period demonstrate potential to extend the extant historical research about the origins and content of these books.

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SAMPSON, MARGARET. « ‘THE WOE THAT WAS IN MARRIAGE’ : SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE ». Historical Journal 40, n^o 3 (septembre 1997) : 811–23. http://dx.doi.org/10.1017/s0018246x97007437.

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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9. £25.00.Sex and subjection: attitudes to women in early modern society. By Margaret R. Sommerville. London: Edward Arnold, 1995. Pp. 287. ISBN 0-340-64574-1. £14.99.

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King, Martina. « Gesteinsschichten, Tasthaare, Damenmoden : Epistemologie des Vergleichens zwischen Natur und Kultur – um und nach 1800 ». Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, n^o 2 (9 novembre 2020) : 246–66. http://dx.doi.org/10.1515/iasl-2020-0014.

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AbstractThis paper investigates comparison as a fundamental practice within the early life sciences. Four episodes are selected that show how comparing species works in the early 19th century and how it builds bridges between scientific and literary culture: comparing living organisms in pre-Darwinian natural history (Lacépède, Treviranus), comparing species distribution in actualistic geology (Lyell), comparing organs in comparative anatomy (Müller), and – last but not least – comparing social classes in new literary genres such as sketch, ‘Paris physiology’, or travel feuilleton.

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Thèses sur le sujet "Ontology – early works to 1800"

McNally, Louis K. « The Weather of 1785 : An Interdisciplinary Approach to Meteorological Reconstruction Using Forensic Synoptic Analysis ». Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McNallyLK2004.pdf.

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Préfontaine, Jennifer. « Secrets des femmes ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98575.

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The goal of this thesis is a critical edition of the Secrets des femmes, a text attributed to Arnold de Vilanova. In the exegetic tradition, this attribution has been widely argued. Our preliminary findings lead to the same conclusions. The text composed in French couldn't have been written by Vilanova, who would have composed it in Latin, the language of the "clerks", or in Catalan, his first language. Critical tradition shows that the Secrets des femmes is based on three manuscripts. But we have demonstrated that the Mazarine's manuscript is not at the base of this work, but rather of a text entitled Les Termes et secrets des femmes. For the critical edition, which is the objective of our study, there is no doubt that the Arsenal's text is the basic manuscript, while the Vatican's manuscript is the Arsenal's metalanguage.

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Bisset, Adam David. « Rereading Brentano Through His Early Works : On Infinity & ; Ontology ». Thesis, University of Dundee, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521680.

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Labriola, Daniele. « On Plato's conception of philosophy in the Republic and certain post-Republic dialogues ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4497.

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This dissertation is generally concerned with Plato's conception of philosophy, as the conception is ascertainable from the Republic and certain ‘post-Republic' dialogues. It argues that philosophy, according to Plato, is multi-disciplinary; that ‘philosophy' does not mark off just one art or science; that there are various philosophers corresponding to various philosophical sciences, all of which come together under a common aim: betterment of self through intellectual activity. A major part of this dissertation is concerned with Plato's science par excellence, ‘the science of dialectic' (he epistêmê dialektikê). The science of dialectic is distinguished in Plato by being concerned with Forms or Kinds as such; the science of dialectic, alone amongst the philosophical sciences, fully understands what it means for Form X to be a Form. I track the science of dialectic, from its showcase in Republic VI and VII, and analyze its place in relation to the other philosophical sciences in certain post-Republic dialogues. Ultimately, I show that, whilst it is not the only science constituting philosophy, Plato's science of dialectic represents the intellectual zenith obtainable by man; the expert of this science is the topmost philosopher. In this dissertation I also argue that Socrates, as variously depicted in these dialogues, always falls short of being identified as the philosopher par excellence, as that expert with positive knowledge of Forms as such. Yet I also show that, far from being in conflict, the elenctic Socrates and the philosopher par excellence form a complementary relationship: the elenctic philosopher gets pupils to think about certain things in the right way prior to sending them off to work with the philosopher par excellence.

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蔡瑞珩. « 《鍼經指南》之鍼刺手法研究 ». HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/132.

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《鍼經指南》為元代竇默，字漢卿，所著。其所記載的鍼刺手法上承《黃帝內經》、《難經》，下啟《金鍼賦》、《玉龍歌》、《鍼灸大成》等，為鍼刺手法發展史上里程碑，亦是後世各種複式手法發展的啟蒙。本文通過對《鍼經指南》相關鍼刺手法的篇章進行整理，從＂呼吸補瀉＂、＂燃轉補瀉＂、＂提插補瀉＂、＂迎隨補瀉＂、＂寒熱補瀉＂，及＂手指補瀉十四法＂等方面展開分析，分別探討《鍼經指南》的學術淵源和《鍼經指南》對元明時期鍼刺手法發展的影響。最後將相關醫家觀點與《鍼經指南》中鍼刺手法理論進行對比分析，討論其異同點。通過資料整理，學術思想的對比分析，筆者總結《鍼經指南》對鍼刺手法理論主要貢獻是：1.提出調息治神法﹔ 2.熱補涼瀉復合補瀉手法﹔ 3.＂提鍼豆許＂手法技巧﹔ 4.＂瀉南補北＂迎隨補瀉理論。元代與明代主要鍼灸醫家的手法技巧和鍼刺理論均從《鍼經指南》的內容中發展與推衍出來。根據研究結果顯示，鍼刺手法自《鍼經指南》后空前發展。鍼刺補瀉理論體系更加完善，手法操作更加繁複。符合由簡而繁的事物發展規律。此外，後世醫家在臨床實踐中將《鍼經指南》的鍼刺手法理論與當代文化思想結合并產生新的鍼刺手法及鍼刺理論，從另一方面體現了理論與實踐相結合的哲學思想。關鍵詞：誠刺手法﹔《鍼經指南》﹔竇漢卿

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Kotarcic, Ana. « Aristotle's concept of lexis : a theory of language and style ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7754.

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Aristotle's concept of lexis has been discussed by numerous scholars, yet no comprehensive account of lexis has been produced so far. To fill this gap in scholarship, this thesis offers a systematic analysis of Aristotle's concept of lexis by dividing it into three levels, which allow a step-by-step approach to understanding this multi-layered concept. By considering Plato's and Isocrates' thoughts on lexis, Chapter 1 outlines the intellectual context in which Aristotle's ideas on the concept of lexis developed. Chapters 2-5 focus on the three levels of lexis and Chapter 6 brings a concluding discussion of metaphor. In Chapter 2 the linguistic elements treated under the notion of lexis and Aristotle's theory of language are delineated. These not only present Aristotle's thoughts on language as an abstract system, but they also form the most fundamental level upon which the remainder of Aristotle's thoughts on the concept of lexis are based. Chapter 3 explores Aristotle's remarks regarding individuals' use of linguistic elements as determined by sociolinguistic factors. Aristotle's occasional statements about language usage within the concept of lexis provide valuable pieces of evidence for studies in sociolinguistics and for his ideas on lexis on its third level as discussed in Chapters 4 and 5. In Chapter 4 the intra-textual aspect of Aristotle's remarks on lexis as a means for the creation of different kinds of poetry and rhetoric, i.e. lexis as technē, is examined. In Chapter 5 extra-textual factors are considered and are followed by a discussion of the purpose and function of lexis on its third level. Chapter 6 concludes the discussion of lexis by focusing on metaphor, the linguistic and stylistic element par excellence treated under the notion of lexis, which further highlights the benefits of a three-level approach to Aristotle's concept of lexis.

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Littlehailes, Lucy Elizabeth. « Vital heat, conception and development in Aristotle ». Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:a8e96b05-0ff7-4791-a65a-6135be68df57.

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In this account of the pan that heat plays in the conception and development of living substances according to Aristotle, I begin by examining the concept of heat. I discover that Aristotle uses a distinction between to thermon and thermotes: the former is, in living substances, material; the latter is never material, being the powerful aspect of heat. For example, an animal possesses heat (to thermon) which maintains it through its power (thermotes) to concoct. I then turn to the biological works. Conception, it seems, does not fit the standard account of change, but is rather a concoction, performed by the heat of the semen. Nor is the usual account of conception ascribed to Aristotle adequate: I attempt to demonstrate that he held a more moderate account in which pneuma, the nature of which is to thermon, is transmitted to the embryo. I then examine the development of the embryo, which is performed using to thermon as a tool. The transmission and development of the rational psuche in particular has often caused problems: I offer an account of the transmission of psuche from parent to embryo, and describe the part that pneuma plays in this transmission and in the development and operation of the various levels of psuche. Development extends from foetal development until adulthood, and this poses another problem for the standard account of change as it appears to be neither substantial nor accidental change, yet these are apparently exhaustive possibilities. I conclude that development, like conception, is a concoction performed by the vital heat. Finally, I turn to the conception and development of spontaneously generated animals, and of abnormal animals such as monsters. I demonstrate the relationship between these generations and sexual generation, and the significance of heat and pneuma.

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周瑩. « 古代飲茶致病的文獻探究 ». HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/127.

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中國茶文化源遠流長，茶作為一種日常飲品，與咖啡、可可並稱為世界三大無酒精飲料。近年來，隨著人們生活水平的日益提高，茶葉的保健功效越來越受到社會的重視。據各文獻史料記載，我國飲用茶葉已有千年曆史，記載有關茶葉的文獻古籍繁多。而一直以來，茶葉與“健康”一詞密不可分，古人經過歸納前人的記述總結出了茶葉的二十四功效，如清熱、消食、醒酒、去疾等，並對茶有著極高的評價，然而很少人注意到通過飲茶所達到的有利功效需要建立在適度飲茶，科學飲茶的前提下，盲目品飲只會起到相反效果。與此同時，隨著醫學經驗、藥學知識的日益豐富，不當飲茶所帶來的一些副作用同樣也引起了古代醫學家與茶人的重視，人們開始不僅只是單純的追求茶葉的口感，更多的是開始關注飲茶對身體的影響及飲茶時的身心體驗，通過自己多年的親身感悟，長期與他人的經驗分享，總結歸納出了飲茶的利弊，教導後人飲茶需有度，因人而飲。本文擬在分析我國古代文獻中飲茶不當導致的疾病，尋找飲用單一味茶葉對人體所產生的不良反應，其中不包括複方茶及非茶之“茶”，通過歸納、整理，探究古代不當飲茶所造成的對人體的危害疾病，提出適度飲茶，健康飲茶，科學飲茶的觀念，為今後的茶學及醫學研究不當飲茶致病因素提供古代文獻線索依據。關鍵字：過度飲茶，過派飲茶，飲茶致病

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Harrop, Patrick H. « Inseminate architecture : an archontological reading of Athanasius Kircher's Turris Babel ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56976.

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Among the vast assembly of Biblical mythology, the tower of Babel stands as an exclusive representation of the limits of human endeavor. As a paradigmatic extremity, it circumscribes the field of civic artifice. Babel is the absolute limit, and in that regard, its presence is enduring and timeless. The legacy of exegetic readings are textual shades, emanating from the point source of the paradigm. Athanasius Kircher's Turris Babel is an appropriate and intentional unfolding of this condition.
Firstly, that in the awakening of the Baroque scholar to history, origin materializes as the sole legitimate chronological reference.
Secondly, that the paradigmatic extremities collapse into the empirical standard of the theoretical discourse.
This thesis is a speculative study of architecture, drawn through Turris Babel, in the shadow of the paradigmatic limits of Babel. Written in three parts, each dealing with the implications of artifice in confrontation with the post-Babel adversaries of dispersion, tyranny, and decay.

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朱加正 et Ka-ching Chu. « Reflections of the development and philosophy of Mathematics originating in a comparative study of Liu Hui's redaction of 'JiuZhang Suan Shu' and Euclid's 'Elements' ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211380.

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Livres sur le sujet "Ontology – early works to 1800"

Mirandola, Giovanni Pico della. Dell'ente e dell'uno con le obiezioni di Antonio Cittadini e le risposte di Giovanni Pico della Mirandola. [Milan, Italy] : Bompiani, 2010.

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Carbone, Giorgio. L' uomo immagine e somiglianza di Dio : Uno studio sullo Scritto sulle sentenze di san Tommaso d'Aquino. Bologna : ESD, 2003.

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Sankaracarya. Śataślokī. Vārāṇasī : Pratyabhijñā-Prakāśana, 1987.

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Gabirol, Ibn. Die Lebensquelle. Cuxhaven : Junghans-Verlag, 1989.

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Suárez, Francisco. La distinction de l'étant fini et de son être : Dispute métaphysique XXXI. Paris : J. Vrin, 1999.

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A, Scheidegger Daniel, dir. Der Grund allen Seins : Aus "Die ozeanische Wolke des Tiefen Sinns" = Zab don rgya mtshoʹi sprin. Rikon : Tibet-Institut, 1998.

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Mouzala, Melina G. Peri tou kath' heterotēta mē ontos ston Sophistē tou Platōnos. Athēna : Ekdoseis Harmos, 2007.

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Thomas. De principiis naturae = : Die Prinzipien der Wirklichkeit. Stuttgart : Kohlhammer, 1999.

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Nicholas, of Cusa, Cardinal, 1401-1464 et Nicholas, of Cusa, Cardinal, 1401-1464, dir. O čem je věda ? : (De possest : o duchovním bytí Božím). [Praha] : Malvern, 2009.

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Thomas. Übersetzung--Thomas von Aquin, Über das Seiende und das Wesen : Mit den Roland-Gosselin-Exzerpten = De ente et essentia. Freiburg im Breisgau : Herder, 2010.

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Chapitres de livres sur le sujet "Ontology – early works to 1800"

Prieto, Moisés. « Corrupt and Rapacious : Colonial Spanish-American Past Through the Eyes of Early Nineteenth-Century Contemporaries. A Contribution from the History of Emotions ». Dans Palgrave Studies in Comparative Global History, 105–39. Singapore : Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0255-9_5.

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AbstractAround 1800, merchants, scientists and adventurers travelled to Latin America with different purposes. Their multifaceted interests in a world region, experiencing a threshold of independence from Spanish colonial rule, inspired new historical and political works about the continent’s recent past. The Enlightenment provided not only the philosophical armamentarium against corruption, but it also paved the way to a new expression of sentiments and to the loss of fear when addressing injustice. Some examples of these are Hipólito Villaroel’s list of grievances and Humboldt’s Political essay. These two authors provide some thoughts on the political landscape of New Spain (now Mexico), while the two Swiss physicians Rengger and Longchamp describe the ruthless and odd dictator Francia of independent Paraguay as a champion of anti-corruption. Finally, Argentine dictator Rosas—and his robberies as described by Rivera Indarte, Sarmiento and other anonymous authors—represent the embodiment of corruption through pure larceny, for whose crimes the Spanish colonial past apparently no longer served as a comparison.

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« List of Abbreviations for Ancient Works Cited ». Dans The Ontology of Socratic Questioning in Plato’s Early Dialogues, xi—xiv. SUNY Press, 2012. http://dx.doi.org/10.1515/9781438444055-002.

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Ellis, Katharine. « 1800-1846 ». Dans Interpreting the Musical Past, 3–41. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195176827.003.0001.

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Abstract The story of early music performance in nineteenth-century France has no clear beginning. Instead, it arises from eighteenth-century traditions that persisted despite changing ideologies brought by the Revolution, the Empire, the Restoration, and the July Monarchy. The new century saw a small number of works between 2 5 and 65 years old by Pergolesi, Durante, Jommelli, Rousseau, and Rameau (the latter heavily diluted)-survive the turmoil of the 1790s and achieve a place in the repertories of Paris’s leading musical institutions: the recently opened Conservatoire, the concerts spirituels, and the Opera.

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Devellennes, Charles. « D’Holbach’s Systematic Materialist Ontology ». Dans Positive Atheism, 96–149. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474478434.003.0004.

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This chapter discusses the work of the baron d’Holbach, one of the best-known atheists of the period. It breaks down his work into three phases: the early polemical works, largely following a negative atheism; the systematic materialist ontology of his middle period; and the ethical and political works of the later period. A short biographical section illuminates the importance and centrality of d’Holbach’s influence on French but also European and American thinkers of the time, notably through the attendance of his salon for forty years. Holbach is then shown to be an important figure of both negative and positive atheism, with a clear system in place to explain the role of ethics and politics in a world without God. His writings show a utilitarian and republican vision for the world, that was to shape the thought of revolutionary authors after his death.

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Brino, Omar. « Early Writings on Ethics ». Dans The Oxford Handbook of Friedrich Schleiermacher, 417–33. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198846093.013.25.

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Abstract The short Monologen (1800) and the broad Grundlinien einer Kritik der bisherigen Sittenlehre (1803) argue for an ethical perspective based on mutually “formative” (bildende) interactions between individuals and communities as well as between peculiarity and universality. Whereas in the Monologen this perspective is presented in an “effusive” and “evocative” style, the Grundlinien develop it at a theoretically deeper level, detailing an impressive systematic confrontation with ancient, modern, and contemporaneous philosophers. The Vertraute Briefe über die Lucinde von Schlegel (1800) also consider conjugal love and the relationship of sexes from a “formative” ethical perspective. There are some differences between these early works and the later writings, both in an attenuation of the more “ideal” and “prophetic” aspects and in an accentuation of the “institutional” and “pragmatic” ones; however, the republications of the Monologen until 1829 and the systematic relationships between the Grundlinien and the late academic papers demonstrate a specific continuity on important basic principles of Schleiermacher’s “formative” ethical thought.

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‘Connor, Thomas O. « Religious Change, 1550–1800¹ ». Dans The Irish Book in English 1550-1800, 169–93. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199247059.003.0010.

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Abstract The press was an integral part of the religious revival that swept through early modern Ireland but the different doctrinal, political, and pastoral priorities that separated the reforming agencies, Catholic and Protestant, ensured that the book functioned in confessionally distinctive ways. For reforming Catholics, the encounter with God took place primarily through the sacraments, administered, in Latin, by a trained priest.² Here the potential of the press lay in modernizing the inherited devotional system, largely by providing the clergy with catechetical and homeletical material and supplying the laity with works of piety. For reforming Protestants, on the other hand, God was encountered in the Scriptures, a fact that tied the success of their mission to the provision of the vernacular Bible and form of service.

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Maunder, Richard. « Music and Instruments, 1770-1800 ». Dans Keyboard Instruments in Eighteenth-Century Vienna, 99–129. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166375.003.0007.

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Abstract THE first sign that times were beginning to change was an advertisement on 4 August 1770 by van Ghelen, publisher of the Wienerisches Diarium, for nearly a whole column’s worth of music imported from Paris. It included keyboard works by the London composers J. C. Bach and C. F. Abel, as well as ‘6 Airs Opera Comique’ by Mlle Bayon. The music by Bach and Abel was exclusively for ‘clavicembalo’ or ‘clavecin’, but a repeat advertisement for Bayou’s ‘Airs’ adds that they were ‘arranges pour le Biano forte ou le Clavecin’: this is apparently the first music advertised in Vienna that was intended for the new instrument. Van Ghelen continued for the next few years to advertise music published in Paris and elsewhere; the bookseller Kruchten quickly followed his lead, and by 1776 (possibly 1774) was advertising music from London publishers as well (see App. D). Much of this imported music named the piano as an alternative to the harpsichord, 1 the former instrument being well established in London, and probably also Paris, by the early 1770s.

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Billings, Joshua. « Introduction ». Dans Genealogy of the Tragic. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691159232.003.0001.

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This introductory chapter provides an overview of tragedy. Tragedy is the most philosophical of art forms. However, tragedy has not always been philosophical in the same way. Around 1800, tragedy's way of meaning underwent a major shift, with broad consequences for thought on literature and philosophy. Through the eighteenth century, tragedy had been considered primarily in rhetorical terms as a way of producing a certain emotional effect, but since 1800 it has more often been considered in speculative terms as a way of making sense of the human world. It is only since around 1800 that works of art have been considered in such philosophical and often metaphysical terms. Greek tragedy played a leading role in this development, as the foundation for elaborating a concept of “the tragic” that extended far beyond an aesthetic context, encompassing history, politics, religion, and ontology.

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Hogg, James. « To Archibald Constable [Early 1806?] ». Dans The Stirling/South Carolina Research Edition of The Collected Works of James Hogg : The Collected Letters of James Hogg, Vol. 1 : 1800–1819, sous la direction de Gillian Hughes. Edinburgh University Press, 2004. http://dx.doi.org/10.1093/oseo/instance.00173930.

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Goehr, Lydia. « Musical Production without the Work-Concept ». Dans The Imaginary Museum Of Musical Works, 176–204. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195324785.003.0008.

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Abstract This chapter and the following one are devoted to contrasting early with modern musical practice—roughly before and after 1800—to show that the work-concept had regulative force in the latter but not in the former. The concept acquired this force as part and parcel of the emancipation of the musical world and the emergence of that world as one concerned with the production of fine art. Historical inquiry reveals that no force for this concept would have been visible or effective had the concept not been delimited, articulated, and specified from every conceivable point of interest. Such points of interest extended well beyond musical and aesthetic theory. They extended far into the depths of musical practice.

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Actes de conférences sur le sujet "Ontology – early works to 1800"

Matić, Zlatko. « Teachings of Metropolitan John (Ziziоulas) of Pergamon on the (im)mortality of the sou ». Dans Naučni skup Doprinos mitropolita pergamskog Jovana (Zizijulasa) savremenom sistematskom bogoslovlju. Univerzitet u Beogradu, Institut za Sistematsko bogoslovlje Pravoslavnog bogoslovskog fakulteta, 2024. http://dx.doi.org/10.46793/mitjovan23.089m.

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The aim of the research paper is to answer the question: in what way does Metropolitan John (Zizioulas) of Pergamon understand the teach- ing about the (im)mortality of the soul, and how can the Metropolitan’s attitude be incorporated in contemporary systematic theology. In this context, after the introductory statements, the paper begins with a de- tailed review and analysis of the question of the (im)mortality of the soul, primarily in the Metropolitan’s early works. It focuses on the ques- tion of the place of this teaching in his final and most mature work — Remembering the Future: Toward an Eschatological Ontology. On these grounds, the paper tends to point out the kthysiological-christological- soteriological setting of the stated theme in the Metropolitan’s work, opening up its ontological perspective and foundation.

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Roy, U., R. Sudarsan, R. D. Sriram, K. W. Lyons et M. R. Duffey. « Information Architecture for Design Tolerancing : From Conceptual to the Detail Design ». Dans ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/dac-8704.

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Abstract Tolerance design is the process of deriving a description of geometric tolerance specifications for a product from a set of specifications on the desired properties of the product. Existing approaches to tolerance analysis and synthesis entail detailed knowledge of geometry of assemblies and are mostly applicable during advanced stages of design, leading to a less than optimal design process. During the design process of assemblies, both assembly structure and associated tolerance information evolve continuously and significant gains can be achieved by effectively using this information to influence the design of an assembly. Any pro-active approach to the assembly or tolerance analysis in the early design stages will involve decision making with incomplete information models. In order to carry out early tolerance synthesis and analysis in the conceptual stages of the product design, we need to devise techniques for representing function-behavior-assembly models that will allow analysis and synthesis of tolerances, even with the incomplete data set. A ‘function’ (what the system is for) is associated with the transformation of an input physical entity into an output physical entity by the system. The problem or customer’s need, initially described by functional requirements on an assembly, and associated constraints on the functional requirements derives the concept of an assembly. This specification of functional requirements and constraints define a functional model for the assembly. Many researchers have studied functional representation (function based taxonomy and ontology), function to form mapping, and behavior representation (behavior means how the system/product works). However, there is no comprehensive function-assembly-behavior (FAB) integrated model. In this paper, we discuss the integration of function, assembly, and behavior representation into a comprehensive information model (FAB models). To do this, we need to develop appropriate assembly models and tolerance models that would enable the designer to incrementally understand the build-up or propagation of tolerances (i.e., constraints) and optimize the layout, features, or assembly realizations. This will ensure ease of tolerance delivery.

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