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Livres sur le sujet « ONLINE DISPLAYS »

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Auteur : Grafiati

Publié le 11 septembre 2023

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1

Lennie, Stovel, et Bales Kathleen, dir. Bibliographic displays in the online catalog. White Plains, NY : Knowledge Industry Publications, 1986.

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2

Standing Committee of the IFLA Sect. IFLA Guidelines for Online Public Access Catalogue (OPAC) Displays. Sous la direction de Task Force on Guidelines for OPAC D. Berlin, New York : Walter de Gruyter – K. G. Saur, 2005. http://dx.doi.org/10.1515/9783598440311.

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3

International Federation of Library Associations and Institutions. Task Force on Guidelines for OPAC Displays. Guidelines for online public access catalogue (OPAC) displays : Final report May 2005. München : Saur, 2005.

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4

Frye, Williams Joan, Council on Library Resources et Online Catalog Screen Display Conference (1985 : Austin, Tex.), dir. Online catalog screen displays : A series of discussions : report of a conference. Washington, D.C. (1785 Mass. Ave., N.W., Washington 20036) : Bibliographic Service Development Program, Council on Library Resources, 1986.

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5

1947-, Peters Paul Evan, et Council on Library Resources, dir. Command language and screen displays for public online systems : Report of a meeting sponsored by the Council on Library Resources, March 29-30, 1984, Dublin, Ohio. Washington, D.C : Bibliographic Service Development Program, Council on Library Resources, 1985.

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6

1952-, Williams Joan Frye, et Bibliographic Service Development Program (U.S.), dir. Online catalog screen displays : A series of discussions : report of a conference sponsored by the Council on Library Resources at the Lakeway Conference Center, Austin, Texas, March 10-13, 1985. Washington, D.C : Bibliographic Service Development Program, Council on Library Resources, 1986.

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7

American Library Association. Subcommittee on the Display of Subject Headings in Subject Indexes in Online Public Access Catalogs., dir. Headings for tomorrow : Public access display of subject headings. Chicago : American Library Association, 1992.

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8

Kathleen, Ziegler, Greco Nick et Riggs Tamye, dir. Free fonts : Designer fonts online : the best fonts money can't buy. New York, NY : HBI, 2002.

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9

National Information Standards Organization (U.S.). Proposed American national standard, common command language for online interactive information retrieval. Bethesda, MD : National Information Standards Organization, 1991.

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10

National Information Standards Organization (U.S.). Proposed American national standard for information sciences-- : Common command language for online interactive information retrieval. Gaithersburg, Md : National Bureau of Standards, 1987.

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11

American Library Association. Subcommittee on the Display of Subject Headings in Subject Indexes in Online Public Access Catalogs., dir. Guide to the display of subject headings in subject indexes in online public access catalogs. [Chicago : American Library Association, 1990.

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12

Veith, Richard. Visual information systems : The power of graphics and video. Aldershot : Gower, 1988.

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13

Visual information systems : The power of graphics and video. Boston, Mass : G.K. Hall, 1988.

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14

Inc, ebrary, dir. 3D game development with Microsoft Silverlight 3 : Beginner's guide : a practical guide to creating real-time responsive online 3D games in Silverlight 3 using C#, XBAP WPF, XAML, Balder, and Farseer Physics Engine. Birmingham, U.K : Packt Pub., 2009.

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15

Naumov, Vladimir. Consumer behavior. ru : INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1014653.

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The book describes the basic issues concerning consumer behavior on the basis of the simulation of the decision-making process on buying behavior of customers in the sales area of the store and shopping Internet sites. The classification of models of consumer behavior, based on research in the area of economic, social and psychological theories and empirical evidence regarding decision-making by consumers when purchasing the goods, including online stores. Methods of qualitative and quantitative research of consumer behavior, fundamentals of statistical processing of empirical data. Attention is paid to the processes of consumers ' perception of brands (brands) and advertising messages, the basic rules for the display of goods (merchandising) and its impact on consumer decision, recommendations on the use of psychology of consumer behavior in personal sales. Presents an integrated model of consumer behavior in the Internet environment, the process of perception of the visitor of the company, the factors influencing consumer choice of goods online. Is intended for preparation of bachelors in directions of preparation 38.03.02 "Management", 38.03.06 "trading business" and can be used for training of bachelors in direction of training 43.03.01 "Service", and will also be useful for professionals working in the field of marketing, distribution and sales.

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16

Rogers, Richard. The Propagation of Misinformation in Social Media. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463720762.

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There is growing awareness about how social media circulate extreme viewpoints and turn up the temperature of public debate. Posts that exhibit agitation garner disproportionate engagement. Within this clamour, fringe sources and viewpoints are mainstreaming, and mainstream media are marginalized. This book takes up the mainstreaming of the fringe and the marginalization of the mainstream. In a cross-platform analysis of Google Web Search, Facebook, YouTube, Reddit, Twitter, Instagram, 4chan and TikTok, we found that hyperpartisan web operators, alternative influencers and ambivalent commentators are in ascendency. The book can be read as a form of platform criticism. It puts on display the current state of information online, noting how social media platforms have taken on the mantle of accidental authorities, privileging their own on-platform performers and at the same time adjudicating between claims of what is considered acceptable discourse.

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17

Borgman, Christine L. Online catalog screen displays : A human factors critique. 1986.

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18

Williams, J. Online Catalog Screen Displays : A Series of Discussions. Council on Library Resources, 1986.

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19

Sequencing items in multiple-items displays on online public access catalogs. Ann Arbor, Michigan : University Microfilms International, 1993.

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20

The second objective of the catalog : An evaluation of collocation in online catalog displays. Ann Arbor, Mich : University Microfilms International, 1994.

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21

IFLA Guidelines for Online Public Access Catalogue Displays : Final Report May 2005. De Gruyter, Inc., 2005.

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22

Saur, K. G. IFLA Guidelines for Online Public AccessCatalogue Displays : IFLA Series on Bibliography Control 27. de Gruyter GmbH, Walter, 2008.

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23

IFLA. Guidelines For Online Public Access Catalogue (OPAC) Displays (IFLA Series on Bibliographic Control 27). K.G. Saur (An Impint of Walter de Gruyter), 2005.

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24

Luk, Annie T. Evaluating bibliographic displays from the users' point of view : A focus group study. 1996.

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25

Chan, Juliana. An evaluation of displays of bibliographic records in OPACs in Canadian academic and public libraries. 1995.

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26

Peters, Paul. Command Language and Screen Displays for Public Online Systems : Report of a Meeting Sponsored by the Council on Library Resources. Council on Library Resources, 1985.

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27

Postle, Martin. Art & ; the Country House. Paul Mellon Centre for Studies in British Art, 2020. http://dx.doi.org/10.17658/ach.

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Art & the Country House, launched in autumn 2020, is an online publication edited by Martin Postle, Deputy Director for Grants and Publications at the Paul Mellon Centre for Studies in British Art. Published in the year of the fiftieth anniversary of the Paul Mellon Centre, Art & the Country House underlines the Centre’s long-term commitment to country house studies. Focused specifically on the collection and display of works of art in the country house in Britain from the sixteenth century to the present day, it contains eight case studies: Castle Howard, Doddington Hall, Mells Manor, Mount Stuart, Petworth House, Raynham Hall, Trewithen and West Wycombe. Each house has been carefully selected so as to ensure a broad range of research topics and to provide an appropriately varied set of examples, in terms of geographical location, scale, patterns of ownership, chronologies, collections and displays.

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28

Greco, Nick, et Kathleen Ziegler. FreeFonts : Designer Fonts Online. HarperCollins Publishers, 2002.

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29

Balla, Steven J., Martin Lodge et Edward C. Page. What Makes a Classic ? Sous la direction de Martin Lodge, Edward C. Page et Steven J. Balla. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199646135.013.5.

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This chapter examines classic works that have fundamentally shaped subsequent research in public policy and administration. It first explains the approach used to identify classic academic research as a general matter, recognizing that there are many different ways of doing it, as well as the standards that such classics should meet. Three of these standards are external recognition at the highest level, the quality of the publication outlet, and the number of citations as measured via online resources such as Scopus, Web of Science, and Google Scholar. It then describes a variant of the reputational method that was adopted as the approach in assembling a list of classics in public policy and administration, resulting in a final list that includes 46 classics,. This collection displays the shared research concerns of political science and public policy and administration.

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30

Lee, Martha M. Headings for Tomorrow : Public Access Display of Subject Headings. Amer Library Assn, 1992.

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31

Greco, Nick, Tamye Riggs et Kathleen Ziegler. Freefonts : Designer Fonts Online : The Best Fonts Money Can't Buy. Watson-Guptill Publications, 2002.

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32

Susskind, Richard. Online Courts and the Future of Justice. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838364.001.0001.

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In Online Courts and the Future of Justice, Richard Susskind, the world’s most cited author on the future of legal services, shows how litigation will be transformed by technology and proposes a solution to the global access-to-justice problem. In most advanced legal systems, the resolution of civil disputes takes too long, costs too much, and the process is not just antiquated; it is unintelligible to ordinary mortals. The courts of some jurisdictions are labouring under staggering backlogs - 100 million cases in Brazil, 30 million in India. More people in the world now have internet access than access to justice. Drawing on almost 40 years in the fields of legal technology and jurisprudence, Susskind shows how we can use the remarkable reach of the internet (more than half of humanity is now online) to help people understand and enforce their legal rights. Online courts provide 'online judging' - the determination of cases by human judges but not in physical courtrooms. Instead, evidence and arguments are submitted through online platforms through which judges also deliver their decisions. Online courts also use technology to enable courts to deliver more than judicial decisions. These 'extended courts' provide tools to help users understand relevant law and available options, and to formulate arguments and assemble evidence. They offer non-judicial settlements such as negotiation and early neutral evaluation, not as an alternative to the public court system but as part of it. A pioneer of online courts, Susskind maintains that they will displace much conventional litigation. He rigorously assesses the benefits and drawbacks, and looks ahead, predicting how AI, machine learning, and virtual reality will likely come to dominate court service.

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Fleury, James, Bryan Hikari Hartzheim et Stephen Mamber, dir. The Franchise Era. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474419222.001.0001.

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As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. Over a series of essays by a range of international scholars, this edited collection argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution, and marketing of franchises as a historical form of media-making. In particular, the essays analyze the complex industrial practice of managing franchises across interconnected online platforms with a global scope, presenting a network of scholarly texts that critically look at the collision of new and old industrial logics against an ever more fragmented and consolidated mediascape. The authors address how traditional incumbents like film studios and television networks have responded to the rise of big data, Silicon Valley companies like Facebook, Apple, Amazon, Netflix, and Google; the ways in which legacy franchises are adapting to new media platforms and technologies; the significant historical continuities and deviations in franchise-making and how they shape the representation of on-screen texts across digital displays; and, finally, how emerging media formats are expanding the possibility for transmedia experiences. In this regard, The Franchise Era: Managing Media in the Digital Economy offers an in-depth analysis of the tectonic shifts that have disrupted entertainment companies in the twenty-first century, demonstrating that the media franchise stands front and center in this high-stakes environment.

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34

Wilson, Julie, et Emily Chivers Yochim. Pinning Happiness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039577.003.0013.

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This chapter unpacks the cultural power of the “mamasphere,” drawing on network theory and affect theory to explore what happens to the work of mothering in this environment, where the labors of domesticity and child-rearing are continuously and constantly shared, put on display, and narrated through digital packets of information. Circulating mediated happy family scenes into complicated and difficult everyday lives, the mamasphere distributes happiness, bolstering the family in a world that feels increasingly precarious. By thinking through the affective potential unlocked when online worlds meet everyday life, this chapter demonstrates how the mamasphere works to stabilize the family as a “happy object.”

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35

Dalton, Russell J. Age, Generations, and Participation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733607.003.0005.

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Political scientists debate whether the Millennial generation is disengaging from politics in contemporary democracies. The ISSP surveys show that the generational decline in participation is largely limited to voting and other forms of partisan activity. At the same time, younger citizens are often more engaged in non-electoral activities, such as direct action, protest, and online participation. Time-series data for the United States disentangles the effects of life-cycle changes and generations. More recent generations display a clear decline in voting across the 1967–2014 period. In contrast, life-cycle increases in participation are more common for non-electoral activity. Both factors influence participation but in contrasting ways for different modes of action.

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36

Chadwick, Andrew. Symphonic Consonance in Campaign Communication : Reinterpreting Obama for America. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190696726.003.0007.

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Chapters 6 and 7 expand further upon the theme of political organization by considering recent developments in the field of American election campaigning. Chapter 6 provides a detailed reinterpretation of the fabled 2008 Obama for America campaign and shows how this became a decisive period in the ongoing construction of the hybrid media system in American media and politics. The chapter argues that the Obama campaign's significance in building a new model for successful presidential campaigning lay not in its use of the internet per se, but in how it so ruthlessly integrated online and offline communication, grassroots activism and elite control, and older and newer media logics. Obama for America displayed a keen and hitherto neglected awareness of the continuing power of older media logics in election campaigns.

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