Articles de revues : « Music Library; Holistic; Architecture »

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Seamon, David. « A holistic approach to architecture : The Felicja Blumental Music Center and Library ». URBAN DESIGN International 19, n^o 1 (janvier 2014) : 103–4. http://dx.doi.org/10.1057/udi.2013.14.

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Magalhaes, Tairone Nunes, Felippe Brandão Barros et Mauricio Alves Loureiro. « Iracema : a Python library for audio content analysis ». Revista de Informática Teórica e Aplicada 27, n^o 4 (23 décembre 2020) : 127–38. http://dx.doi.org/10.22456/2175-2745.107202.

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Iracema is a Python library that aims to provide models for the extraction of meaningful informationfrom recordings of monophonic pieces of music, for purposes of research in music performance. With this objective in mind, we propose an architecture that will provide to users an abstraction level that simplifies the manipulation of different kinds of time series, as well as the extraction of segments from them. In this paper we: (1) introduce some key concepts at the core of the proposed architecture; (2) describe the current functionalities of the package; (3) give some examples of the application programming interface; and (4) give some brief examples of audio analysis using the system.

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Freeman, Graham, et Robert J. Glushko. « Organization, Not Inspiration : A Historical Perspective of Musical Information Architecture ». KNOWLEDGE ORGANIZATION 46, n^o 3 (2019) : 161–70. http://dx.doi.org/10.5771/0943-7444-2019-3-161.

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The organization of musical resources in a piece of music is opaque for everyone but for those with the highest levels of musical education. For the average listener, the specific vocabulary of musical organization is usually replaced by metaphorical language relating to inspiration and musical affect, or by a social perspective that rids the music of its specific theoretical language and provides a more relatable perspective of the music as a historical and communal event. We examine the ways in which information architecture and organizational theory can surface the inner workings of music in a relatable and approachable way. We consider music as a series of design resources that composers draw upon and organize according to a series of constraints that create a sense of musical structure to which the listener can relate. After a general introduction to the literature relating to constraints and creativity, we use two historical anecdotes that provide accessible demonstrations of how musicians in the seventeenth and twentieth centuries organized their musical resources both for their own compositional needs and for the purposes of didactic communication.

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Boutard, Guillaume, et François-Xavier Féron. « Documenting acousmatic music interpretation ». Journal of Documentation 75, n^o 1 (14 janvier 2019) : 99–119. http://dx.doi.org/10.1108/jd-03-2018-0037.

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PurposeExtending documentation and analysis frameworks for acousmatic music to performance/interpretation, from an information science point of view, will benefit the transmission and preservation of a repertoire with an idiosyncratic relation to performance and technology. The purpose of this paper is to present the outcome of a qualitative research aiming at providing a conceptual model theorizing the intricate relationships between the multiple dimensions of acousmatic music interpretation.Design/methodology/approachThe methodology relies on the grounded theory. A total of 12 Interviews were conducted over a period of three years in France, Québec and Belgium, grounded in theoretical sampling.FindingsThe analysis outcome describes eight dimensions in acousmatic performance, namely, musical, technical, anthropological, psychological, social, cultural, linguistic and ontological. Discourse profiles are provided in relation to each participant. Theory development led to the distinction between documentation of interpretation as an expertise and as a profession.Research limitations/implicationsData collection is limited to French-speaking experts, for historical and methodological reasons.Practical implicationsThe model stemming from the analysis provides a framework for documentation which will benefit practitioners and organizations dedicated to the dissemination of acousmatic music. The model also provides this community with a tool for characterizing expert discourses about acousmatic performance and identifying content areas to further investigate. From a research point of view, the theorization leads to the specification of new directions and the identification of relevant epistemological frameworks.Originality/valueThis research brings a new vision of acousmatic interpretation, extending the literature on this repertoire’s performance with a more holistic perspective.

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Biringer, Gene, et Hugh Aitken. « The Piece as a Whole : Studies in Holistic Musical Analysis ». Notes 55, n^o 3 (mars 1999) : 695. http://dx.doi.org/10.2307/900449.

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Haji, Iwan, et Qurratul Aini. « Music Center In Banda Aceh, Theme : Expressionist Architecture ». Rumoh Journal of Architecture 14, n^o 1 (30 juin 2024) : 28–37. http://dx.doi.org/10.37598/rumoh.v14i1.133.

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The city of Banda Aceh quite regularly holds music events ranging from small to large scale. The city of Banda Aceh does not yet have music center facilities capable of accommodating the enthusiasm of music lovers. Usually musical activities are often held in the Blang Padang field, the Arts and Culture Park Building, and Ratu Safiatuddin Park. The main objective of building a Music Center Building in Banda Aceh is to provide a music center building in Banda Aceh with adequate facilities. This Music Center is located in the trade and services area located on Jl. Prof. Ali Hasyimi, Pango, District. Ulee Kareng, Banda Aceh City. The design approach uses the theme of Expressionist Architecture, the form displays the expression of a musical note from the song Bungong Jeumpa, the shape of the building is made to follow an up and down pattern with a play in the form of dynamic curved lines, the color of the building shows the expression of the Bungong Jeumpa flower white.The results of this design apply a single mass pattern, with a building of 3 floors, a land area of 30,237 m² (3,237 Ha). The ground floor area is 21,165 m², the overall floor area is 105,829 m², and the minimum GSB is 10 m. The facilities are an Auditorium with a capacity of 1200 spectators, 2 Music Studio Rooms, 2 Classrooms, Music Gallery, Retail and supporting rooms such as: Management Room, Library, and other supporting facilities such as: Prayer room, Cafe, Waiting Room, Lavatory, and Security Post .

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Parthenios, Panagiotis, Stefan Petrovski, Nicoleta Chatzopoulou et Katerina Mania. « Reciprocal transformations between music and architecture as a real-time supporting mechanism in urban design ». International Journal of Architectural Computing 14, n^o 4 (29 septembre 2016) : 349–57. http://dx.doi.org/10.1177/1478077116670743.

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The more complex our cities become, the more difficult it is for designers to use traditional tools for understanding and analyzing the inner essence of an eco-system such as the contemporary urban environment. Even many of the recently crafted digital tools fail to address the necessity for a more holistic design approach which captures the virtual and the physical, the immaterial and the material. Handling of massive chunks of information and classification and assessment of diverse data are nowadays more crucial than ever before. We see a significant potential in combining the fields of composition in music and architecture through the use of information technology. Merging the two fields has the intense potential to release new, innovative tools for urban designers. This article describes an innovative tool developed at the Technical University of Crete, through which an urban designer can work on the music transcription of a specific urban environment applying music compositional rules and filters in order to identify discordant entities, highlight imbalanced parts, and make design corrections. Our cities can be tuned.

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Papadakis, John, et Christos Douligeris. « Technical note Design and architecture of a digital music library on the Web ». New Review of Hypermedia and Multimedia 7, n^o 1 (janvier 2001) : 115–26. http://dx.doi.org/10.1080/13614560108914729.

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Chen, Mang, et Wei Zhang. « WeChat knowledge service system of university library based on SoLoMo : A holistic design framework ». Journal of Information Science 46, n^o 5 (3 juillet 2019) : 616–29. http://dx.doi.org/10.1177/0165551519860045.

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In this study, we develop a WeChat knowledge service system (WKSS) in university library based on SoLoMo. The aim is to build a comprehensive, open, mobile and smart knowledge service environment. It can realise the interaction between the three users, library and knowledge, and promote the dissemination and sharing of knowledge. By referencing the Internet frontier concept SoLoMo, this study designs a new mobile smart service system, including the system architecture design, the content design and the data association design. Then, this study develops the system, including the running environment configuration, the development of workflow, the core module and the system implementation. This system enables the provision of accurate, specific and more personalised service to each user. It also includes a portable mobile terminal to increase the accuracy of context awareness and enhance user convenience. This study makes up for the shortcomings of the library and increases the functions of personalisation, mobility and intelligence. It extends the way of mobile service in libraries and provides readers with better library mobile services, which was liked by readers.

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Martin Iddon. « Music and Architecture : Architectural Projects, Texts, and Realizations (review) ». Notes 66, n^o 2 (2009) : 308–11. http://dx.doi.org/10.1353/not.0.0229.

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Neal, Jason, et Diane Neal. « Answering the unanswered question ? Contextualizing a holistic theoretical framework for cross-genre music information retrieval ». Proceedings of the American Society for Information Science and Technology 46, n^o 1 (2009) : 1–5. http://dx.doi.org/10.1002/meet.2009.1450460366.

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Downie, J. Stephen. « Report on the panels and workshops of the music information retrieval (MIR) and music digital library (MDL) evaluation frameworks project ». ACM SIGIR Forum 37, n^o 2 (septembre 2003) : 38–44. http://dx.doi.org/10.1145/959258.959264.

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Demchenko, Alexander I. « The Baroque Era (From the Mid-16th to the Mid-18th Century). Collisions of Contrasts (conclusion) ». ICONI, n^o 2 (2021) : 6–29. http://dx.doi.org/10.33779/2658-4824.2021.2.006-029.

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The essence of the cycle of essays published by the journal is that it provides with a maximal compactness of presentation a summary of the chief phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate arts with the genre specifi cation inherent in each of them is overcome, which meets the positive tendencies of globalization and provides a holistic view of artistic phenomena.

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Demchenko, Alexander I. « Renaissance (From the Middle of the 13th to the Middle of the 16th Century). Facets of Humanism ». ICONI, n^o 4 (2020) : 6–24. http://dx.doi.org/10.33779/2658-4824.2020.4.006-024.

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The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general both from the point of view of the overall historical process, and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into separate types of art with the genre specifi cation inherent in each of them is overcome, which meets the positive tendencies of globalization and provides a holistic view of artistic phenomena.

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Demchenko, Alexander I. « The Baroque Era (From the Mid-16th to the Mid-18th Century). Collisions of Contrasts ». ICONI, n^o 1 (2021) : 6–31. http://dx.doi.org/10.33779/2658-4824.2021.1.006-031.

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The essence of the cycle of essays published by the journal is that with a maximal compactness of presentation it provides a summary of the chief phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to various types of artistic creativity (literature, the visual arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate arts with the genre specifi cation inherent in each of them is overcome, which meets the positive tendencies of globalization and provides a holistic view of artistic phenomena.

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Horri, Firoozeh. « Finding the Relevance of Music and Architecture in Shaping Physical Space and Structural Form of Prince Garden, Mahan, Kerman ». Urban Studies and Public Administration 1, n^o 2 (29 juin 2018) : 184. http://dx.doi.org/10.22158/uspa.v1n2p184.

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Finding the relevance between various arts, architecture, poem, music, miniature, painting and, etc., has long been proposed and widespread. The discovery of such a relationship among music and architecture is done, and has pointed to many similarities and differences. Most previous researches taken on this term, are only tangible limited criteria such as movement, rhythm, repetition, symmetric and less discussed the relationship between semantic and content. Architecture is the concrete form of abstract geometry, music is the audio form of abstract mathematics. Architecture is the use of proportions in the mass of space, music is the use of proportions in the length of time. Music like architecture is a multi-layered art that under the influence of the material characteristic, both artists need to be aware about each layer criteria to have a final artistic prominent product, though the whole product always seems to be perceivable. The aim of this paper is providing a kind of aesthetic conceptual assessment and expressing emotional states in the Prince Garden with the same created sensation in Homayon musical Dastgah visitors. Data is gathered through textual and library method and its analysis is by descriptive approach. Moreover, this process has begun with the aim of establishing a connection between music and architecture.

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Váradi, Judit. « A Review of the Literature on the Relationship of Music Education to the Development of Socio-Emotional Learning ». SAGE Open 12, n^o 1 (janvier 2022) : 215824402110685. http://dx.doi.org/10.1177/21582440211068501.

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Social-emotional learning (SEL) is a topic of increasing focus in the education sector. SEL is the process by which children acquire the knowledge, skills, and attitudes to effectively recognize and manage emotions, to formulate positive goals, to feel empathy for others, to establish and maintain functioning social relationships. It develops to take responsible decisions, determine students’ successful academic performance, transformation into adulthood, useful work, a good quality of life, and well-being. By the end of the 20th century the educational role of music has come into the spotlight, and in addition to the impact of music on the development of general skills, its social and emotional effects are also the subject of research. This paper undertakes to explore the literature about the connections between music education and social-emotional skill development. For the collection and analysis of information, online sources of peer-reviewed scientific journals in addition to the university library were used. The study also examined the relationship between social-emotional learning and the world-wide well-known Kodály Concept and the effect of Kodály’s vision of music education as a forerunner of socio-emotional skills development. The relationship between social-emotional skills and music was explored by reviewing the international music-specific literature from music psychology, music education, music therapy, and music for health and wellbeing. In order to illuminate the problem and to develop a holistic approach, the 100 studies presented here summarize research findings made and presented in different countries around the world.

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Bown, Oliver, Sam Ferguson, Augusto Dias Pereira Dos Santos et Kurt Mikolajczyk. « Hacking the Medium : Shaping the creative constraints of network architectures in multiplicitous media artworks ». Organised Sound 26, n^o 3 (décembre 2021) : 305–16. http://dx.doi.org/10.1017/s135577182100039x.

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In this article we discuss our practice-based research into effective architectures and creative workflows for creatively coding massive multidevice light and sound installation artworks. We discuss the challenges of working with networked multidevice systems and illustrate these challenges with examples of the type of content that one may wish to display on these systems. We then consider how the structuring of a creative framework can strongly influence how an artist approaches the creation of such work, eases the process of creative search and discovery and reduces the time cost and risk of solving technical problems of architecture design. We take a design perspective on how to make effective creativity support tools and also consider a holistic perspective on creative practice that attempts to satisfy creative ideals grounded in the reality of practice.

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Tabuena, Almighty C. « Carabo-Cone, Dalcroze, Kodály, and Orff Schulwerk Methods ». International Journal of Asian Education 2, n^o 1 (1 mars 2021) : 9–16. http://dx.doi.org/10.46966/ijae.v2i1.88.

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This study emphasizes findings from literature reviews that aimed to describe and present the current teaching strategies in Music education. These teaching strategies are one of the needed primary skills of Music teachers to address the learning challenges, competencies, and diverseness of the existing curriculum, help them to explore the needs of the students, and give them a framework of what could be the best and appropriate strategy in delivering a lesson. This study employed a descriptive method to gather information about present conditions through a library method and literature review. The data were analyzed using explanatory synthesis. Based on the literature review, the researcher identified four well-known teaching strategies in Music education: the Carabo-Cone Method, Dalcroze Method, Kodaly Method, and Orff Schulwerk Approach. The researcher used four criteria in synthesizing reviews such as the proponent, foundation, philosophy, and methodology. Conclusion of the results and discussions, the four teaching strategies also varied in four indicators, yet similarly focused on using the senses for holistic growth and development and providing all students with the opportunity to be successful. The quality of education depends mostly on the part of the teacher. The different Music teaching strategies serve as a guide to fulfilling the purpose satisfactorily that a teacher and a student needs. It is recommended to analyze its implications towards different modes of learning as global education facing numerous challenges in terms of economic crisis, pandemic, and educational incapability and inequalities that could affect the educational system.

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Butler, Katherine. « From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making : The History of the ‘Hamond’ Partbooks (GB-Lbl : Add. MSS 30480-4) ». Royal Musical Association Research Chronicle 50 (2019) : 29–93. http://dx.doi.org/10.1080/14723808.2018.1546477.

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The so-called ‘Hamond’ partbooks (British Library, Add. MSS 30480-4) were copied over a period of c.40 years by multiple groups of collaborating scribes, resulting in a miscellaneous combination of service music, sacred songs, Latin motets, chansons, madrigals, an In nomine, and even Mass extracts. These partbooks are the only complete manuscript source of Protestant service music from the first decades of Elizabeth's reign. This first holistic study of this set of partbooks re-evaluates the stages of compilation and the copying practices of the scribes to offer new interpretations of the manuscripts’ history and contexts. The article argues that the partbooks began life as a liturgical and educational collection for the training of choirboys. These partbooks therefore offer a unique insight into the repertory and practices of one Protestant institution, highlighting the continued reliance on Edwardian repertories over a decade into Elizabeth's reign, as well as the growing availability of continental printed music. The transmission of these partbooks is then traced to a more domestic and recreational setting, exploring their relationship to the Hamond family. While Thomas Hamond of Hawkedon in Suffolk inscribed his ownership inside the covers in 1615, the re-evaluation of the compilation and history of these partbooks reveals that the books were in the possession of the Hamond family from at least the late 1580s/early 1590s. This family added new pieces, made repairs and engaged with the music copied by previous owners. Ultimately their preservation was assured by the younger Thomas Hamond's interest in older music, and they continued to be a source of historical interest for eighteenth- and nineteenth-century music antiquarians.

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Bembel, Irina O. « Mimesis as a Universal Principle of the Form Making ». Vestnik of Saint Petersburg University. Arts 12, n^o 3 (2022) : 487–99. http://dx.doi.org/10.21638/spbu15.2022.305.

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The stylistic method of revealing regularities, formed by the 19th century and dominating up until recently, proves to be ever less relevant to architectural and artistic processes of the Contemporary (Newest) times. To systemize the entire historical experience of architecture as a whole, more profound generalizations are required. An essential prerequisite for such generalizations appears to be the philosophical context of the paradigm shift: tradition — modernity — postmodernity. Without a clear understanding of all the differences between these paradigms, it is impossible to talk about the processes taking place in the architecture of the Contemporary times. The fundamental rejection of semantic binary oppositions (good/bad, beautiful/ugly, high/low, sacred/secular, etc.), typical for postmodernism, has entailed the issue of criteria for the value of art works, and consequently the criteria for art at large. The aim of this work is to demonstrate that the mimetic principle underlies the totality of the valuable qualities inherent in traditional architecture. And that, on the contrary, a gradual departure and subsequent factual rejection of this principle became one of the main reasons for both the emergence of the modern architecture phenomenon and its present crisis. The panoramic, holistic view of architectural development combined with the philosophical context of paradigmatic shift, allows not only to see the logic in the tortuous paths of the form making, but also gives the basis to build a system of universal criteria for architectural analysis.

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Zeiss, Laurel E. « The Temple of Night at Schönau : Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden (review) ». Notes 64, n^o 3 (2008) : 481–83. http://dx.doi.org/10.1353/not.2008.0012.

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Radzetskaya, Olga V. « Catalogues and Price Lists of the Music Publishing Company “Julius Heinrich Zimmerman” : Organization, Advertising Mechanisms and Trade Assortment (from the Collections of the Russian State Library) ». Problemy muzykal'noi nauki / Music Scholarship, n^o 2 (2024) : 84–99. http://dx.doi.org/10.56620/2782-3598.2024.2.084-099.

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The music publishing business of the second half of the 19th and the early 20th centuries is one of the most interesting phenomena in Russian culture that makes it possible for us to analyze the specific features of its spatial and temporal development and a vast scholarly range. The article examines the advertising materials, periodical catalogues and price lists of individual printing company, and as a result the necessity arises for a holistic perception of the manufactured assortment and a certain number of its features. As a rule, this is associated with the commercial interests of specialized firms that published and sold musical scores and books about music, the situation in the market of that time, as well as the objective and subjective factors of historical time. The publishing house “Julius Heinrich Zimmerman” was the leader of the industrial segment that made use of advanced technologies in the publishing and sales of sheet music. The scale of this activity is fully reflected in the special catalogues preserved in the funds of the Russian State Library (containing valuable material about their cultural profile, economic strategies, advertising mechanisms and artistic components) — a generalizing example of the work of many competitive enterprises. The focus of our attention lies on catalogues covering the time period between 1885 and 1911 — the time period of the creation of a systemic network trade, the opening of branches in other countries, and the achievement of a stable international reputation. Examination of these samples makes it possible to understand the algorithms of obtaining monetary profit and marketing moves that are also on demand at the present time.

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Demchenko, Alexander I. « Antiquity (A Millennium before the Birth of Christ). The Basis of European Culture ». ICONI, n^o 2 (2020) : 6–25. http://dx.doi.org/10.33779/2658-4824.2020.2.006-025.

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The peculiarity of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fne art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specifcation inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque, the Enlightenment, Romanticism, Postromanticism, Modern I, Modern II, Modern III, Postmodern, and as an afterword — «The Golden age of Russian artistic culture».

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Demchenko, Alexander I. « The Enlightenment (the Second Half of the 18th Century). The Horizons of Light and Reason. Second Essay ». IKONI / ICONI, n^o 4 (2021) : 6–19. http://dx.doi.org/10.33779/2658-4824.2021.4.006-019.

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The essence of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fine art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque, the Enlightenment, Romanticism, Postromanticism, Modern I, Modern II, Modern III, Postmodern, and as an afterword — "The Golden age of Russian artistic culture".

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Geertinger, Axel Teich. « Samlingsformidling gennem tematiske værkfortegnelser ». Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (9 mars 2019) : 213. http://dx.doi.org/10.7146/fof.v58i0.125304.

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Axel Teich Geertinger: Contextualising Library Collections through Thematic Catalogues Between the years 2014 and 2019, Dansk Center for Musikudgivelse (DCM) (Danish centre for Music Editing) has published thematic-bibliographic catalogues of the works of four composers, in both digital and printed editions: Carl Nielsen, Johann Adolph Scheibe, J.P.E. Hartmann and Niels W. Gade. The concept and the software behind it were developed by DCM concurrently with the work on the actual catalogues’. DCM’s catalogues of the works are in keeping with a long tradition within musicology, in which such catalogues are a standard tool. In view of the particular situation for sources in Denmark, on the one hand, where most of the relevant material concerning Danish composers can be found in the Royal Danish Library’s collections, and the conversion of the catalogue concept to digital media on the other, DCM’s catalogues of works also gain a different perspective, so that they are not just a reference work for researchers, students and musicians, but also actual dissemination of the collection. While library catalogues’ perspective is fundamentally concentrated on specific items, catalogues of works – as the name says – concentrate on works. The works perspective is appropriate to provide an overview of all the material and information associated with a work and can thus put each source into a context. With links directly to library entries and digitisations, the catalogue can offer an alternative, more generalised and holistic approach to the library’s material than library catalogues. There are also links to related material, such as concurrent reviews in Mediestream. This article presents the catalogue of works concept and discusses its prospects and limitations, in particular from a library perspective.

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Demchenko, Alexander I. « The Middle Ages (from the Birth of Christ to the 13th Century). The East and the West ». ICONI, n^o 3 (2020) : 6–27. http://dx.doi.org/10.33779/2658-4824.2020.3.006-027.

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The essence of the series of essays published by the journal is that with a maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in its entirety both from the point of view of the general historical process, and in relation to the various arts (literature, the fi ne arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate respective arts with the genre specifi cation inherent in each of them are overcome, which answers the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, the Greco-Roman world, the Middle Ages, the Renaissance era, the Baroque period, the Enlightenment, Romanticism, Post-romanticism, the fi rst, second and third Modern periods, Postmodernism, and, as an afterword, — “The Golden age of Russian artistic culture.”

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Demchenko, A. I. « Romanticism (the First Half of the 19th Century). The Pathos of Individualism ». IKONI / ICONI, n^o 1 (2022) : 7–38. http://dx.doi.org/10.33779/2658-4824.2022.1.007-038.

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The essence of the series of essays published by the journal is that with the maximum compactness of the presentation it provides a summary of the main phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to the various forms of art (literature, fine arts, architecture, music, theater and cinema). At the same time, there is a tendency to overcome the customary categorization of national schools and the division into separate forms of art with the genre specification inherent in each of them, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are examined in stages: the Ancient World, Antiquity, the Middle Ages, the Renaissance, the Baroque Era, the Enlightenment, Romanticism, Post-Romanticism, the First Modern Age I, the Second Modern Age, the Third Modern Age, the Post-Modern Age, and as an afterword — “The Golden age of Russian Artistic Culture”.

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SHLIENKOVA, Elena V., et Khristina V. KAYGORODOVA. « IMMERSIVE AUDIO EXPOSITION AND ITS VISUAL CONTENT AS ACTUALIZATION OF MUSEUM DESIGN PRINCIPLES ». Urban construction and architecture 10, n^o 3 (15 décembre 2020) : 114–22. http://dx.doi.org/10.17673/vestnik.2020.03.15.

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The article is devoted to the experimental practice of new local history and museum design, the study of collective identity, the actualization of “gene memory” and the representation of the Finno-Ugric ethnic group of the North of Udmurtia, Russia. The project continues to develop a long-term partnership of an inter-regional consortium consisting of specialists in the fi eld of cultural anthropology and authentic geography, local history, music and stage art, folklore, design, architecture and modern art practices, and the local community. The article deals with the study of the principles of organizing a traditional a local history museum, its tactile and spatial reconfi guration based on immersive interaction with the visitor, his active participation, polylogue, post-empathy and total involvement (psychophysiological “linkage” with reality). It covers a wide range of topics from technological to meta-immersion, creation spaces of holistic experience, space-event, space-situations, where the viewer becomes a key subject.

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Demchenko, Alexander I. « The Enlightenment (the Second Half of the 18th Century). Horizons of Light and Mind. First Essay ». ICONI, n^o 3 (2021) : 6–21. http://dx.doi.org/10.33779/2658-4824.2021.3.006-021.

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The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general, both from the point of view of the general historical process, and in relation to the various forms of art (literature, the visual arts, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in a stepwise manner: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque Period, the Enlightenment, Romanticism, Post-Romanticism, the First Modern Period, the Second Modern Period, the Third Modern Period, the Postmodern Period, and as an afterword — “The Golden Age of Russian Artistic Culture”.

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Fischer, Rachel K. « The Alert Collector : The Gothic Aesthetic : From the Ancient Germanic Tribes to the Contemporary Goth Subculture ». Reference & ; User Services Quarterly 58, n^o 3 (22 juin 2019) : 143. http://dx.doi.org/10.5860/rusq.58.3.7040.

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Goths. How did we get from warlike Germanic tribes sacking Rome, to an aesthetic or subculture imbued with “the dark and melancholy, a hint of horror tinged with romance.” This column will show you how widely this aesthetic is represented in art, architecture, film, literature and more, and along the way you will undoubtedly find some great resources to add to your collections, from music CD, to academic journals, reference works and the usual popular and academic books. Rachel Fischer has ably put together an excellent resource for anyone wanting to build a collection from the ground-up, or add some new and interesting resources.—Editor

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Lim, Eric T. K., et Ian Weber. « In Search of the Total Learning Experience (TLE) : A Case Study of Singapore's e-Inclusive Society ». Journal of Information & ; Knowledge Management 03, n^o 03 (septembre 2004) : 233–43. http://dx.doi.org/10.1142/s0219649204000857.

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This paper re-visits the ongoing e-learning phenomenon from a holistic perspective through the study of the world's first nationwide, e-inclusive society in Singapore. It draws upon the current literature for learning models, knowledge management and utilization of technology for electronic education to examine the contribution Singapore's National IT Literacy Program (NITLP) has made to drive the diffusion of Internet, broadband and e-transaction adoption in this island nation. In doing so, the case study tracks NITLP's development of continuous and progressive phases of infrastructure, infostructure and knowledge-structure integration to leverage Information and Communication Technologies (ICTs) more efficiently and effectively for the delivery of a holistic learning experience for Singapore's late IT adopters. The practical application of the implementation program is the provision of an evaluative tool for e-learning practitioners to enable an upward spiral of continuous feedback and improvements to the e-learning architecture and contribute more strategically to the development of a total learning experience. For the learner, the model generates strategic value from knowledge creating and sharing activities. The lessons learnt from Singapore's approach to developing its e-inclusive society are significant beyond just the experience of this island nation, as it serves as an indicator of how countries in the Asia-Pacific and internationally can conceptualize and implement national IT literacy programs within a framework of e-inclusive societies to promote knowledge-based economies.

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Baharuddin, Kasmarini, A’dillah Mustafa, Siti Nurul Maryam Abdullah et Khalid Ayuba Abdullahi. « Understanding Information Ethics Practice through the PAPA Framework ». Environment-Behaviour Proceedings Journal 7, SI10 (30 novembre 2022) : 67–72. http://dx.doi.org/10.21834/ebpj.v7isi10.4103.

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This article discusses the dimension of the PAPA (Privacy, Accuracy, Property, and Accessibility) framework used in information ethics practice in various fields. PAPA framework provides a holistic view of information ethics practice research. The aim is to identify what is the dimension used in PAPA components. An analysis of literature has been performed to capture the dimension and a brief description is presented. The analysis found unique dimensions used, and finally, a Hybrid PAPA framework is illustrated to provide a framework guide for further information ethics research. Keywords: Information ethics; library and information science; PAPA; ethical issues eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.

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Engh, Line Cecilie, Stefka G. Eriksen et Francis F. Steen. « Homo renovatur de die in diem : Transforming Selves and Communities ». Acta ad archaeologiam et artium historiam pertinentia 31 (31 décembre 2019) : 1–7. http://dx.doi.org/10.5617/acta.7797.

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"This special issue of Acta ad archaeologiam et artium historiam pertinentia (from now on Acta) interrogates religious practices of reading, writing, praying and engaging with texts, images, architecture, music, and ritual spaces in late antique Rome and medieval Europe. More specifically, it aims to analyze and deepen our understanding of how liturgy and religious practice modeled and modified selves and communities, how they shaped and transformed identities and built communities - both individual and collective, religious and lay". On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

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Arabi, Abul Al, Xue Wang, Yang Zhang et Jeeeun Kim. « E3D ». Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 7, n^o 3 (27 septembre 2023) : 1–31. http://dx.doi.org/10.1145/3610897.

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The increase of distributed embedded systems has enabled pervasive sensing, actuation, and information displays across buildings and surrounding environments, yet also entreats huge cost expenditure for energy and human labor for maintenance. Our daily interactions, from opening a window to closing a drawer to twisting a doorknob, are great potential sources of energy but are often neglected. Existing commercial devices to harvest energy from these ambient sources are unaffordable, and DIY solutions are left with inaccessibility for non-experts preventing fully imbuing daily innovations in end-users. We present E3D, an end-to-end fabrication toolkit to customize self-powered smart devices at low cost. We contribute to a taxonomy of everyday kinetic activities that are potential sources of energy, a library of parametric mechanisms to harvest energy from manual operations of kinetic objects, and a holistic design system for end-user developers to capture design requirements by demonstrations then customize augmentation devices to harvest energy that meets unique lifestyle.

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Anthony Jnr, Bokolo, Sobah Abbas Petersen, Markus Helfert, Dirk Ahlers et John Krogstie. « Modeling pervasive platforms and digital services for smart urban transformation using an enterprise architecture framework ». Information Technology & ; People 34, n^o 4 (12 mai 2021) : 1285–312. http://dx.doi.org/10.1108/itp-07-2020-0511.

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PurposeIn smart cities pervasive systems are deployed by enterprises and stakeholders in municipalities to provide digital services to citizens. But cities are faced with the challenge of achieving system pluggability, mainly service integration due to numerous actors and systems needed for smart urban transformation. Hence, there is need to employ a comprehensive and holistic approach to help achieve service integration of pervasive platforms. Therefore, this study presents an Enterprise Architecture Framework (EAF) to support smart urban transformation.Design/methodology/approachIn this study the design science research methodology is adopted based on a multi-case studies of two organizations and data is collected using semi-structured interview from an organizations and municipality in Norway to validate how service integration can be achieved by the developed EAF to address pluggability challenges faced in urban environment.FindingsFindings suggest that the presented EAF provides the structure to manage changes and maintain urban transformation and aims to align the business with the underlying information systems from the perspective of the stakeholders. Additionally, findings from the case studies modelled in ArchiMate language depict how service integration of different pervasive platforms provide digital services for smart urban transformation.Research limitations/implicationsThis research only employed semi-structured interviews to validate service integration of digital platforms, other identified dimensions of pluggability were not fully addressed in this study.Practical implicationsFindings from the case studies provides insights on how pervasive platforms can be integrated to achieve a pluggable digital service from different stakeholders and data sources in practice. The developed EAF presented in this study provide a model that supports collection and exchange of data from different data sources in smart urban environment to enable the provision and consumption of digital services.Social implicationsThe developed EAF aids system pluggability of actors and systems in providing digital service such as smart urban transformation that contributes to sustainable use of electric mobility in cities.Originality/valueAs cities increasingly deploy pervasive platforms to support urban innovation, researchers are seeking to explore how these platforms shape urban transformation. Presently, prior studies do not offer important insights into pervasive platform management from urban perspective. Against this backdrop, this study employs the information systems perspective of digital platforms literature roots in software development and physical product development to depict how the EAF can be employed to describe specific cases that integrate different pervasive platforms deployed by different stakeholders communicating to co-create collective digital services to citizens.

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Su, Isabelle, Zhao Qin, Tomás Saraceno, Ally Bisshop, Roland Mühlethaler, Evan Ziporyn et Markus J. Buehler. « Sonification of a 3-D Spider Web and Reconstitution for Musical Composition Using Granular Synthesis ». Computer Music Journal 44, n^o 4 (2020) : 43–59. http://dx.doi.org/10.1162/comj_a_00580.

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Abstract Three-dimensional spider webs feature highly intricate fiber architectures, which can be represented via 3-D scanning and modeling. To allow novel interpretations of the key features of a 3-D Cyrtophora citricola spider web, we translate complex 3-D data from the original web model into music, using data sonification. We map the spider web data to audio parameters such as pitch, amplitude, and envelope. Paired with a visual representation, the resulting audio allows a unique and holistic immersion into the web that can describe features of the 3-D architecture (fiber distance, lengths, connectivity, and overall porosity of the structure) as a function of spatial location in the web. Using granular synthesis, we further develop a method to extract musical building blocks from the sonified web, transforming the original representation of the web data into new musical compositions. We build a new virtual, interactive musical instrument in which the physical 3-D web data are used to generate new variations in sound through exploration of different spatial locations and grain-processing parameters. The transformation of sound from grains to musical arrangements (variations of melody, rhythm, harmony, chords, etc.) is analogous to the natural bottom–up processing of proteins, resembling the design of sequence and higher-level hierarchical protein material organization from elementary chemical building blocks. The tools documented here open possibilities for creating virtual instruments based on spider webs for live performances and art installations, suggesting new possibilities for immersion into spider web data, and for exploring similarities between protein folding, on the one hand, and assembly and musical expression, on the other.

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Ribeiro, Juliane Portella, Giovana Calcagno Gomes et Maira Buss Thofehrn. « Health facility environment as humanization strategy care in the pediatric unit : systematic review ». Revista da Escola de Enfermagem da USP 48, n^o 3 (juin 2014) : 530–39. http://dx.doi.org/10.1590/s0080-623420140000300020.

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Objective: To identify and analyze the production of knowledge about the strategies that health care institutions have implemented to humanize care of hospitalized children. Method: This is a systematic review conducted in the Virtual Health Library - Nursing and SciELO, using the seven steps proposed by the Cochrane Handbook. Results: 15 studies were selected, and strategies that involved relationship exchanges were used between the health professional, the hospitalized child and their families, which may be mediated by leisure activities, music and by reading fairy tales. We also include the use of the architecture itself as a way of providing welfare to the child and his/her family, as well as facilitating the development of the work process of health professionals. Conclusion: Investments in research and publications about the topic are necessary, so that, the National Humanization Policy does not disappear and that the identified strategies in this study do not configure as isolated and disjointed actions of health policy.

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Tronchin, Lamberto, Francesca Merli et Marco Dolci. « Acoustic Reconstruction of Eszterháza Opera House Following New Archival Research ». Applied Sciences 10, n^o 24 (9 décembre 2020) : 8817. http://dx.doi.org/10.3390/app10248817.

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The Eszterháza Opera House was a theatre built by the will of the Hungarian Prince Nikolaus Esterházy in the second half of the 18th century that had to compete in greatness and grandeur against Austrian Empire. The composer that inextricably linked his name to this theatre was Haydn that served the prince and composed pieces for him for many years. The Opera House disappeared from the palace complex maps around 1865 and was destroyed permanently during the Second World War. This study aims to reconstruct the original shape and materials of the theatre, thanks to the documents founded by researchers in the library of the Esterházy family at Forchtenstein, the Hungarian National Library, and analyze its acoustic behavior. With the 3D model of the theatre, acoustic simulations were performed using the architectural acoustic software Ramsete to understand its acoustical characteristics and if the architecture of the Eszterháza Opera House could favor the Prince’s listening. The obtained results show that the union between the large volume of the theatre and the reflective materials makes the Opera House a reverberant space. The acoustic parameters are considered acoustically favorable both for the music and for the speech transmission too. Moreover, the results confirm that the geometry and the shape of the Eszterháza Opera House favored the Prince’s view and listening, amplifying onstage voices and focusing the sound into his box.

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Psychogyios, Dimitris, et Nick Poulakis. « Glocal Participatory System for the Recording, Documentation and Promotion of Cultural Heritage : A Greek Case-Study ». Heritage 1, n^o 1 (26 juin 2018) : 88–99. http://dx.doi.org/10.3390/heritage1010007.

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The recording, documentation and promotion of local cultural heritage has been the subject of significant research from scientists from various fields such as architecture, anthropology, history, folklore, ethnomusicology, and museology. This paper argues that digital technologies could have a catalytic role concerning the operational part of a holistic–interdisciplinary approach to the maintenance of cultural heritage. Simultaneous and bidirectional recording, documentation and promotion of human histories, material elements of space, personal and collective memories, music, dance, singing and other performances, customs, traditions etc. has the effect of improving the understanding of each place and, therefore, contributing to the establishment of sustainable living conditions and environmental balance. At the same time, it facilitates the process of presenting the place’s local identity as well as its tangible and intangible cultural heritage. The paper proposes the design, the creation and the pilot operation of a glocal hybrid (physical and digital) participatory system for monitoring cultural heritage, which consists of (a) spatial recording and projection constructions (open micro-labs); (b) research and documentation centers; and (c) digital databases and mobile applications for interconnection and diffusion of digital content. The system’s implementation domain is considered to be “historic urban landscapes”, i.e., geographical areas with particular cultural features such as traditional settlements, monuments and historical centers, regarded as exceptional universal heritage. In particular, the project’s prime exemplary pilot setup is considered to be operated in specific Greek areas of cultural importance.

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Beck Edvardsen, Jorunn, et Fredrik Hetmann. « Promoting Sleep in the Intensive Care Unit ». SAGE Open Nursing 6 (janvier 2020) : 237796082093020. http://dx.doi.org/10.1177/2377960820930209.

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Introduction Intensive care nurses face several challenges to facilitating sleep in their critically ill patients. With its high noise levels, hectic around-the-clock activity and constant artificial lights, the intensive care environment does not foster sleep. Intensive care unit patients have significant alterations in their sleep architecture with frequent awakenings and lighter sleep; up to 50% of this sleep also occurs during the daytime. Sleep loss increases the risk of developing delirium (especially in elderly patients) and immune system impairment, which prolongs healing. The aim of this article was to develop an evidence-based bundle of nursing care activities that promote adult intensive care patients’ sleep. Methods A broad search was conducted in PubMed, CINAHL, Cochrane Library, and McMaster plus using search words and Medical Subject Headings terms, such as sleep, intensive care unit, intensive care, critical care nursing, sleep promotion, music, white noise, earplugs, pain relief, absence of pain, nonpharmacological intervention, and mechanical ventilation. Eight recommendations emerged from this review: reduce noise, use earplugs and eye masks, use music, promote a natural circadian rhythm, manage pain, use quiet time, cluster nursing care activities at night, and optimize ventilator modes. Conclusion Promoting sleep within this patient population needs to be a higher priority for intensive care nurses. Sleep should be a focus throughout the day and night, in order to sustain patients’ natural circadian rhythms. Novel research in this field could change the strength of these recommendations and add new recommendations to the bundle.

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Bakhmet, Tetiana. « Archive fund of the composer Mark Karminsky ». Aspects of Historical Musicology 19, n^o 19 (7 février 2020) : 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff. Perhaps, this is why M. Karminskyi chose the Library as the main curator of his archive. What is better than studying the artist’s personal archive to give an idea of his personality, creative methods and worldview? Even a cursory glance at the collection of documents classified on the shelves of the archive, illustrating particular biographical episodes, helps the researcher to form a holistic impression of the artist’s creative personality, as well as to orient, if necessary, for further more depth studying of his heritage. The purpose of this article is a brief review of the general content of the archival fund of M. V. Karminskyi, with the materials of which the author had the honor to conduct research and bibliographic work, as of a documentary sources base for future research of the composer’s work and the history of the musical culture of Kharkiv in 1950–2000 years. Statement of the main positions of the publication. The composer began to transfer his archive to the library during his lifetime: he arranged folders with manuscripts, gave explanations about the time of writing and purpose of individual works. It was this archive that was the first to get into the library as a full-fledged array of documents about the life of a creative person. The condition for its transfer was the possibility of unimpeded viewing of the archive and its copying for the purpose of training and concert performance of the composer’s works. The full description of M. Karminskyi’s archive was completed in 1996, but the fund was supplemented several times thanks to new materials that came to the archival collection after its formation. It contains a variety of documents, including musical manuscripts, newspaper clippings, photographic documents, sound recordings on various media, posters, booklets, programs, manuscripts by other authors related to the activities of the composer. Thus, for the theater – opera, drama – the composer has been actively working since a young age. He wrote music for performances of Kharkiv theaters – Puppet Theater, Young Audience Theater, Ukrainian Drama Theater named after Taras Shevchenko, Jewish Theater, even for student amateur theaters. Four operas by M. Karminskyi, among them – “Ten days that shook the world”, “Irkutsk story” – were successfully staged in many theaters in Ukraine, Russia, the Czech Republic and Germany. Particular attention was drawn to the opera “Ten Days That Shook the World” based on John Reed’s book about the events in Petrograd in 1917, which was published as the separate piano reduction and received a large number of reviews in periodicals. The typewritten copies of reviews by famous Ukrainian musicologists K. Heivandova and I. Zolotovytska have been preserved in the archive. The collection of the archive also includes the published piano score of the opera “Irkutsk story”, the known “Waltz” from which served as a call sign of the Kharkiv Regional Radio for many years. One of the most interesting manuscripts of the archive is the music for the unfinished ballet “Rembrandt” on the libretto by V. Dubrovskyi. The musical “Robin Hood”, which was performed not only in Kharkiv, but also in Moscow, brought the composer national fame. The sound recording of the Moscow play was distributed thanks to the release of gramophone records created with the participation of stars of Soviet stage – the singers Joseph Kobzon, Lev Leshchenko, Valentina Tolkunova and the famous actor Eugene Leonov. The popularity of this musical was phenomenal; excerpts from it were performed even in children’s music schools, as evidenced by the archival documents. During the composer’s life and after his death, his vocal and choral works, works for various instruments were mostly published. The array of these musical editions and manuscripts of M. Karminskyi is arranged in the archive by musical genres. These are piano pieces and other instrumental works, among them is one of the most popular opuses of the composer – “Jewish Prayer” for solo violin (the first performer – Honored Artist of Ukraine Hryhoriy Kuperman). Number a large of publications about the life and career of M. Karminskyi published in books and periodicals are collected, among them are K. Heivandova’s book (1981) “Mark Karminskyi”, the brief collection of memoirs about the composer (compiler – H. Hansburg, 2000) and the congregation of booklets of various festivals and competitions, for example, the booklets of the International Music Festival “Kharkiv Assemblies”, in which the composer has participated since the day of their founding. The booklet of the M. Karminskyi Choral Music Festival testifies to a unique phenomenon in the musical life of the city: never before or since has such a large-scale event dedicated to the work of a single person taken place attracting so many choirs from all Ukraine. A separate array of documents is the photo archive, which includes 136 portraits, photos from various events; 41 of them were donated by a famous Kharkiv photographer Yu. L. Shcherbinin. The audio-video archive of M. V. Karminskyi consists of records of his works, released by the company “Melody”: staging of performances “Robin Hood”, “There are musketeers!” (based on the play by M. Svetlov “20 years later”), various songs, video and tape cassettes with recordings of concerts. Other interesting documents have been preserved, for example, a typewritten script for the Kharkiv TV program about M. Karminskyi with his own participation or the library form, which can be used to trace his preferences as a reader. M. Karminskyi also compiled reviews of publications on the performance of his works and short bibliographic descriptions of their print editions. Conclusions. M. Karminskyi’s personal archive founded by him own in Kharkiv ‘K. S. Stanislavskyi’ Music and Theater Library has been functioning as an independent library fund since 1996 and today it is an unique comprehensive ordered collection, which is freely available and stores documents of various types: music publications and manuscripts, newspaper and magazine fragments, announces, photos, sound and video documents. M. Karminskyi’s archival fund is used as a documentary source for scientific researches (the Candidate’s dissertations of art critics Yu. Ivanova (2001) and E. Kushchova (2004) were defended using the materials of the archive) and as a basic congregation of works by the composer for their performance. The use of digital technologies is part of the necessary modern perspective of the fund’s development, the value of which as a primary source of historical and cultural information only grows over time.

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Grif, Mikhail G., R. Elakkiya, Alexey L. Prikhodko, Maxim А. Bakaev et E. Rajalakshmi. « Recognition of Russian and Indian Sign Languages Based on Machine Learning ». Analysis and data processing systems, n^o 3 (30 septembre 2021) : 53–74. http://dx.doi.org/10.17212/2782-2001-2021-3-53-74.

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In the paper, we consider recognition of sign languages (SL) with a particular focus on Russian and Indian SLs. The proposed recognition system includes five components: configuration, orientation, localization, movement and non-manual markers. The analysis uses methods of recognition of individual gestures and continuous sign speech for Indian and Russian sign languages (RSL). To recognize individual gestures, the RSL Dataset was developed, which includes more than 35,000 files for over 1000 signs. Each sign was performed with 5 repetitions and at least by 5 deaf native speakers of the Russian Sign Language from Siberia. To isolate epenthesis for continuous RSL, 312 sentences with 5 repetitions were selected and recorded on video. Five types of movements were distinguished, namely, "No gesture", "There is a gesture", "Initial movement", "Transitional movement", "Final movement". The markup of sentences for highlighting epenthesis was carried out on the Supervisely.ly platform. A recurrent network architecture (LSTM) was built, implemented using the TensorFlow Keras machine learning library. The accuracy of correct recognition of epenthesis was 95 %. The work on a similar dataset for the recognition of both individual gestures and continuous Indian sign language (ISL) is continuing. To recognize hand gestures, the mediapipe holistic library module was used. It contains a group of trained neural network algorithms that allow obtaining the coordinates of the key points of the body, palms and face of a person in the image. The accuracy of 85 % was achieved for the verification data. In the future, it is necessary to significantly increase the amount of labeled data. To recognize non-manual components, a number of rules have been developed for certain movements in the face. These rules include positions for the eyes, eyelids, mouth, tongue, and head tilt.

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Asadi, Shaham, et Ali shokoohi. « Acoustic investigation of architectural spaces with an emphasis on traditional architectural decorations (the case study of the sound room of Ali-Qapu Palace) ». Journal of Historical Archaeology & ; Anthropological Sciences 8, n^o 2 (5 juin 2023) : 59–67. http://dx.doi.org/10.15406/jhaas.2023.08.00275.

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The architecture of the Safavid period is one of the best architectural styles in Iran, both in terms of construction and decorations and innovations. Safavid kings tried to create lasting art for all generations due to their great interest in architecture and urban planning. Among the lasting works of Safavid art, we can mention the Ali Qapu Palace of Isfahan, which is built on six floors. The biggest rooms of the palace are on the last floor of the mansion and Shah Abbas used to receive his special guests in them. On this floor, we reach one of the masterpieces of Iranian architects; the music room or the sound room, the central part of which is designed in the shape of a cross and has an area of about 63 square meters. Introducing the favorite pottery of the Safavid kings, that is, Carafes , thermoses, and jugs, and the most widely used forms of Tongbori, that is, jars. Safavid systems also introduce the most widely used pottery. Probably, some Tongboris were also influenced by metal and glass samples. The vertical surfaces of the walls and the horizontal divisions of Aliqapu have influenced the form of Tongboris. The present research is about this music room. In this research, as the background and basics of the research, after analyzing the acoustic basics, while emphasizing the clarity of speech and reverberation time as measured variables; Then, we have introduced the history , name of Ali Qapu Palace , the Tongs and the shapes and containers of the walls in a descriptive way and with library tools; In the field of his case study and fundamental study, he has used a completely quantitative approach and accurate calculation method with two simulation tools (walls without Tong and roof without muqarans) and field measurement to compare their results. The results of this research consider the role of Tongs and muqarans in reducing sound energy, reducing reverberation time, and improving speech clarity very necessary and necessary.

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Gaminiesfahani, H., M. Lozanovska et R. Tucker. « A Scoping Review of the Impact on Children of the Built Environment Design Characteristics of Healing Spaces ». HERD : Health Environments Research & ; Design Journal 13, n^o 4 (20 février 2020) : 98–114. http://dx.doi.org/10.1177/1937586720903845.

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Aim: This article elucidates current understanding in pediatric healthcare building design via scoping review of research on the impacts on the health and well-being of children of the architectural and landscape characteristics of healing spaces. Background: Studies indicate that patients’ phenomenological experiences of the built environment characteristics of healthcare buildings can impact their healing and well-being. It follows that understanding the healing effects of landscape and architecture can inform the design of healthcare settings for increased health benefits. Method: This method comprises five search stages: (1) research question is formed; (2) key words, search terms, and search strategy are identified; (3) databases are searched, and papers are assessed via inclusion and exclusion criteria; (4) information of the selected articles is extracted and summarized; and (5) key findings are interpreted and reported via comparative tabulation. Results: One hundred seventy-three papers were found during the first search stage. After screening and evaluating for relevance and quality, 13 articles were selected for study. Analysis indicates that the built environment characteristics of pediatric healthcare environments that have healing benefits include access to nature, music, art and natural light, reduced crowding, reduced noise, and soft, cyclical, and user-controlled artificial lighting. Conclusions: While it is important to understand the design variables that influence pediatric healthcare, it is also necessary to contextualize them and to distinguish these variables from each other and appreciate their interaction. In other words, a more rounded understanding of these variables is required via research so that their individual and combined impacts are reflected in holistic design recommendations.

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Carbon, Claus-Christian. « About the Need for a More Adequate Way to Get an Understanding of the Experiencing of Aesthetic Items ». Behavioral Sciences 13, n^o 11 (6 novembre 2023) : 907. http://dx.doi.org/10.3390/bs13110907.

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We live in times when neuroscientific methods have become standard methods that many researchers can easily use. While this offers excellent opportunities to understand brain activities linked with aesthetic processing, we face the problem of using sophisticated techniques without a proper and valid theoretical foundation of aesthetics. A further problem arises from sophisticated methods often demanding strict constraints in presenting and experiencing aesthetic stimuli. However, when experiencing aesthetic items, contextual factors matter, e.g., social and situational affordances are essential in triggering a true and deep “Kunsterlebnis” (Experience of Art). Additionally, in Art, it is often not the artwork as an object that matters but the close relationship with and the processing of the artwork. However, art is only one facet of the whole aesthetic domain, beside, e.g., design, architecture, everyday aesthetics, dance, literature, music, and opera. In the present paper, I propose a dynamic and holistic aesthetic perspective that includes the respective context, situation, cognitive and affective traits and state of the beholder, ongoing processes of understanding, Zeitgeist, and other cultural factors, which can be applied to different aesthetic domains. When ignoring such temporal and dynamic factors, we will not understand the qualia of aesthetic processing. These considerations might help researchers in the field of aesthetics to better understand the experiencing of aesthetic items of all kinds—if we ignore these factors, we are missing the essence of experiencing aesthetic items, especially artworks. We aim to sensitize and inform readers about these ideas to inspire a deeper understanding of experiencing aesthetic items and the advancement of a theoretical framework addressing the experiencing of aesthetics from different domains.

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Shulhan, Shulhan. « DESIGNING NEW TREND OF PESANTREN FOR SANTRI ENHANCEMENT IN RESPONSE TO GOLDEN INDONESIA VISION 2045 ». Reflektika 16, n^o 2 (29 décembre 2021) : 225. http://dx.doi.org/10.28944/reflektika.v16i2.575.

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Golden Indonesia is predicted to reach a tipping point in its development as a sovereign, advanced, just, and rich nation in 2045. The golden Indonesia 2045 Vision is supported by four pillars: Human development, scientific and technological mastery are prioritized, followed by sustainable economic development, equitable development, national resilience and government consolidation. Pesantren, as one of the oldest educational institutions in Nusantara, plays a key role in supporting the government in achieving the above-mentioned vision. The goal of this article is to look at the concept of a new pesantren trend for responding emerging issues in 2045 for succeeding the vision of a golden Indonesia. The research methodology used in this research was a qualitative method with library research. Academic texts (manuscripts) were used as primary data sources. The researcher intentionally applied the content-analyzed to read and analyze the data collected from the source mentioned above. The following were the study's findings: First, renewing the governance architecture of Islamic boarding schools entails: a. improving the quality of learning, which can enhance students' ability to read classical texts, memorize the Al-Quran, and increase a capacity in practicing Islamic religion and Islamic values in daily life; b. improving the quality of learning English, mathematics, and science; and c. providing adequate practice allocation supported by the availability of resources. Second, create new forecasts for pesantren graduates by requiring them to possess fundamental competencies, holistic integrative competences, and skills in cultivating the priority sectors tied directly to natural capital in the areas surrounding their homes.

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Jensen, A., et LO Bonde. « The use of arts interventions for mental health and wellbeing in health settings ». Perspectives in Public Health 138, n^o 4 (30 avril 2018) : 209–14. http://dx.doi.org/10.1177/1757913918772602.

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Aims: This literature review aims to illustrate the variety and multitude of studies showing that participation in arts activities and clinical arts interventions can be beneficial for citizens with mental and physical health problems. The article is focused on mental health benefits because this is an emerging field in the Nordic countries where evidence is demanded from national health agencies that face an increasing number of citizens with poor mental health and a need for non-medical interventions and programmes. Methods: A total of 20 articles of interest were drawn from a wider literature review. Studies were identified through the search engines: Cochrane Library, Primo, Ebscohost, ProQuest, Web of Science, CINAHL, PsycINFO, PubMed and Design and Applied Arts Index. Search words included the following: arts engagement + health/hospital/recovery, arts + hospital/evidence/wellbeing, evidence-based health practice, participatory arts for wellbeing, health + poetry/literature/dance/singing/music/community arts, arts health cost-effectiveness and creative art or creative activity + health/hospital/recovery/mental health. The inclusion criteria for studies were (1) peer review and (2) empirical data. Results: The studies document that participation in activities in a spectrum from clinical arts interventions to non-clinical participatory arts programmes is beneficial and an effective way of using engagement in the arts to promote holistic approaches with health benefits. Engagement in specially designed arts activities or arts therapies can reduce physical symptoms and improve mental health issues. Conclusion: Based on the growing evidence of the arts as a tool for enhancing mental health wellbeing, and in line with the global challenges in health, we suggest that participatory arts activities and clinical arts interventions are made more widely available in health and social settings. It is well-documented that such activities can be used as non-medical interventions to promote public health and wellbeing.

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Ahmed, Fatma, Abanoub Fayez et Ahmad Haron. « Comparison Study for Art Centers in Greater Cairo To Achieve Heritage conservation ». Resourceedings 2, n^o 2 (5 octobre 2020) : 254. http://dx.doi.org/10.21625/resourceedings.v2i2.737.

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Art centers Art centers play an important role in building social connections and increasing the artistic sense of community in addition to enhancing peoples' creative skills and developing their analytical and intellectual abilities which lead to success. The vital role of art centers is developing the community traditional culture as well as calling for reviving the spirit of authenticity and preservation of cultural heritage.In Egypt Art Centers are worked asfunctional community centers that focus on supporting arts practice and facilities as art galleries act as museums that reflect many aspects of people’s lives.Educational facilities, workshops, a performing arts theatre, a fine arts library, music library, and dance and drawing studios supporting local communities and cover part of the gap between culture needs and available building and facilities in the city.Cairo’s role as the cultural capital of one of oldest civilizations in the world is reflected in the arts and architecture of all periods. Therefore, the art centers role in Greater Cairo varies to preserve and teach the traditional and new arts. Despite the emergence of museums in Egypt in the early nineteenth century, the establishment of art centers in Egypt in its current form began in the late fifties in the twentieth century. It appeared as new buildings or the reuse of heritage buildings. Its function is to revive and teach different types of art different periods, achieve conservation of identity, Cultural heritage and creating a new artistic value.This study will highlight the complex value of art centers buildings in Cairo with a comparison between its design, roles and methods of development. FromArchitects,Academicians, designers,andstudents point views toward sitting up a methodology for the design and development of arts centers in Greater Cairo.

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Stanga, C., H. Hasníková, R. Brumana, A. Grimoldi et F. Banfi. « GEOMETRIC PRIMITIVES ASSESSING ITALIAN-CZECH VAULT CONSTRUCTION TECHNIQUES IN BAROQUE PERIOD ». ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (5 mai 2019) : 1081–88. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-1081-2019.

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Abstract. The developments of the latest technology in the field of Digital Cultural Heritage (DCH) are revolutionizing the methods of surveying, representing and managing the built heritage. The integrated use of 3D survey instruments such as laser scanning, digital photogrammetry and the new holistic way to represent the architecture, based on the Building Information Modeling (BIM), allows the collection, analysis and archiving of a large amount of data, by increasing information sharing among a great number of experts involved during the life cycle of the building. The paper focuses on the connection between Italy and Czech in terms of vaults patterns and construction techniques. The two case studies are the frame vault of the chapel of the Italian Cultural Institute and the barrel vault with lunettes of the Klementinum Baroque Library. They are both unique examples of the great expertise of architects and craftsmen that worked in Bohemia across the 17th and 18th centuries. Most of them were from the North of Italy, like the ones that worked in the building sites of the two case studies. The in-depth study of the construction techniques and the complex shapes needs the use of new scan-to-BIM modeling requirements, based on the definition of geometric primitives useful for the generation of intelligent three-dimensional models able to integrate different types of data. Finally, the acquired data are included in a database that collects information coming from both Italian and Czech studies, raising awareness among citizens of the richness of their built heritage.

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