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Bibliographies thématiques / National characteristics, British – History – 20th century / Thèses

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Thèses sur le sujet « National characteristics, British – History – 20th century »

Auteur : Grafiati

Publié le 10 mars 2023

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1

McDiarmid, Tracy. « Imagining the war / imagining the nation : British national identity and the postwar cinema, 1946-1957 ». University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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[Truncated abstract] Many historical accounts acknowledge the ‘reverberations’ of the Second World War that are still with the British today, whether in terms of Britain’s relationships with Europe, the Commonwealth, or America; its myths of consensus politics and national unity; or its conceptions of national character. The term ‘reverberations’, however, implies a disruptive, unsettling influence whereas today’s popular accounts and public debates regarding national identity, more often than not concerned with ‘Englishness’ as a category distinctive from ‘Britishness’, instead view the Second World War as a time when the nation knew what it was and had a clear understanding of the national values it embodied a time of stability and consensus. This thesis demonstrates that, in the postwar period, ‘British’ was not a homogeneous political category, ‘Britishness’ was not a uniformly adopted identity, and representations of the nation in popular cinema were not uncontested. British national identity in the postwar 1940s and 1950s was founded upon re-presentations of the war, and yet it was an identity transacted by class, gender, race and region. Understandings of national identity ‘mirrored’ by British films were influenced by the social and political context of their creation and reception, and were also a reflection of the cinema industry and its relationship to the state. Both ‘national cinema’ and ‘national identity’ are demonstrated to be fluctuating concepts dominant myths of the war were undermined and reinforced in response to the demands of the postwar present.

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2

Bennett, Andrew Peter Wallace. « 20th century Bannockburn : Scottish nationalism and the challenge posed to British identity, 1970-1980 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29481.pdf.

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3

McEldowney, Rene P. « A century of democratic deliberation over American and British national health care : extending the Kingdon model / ». Diss., This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-06062008-164612/.

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4

Vidal, Anne. « Representing Australian identity in the years 2000-2001 : the Sydney Olympic Games and the Centenary of Federation (selling Australia to the world or commemorating a flawless past?) ». Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27914.

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In his book, Inventing Australia: Images and Identity 1688-1980, Richard White argues that: There is no 'real' Australia waiting to be uncovered. A national identity is an invention [. ..]. When we look at ideas about national identity, we need to ask, not whether they are true or false, but what their function is, whose creation they are, and what interests they serve. White's argument is a useful starting point when considering the “obsession” Australian intellectuals have always felt to uncover their national identity, which goes back to the very birth of Australia as a settler-colony. Australia’s beginning as a colony not only implied a complete dependence in terms of economy, defence and culture towards Great Britain but also the dispossession of the indigenous population under the legal doctrine of Terra Nullius. All settler-colonies in search for a national identity follow the same initiatory path. The settlers at first feel isolated and in exile, far away from any familiar landmark and find it difficult to measure up with the mother country. After having, not without difficulty, defined itself through the invention and the appropriation of myths originating from the dominant Anglo Celtic society, Australia now seems to suffer from a national identity crisis. The last three decades saw the challenging and eroding of the mainstream white Australia identity by minority groups such as women, non Anglo-Celtic migrants and indigenous Australians. While those groups have made their voices heard throughout the last thirty years, we can easily identify a dominant decade for each group. Women saw most of their claims settled in the 1970s, multiculturalism became a reality in the 1980s while indigenous Australians stamped on the 1990s with native title laws, the reconciliation movement and the growing acceptance and adoption of Aboriginality as a desirable component of the Australian national identity.

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5

Aspin, Philip. « Architecture and identity in the English Gothic revival 1800-1850 ». Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.

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6

Leff, Carol Willa. « Bosman as Verbindingsteken : Hybridities in the Writing of Herman Charles Bosman ». Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013163.

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This thesis is concerned with how hybridity is created and interpreted by Herman Charles Bosman in his fiction and non-fiction. Bosman was a gifted writer and raconteur who captured the historical, socio-political context of his time by translating Afrikaans culture for the edification and pleasure of an English readership. Hennie Aucamp summed up this linguistic and cultural translation by pointing out that Bosman was a writer who acted as a “verbindingsteken” or hyphen (65) between Afrikaans and English. His texts contain many voices, and are therefore essentially hybrid. Firstly, by drawing on aspects of postcolonial theory, the terms ‘hybridity’, ‘culture’ and ‘identity’, are discussed. Homi Bhabha’s notion of ‘hybridity’ is the conceptual lens through which Bosman’s texts are viewed, and aspects of Mikhail Bakhtin’s cultural theory also serve the same function. Thereafter, biographies of Bosman are discussed in an effort to understand his hyphenated identity. Following this, specific attention is paid to a selection of Bosman’s essays, short stories, and a novel. Scholarly opinions aid interpretation of levels of hybridity in Bosman’s work. In analysing Bosman’s texts critically, it becomes clear that he believed in a united South Africa that acknowledged and accepted all races. However, analysis also reveals that there are some inconsistencies in Bosman’s personal views, as expressed particularly in his essays. His short stories do not contain the same contradictions. Critical analysis of the novel Willemsdorp attests that cultural hybridity is not always viewed as celebratory. It can also be a painful space where identities are split, living both inside and outside their environment, and subsequently marginalized. Bosman’s texts, although published decades ago, remain relevant today in post-apartheid South Africa as much of his writing can be seen as a record of historical events. His short stories and novels capture a confluence of languages, people and cultures. His essays illustrate a deep commitment to promoting South African culture and literature. When reading Bosman one is constantly reminded that differences are not only to be acknowledged, but embraced, in what he prophetically imagined as a hybrid, post-apartheid South African society.

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7

Oscherwitz, Dayna Lynne. « Representing the nation cinema, literature and the struggle for national identity in contemporary France / ». Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3034944.

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8

Lindfield, Peter Nelson. « Furnishing Britain : Gothic as a national aesthetic, 1740-1840 ». Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

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Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 1740 and 1840. Indeed, no body of research on 'mainstream' Gothic furniture made at this time has been published. No sustained attempt has been made to trace its stylistic evolution, establish stylistic phases, or to place this development within the context of contemporary architectural practice and historiography — except for the study of A.W.N. Pugin's 'Reformed Gothic'. Neither have furniture historians been willing to explore the aesthetic's connection with the intellectual and sentimental position of 'the Gothic' in the period. This thesis addresses these shortcomings and is the first to bridge the historiographic, cultural and architectural concerns of the time with the stylistic, constructional and material characteristics of Gothic furniture. It argues that it, like architecture, was charged with social and political meanings that included national identity in the eighteenth century — around a century before Charles Barry and A.W.N. Pugin designed the Palace of Westminster and prominently associated the Gothic legacy with Britishness.

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9

MacDonald, Juliette. « Aspects of identity in the work of Douglas Strachan (1875-1950) ». Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/7357.

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This thesis explores facets of Scottish identity via the decorative work of Douglas Strachan. Nations and nationalism remain extraordinarily potent phenomena in the contemporary world and this work seeks to examine aspects of Scottish nationhood and cultural identity through Strachan's evocation of history, folklore, religion and myth. It has been argued that these are the chief catalysts for enabling people to define and shape their understanding of themselves and their place within society. Cultural identity is often understood as a passive form of nationalism which is remote from its political counterpart. Yet there are strong arguments to counter this belief. This thesis addresses some of the issues raised by such arguments and adopts an ethno-symbolic approach in order to re-evaluate Strachan's work, and that of his contemporaries. The thesis also develops the theoretical and contextual debates concerning the decorative arts in general and stained glass in particular in order to raise awareness of its merits and its role within our society.

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10

Miller, Troy Michael. « Reassessing the "American dream house" ». Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1129634.

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This study presents a detailed and comprehensive overview of the context and domination of the "American Dream House" in the United States of the past one hundred years. Additionally, It investigates the present day status and effects of this dependence. This inquiry uses an alternative method of investigation that involves the use of the popular media and extensive research of the past presentation of the "American Dream House" in it. It also involves research into the effects of promotional campaigns on the public perception of the "American Dream House." The research suggests that there exists a crisis in this country in the form of a severe attachment to the mythological and historical nature of this limited housing form. The investigation further suggests that the characteristics and elements of the "American Dream House" have not substantially changed in the past fifty years. This severe attachment to the characteristics of the past both threatens and confines a search and pursuit for a cure to this country's housing problems of the late 20th and early 2131 century.
Department of Architecture

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11

CAMPORESI, Valeria. « Mass culture and the defence of national traditions : the BBC and American broadcasting,1922-1954 ». Doctoral thesis, 1990. http://hdl.handle.net/1814/5805.

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Defence date: 26 January 1990
Examining board: Prof. Tiziano Bonazzi (University of Bologna) ; Prof. Arthur Marwick (Open University) ; Prof. Alan S. Milward (London School of Economics and EUI), Supervisor ; Prof. Daniel Roche (EUI)
First made available online: 14 September 2015

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12

TOGNARINI, Niccolò. « The race for the Arabian audience : Italian and British propaganda in the Mediterranean in 1930s : a trans-national perspective ». Doctoral thesis, 2008. http://hdl.handle.net/1814/10423.

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Defence date: 9 January 2009
Examining Board: Prof. Peter Becker (European University Institute and University of Linz, Supervisor); Prof. David Ellwood (University of Bologna); Prof. Heinz-Gerhard Haupt (European University Institute); Prof. Philip Taylor (University of Leeds)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
No abstract available

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13

Hynes, Colleen Anne 1978. « "Strangers in the house" : twentieth century revisions of Irish literary and cultural identity ». Thesis, 2007. http://hdl.handle.net/2152/3383.

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This thesis, Strangers in the House, illuminates how "strangers in the house"--unconventional women, Travellers, emigrants and immigrants--have made significant contributions to the evolving traditions of Irish literature and culture. I trace the literary and creative contributions of groups that were silenced during the early twentieth-century nation-building project to review the impact of the Irish Revival, from the politics of Arthur Griffith and Eamon de Valera to the writings of Yeats, Gregory and Synge, on the establishment of an "authentic" Irish identity. I draw on scholarship that establishes Ireland as a postcolonial nation, suggesting that contemporary identity is closely linked to the national, religious and gender expectations reinforced during the periods of colonialism and decolonization. My scholarship considers individuals who continue to be peripheral in the "reimagining" of what it means to be Irish in a post-Celtic Tiger, E.U. Ireland.

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14

Falk, Andrew Justin. « Staging the Cold War negotiating American national identity in film and television, 1940-1960 / ». 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120292.

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15

Keen, Rusti Leigh. « "Look West," Says the Post : The Promotion of the American Far West in the 1920s Saturday Evening Post ». Thesis, 2012. http://hdl.handle.net/1805/3087.

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Indiana University-Purdue University Indianapolis (IUPUI)
This thesis will look at the various images of the American Far West presented by the Saturday Evening Post during the 1920s under the editorship of George Horace Lorimer, and will examine his editorial strategy that promoted the Far West as a last land of opportunity while also recognizing and weighing in on the challenges of that region.

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16

Pavils, Janice Gwenllian. « ANZAC culture : a South Australian case study of Australian identity and commemoration of war dead / Janice Gwenllian Pavils ». 2004. http://hdl.handle.net/2440/22186.

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"December 2004"
Bibliography: leaves 390-420.
vii, 420 leaves : ill., maps, photos. (col.) ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of History, 2005

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17

Pavils, Janice Gwenllian. « ANZAC culture : a South Australian case study of Australian identity and commemoration of war dead / Janice Gwenllian Pavils ». Thesis, 2004. http://hdl.handle.net/2440/22186.

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"December 2004"
Bibliography: leaves 390-420.
vii, 420 leaves : ill., maps, photos. (col.) ; 30 cm.
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of History, 2005

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18

Herczeg-Konecny, Jessica. « "We will be prepared" : scouting and civil defense in the early Cold War, 1949-1963 ». Thesis, 2013. http://hdl.handle.net/1805/4033.

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Indiana University-Purdue University Indianapolis (IUPUI)
During the early Cold War, 1949 through 1963, the federal government, through such agencies as the Federal Civil Defense Administration (FCDA) (1950-1957), the Office of Civil and Defense Mobilization (OCDM) (1958-1960), and the Office of Civil Defense (OCD) (1961-1963), regarded children and young adults as essential to American civil defense. Youth-oriented, voluntary organizations, including the Boy Scouts of America (BSA) and the Girl Scouts of the United States of America (GSUSA), assisted the federal civil defense programs by promoting civil defense messages and agendas. In this thesis, I will explore how the GSUSA and BSA translated federal civil defense policies for their Scouts. What were the civil defense messages transmitted to Scouts during the early Cold War? How were those messages disseminated? Why? What was the social impact of BSA and GSUSA involvement with civil defense on America’s evolving national ideals?

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