Littérature scientifique sur le sujet « New architecture in historic settings »
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Articles de revues sur le sujet "New architecture in historic settings"
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Logan, Cameron, et David Brand. « Participation : An Ethic for New Architecture in Historic Settings ». Change Over Time 7, no 2 (2017) : 272–89. http://dx.doi.org/10.1353/cot.2017.0015.
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Semes, Steven W. « Adaptation as a Model for New Architecture in Historic Settings : Some Observations from Rome ». Change Over Time 2, no 2 (2012) : 88–105. http://dx.doi.org/10.1353/cot.2012.0014.
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Gaber, Mustafa A., et Ayten Ö. Akçay. « Qualitative and Quantitative Evaluation Techniques of New Infill Designs in Historic Context ». Revista Amazonia Investiga 9, no 35 (28 décembre 2020) : 20–33. http://dx.doi.org/10.34069/ai/2020.35.11.2.
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With the continuing advancement in material technology and construction techniques, architects face a greater set of options and challenges when it comes to designing in historic settings. In the meantime after the ICOMOS agreement, every country adapted the policy according to their own culture and settings, therefore every architect in their respective country started interpreting the charters, and the design review processes in their own way. Working on the new addition to historic context gave rise to familiar characteristics in design, especially in the infill designs, which is “Replication and Contrast”, which in turn sparked the question, how to evaluate whether a building is properly fitting in its context with whatever approach employed. This paper aims to answer this question by conducting a literature review covering First, the qualitative evaluation approach which compromises of surveys and pre-visualization in order to identify the main visual properties that improve the contextual compatibility of the new designs in the historical context, and quantitative techniques focused more on the mathematical scientific cognitive results of all aspects of the architectural elements within historic settings. A comparison has been made on each result achieved and an assessment of their reliance or authenticity has been tested in order to find and bridge the gap between tangible and intangible values when judging “fit” in a historic setting. The results showed that the qualitative evaluation if followed properly it could be very promising, but it always leaves room for skepticism as the result is expected to change based on the size and the characteristics of the participants. The quantitative evaluation provided a more tangible evidence of the contextual fit in terms of architectural elements like size, proportion, and scale. Finally, a suggestion was made in order to provide a better, and a more comprehensive technique merging both methods together and trying to incorporate more of three-dimensional aspects of the building instead of the two dimensionality of the current assessment techniques.
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Ukabi, Ejeng, et Ayten Özsavaş Akçay. « Historic squares’ identity expression : Namik Kemal Square, Famagusta-Cyprus ». International Journal of ADVANCED AND APPLIED SCIENCES 8, no 4 (avril 2021) : 61–74. http://dx.doi.org/10.21833/ijaas.2021.04.008.
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Historic square's naturalistic layers harmonize in contrast with man's unstable taste, changing intentions with time, and neoliberal policies. Consequently, the challenge of what will stand out on the square's expression to the future remains an enormous pertinence amid the identity struggle. Recall that historic squares represent the bedrock for the chronological events that shaped human settlements, be it socio-economic, cultural, religious, political, art and architecture, educational, and folklore. This paper aims to analyze the square's identity as part of its historical and cultural representation. Besides, examine the layers on the surfaces (facades) facing it and their functional changes from history to now. The paper adopted an integrated study approach, using a literature review simultaneously with fieldwork to perform the analysis to describe and observe beyond the structural image to the social implications of the surrounding works of art, architecture, and nature. Based on the results, Namik Kemal Square is characterized socially, physically, and functionally by the surfaces of Lusignan, Venetian, Ottoman, British, Republic of Cyprus, the Turkish Federated State of Cyprus, and Turkish Republic of Northern Cyprus to now. The square exemplifies a mix of hard/soft surfaces and old/new textual layers. Presently, some functions have changed; others are changing, while only a small percentage maintained uncompromising character. The study hypothesizes that though place remains, occupancy changes with pre-existing tissues. Therefore, the surfaces of the diverse identities about people's existence in a setting (square) should be conserved for livability. Furthermore, design principles that will displace the square's identity should be discouraged.
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Wang, Yanjun. « Urban Design of Historic Districts Based on Action Planning ». Open House International 43, no 3 (1 septembre 2018) : 43–51. http://dx.doi.org/10.1108/ohi-03-2018-b0006.
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Historic districts are faced with inadequate features protection and landscape destruction in the process of accelerating urban construction, urban design focuses on how places function in addition to how they look, this theory is suitable for the protection of historical districts. At the present stage, the traditional urban design of historical districts has a series of problems, such as uncomprehensive research about characteristics, incomplete workflow and the lack of transformation route from design scheme to implementation, the main reason is that there is a mismatch between the setting goal and planning implementation. Urban design based on “Action planning” has the characteristics of comprehensive research contents, specific implementation plans and complete workflow, it arranges the workflow with four stages, including design preparation, design planning, design implementation and design evaluation, which is a new exploration and attempt to turn traditional blueprint-oriented into action-oriented. Urban design of North Shuncheng Lane Historic Districts in Xi'an city used action planning as a concept and established an framework including “identify development status and problems—construct action target and strategy—determine action projects and specific plans—improve and evaluate the results”, to implement design ideas into practice and to guide the protection of historic districts. Above all, action-oriented planning is considered the key to the development of historic districts.
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Shcherbina, Elena V., Ali A. Belal et Ali Salmo. « Historic centres of Syrian towns ruined by the war : restoration through urban planning ». Vestnik MGSU, no 5 (mai 2020) : 632–40. http://dx.doi.org/10.22227/1997-0935.2020.5.632-640.
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Introduction. Urban development of historic centres of towns, destroyed by man-induced disasters, means finding the balance between the preservation of the cultural environment and development of a new medium capable of meeting present-day challenges. These problems can be effectively tackled in respect of architectural ensembles, monuments of history and architecture having the status of world heritage sites, as they are restored through the efforts of the world community. This problem is particularly acute in the historic cities of Syria that suffered from warlike operations at the outset of the 21st century.
Materials and methods. The system approach was employed by the co-authors to develop and present a historic and genetic model and to set the borders of territories that can be qualified as historic landmarks. Processed aerial imagery and on-site examination of buildings have enabled the co-authors to assess the extent of destruction of buildings and structures, located within the borders of urban historic centres, identified by means of urban zoning techniques.
Results. The co-authors have ranked the buildings and structures in the districts of Homs, Syria, using the extent of destruction as a criterion. They also propose a definition for the notion of cultural heritage sites (“CHS”), as well as the typology of CHS or “landmarks” in the Syrian Arab Republic. The co-authors offer a methodology for the examination of localities, destroyed during the war, needed to develop their restoration roadmaps. They have also substantiated the need to regenerate the urban environment in the Bani Sibhaa community, to restore the historic centre of Homs to its initial appearance due to its status of a special cultural heritage site, as it has fragments of historic urban planning and ancient buildings.
Conclusions. The damage assessment of buildings, structures, and items of historic and cultural heritage, performed using qualitative values, helps to assess the condition of the cultural environment, resources and valuables available in the historic centre; it also serves as the basis for urban zoning and setting boundaries of historical sites. The approach, developed by the co-authors, encompasses prerequisites and a set of instruments to be used to develop reconstruction strategies for the areas previously exposed to military operations, as well as urban development programmes, that will boost cultural processes capable of producing positive impact on urban and regional economies through job generation, travel industry development, and revival of folk crafts. The findings will be contributed to the conceptual design of multiscale cultural policy events that can boost the development of local areas.
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Hughes, Annie. « New, Old, Indifferent : The United Kingdom’s Preferences Regarding the Architecture and Design of Public Libraries ». Evidence Based Library and Information Practice 6, no 4 (15 décembre 2011) : 143. http://dx.doi.org/10.18438/b80315.
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Objective – Analysis and discussion of attitudes of U.K. citizens toward the architecture and design of the country’s public libraries.
Design – Content analysis of essays submitted to the U.K. Mass Observation Archive (MOA).
Setting – Citizens of the United Kingdom.
Subjects – 180 respondents from a panel of 500 Mass Observation Archive (MOA) volunteers.
Methods – The MOA originated in the 1930s as a way to gather qualitative evidence regarding everyday life of the British public. Most of the data gathered takes the form of variable length essays written by a panel of 500 anonymous volunteers. The volunteers respond to specific directives, and in this article, Black summarized responses to a directive he originally posed to the 500 volunteers in 2005: ‘Public Library Buildings’. Black issued this particular directive to the panel of volunteers in the autumn of 2005 and results were made available to the public by mid-2006.The MOA received a total of 180 responses, of which 121 were from women and 59 were from men. Both users of libraries and non-users were included in the sample. The respondents were not a representative sample of the British public because men, ethnic minorities, lower socio-economic groups, and those living outside of the South of England were underrepresented.
The author analyzed the content of the 180 submitted essays to gain insight on attitudes regarding public library design and architecture. Respondents were asked about public library location, environmental fit, architectural style, sensory aspects of the building, and whether or not the building resembled other types of public buildings. Although he posed several questions, Black focused on answers to three questions: what do you think about the design of modern library buildings? Do you prefer them to older style buildings? Have you seen older libraries renovated into more modern libraries, and what do you think of them? Black then analyzed the responses and grouped them into four major attitudes toward the architecture and design of public libraries. The author chose not to code any of the responses and instead chose to analyze the ‘discourse’ in and not necessarily the ‘content’ of the essays. After analyzing the discourse, Black contextualized the evidence he discovered. He then discussed political and cultural issues with relation to the four major attitudes and how these issues affected the current landscape of libraries.
Main Results – The four major categories derived from the essays that Black analyzed included: preference for the new; preference for the old; preference for a mixing of the old and the new; architectural indifference, the library as ‘place’ and the concept of ‘libraryness.’ Those with a preference for the new preferred the newer, more modern building because it fit better within the world of information technology. These respondents also felt that the older buildings were too intimidating and cold. Those who preferred the older architecture and design felt that the buildings allowed them to access a piece of the past, and they thought an older library to be more impressive, historic, and generally have more elaborate and interesting architecture. These respondents pointed out the fewer places to hide in new libraries, and indicated that new architecture is boring and stolid. The third group of respondents preferred an older exterior, but an up-to-date interior with a more modern infrastructure. They enjoyed the large impressive buildings but liked the interior to contain comfortable, modern furniture, good lighting, as well as updated technological tools. Finally, the remaining group of respondents did not place importance on the physical space of a library, but more so the services and collections within the physical space.
Conclusion – The discourse derived from the MOA and analyzed in Black’s article summarizes the attitudes and preferences that citizens of the UK have regarding public library architecture. Among the 180 responses to the ‘Public Library Buildings’ directive, there is a clear tension in these attitudes and preferences. The information gathered in the MOA directive on public libraries could also provide political and cultural leaders with evidence of a need for renewal or rethinking of the country’s public libraries.
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Cowling, Sally, et William Mitchell. « Taking the Low Road : Minimum Wage Determination under Work Choices ». Journal of Industrial Relations 49, no 5 (novembre 2007) : 741–56. http://dx.doi.org/10.1177/0022185607084390.
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The Workplace Relations Amendment (Work Choices) Act 2005 changes the architecture of labour market regulation in Australia in a significant way. The focus of this article is on changes to the regulatory framework for minimum wage determination and the rationale for, and likely consequences of, conferring this power on the Australian Fair Pay Commission. Underpinning the Work Choices package is the view that Safety Net wage rises awarded by the Australian Industrial Relations Commission have had negative effects on employment. In this article we establish that the evidence to support this claim is weak, and is being used to engineer a historic shift in the objectives of the Australian wage setting process. We argue that the new legislation will act as a downward drag on the pay and conditions of minimum wage workers and advance an alternative policy approach in which attaining full employment does not require us to abandon the principle of fairness or a decent wage floor.
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Weitze, Karen J. « In the Shadows of Dresden ». Journal of the Society of Architectural Historians 72, no 3 (1 septembre 2013) : 322–57. http://dx.doi.org/10.1525/jsah.2013.72.3.322.
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In the Shadows of Dresden: Modernism and the War Landscape focuses on British-American test complexes and lithographs devised to understand German and Japanese military targets of World War II. Project sites stretched from England and Scotland to Maryland, Massachusetts, New Jersey, Utah, and Florida. Vignettes of Axis-built environments featured only those forms and details that were deemed essential, complemented by the abstracted target maps. Together these models and maps inaugurated a new way of looking at cities and built environments as war landscapes. In this article Karen J. Weitze studies the roles of the participating architects, engineers, artists, and art historians—Marc Peter Jr., John Burchard, Henry Elder, Gerald K. Geerlings, Eric Mendelsohn, Antonin Raymond, Walter Gropius, Konrad Wachsmann, Arthur Korn, Felix James Samuely, E. S. Richter, Paul Zucker, Hans Knoll, Albert Kahn, Ludwig Hilberseimer, George Hartmueller, I. M. Pei, Erwin Panofsky, Paul Frankl, and Kurt Weitzmann—within the setting of the modern movement, and evaluates the historic obscurity of the wartime landscapes against the collective human moment that was Dresden.
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Eppich, Rand. « Perspectives on Pandemic : Pedagogies, Prejudice and a Paradigm Shift ». Journal of Research in Architecture and Planning 31, no 2 (25 décembre 2021) : 01–11. http://dx.doi.org/10.53700/jrap3122021_1.
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"Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody." (Jacobs, 1961) Urban planning, particularly for historic cities, requires extensive community involvement, given a large number of public and private stakeholders. Unilateral top-down decisions of the early 20th century made it clear that community involvement was essential to planning. Understandably, this has been difficult with the ongoing global pandemic. Lockdowns, confinement, quarantine, limited travel, and outright bans on gatherings have made public participation in urban decisions nearly impossible – yet planning for the future has not ceased. Of course, technology is aiding communication, including multiple channels of video conferencing, instant messaging, VoIP or internet phone systems, relay chat, social media, and even email. But these means of communication are no substitute for in-person face-to- face interaction and have raised new and challenging questions – How can community involvement be accommodated? And what other relationships or forms of communication are impacted? Successful planning also requires forming pedagogical relationships, another problem created by the pandemic. Most often, pedagogy refers to an academic setting or teacher-student relationship. But pedagogy also relates to other relationships necessary for auspicious planning, including the planner-stakeholder and professional- client associations. Frequently, architects, urban planners, and conservators must explain the problems, technical details, results of surveys, and other studies to clients, decision-makers, and stakeholders. Often people are involved in making decisions and are not well versed with urban planning, architecture, or the conservation of historic cities. Another relationship that is has been impacted by the pandemic is peer-to-peer exchange, essential for complex urban planning. This paper will explore various issues and challenges of this new mode of work inter-pandemic. First, there will be an examination of three types of pedagogical relationships: planner-stakeholders, professional-client, and between professionals or peer-to-peer. Second, three examples are included to illustrate the drawbacks and benefits of this new mode of work, specifically related to planning and conservation projects in historic cities. These examples are all drawn from projects executed by various firms during the pandemic and led by the author. Finally, the presentation discusses the disadvantages and advantages of new forms of pedagogy, including removing prejudices. Pre-pandemic, there were many objections to holding virtual meetings or relying extensively on digital communications from stakeholders, clients, and team partners. The pandemic has effectively removed this prejudice against online encounters and subsequently pedagogical relationships, thus accelerating the paradigm shift related to virtual communications Keywords: Pandemic, Urban Planning, Heritage, Conservation
Thèses sur le sujet "New architecture in historic settings"
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Stavreva, Brigita. « New vs Old : New Architecture of Purpose in Old Settings ». Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/78392.
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New architecture will invariable be placed next to the old architecture because cities and human settlements last for generations and as humans and tribal species we invariably congregate and build new buildings to live-in, work-in and entertain in. Thus we create cities from ever increasing smaller settlements. And the city is the playground where the new merges with that which has been built already – merging the new and the old.
Old town Alexandria is one such place where new and old exist side by side. There is no question that new architecture will be built. The questions are only what the new architecture will look like? What will it's existence respond to and what issues we as a society will choose to tackle with new architecture, if any. Will the new architecture and particularly infill architecture convey a purpose and meaning to rival that of its time-tested historic neighbors? And how the meaning and purpose be achieved in new architecture?
This thesis explores the topic of new/ infill architecture finding place in historic districts in particular - Old Town Alexandria Historic District and Parker-Gray district. What has been the approach that has dictated the image and purpose of new architecture in historic districts in Alexandria? And can the new architecture have meaning and purpose all its own to rival that of its predecessors.Master of Science
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Idrizbegovic-Zgonic, Aida. « "Challenge of set frames" ». Doctoral thesis, Università degli studi di Trieste, 2009. http://hdl.handle.net/10077/3147.
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2007/2008Exploration of current trends in the Contextual Architecture (urban setting), meanings of context and finding new ways to connect to the existing. The key issue is establishing a relationship between new building and its setting (frames) through contextual processes like local scenarios or phenomenon or negotiation with site. The principles of dialogue and tension are tools that allow us to establish the new contextual order.
XXI Ciclo
1976
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Gary, Rodney D. « Incorporating new technologies in the rehabilitation of historic buildings ». Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22398.
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Schmidheiny, Martin John. « Seeing red| Characterizing historic bricks at Sylvester Manor, Shelter Island, New York 1652-1735 ». Thesis, University of Massachusetts Boston, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1572465.
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The goal of this project is to develop a basic material characterization of the bricks excavated at the site of Sylvester Manor on Shelter Island, New York. In the early Manor period of 1650-1690, this early Northern provisioning plantation supplied Barbadian sugar operations and pursued mercantile interests independent of state control. Accounting for the range of production defects and material characteristics of the bricks suggests on-site or local manufacture as a regional ceramic industry developed. Qualitative visual analysis and petrographic thin-sections were used to characterize the internal composition, variation and production evidence in the bricks. Interpreting the results of this analysis offers alternatives to the assumptions about building materials on the site, using material properties to assess the role of building materials as the landscape changed.
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Larson, Julia. « Understanding a Historic Downtown as a “New” Vernacular Form : Immigrant Influence in Woodburn, Oregon ». Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19297.
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What does historic preservation mean in a historic downtown with a long-standing immigrant population? With 90% of the business owners in the historic downtown identifying as Latino, Woodburn, Oregon presents the convergence of historic preservation advocates and Latino business owners. Some stakeholders view historic preservation as maintenance to preserve what exists, while some view preservation as restoring a building to its build date aesthetics. This thesis addresses what the field of preservation and the stakeholders in Woodburn value and how that causes conflicts when dealing with preservation efforts. The main method employed for study in this thesis was collection of qualitative data through interviewing historic preservation advocates, city officials, and Latino business representatives. By understanding Woodburn as an example of a “new” vernacular form, the analysis explores how the community of Woodburn can negotiate its regional dynamics to create a local distinctiveness, which includes a many-layered historical narrative.
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Cornedi, Drew Jason. « The Densification of Historic Districts : Applying Metabolism to the Cast Iron ». University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1353087757.
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Cornedi, Drew. « The Densification of Historic Districts : Applying Metabolism to the Cast Iron ». University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393235792.
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Ganiatsas, Vassilios. « Permanence and change : a philosophical inquiry into the problem of relating new architecture to existing settings ». Thesis, University of Edinburgh, 1987. http://hdl.handle.net/1842/18900.
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Porcheddu, Antonio. « The Ager valley historic landscape : new tools and quantitative analysis. Architecture and agrarian parcels in the medieval settlement dynamics ». Doctoral thesis, Universitat de Lleida, 2017. http://hdl.handle.net/10803/436891.
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Aquest treball exposa els resultats de la investigació doctoral sobre el paisatge històric de la Vall d’Àger amb l’aplicació de la metodologia de l’Arqueologia del Paisatge. S'han utilitzar diferents mètodes científics per obtenir informació heteogènia: des de la teledetecció (lidar i radar), els documents escrits, la prospecció i l’excavació arqueològica, fins a la anàlisis de l’arquitectura i l’aplicació dels models de l’arqueologia predictiva (least cost path, site catchment analysis, viewshed analysis etc.). Els objectius consisteixen en la clarificació de les dinàmiques dels assentaments rurals en l'Edat Mitjana, des de el segle V fins al XIII, a través de l'anàlisi dels assentaments, de les vies de comunicació, del paisatge agrari i dels sistemes defensius i de l'estructura eclesiàstica. Aquest estudi ha demostrat que l’estructura del paisatge de la Vall d’Àger es genera amb un primer impuls entre els segles V i VII, i posteriorment experimenta un profund canvi a partir de finals del segle X.Este trabajo trata de analizar el paisaje histórico del Valle de Àger (España) a través de múltiples fuentes, como las fuentes escritas, la teledetección, las fuentes arqueológicas, las arquitecturas históricas y los análisis del parcelario agrario, de la viabilidad y de la toponímica. El objetivo principal es el de analizar la periodización del asentamiento medieval de forma general y detallada a través del estudio del paisaje fortificado y del paisaje sagrado en una ventana cronológica que va desde el siglo 5 hasta el siglo 13. También se analizaron los elementos principales de las arquitecturas históricas disponibles mediante los métodos de la arqueología de la arquitectura. Otra aplicación metodológica fue la de la Archéogéographie Francesca a través de la cual es posible estudiar las estructuras del parcelario agrario y de la viabilidad. Todos los datos han sido sintetizados para obtener el cuadro general del asentamiento medieval en el valle.
This work deals with the analysis of the Ager Valley historic landscape through the methodologies of Landscape Archaeology. It uses several multidisciplinary sources as written documents, remote sensing images (mainly lidar and radar), parcels analysis, archaeological prospections and archaeological excavations. The main target has been obtaining the periodisation of the medieval settlement in the valley from the 5th to the 13th centuries. It analyses the structure of the agrarian parcel systems through the methodology developed in the Archaeogeographic studies and predictive archaeology (least cost path, viewshed analysis, site catchment analysis). It also uses the application of the Archaeology of Architecture in order to study the material evidences of the churches and the defensive towers of the valley. After the analysis of the different sources, it tries to develop a synthesis of the data following the chronological windows allowed by the sources. All the data have been used also to analyse the Landscape of Power and the Sacred Landscape in the valley during the Middle Ages.
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Xiao, Ying Yvonne, et 肖莹. « New use, long duration : re-activate historic landscape of model village in Sun Yat-sen University ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42664603.
Texte intégralLivres sur le sujet "New architecture in historic settings"
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RIBA, Warren John, Worthington John 1938- et Taylor Sue 1950-, dir. Context : New buildings in historic settings. Oxford : Architectural Press, 1998.
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Faragallah, Riham, Funda Butuner, Mostafa A.-Y. Ibraheem, Prudence Leung-Kwok Lau, Wendi Ivannal Hakim et Gihan Mosaad. Tradition in historic settings. Berkeley, CA : IASTE, 2014.
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Rhinebeck's historic architecture. Charleston, SC : History Press, 2009.
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Lux, Annie. Historic New Mexico churches. Salt Lake City, Utah : Gibbs Smith Publishers, 2007.
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Lux, Annie. Historic New Mexico churches. Salt Lake City, Utah : Gibbs Smith Publishers, 2007.
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Bonnie, Warren. New Orleans historic homes. Gretna, Louisiana : Pelican Publishing Company, 2014.
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Peter, Shaw. A history of New Zealand architecture. 2e éd. Auckland, N.Z : Hodder Moa Beckett, 1997.
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Peter, Shaw. A history of New Zealand architecture. 3e éd. Auckland, N.Z : Hodder Moa Beckett, 2003.
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Grady, John. Plainfield, New Jersey's history & architecture. Atglen, Pa : Schiffer Pub., 2008.
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McGill, David. Landmarks : Notable historic buildings of New Zealand. Birkenhead, Auckland, N.Z : Godwit, 1997.
Trouver le texte intégralChapitres de livres sur le sujet "New architecture in historic settings"
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Williams, Kim. « Michael Ostwald The Architecture of the New Baroque : A Comparative Study of the Historic and the New Baroque Movements in Architecture ». Dans Nexus Network Journal, 489–91. Basel : Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-7643-8978-9_11.
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Bekkering, Juliette, Barbara Kuit, Alessia Biffi et Zeeshan Yunus Ahmed. « Architectonic Explorations of the Possibilities of 3D Concrete Printing : The Historic Building Fragment as Inspiration for New Applications with 3D Concrete Printing in Architecture ». Dans RILEM Bookseries, 1078–90. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49916-7_103.
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Faiferri, Massimo, et Samanta Bartocci. « Landscapes of Knowledge and Innovative Learning Experiences ». Dans Makers at School, Educational Robotics and Innovative Learning Environments, 347–52. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_46.
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AbstractIn these historic times, when there is a crucial shift in the way we consider the cultural and architectural aspects of learning spaces, it is important to investigate the role this spatial resource plays in the urban context. This, so we can understand the need to break with the outdated ideas about school that are deeply rooted in our society. There is common ground between architecture and pedagogy, a possible dialogue between space and knowledge, which can generate new explorations into the ordinary meaning of educational spaces and landscapes of knowledge, as a chance to expand the concept of inhabiting a space and how that impacts the world, and to devise a new urban condition. By first considering cities as a broad, extended learning space, we provide a chance and an incentive to reflect on the role of spatial design. The city is an important educational tool, since it represents a space of discovery, growth, socialization, tension, conflict and adventure. It is also where autonomy, adaptive intelligence and relational skills are developed. A new relationship between school and the city defines the future of learning and civilized co-existence.
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De Meulder, Bruno, Julie Marin et Kelly Shannon. « Evolving Relations of Landscape, Infrastructure and Urbanization Toward Circularity : Flanders and Vietnam ». Dans Regenerative Territories, 107–21. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78536-9_6.
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AbstractA great deal of the contemporary discourse around circularity revolves around waste—the elimination of waste (and wastelands) through recycling, renewing and reuse (3Rs). In line with industrial ecological thinking, the discourse often focuses on resource efficiency and the shift toward renewables. The reconstitution of numerous previous ecologies is at most a byproduct of the deliberate design of today’s cyclic systems. Individual projects are often heralded for their innovative aspects (both high- and low-tech) and the concept has become popularly embraced in much of the Western world. Nevertheless, contemporary spatial circularity practices appear often to be detached from their particular socio-cultural and landscape ecologies. There is an emphasis on performative aspects and far too often a series of normative tools create cookie-cutter solutions that disregard locational assets—spatial as well as socio-cultural. The re-prefix is evident for developed economies and geographies, but not as obvious in the context of rapidly transforming and newly urbanizing territories. At the same time, the notion of circularity has been deeply embedded in indigenous, pre-modern and non-Western worldviews and strongly mirrored in historic constellations of urban, rural and territorial development. This contribution focuses on two contexts, Flanders in Belgium and the rural highlands, the Mekong Delta and Ho Chi Minh City in Vietnam, which reveal that in spite of the near-universal prevalence of the Western development paradigm, there are fundamentally different notions of circularity in history and regarding present-day urbanization. Historically, in both contexts, the city and its larger territory formed a social, economic and ecological unity. There was a focus is on the interdependent development of notions of circularity in the ever-evolving relations of landscape, infrastructure and urbanization. In the development of contemporary circularity, there are clear insights that can be drawn from the deep understandings of historic interdependencies and the particular mechanisms and typologies utilized. The research questions addressed are in line with territorial ecology’s call to incorporate socio-cultural and spatial dimensions when trying to understand how territorial metabolisms function (Barles, Revue D’économie Régionale and Urbaine:819–836, 2017). They are as follows: how can case studies from two seemingly disparate regions in the world inform the present-day wave of homogenized research on circularity? How can specific socio-cultural contexts, through their historical trajectories, nuance the discourse and even give insights with regard to broadened and contextualized understandings of circularity? The case studies firstly focus on past site-specific cyclic interplays between landscape, infrastructure and urbanization and their gradual dissolution into linearity. Secondly, the case studies explicitly focus on multi-year design research projects by OSA (Research Urbanism and Architecture, KU Leuven), which underscore new relations of landscape, infrastructure and urbanization and emphasize the resourcefulness of the territory itself. The design research has been elaborated in collaboration with relevant stakeholders and experts and at the request of governmental agencies.
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« Control of new construction ». Dans Modern Architecture in Historic Cities, 54–84. Routledge, 2003. http://dx.doi.org/10.4324/9780203380222-8.
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Dore, Conor, et Maurice Murphy. « Historic Building Information Modelling (HBIM) ». Dans Architecture and Design, 49–92. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7314-2.ch003.
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Historic Building Information Modelling (HBIM) is a new approach for modelling historic buildings which develops full Building Information Models (BIMs) from remotely sensed data. HBIM consists of a novel library of reusable parametric objects, based on historic architectural data and a system for mapping theses library objects to survey data. This chapter describes the development of a library of parametric objects for HBIM that can be used to model classical architectural elements. Steps towards automating the HBIM process are also described in this chapter. Using concepts from procedural modelling, a new set of rules and algorithms have been developed to automatically combine HBIM library objects and generate different building arrangements by altering parameters. This is a semi-automatic process where the required building structure and objects are first automatically generated and then refined to match survey data. The use of procedural modelling techniques with HBIM library objects introduces automation and speeds up the slow process of plotting library objects to survey data.
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« Stave Church Research and the Norwegian Stave Church Programme : New Findings - New Questions ». Dans Historic Wooden Architecture in Europe and Russia, 92–109. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035605426-008.
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« 1. FROM GEORGIAN BRICK TO GOTHIC REVIVAL : The Historic River Town of New Castle, Delaware ». Dans Architecture Walks, 231–34. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813549163-083.
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« Historic Wooden Architecture in Europe and Russia : Different Approaches to New Knowledge ». Dans Historic Wooden Architecture in Europe and Russia, 168–77. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035605426-014.
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Tsesmeli, Evangelia. « Architecture and Community at Hummingbird Pueblo, New Mexico ». Dans Buildings in Society : International Studies in the Historic Era, 23–38. Archaeopress Publishing Ltd, 2018. http://dx.doi.org/10.2307/j.ctv1nzfvh1.6.
Texte intégralActes de conférences sur le sujet "New architecture in historic settings"
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Langridge, Mark. « Two Modern Crossings in Historic Canadian Sites : Creating "Places for People" ? » Dans Footbridge 2022 (Madrid) : Creating Experience. Madrid, Spain : Asociación Española de Ingeniería Estructural, 2022. http://dx.doi.org/10.24904/footbridge2022.289.
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<p>One of the most challenging design problems of our time is how to achieve an appropriate aesthetic expression for a new bridge intervention in an important historic context, and also make it into an inviting public space. Mark Langridge has led the architectural and aesthetic design of many high profile bridge crossings in Canadian heritage settings over the past twenty years that attempt to achieve this balance.</p><p>This paper looks at two recent completed projects in important historic places, <b>Flora Footbridge </b>in Ottawa and <b>Garrison Crossing </b>in Toronto, and describes how the designs attempt to become successful “places for people”. It includes conceptual renderings and post-completion photos, showing how people are now using the crossings through Canada’s varied seasons.</p><p>In both cases it was imperative that the new structure respect and not overwhelm the character of the <i>heritage place</i>, yet it was also very important that it be an expression of its own time. The concept of <i>minimal intervention </i>is critical in this context – the heritage character-defining elements should retain visual dominance within the setting, with new interventions presenting a secondary, understated visual expression that does not diminish the original historic character, and over time, should ideally enhance it.</p>
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Petrucci, Enrica, Diana Lapucci et Noemi Lapucci. « La Rocca di Arquata del Tronto : simbolo di rinascita per il territorio marchigiano colpito dal sisma ». Dans FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia : Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11371.
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The fortress of Arquata del Tronto: symbol of rebirth for the Marche Region affected by the earthquakeThe Fortress of Arquata del Tronto in the Marche region is an imposing structure that rises on the crag to the north of the historic center. It represents a typical example of military architecture in the Apennines Area. Its foundation is between the eleventh and the twelfth century, an initial phase of embankment which undergoes a gradual and progressive increase in structures to enhance the functionality of the fortress. The city of Ascoli Piceno, worried about consolidating the defense outposts located at its borders, soon took possession of it. From the thirteenth to the sixteenth century, the Rocca lived alternate events, clashing with nearby castles, especially with Norcia. At the end of the eighteenth century, Arquata will be absorbed in the territory of the Clitunno Department, in the ancient Duchy of Spoleto. During this period, it was partially restored, to house a stable military garrison, becoming the third fortress of the Trasimeno Department, until it returned under the Papal States. Continuous interventions make the structure suitable for military uses. At the end of the nineteenth century, Giuseppe Sacconi, as director of the Conservation Office in the Marche and Umbria Region, undertook an important restoration. The ruins of the fortress were reconfigured according to medieval forms, taken by analogy from the repertoire of fortifications in the Apennine area. A further conservative intervention was carried out in 1990 to allow a new use. Unfortunately, the seismic events in 2016-2017 have compromised the Rocca, with large collapses that currently make the complex unusable. The intention is to undertake new restoration work, setting up a school construction site; this could represent a virtuous example to favor the rebirth of Arquata del Tronto, so strongly hit by the earthquake, through a project for the enhancement of its architectural heritage.
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Süyük Makakli, Elif, et Ebru Yücesan. « Spatial Experience Of Physical And Virtual Space ». Dans SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.jrvm8060.
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Abstract Fictional spaces produced with multidisciplinary research using improving technologiescreate settings that provoke new questions and have diff erent answers. This comes about bybroadening the horizons in virtual space studies, space concept, design, and experience. Evaluatingvirtual space as a layer of reality represents architectural space that belongs to the physical world.The principal factors that form the physicality of a space, its shape and content, are related tocultural, public, societal, perceptual, and intellectual codes. The space concept can be explained asa physical concept. In the sense of human interaction with space, the feelings it elicits, perceptualfactors, both in the subjective and abstract dimensions, that can be described as feelings, and 3Dphysicality. Spaces designed and produced for human use can be perceived diff erently and meanother things to diff erent people through human–space interactions. Perceiving, interpreting, anddescribing a space is a complex process that can only occur by experiencing it.Although virtual reality emerged as a simulation of physical space, there are increasing attempts toform an emotional and physical connection to such spaces today. New technologies used to createnew spaces and descriptions such as virtual reality, virtual space, cyberspace, and hybrid space arearticulated as new layers within the spatial memory accumulated to date.Virtual reality technologies, which can be explained as an interface between humans and machinesand describe diff erent life systems, give one the feeling of being in another space. Although thesespaces are virtual, they can be related to the space concept as they can be experienced and give thefeeling of being somewhere. These settings, which present multi-dimensional spatial experiences bytaking humans into a digital reality, are created using computer support and are experienced usingvarious electronic tools. These settings in which human and machine, organic and non-organicentities meet are also crucial in design education as they improve creative processes related to thefuture, machine-human interaction, and the space concept and its formation.As virtuality beingevaluated as a layer of reality becomes a representation of architectural space that belongs to thephysical world, it also has the potential to approach space design in a new way.It has the potential to aff ect and improve the perception of creating space and deliver spatialsolutions, understand new living conditions, and discover the future by responding to technologicalimprovements.Virtual reality creates a personal space experience that diff racts space and time—improvingtechnologies set these spaces, which simulate reality, as a layer of fact, a refl ection or representation.The cyber and virtual experiences that have emerged in new media spaces have reduced space’sdependency on the physical world through the integration of improving technologies and art. ‘SALT Research’ within Salt Galata, a monumental building in Galata-İstanbul, and ‘Virtual Archive’, a media art project by Refik Anadol that questions the virtual-digital space concept, were chosen as experience spaces. It was emphasized that there are holistic composition differences between spaces due to the current physical space experience that composes the infrastructure of the study and virtual space. It is composed of different elements and is perceived just like real space. The dataset includes a detailed assessment of two different spaces with similar contexts and contains the physical and virtual space analysis through syntactic, semantic and pragmatic scales. Volunteer participants emphasized the differences in holistic composition between the two spaces. They noted that the virtual space differs from the physical space and is composed of different elements and that the user has the perception of belonging just like in a physical space.The physical space, SALT Research, was evaluated as satisfactory and high-quality in terms of aesthetics and equipment. Phrases used to describe it were neat, high spaces, comfort, spaciousness, light, dark areas, tranquillity, silence, acoustic balance, harmony, historical, gripping, transformation, aesthetic and functional, and plain. In contrast, participants saw the Virtual Archive is a new, exciting, different, and innovative experience. The bodily freedom of the virtual space experience was described as optimistic. Through a brief understanding of the space, they overcame the difficulties of physical existence that arose when accessing information in this new environment.Fictional space produced with a multidisciplinary study using improving technologies creates settings where new questions are asked, and different answers are made, broadening the horizons in virtual space studies, space concept, design, and experience. Virtuality being evaluated as a layer of reality represents architectural space that belongs to the physical world.Virtual reality technology changes and influences our time, dimension, and architectural perceptions, the modes of expression and interaction models in art and architecture by taking us into a different universe experienced spiritually and mentally in new space creations.The space experience through the journey of interpretation and understanding of space and architecture tells different things for each person on each occasion. Perceiving space through the physical space experience and active senses via intellectual feedback also affects virtual reality interactions.Different disciplines examine the machine, human, space, and future relations in an interdisciplinary environment. Different designs’ varieties and opportunities have a place in architecture and interior architecture. In the future, the integration of physical space, virtual space, and machine intelligence into space design and design education and the role and effect of the designer will continue to be discussed.Today, new representation environments present new evolutions that improve, evaluate, and interpret spatial ideas. Despite changing technologies, humans must exist somewhere, and existence is related to our sensory, emotional, and memorial creations. In this sense, the place of humans and designers will continue to be questioned in the new spaces created. Keywords: Patrik Schumacher, ethics, ethical paradigms in architecture, humanitarian architecture, architectural media platforms.
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Goad, Philip. « Designing a Critical Voice : Discourse and the Victorian Architectural Students Society (VASS), 1907-1961 ». Dans The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online : SAHANZ, 2022. http://dx.doi.org/10.55939/a3992pwp5p.
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Students are a necessary part of the architecture profession. Their training and preparation have long been key to maintaining the business and culture of architecture, and in doing so perpetuating traditional territories that control the institutionalisation of a profession. Students have also created their own associations, often mirroring, and at the instigation of, their parent organizations. More often than not though, in addition to acting as social binders and playing out the role of disciplinary ‘club’, these associations have developed a critical voice, urging change and injecting critique: in short, setting the basis for the framing of a local discourse. Using its publications as primary source material, this paper explores the critical activities of the Victorian Architectural Students Society (VASS), which developed under the auspices of the Royal Victorian Institute of Architects (RVIA). VASS published its annual from 1908, which evolved by 1932 to become Lines and, then additionally in 1939, students Robin Boyd and Roy Simpson expanded VASS’s publishing remit, producing the oft-controversial fold-away pamphlet Smudges that infamously gave ‘blots’ and ‘bouquets’ to new buildings. In 1947, VASS published Victorian Modern, Australia’s first polemical history of modern architecture and in 1952, it was the first publisher of the influential journal, Architecture and Arts. This paper examines the shifting ambitions of VASS, its chief protagonists, the role of graphics and the deft blending of the social, satirical and the critical that eventually framed and shaped Victoria’s architecture culture after World War II.
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Macken, Jared. « The Stranger in the Architectural Project on the City ». Dans Schools of Thought Conference. University of Oklahoma, 2020. http://dx.doi.org/10.15763/11244/335078.
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This paper presents the project “Two Strangers Meet in a Parking Lot” and associated research studios as a case study of decolonized architecture pedagogy. The project conceptualizes the stranger as an alternative architectural user, creating a dialectical conversation with the users and architectural visions from architectural history. This dialogue encourages new pedagogical research methodologies related to the topic of city design. The case study uses these methodologies to recuperate lost cultural histories of Tennessee Town, an overlooked neighborhood in Topeka, Kansas, with an important connection to the Harlem Renaissance. According to Kwame Anthony Appiah, strangers transgress and challenge cultural boundaries by creating conversations at the edges of these borders, yet strangers counterintuitively utilize the environments in the city that are initially foreign to them to produce alternative cultural knowledge. This interaction between stranger and entities in the city provides a model for how disciplines can communicate across their own boundaries. The strangers’ conversation, when transferred to the architectural studio setting, becomes what Mark Linder calls “transdisciplinary” discourse, which occurs at the borders of adjacent disciplines. The resulting knowledge intentionally highlights overlooked and misinterpreted cultural moments in the city while creating an alternative to traditional interdisciplinary modes of working, which the philosopher Homi Bhabha says is essential if disciplinary fields are to progress with the global city. The “Two Strangers” case study consists of built structures that were designed, first, to transform people into strangers and, then, to instigate conversations between them. As a result, strangers become acquaintances and exchange new knowledge. The architectural studio course explored this idea further by taking students outside of the classroom where they engaged with the community through conversations with city archivists, community leaders, city council persons, urban planners, and museum directors.
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De Gennaro, Tiziana, et Davide De Leo. « Il restauro del castello di Massafra (TA) ». Dans FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia : Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11445.
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The restoration of Massafra’ Castle (TA)Massafra Castle’s restoration project aims to preserve and enhance the monument, redeeming it from the current state of partial abandonment, with the scope to return it to the community. First, an in-depth study of an historical research was carried out together with the analysis of the monument’ superficial and structural degradation to identify the adequate remedies. It was clear that “restoring only the stones” would have not been efficient and therefore finding a new purpose was necessary and essential. Finding a new scope for those kinds of architectures is a matter of great interest, because more than any other type of monuments, those are completely out of their historical context that gave them political, military and economic reason to be built. Therefore, following a sociological investigation, it emerged that the best solution would be create a connection between Massafra and cinematography: there are many cultural organizations in this area and most of them need more dedicated space. Massafra has already been chosen several times as a movie set by famous authors: Il Vangelo secondo Matteo by Pier Paolo Pasolini, Il Paese delle spose infelici by Pippo Mezzapesa and Amiche da morire by Giorgia Farina. This is how the MOVIE (Massafra Omni Vision between Innovation and Cultural Heritage) idea was born, a 360° cinema setting which is unique at a national level and that it would become part of larger cinematographic circuit already flourishing in the Apulia region. The project’s feasibility was then evaluated from a logistic-economic point of view. Furthermore, given the Castle’s location, the project proposes the reopening of ancient paths that connect the monument to the historical town centre and to the Ravine. The project also supports the restoration of rock settlements with its cave houses (currently completely collapsed) that surround the castle’s foundation to divulge hospitality.
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Petrucci, Enrica, Maria Giovanna Putzu et Rossana Mancini. « Vernacular earthen architecture. Construction techniques and restoration. From the international setting to some specific Italian regional cases ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15249.
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The research focuses on vernacular architecture, in particular earth buildings, highlighting the different geographic areas involved, building types and construction techniques. In Italy, despite theoretical progress, some cultural and technical problems are still evident in earth architecture conservation. This is also due to the prevalence, among earth buildings, of vernacular architecture, that, in general, has no artistic value and with historical value yet to be fully appreciated. The characteristics of some regional areas are also considered, with particular attention to the Marche and Sardinia Regions, where earthen constructions have existed since ancient times. Knowledge of construction techniques that are the result of age-old experience is the basis for a good conservation and for the design of new ones. Today, some public administrations, on the regional and local levels, have developed operating manuals for the conservation of earth constructions, but there is still no real legislative protection for earth buildings and their material authenticity.
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Vitti, Paolo. « Lessons from the past, architecture for the future. Coupling historic preservation with sustainable architecture ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15641.
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Restoration of built heritage can serve not only to preserve historical documents of the past but also to provide models for new sustainable architecture. Vernacular and, more generally, historic architecture is by its nature sustainabile and resilient. It is largely the result of experience and acquired knowledge, and shows how local resources can be used in a thoughtful and rational way in new construction. For this reason, it can inspire low-energy solutions necessary to address the current climate crisis. Conservation projects, in their turn, allow us to analyze the fabric of historic buildings, to understand which materials were used, how they were transformed and assembled, and how they offered the best response to the needs of use and resistance to the elements and natural hazards. In this paper, conservation of traditionaly-built architecture and new sustainable architecture are discussed as two partners pursuing the common goal of reducing the effects of climate change. The author investigates the way conservation and analysis of historic buildings allows us to interpret the complex and articulated reality of regional architecture. By retrieving the analysis of historic construction as a fundamental component for understanding architecture and adopting manual graphic records as a tool for expressing the complexity of the fabric of a building, it is possible to identify local building traditions and inspire new sustainable architecture.
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« Zaryadye Park as the New Hybrid Landscape and Town-Planning Model in Moscow's Historic Center ». Dans 6th Annual International Conference on Architecture and Civil Engineering (ACE 2018). Global Science and Technology Forum, 2018. http://dx.doi.org/10.5176/2301-394x_ace18.459.
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Hörmann-Shahidipour, Seyedmehran. « The Influence of New Annex's Development on Historic Urban Spaces ; an Example of Louver Museum Square ». Dans 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021297n14.
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With the emergence of modernism, the main objective of promotion and protection of the historical urban areas according to the existing historic context, new context had presented a disaster through the modern years. The notion of development and protection has prepared the necessity to make a connection between the historical usages of space and provide a new annex usage. This study will focus on the new usages of historical spaces for the purpose of designing the new annex constructions. The main objective of the present study is to explore what occurs in historic space when annex extension is outdistancing historical boundaries? For this aim, the study will measure the Louver Museum square as the case study. The methodology of the present research is situated on a qualitative method regarding the literature review and available maps and photography analysis.