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Livres sur le sujet « Online manipulation »

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Auteur : Grafiati

Publié le 25 juillet 2024

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1

Jongepier, Fleur, et Michael Klenk. The Philosophy of Online Manipulation. New York : Routledge, 2022. http://dx.doi.org/10.4324/9781003205425.

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Attrill, Alison. The Manipulation of Online Self-Presentation. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483416.

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3

Margaret, Fieldhouse, Do Thien et British Library. Research and Development Dept., dir. A graphical interface for Okapi : The design and evaluation of an online catalogue system with direct manipulation interaction for subject access. [London] : British Library Research and Development Dept., 1994.

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4

Ferguson, Ryan, Allison Ouimet, Olivia Gardam, Jeremy Oueis et Amélie Burla. Conducting Experimental Psychopathology Research in an Experimenter-Guided Online Environment, Part II : Practical and Technical Considerations for Experimental Manipulations. 1 Oliver’s Yard, 55 City Road, London EC1Y 1SP United Kingdom : SAGE Publications, Ltd., 2022. http://dx.doi.org/10.4135/9781529604085.

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5

Jongepier, Fleur, et Michael Klenk. Philosophy of Online Manipulation. Taylor & Francis Group, 2022.

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6

Jongepier, Fleur, et Michael Klenk. Philosophy of Online Manipulation. Taylor & Francis Group, 2022.

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7

Jongepier, Fleur, et Michael Klenk. Philosophy of Online Manipulation. Taylor & Francis Group, 2022.

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8

Philosophy of Online Manipulation. Taylor & Francis Group, 2022.

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9

Hardaker, C. Antisocial Network : Aggression, Deception, and Manipulation Online. Palgrave Macmillan, 2017.

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10

Institute, Strategic Studies, et Tim Hwang. Maneuver and Manipulation : On the Military Strategy of Online Information Warfare. Independently Published, 2019.

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11

Hwang, Tim. Maneuver and Manipulation : On the Military Strategy of Online Information Warfare. Independently Published, 2019.

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12

Attrill, A. Manipulation of Online Self-Presentation : Create, Edit, Re-Edit and Present. Palgrave Macmillan Limited, 2015.

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13

Attrill, A. The Manipulation of Online Self-Presentation : Create, Edit, Re-edit and Present. Palgrave Pivot, 2015.

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14

Attrill, A. The Manipulation of Online Self-Presentation : Create, Edit, Re-edit and Present. Palgrave Pivot, 2015.

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15

Computational Propaganda : Political Parties, Politicians, and Political Manipulation on Social Media. Oxford University Press, 2018.

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16

Howard, Philip N., et Samuel C. Woolley. Computational Propaganda : Political Parties, Politicians, and Political Manipulation on Social Media. Oxford University Press, Incorporated, 2018.

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17

Sastramidjaja, Yatun. Cyber Troops, Online Manipulation of Public Opinion and Co-optation of Indonesia’s Cybersphere. ISEAS–Yusof Ishak Institute Singapore, 2022. http://dx.doi.org/10.1355/9789815011500.

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18

Schneider, Adrian. Meinungsdynamik und -Manipulation Durch Social Bots : Eine Untersuchung Sozialer Online-Netzwerke auf Basis Eines Agentenbasierten Modells. Tectum B.V.B.A., 2022.

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19

Anderson, Daniel. Storytelling : Manipulation of the Audience - How to Learn to Skyrocket Your Personal Brand and Online Business Using the Power of Social Media Marketing, Including Instagram, Facebook and YouTube. Independently Published, 2019.

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20

Bolsover, Gillian. China. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190931407.003.0010.

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Computational propaganda is a growing concern in Western democracies, with evidence of online opinion manipulation orchestrated by robots, fake accounts, and misinformation in many recent political events. China, the country with the most sophisticated regime of Internet censorship and control in the world, presents an interesting and under-studied example of how computational propaganda is used. This chapter summarizes the landscape of current knowledge in relation to public opinion manipulation in China. It addressees the questions of whether and how computational propaganda is being used in and about China, whose interests are furthered by this computational propaganda; and what is the effect of this computational propaganda on the landscape of online information in and about China. It also addresses the issue of how the case of computational propaganda in China can inform the current efforts of Western democracies to tackle fake news, online bots, and computational propaganda. This chapter presents four case studies of computational propaganda in and about China: the Great Firewall and the Golden Shield project; positive propaganda on Twitter aimed at foreign audiences; the anti–Chinese state bots on Twitter; and domestic public opinion manipulation on Weibo. Surprisingly, I find that there is little evidence of automation on Weibo and little evidence of automation associated with state interests on Twitter. However, I find that issues associated with anti-state perspectives, such as the pro-democracy movement, contain a large amount of automation, dominating Chinese-language information in certain hashtags associated with China and Chinese politics on Twitter.

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21

Guitar, Amanda E., et Rachael A. Carmen. Facebook Frenemies and Selfie-Promotion. Sous la direction de Maryanne L. Fisher. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199376377.013.39.

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Human communication has been largely influenced by the global popularization of social network sites such as Facebook over the past decade. From PCs to mobile phones, humans can now communicate in ways never before experienced during our history on Earth; moreover, sites like Facebook are providing a novel platform for engaging in female intrasexual competition. Through cyberbullying, selfies, and Facebook “stalking,” females are engaging in traditional strategies of intrasexual competition (i.e., self-promotion, rival derogation, mate manipulation, and competitor manipulation) in an evolutionarily novel social environment. This chapter examines what is new about social interactions that take place online and what is an artifact of our evolutionary heritage. Additionally, it argues that the self-promoting material that Facebook users post to the site is indicative of underlying fitness; therefore Facebook postings are an example of a modern-day extended phenotype.

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22

Léonard, Jérémie, et Charles Hirlimann, dir. Ultrafast Laser Technologies and Applications. EDP Sciences, 2022. http://dx.doi.org/10.1051/978-2-7598-2719-0.

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This Book gathers original tutorials delivered as lectures by the authors at the international Femto-UP 2020 School, which took place online from 8th to 29th of March 2021 and gathered 600 participants worldwide. Like the previous occurrences of the Femto-UP School, the 2020 edition and this Book do target a multidisciplinary public of scientists at various points of their carrier from undergraduate and graduate students to senior researchers and technical staff. The aim is to provide generic scientific knowledge on ultrafast laser technologies including, generation, amplification, manipulation and characterization of ultrashort laser pulses, and pedagogical accounts of a selection of state-of-the-art applications of ultrashort laser pulses. The Femto-UP 2020 School comprised numerical practical sessions using original pedagogical or technical numerical tools (based on the Python programming language) also included to this Book as supplementary electronic material.

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23

Hancock, Jeffrey T. Digital deception. Sous la direction de Adam N. Joinson, Katelyn Y. A. McKenna, Tom Postmes et Ulf-Dietrich Reips. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561803.013.0019.

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The prevalence of both deception and communication technology in our personal and professional lives has given rise to an important set of questions at the intersection of deception and technology, referred to as ‘digital deception’. These questions include issues concerned with deception and self-presentation, such as how the Internet can facilitate deception through the manipulation of identity. A second set of questions is concerned with how we produce lies. For example, do we lie more in our everyday conversations in some media than in others? Do we use different media to lie about different types of things, to different types of people? This article examines these questions by first elaborating on the notion of digital deception in the context of the literature on traditional forms of deception. It considers identity-based forms of deception online and the lies that are a frequent part of our everyday communications.

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Schicha, Christian, Ingrid Stapf et Saskia Sell, dir. Medien und Wahrheit. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923190.

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This volume discusses media ethics perspectives on truth in the context of digitalisation, while also addressing loss of trust and interpretations of the truth in public communication. It develops theoretical classifications of ‘fake news’ and disinformation from both a sociological and a media philosophy perspective. Empirical investigations and case studies on manipulation focus on image editing and communication strategies in political debates. Moreover, the book presents problems and solutions in relation to disinformation from a journalistic perspective. The volume concludes by examining normative challenges posed by online communication in the context of both machine learning and on Twitter and YouTube. With contributions by Sybille Krämer, Simone Dietz, Günter Bentele, Charles M. Ess, Ingrid Stapf, Nikil Mukerji, Tilman Bechthold-Hengelhaupt, Christian Filk, Jan-Hinnerk Freytag, Christian Schicha, Olaf Hoffjann, Natalie Ryba, Ole Kelm, Marco Dohle, Saskia Sell, Bernd Oswald, Tobias Eberwein, Tanjev Schultz, Thomas Zeilinger, Markus Kaiser, Hektor Haarkötter, Christian Riess, Lisa Schwaiger, Mark Eisenegger and Michael Litschka.

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25

Arnaudo, Dan. Brazil. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190931407.003.0007.

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Computational propaganda can take the form of automated accounts (bots) spreading information, algorithmic manipulation, and fake news to shape public opinion, among other methods. These techniques are being used in combination with the analysis and usage of large data sets of information about citizens held by corporations and governments. This form of propaganda is spreading to countries all over the world, most notably during the 2016 US presidential elections and the run-up to the UK’s referendum to leave the European Union (Brexit). This chapter examines the use of computational propaganda in Brazil, by looking at three recent cases: the 2014 presidential elections, the impeachment of former president Dilma Rousseff, and the 2016 municipal elections in Rio de Janeiro. It examines the legal framework governing the Internet and the electoral process online, particularly how this process relates to computational propaganda. It also seeks to understand how bots are involved in multifarious economic and political themes, and in ongoing debates in the country about corruption, privatization, and social and economic reform. Through a collection and analysis of hashtags related to major investigations into corruption in politics, as well as to proposed reforms to social support systems and the protests related to them, the chapter identifies bots that are involved in these debates and how they operate. Finally, it looks at potential responses to this kind of propaganda, from legal, technical, and organizational perspectives, as well as indications of future trends in the use of these techniques in Brazilian society and politics.

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26

Kim, Jihoon. Documentary's Expanded Fields. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197603819.001.0001.

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Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary offers a theoretical mapping of contemporary non-standard documentary practices enabled by the proliferation of new digital imaging, lightweight and non-operator digital cameras, multiscreen and interactive interfaces, and web 2.0 platforms. These emergent practices encompass digital data visualizations, digital films that experiment with the deliberate manipulation of photographic records, documentaries based on drone cameras, GoPros, and virtual reality (VR) interfaces, documentary installations in the gallery, interactive documentary (i-doc), citizens' vernacular online videos that document scenes of the protests such as the Arab Spring, the Hong Kong Protests, and the Black Lives Matter Movements, and new activist films, videos, and archiving projects that respond to those political upheavals. Building on the interdisciplinary framework of documentary studies, digital media studies, and contemporary art criticism, Jihoon Kim investigates the ways in which these practices both challenge and update the aesthetic, epistemological, political, and ethical assumptions of traditional film-based documentary. Providing a diverse range of case studies that classify and examine these practices, the book argues that the new media technologies and the experiential platforms outside the movie theater, such as the gallery, the world wide web, and social media services, expand five horizons of documentary cinema: image, vision, dispositif, archive, and activism. This reconfiguration of these five horizons demonstrates that documentary cinema in the age of new media and platforms, which Kim labels as the “twenty-first-century documentary,” dynamically changes its boundaries while also exploring new experiences of reality and history in times of the contemporary crises across the globe, including the COVID-19 pandemic.

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