Thèses sur le sujet « Music Germany History and criticism »
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Johnston, Gregory Scott. « Protestant funeral music and rhetoric in seventeenth-century Germany : a musical-rhetorical examination of the printed sources ». Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27359.
Texte intégralArts, Faculty of
Music, School of
Graduate
Schuppener, James Gregory. « Felix Mendelssohn-Bartholdy, director of music for the Berlin Court : Influences upon his unaccompanied compositions written for the Berlin "Domchor" ». Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.
Texte intégralJang, Laurie. « Music's debt : a study of poetic influence in mid-eighteenth century German instrumental music ». Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28075.
Texte intégralArts, Faculty of
Music, School of
Graduate
Rusak, Helen Kathryn. « Rhetoric and the motet passion ». Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Texte intégralTempleton, Inez H. « What's so German about it ? : cultural identity in the Berlin hip hop scene ». Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/75.
Texte intégralDobbs, Benjamin Michael. « Gewesener Magdeburgische Musicus : An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr' ». Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33142/.
Texte intégralSiddiqui, Tashmeen Monique. « Jews against Wagner : the 1929 Krolloper production of Wagner's Der fliegende Holländer ». Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669985.
Texte intégralGentry, Jonathan C. « Memory and hypnotism in Wagner's musical discourse ». PDXScholar, 2007. https://pdxscholar.library.pdx.edu/open_access_etds/3660.
Texte intégralNedvin, Brian. « Holocaust Song Literature : Expressing the Human Experiences and Emotions of the Holocaust through Song Literature, Focusing on Song Literature of Hirsh Glick, Mordechai Gebirtig, and Simon Sargon ». Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4850/.
Texte intégralWolfinbarger, Steve M. « The Nineteenth-Century German Tradition of Solo Trombone Playing : A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others ». Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331705/.
Texte intégralKirilov, Kalin Stanchev. « Harmony in Bulgarian Music ». Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Texte intégralThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
10000-01-01
Rockhill, Paul Hunter. « The Reception Theory of Hans Robert Jauss : Theory and Application ». PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5153.
Texte intégralRam, Deepak. « A portfolio of original compositions exploring syncretism between Indian and western music ». Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Texte intégralBell, Daniel Michaels. « The saxophone in Germany, 1924-1935 ». Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290020.
Texte intégralParkes, Henry Richard Maclay. « Liturgy and music in Ottonian Mainz, 950-1025 ». Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283895.
Texte intégralzur, Loye Tobias Percival 1985. « History of a Natural History : Max Ernst's Histoire Naturelle, Frottage, and Surrealist Automatism ». Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10700.
Texte intégralWhen André Breton released his Manifesto of Surrealism in 1924, he established the pursuit of psychic automatism as Surrealism's principle objective, and a debate concerning the legitimacy or possibility of Surrealist visual art ensued. In response to this skepticism, Max Ernst embraced automatism and developed a new technique, which he called frottage , in an attempt to satisfy Breton's call for automatic activity, and in 1926, a collection of thirty-four frottages was published under the title Histoire Naturelle. This thesis provides a comprehensive analysis of Histoire Naturelle by situating it in the theoretical context of Surrealist automatism and addresses the means by which Ernst incorporated found objects from the natural world into the semi-automatic production of his frottages. All previous scholarship on the subject is consolidated and critically examined, and the development of frottage is traced from its earliest manifestations to its long-lasting influences.
Committee in Charge: Dr. Sherwin Simmons, Chair; Dr. Joyce Cheng; Dr. Charles Lachman
Schmid, William A. (William Albert). « An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature ». Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Texte intégralMagerski, Christine 1969. « The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature ». Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.
Texte intégralHambridge, Katherine Grace. « The performance of history : music, identity and politics in Berlin, 1800-1815 ». Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283937.
Texte intégralWilliams, Stephanie E. (Stephanie Evangeline). « On folk music as the basis of a Jamaican primary school music programme ». Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Texte intégralSarmast, Ahmad Naser. « A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D ». Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Texte intégralFronius, Helen. « The diligent dilettante : women writers in Germany, 1770-1820 ». Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:d95009fe-e8ea-4bcf-b520-29f2e9e849b5.
Texte intégralPapanikolaou, Dimitris. « Singing poets : literature and popular music in France and Greece / ». London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Texte intégralStrahle, Graham. « Fantasy and music in sixteenth- and seventeenth-century England / ». Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Texte intégralSchmitz, Michael David. « Oriental influences in the piano music of Claude Achille Debussy ». Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187118.
Texte intégralLau, Man-chun, et 劉文俊. « A study of Hong Kong popular music industry (1930-2000) ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.
Texte intégralBrennan, Matthew. « Down beats and rolling stones : an historical comparison of American jazz and rock journalism ». Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.
Texte intégralChapman, Christopher Adam 1964. « Regional traditions of Lao vocal music : lam siphandon and khap ngeum ». Monash University, School of Music-Conservatorium, 2002. http://arrow.monash.edu.au/hdl/1959.1/7867.
Texte intégralPeter, Timothy Layne. « Johann Mattheson's "Das Lied des Lammes" : Progressive tendencies in the evangelist recitatives ». Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186414.
Texte intégralMatambo, Lotta Eleonoora. « The solo piano music of Einojuhani Rautavaara ». Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002311.
Texte intégralBurns, Kristine Helen. « The history and development of algorithms in music composition, 1957-1993 ». Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902512.
Texte intégralSchool of Music
Card, Patricia Pierce. « The influence of klezmer on twentieth-century solo and chamber concert music for clarinet with three recitals of selected works of Manevich, Debussy, Horovitz, Milhaud, Martino, Mozart and others / ». Thesis, connect to online resource, 2002. http://www.library.unt.edu/theses/open/20023/card%5Fpatricia/index.htm.
Texte intégralForward, David William. « The keyboard repertory as a reflector of art nouveau in music / ». Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phf745.pdf.
Texte intégralRhodes, Carol Shirley. « The dance of time : The evolution of the structural aesthetics of the prepared piano works of John Cage ». Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187153.
Texte intégralRyan, Robin Ann 1946. « "A spiritual sound, a lonely sound" : leaf music of Southeastern aboriginal Australians, 1890s-1990s ». Monash University, Dept. of Music, 1999. http://arrow.monash.edu.au/hdl/1959.1/8584.
Texte intégralSmith, David John. « The instrumental music of Peter Philips : its sources, dissemination and style ». Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:d1af3140-2553-4f58-8437-a1eee66d7f13.
Texte intégralVendrix, Philippe Pierre 1964. « Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text) ». Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.
Texte intégralWest, Aaron J. « Caught Between Jazz and Pop : The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz ». Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9722.
Texte intégralBaquet, N. Eugene. « Blues Story : Narratives of Cultural Identity ». Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/BaquetNE2006.pdf.
Texte intégralHausfeld, Gretchen Gayle. « The treatment of the bassoon in three chamber works of Igor Stravinsky ». Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186265.
Texte intégralDube, Michelle Claire. « Prelude of Suite V for cello solo by J. S. Bach : Options for performance ». Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186392.
Texte intégralJames, Douglas Goff. « Luigi Rinaldo Legnani : His life and position in European music of the early nineteenth century, with an annotated performance edition of selections from 36 Capricci per Tutti I Tuoni Maggiori E Minori, Opus 20 ». Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186632.
Texte intégralLe, Cocq Jonathan. « French lute-song, 1529-1643 ». Thesis, University of Oxford, 1997. https://ora.ox.ac.uk/objects/uuid:1a712369-836c-45e4-9f84-91045f297b3f.
Texte intégralNercessian, Andy Hagop. « Marxism-Leninism, national identity, and the perception of Armenian music ». Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619554.
Texte intégralAnderson, Ellis T. II. « The Reception of Franz Joseph Haydn in Austria and Germany 1798-1830 : Biography and Criticism ». University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115997037.
Texte intégralKeightley, Keir. « The history and exegesis of pop : reading "All summer long" ». Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22458.
Texte intégralPerry, Shirley Mercedes. « Selected Psalms, Old Verses and Spiritual Songs of the Canadian Doukhobors : Transcription and musical analysis ». Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185897.
Texte intégralRushing-Raynes, Laura. « A history of the Venetian sacred solo motet (c. 1610--1720) ». Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.
Texte intégralIgo, William Scott. « Gerhart Hauptmann : Germany throught the Eyes of the Artist ». Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277987/.
Texte intégralLinekin, Kim. « The modern popular song as a literary art form ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37216.pdf.
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