Bibliographies thématiques / National Museum of African-American History and Culture (Proposed)

Littérature scientifique sur le sujet « National Museum of African-American History and Culture (Proposed) »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 27 juillet 2024

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Articles de revues sur le sujet "National Museum of African-American History and Culture (Proposed)"

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Towle, Ashley. « National Museum of African American History and Culture ». American Journalism 34, no 1 (2 janvier 2017) : 119–20. http://dx.doi.org/10.1080/08821127.2016.1275249.

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Weiss, Nancy E. « Lifting Every Voice Throughout the Nation ». Public Historian 40, no 3 (1 août 2018) : 142–62. http://dx.doi.org/10.1525/tph.2018.40.3.142.

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The National Museum of African American History and Culture Act authorized the Institute of Museum and Library Services (IMLS) to establish grant programs for museums of African American history and culture. Through its Museum Grants for African American History and Culture program, IMLS helps these museums improve operations, enhance stewardship of collections, engage in professional development, and attract new professionals to the field. The Act has fostered a national ecosystem that leverages the collective resources of the National Museum and African American museums throughout the United States to preserve and share the strength and breadth of the African American experience.
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Miles, Tiya. « Review : National Museum of African American History and Culture ». Public Historian 39, no 2 (1 mai 2017) : 82–86. http://dx.doi.org/10.1525/tph.2017.39.2.82.

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Laberenne, Rebecca, Guy J. P. Nordenson, Erich Oswald et Ninoslav Krgovic. « Superstructure of the National Museum of African American History and Culture ». Structural Engineering International 27, no 3 (août 2017) : 454–61. http://dx.doi.org/10.2749/222137917x14881938991366.

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Melish, Joanne Pope, Marcia Chatelain et Hasan Kwame Jeffries. « Smithsonian National Museum of African American History and Culture, Washington, D.C. » Journal of American History 104, no 1 (juin 2017) : 145–61. http://dx.doi.org/10.1093/jahist/jax009.

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Bunch, Lonnie G. « The National Museum of African American History and Culture : The Vision ». Journal of Museum Education 42, no 1 (2 janvier 2017) : 8–12. http://dx.doi.org/10.1080/10598650.2016.1265850.

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Rice, Faun. « National Museum of African American History and Culture : A New Integration ? » Curator : The Museum Journal 60, no 2 (avril 2017) : 249–58. http://dx.doi.org/10.1111/cura.12195.

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Curtis, Ariana A. « Afro-Latinidad in the Smithsonian’s African American Museum Spaces ». Public Historian 40, no 3 (1 août 2018) : 278–91. http://dx.doi.org/10.1525/tph.2018.40.3.278.

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The nearly fifty-year gap between the establishment of Smithsonian’s Anacostia Community Museum (ACM) and the National Museum of African American History and Culture (NMAAHC) created a difference in the museums’ central narratives about Blackness and the inclusion of Afro-Latinidad. The Anacostia emerged in 1967 as part of the Black museum movement. It has historically framed Blackness as DC-based African Americanness with periodic inclusion of Afro-Latinidad. The first object in the collection of the NMAAHC is from Ecuador, signaling an inclusive representation of Black identities that foundationally includes Afro-Latinidad.
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Matthews, Dyese L. « A Look at the Black Fashion Museum Collection and Designer Peter Davy, National Museum of African American History and Culture, DC, online exhibition, available since 1 June 2017 ». Critical Studies in Fashion & ; Beauty 13, no 1 (1 juin 2022) : 185–92. http://dx.doi.org/10.1386/csfb_00043_5.

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Ruffins, F. D. « Culture Wars Won and Lost, Part II : The National African-American Museum Project ». Radical History Review 1998, no 70 (1 janvier 1998) : 78–101. http://dx.doi.org/10.1215/01636545-1998-70-78.

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Livres sur le sujet "National Museum of African-American History and Culture (Proposed)"

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US GOVERNMENT. An Act to Establish the National Museum of African American History and Culture Plan for Action Presidential Commission to Develop a Plan of Action for the Establishment and Maintenance of the National Museum of African American History and Culture in Washington, D.C., and for Other Purposes. [Washington, D.C : U.S. G.P.O., 2002.

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Smithsonian Folklife Festival (2007 Washington, D.C.). The 2007 Smithsonian Folklife Festival : Mekong River, connecting cultures ; Northern Ireland at the Smithsonian ; Roots of Virginia Culture. Washington : Smithsonian Institution Center for Folklife and Cultural Heritage, 2006.

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National Museum of African American History and Culture (U.S.) et National Museum of American History (U.S.), dir. The Scurlock Studio and Black Washington : Picturing the promise. Washington, D.C : Smithsonian Books, 2009.

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United States. Congress. House. Committee on House Administration. H.R. 2205, legislation to establish within the Smithsonian Institution a national museum of African-American History and Culture : Hearing before the Committee on House Administration, House of Representatives, One Hundred Eighth Congress, first session, hearing held in Washington, DC, July 9, 2003. Washington : U.S. G.P.O., 2003.

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National Museum of African American History and Culture. National Museum of African American History & Culture 2021 Wall Calendar. Universe Publishing, 2020.

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National Museum of African American History and Culture. National Museum of African American History & Culture 2021 Engagement Calendar. Universe Publishing, 2020.

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National Museum of African American History and Culture (U.S.). African American women : Photographs from the National Museum of African American History and Culture. 2015.

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National Museum of African American History and Culture. The National Museum of African American History & Culture 2020 Wall Calendar. Universe Publishing, 2019.

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National Museum of African American History and Culture. The National Museum of African American History & Culture 2020 Engagement Calendar. Universe Publishing, 2019.

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How to build a museum : Smithsonian's National Museum of African American History and Culture. New York : Penguin Group (USA), 2016.

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Chapitres de livres sur le sujet "National Museum of African-American History and Culture (Proposed)"

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Olsen, Clare, et Sinéad Mac Namara. « National Museum of African American History and Culture ». Dans Collaborations in Architecture and Engineering, 37–61. 2e éd. New York : Routledge, 2021. http://dx.doi.org/10.4324/9781003018179-5.

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Hanks, Laura Hourston. « National Museum of African American History and Culture, Washington, DC, USA ». Dans New Museum Design, 139–56. Abingdon, Oxon ; New York : Routledge, 2020. : Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-8.

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Brock, Claire. « Photograph of the Taylor Lane Hospital Operating Room (Dated 1899), Dr Matilda A. Evans Collection, National Museum of African American History and Culture ». Dans Women in Medicine in the Long Nineteenth Century, 109–14. London : Routledge, 2024. http://dx.doi.org/10.4324/9781003265252-8.

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« National Museum of African American History and Culture Plan for Action Presidential Commission Act (28 December 2001) ». Dans African American Studies Center. Oxford University Press, 2009. http://dx.doi.org/10.1093/acref/9780195301731.013.33532.

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Holloway, Jonathan Scott. « Epilogue ». Dans African American History : A Very Short Introduction, 116—CEP22. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780190915155.003.0008.

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Abstract The epilogue echoes the opening refrains of the book’s introduction: that the history of the United States is rife with paradoxes and often shattering juxtapositions when viewed through the lens of the black experience. Despite decades of civil rights gains and social progress, Black Lives Matter—a grassroots effort to call attention to civil rights denied—emerged. The openings of the National Memorial for Peace and Justice in Alabama and the Smithsonian’s National Museum of African American History and Culture were powerful reminders that at least some in the country were ready to reckon with the complexity of the American past, if only to secure a freer future.
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Jules-Rosette, Bennetta, et J. R. Osborn. « Reaching Out ». Dans African Art Reframed, 94–120. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.003.0004.

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This chapter examines strategies of museum outreach and museum education in the public sphere. It contrasts the mythos and chronos of museum narratives through a content, architectural, and design analysis of the Smithsonian National Museum of African American History and Culture. Case studies of youth interactions explore the ways that museums extend their educational mission. The control that museums seek to establish within their exhibtionary complexes often moves out of their control when diverse publics are involved, and expanded audiences stake their own claims on the representation of heritage. This process has contrasting political implications for diverse populations. Curatorial narratives, the mythos of museum histories, catalogues, outreach programs, and various technological interventions have been deployed to address the communicative gaps between curators and their audiences.
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« Art and Museum Life ». Dans Speechifying, 177–206. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478027188-009.

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The speeches in this chapter reflect on Johnnetta Betsch Cole's contributions to the world of art and museums after becoming director of the Smithsonian National Museum of African Art in 2009. In her 2012 commencement speech at the Duke Ellington School of the Arts, she highlights the importance of the arts for society. In her 2008 speech to the National Museum of African American History and Culture, she offers a feminist analysis of how gender is treated in opening exhibitions at museums. In her 2015 keynote address at the American Alliance of Museums Annual Meeting, she urges museum professionals to work toward greater diversity in staff, exhibitions, educational programs, and visitors. And in her 2012 speech at Clark Atlanta University, she brings attention to the works of African American art housed at HBCUs like Hampton, Clark Atlanta, Fisk, Lincoln, and Howard universities, interrogating crucial questions of “ownership” of these art collections.
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Sodaro, Amy. « “Feeling Truth” : Objects, Embodiment, and Temporality in the National Museum of African American History and Culture (Washington, DC) and the Legacy Museum (Montgomery, Alabama) ». Dans Museums, Narratives, and Critical Histories, 25–44. De Gruyter, 2024. http://dx.doi.org/10.1515/9783110787443-002.

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Simko, Christina. « Finding a Way Forward ». Dans National Memories, 65–86. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197568675.003.0005.

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Abstract The way that nations commemorate their pasts has profound implications for the futures they are able to imagine and, ultimately, enact. This chapter compares three temporalities—ways of mapping the relationships among past, present, and future—that compete for predominance in U.S. memory today. Former President Donald Trump’s “Make America Great Again” slogan revived a nostalgic temporality grounded in monumental images of the nation’s past, such as South Dakota’s Mount Rushmore. By contrast, his predecessor, Barack Obama, advanced a progressive retelling of U.S. history, a narrative reinforced in the National Museum of African American History and Culture in Washington, DC. Finally, the nonprofit Equal Justice Initiative (EJI) rose to prominence with a traumatic narrative, articulated at the National Memorial for Peace and Justice in Montgomery, Alabama, and in public interviews and appearances by EJI founder Bryan Stevenson. Both progressive and traumatic narratives offer crucial resources for responding to the resurgence of White nationalism. Whereas progressivism provides the uplift and inspiration that have often sustained successful social movements, an emphasis on trauma is a crucial antidote for the distortions of nostalgia, bringing the ongoing legacies of past violence clearly into view.
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Zolten, Jerry. « “I’ll Keep on Living After I Die” ». Dans Great God A'Mighty ! The Dixie Hummingbirds, 317–42. 2e éd. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190071493.003.0010.

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Abstract James Davis passed in 2007. Ira Tucker soldiered on choosing and training younger singers in the Hummingbirds’ style. Ira Jr. teamed up with him in efforts to continue the legacy. The seventy-fifth anniversary was marked with an album and special events in South Carolina. There, Ira Tucker took part in a new documentary film, How They Got Over: Gospel Quartets and the Road to Rock ‘n’ Roll. The album Diamond Jubilation featured Dr. John along with veterans of Bob Dylan's band including as producer Larry Campbell, Tony Garnier, Levon Helm, and Garth Hudson. A highlight was the debut of Dylan's song “City of Gold.” Guitarist Lyndon Baines Jones made his recording debut as a Hummingbird. High-profile appearances and accolades continued. Philadelphia honored them with a mural on the side of a building and a street renamed “Dixie Hummingbird Way.” Ira Tucker's final album Still Keeping It Real/The Last Man Standing was nominated for a 2007 Grammy Award. There was a performance at Paul Simon's award ceremony for the inaugural Gershwin Prize for Popular Song. Health issues began affecting Ira Tucker and he passed in 2008. Stevie Wonder spoke and performed at the funeral. The Hummingbirds currently stand at a crossroads. The interest in quartet gospel thrives through new books, documentaries, music streaming, and social media fan pages. The National Museum of African American History and Culture in Washington, DC features a Hummingbirds exhibit. Nonetheless, performance opportunities remain scarce and the future of the Dixie Hummingbirds is uncertain.
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