Articles de revues : « Music center; Book »

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Shah, Sanjana, Tejas Pitale, Varun kushwah et Prbodhini Padme. « Python based Audiobook “Lisnbook” ». Journal of Cyber Security in Computer System 1, n^o 1 (11 mai 2022) : 25–28. http://dx.doi.org/10.46610/jcscs.2022.v01i01.003.

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The Lisnbook (or speaking book) is a book that is read aloud. This audiobook needs to be available verbally, in schools, in public libraries, and gradually in music stores. It is often more useful in poetry and theater than in books. It was not until the 1980's that the center began to attract booksellers, and booksellers began displaying audio books on bookshelves instead of keeping them separate .

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Newcomb, Anthony. « Giovanni Maria Nanino’s Early Patrons in Rome ». Journal of Musicology 30, n^o 1 (2013) : 103–27. http://dx.doi.org/10.1525/jm.2013.30.1.103.

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The first edition of the First Book for five voices of Giovanni Maria Nanino has been lost, and with it its dedication. A close reading of several of the texts in the book offers clues to the date of that first edition and the circle or circles of patronage that may have nourished the book’s origin. This study is concerned principally with the final group of four “occasional” texts in the book—texts apparently referring to particular persons or occasions—and the much-set amorous lyric in the center of the book. I propose that these five madrigals are connected to a circle of patronage in the late 1560s in Florence and Rome, and that the patrons are Isabella de’ Medici, her husband, Paolo Giordano Orsini, and his distant relative Cardinal Flavio Orsini. In addition to Nanino I discuss the composers Stefano Rossetti, Filippo di Monte, and Maddalena Casulana.

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Huang, Zehuan. « The Book of Artists Pavel and Natalia Martynenko Hand-to-Hand Dance : The Experience of Receptive Aesthetics ». Problemy muzykal'noi nauki / Music Scholarship, n^o 4 (décembre 2023) : 214–24. http://dx.doi.org/10.56620/2782-3598.2023.4.214-224.

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A book of an artist is a specific object of art presenting an authorial utterance overcoming the bounds of book-printing, in which either a text or a picture can be present. At the center of attention in the article is the book Rukopashnyi tanets. Istoriya lyubvi i sopernichestva, ob"ektivno otrazhennaya v dokumentakh i skhemakh, gde prichudlivo splelis' dva iskusstva: muzykal'no-khoreograficheskoe i voenno-rukopashnoe [Hand-to-Hand Dance. The Story of Love and Rivalry, Objectively Reflected in Documents and Schemes, in which Two Arts Have Fancifully Entwined: The Musical-Choreographic and the Hand-to-Hand-Military] (2010) created by Russian artists Pavel and Natalia Martynenko, which is examined in the angle of receptive aesthetics. The edition includes archival documents, photographs, drawings and schemes. On the basis of studies of this material, the author of the article interprets the artistic conception of the book in a philosophical sense. In the present art-object the notion is realized according to which life is a dance. Meanwhile, the process of the self-development of a personality involved in such a life appears in a ceaseless struggle with itself, as well as with the circumstances of life, which makes it possible to understand the title of the composition better. The book is begun and completed by music pages copied by hand by an anonymous music lover in the early 20th century. Such an artistic solution leads to the understanding of music by the ancient Greek sages. In particular, for the Pythagoreans music demonstrated itself as a sort of “Ariadne’s thread,” which determined the path towards the mysteries of existence, initiating the human being into universal harmony and thereby providing the opportunity of acting in unison with cosmic vibrations. Appealing to the opinion of Boris Asafiev, who asserted that gesture, along with mimic and dance, serves as a reference point in the creation of musical speech, the author arrives at the conclusion that the protagonists who become alive on the pages of the artist’s book, are led through life by music.

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Harley, James. « Addendum ». Tempo, n^o 212 (avril 2000) : 54. http://dx.doi.org/10.1017/s0040298200007671.

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I am writing to provide further information in response to inquiries about my recent article on performance issues in Gorecki's music (Tempo 211). The symposium I referred to, at which the composer was present, was titled ‘The Gorecki Phenomenon’, and, in addition to my own, included presentations by Adrian Thomas, Luke Howard, David Kopplin, Mark Swed, and Maria Anna Harley, who organized and chaired the event (and translated the commentaries of Mr Gorecki, who had much to say). This session, along with entire ‘Gorecki Autumn’ at the University of Southern California, was organized to celebrate the endowement of the Directorship of the Polish Music Reference Center by Dr Stefan and Mrs Wanda Wilk, founders of this important resource on Polish music in North America (the website can be consulted at http://www.usc.edu/dept/polishmusic/). A book collecting the research presented at this symposium, along with the lectures and interviews given by the composer during his time in Los Angeles, is forthcoming, edited by Ms Harley.

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Felde, Kitty, et Pamela Rogers. « Now Playing . . . : Using Podcasts and Kidcasts in the Library ». Children and Libraries 15, n^o 2 (15 juin 2017) : 9. http://dx.doi.org/10.5860/cal.15n2.09.

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Podcasts created for kids, and often by kids, are quickly growing in number, scope, and popularity. The list of recommended podcasts on Zooglobble, a kids’ music and audio review site, has grown to include almost eighty. And podcasts for kids, also called “kidcasts,” are not just for earphones and home speakers.Podcasts for kids are taking the stage. Ear Snacks, hosted by professional “kindie” (kid-indie) musicians, recently performed at the San Francisco Public Library and at San Francisco’s Recess Urban Recreation Center. Book Club for Kids tapes live shows at book festivals all across the eastern seaboard. The Secret Diaries of Tara Tremendous, superhero adventure stories produced by Wonkybot Studios, was even turned into a Broadway musical.

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Bay, Dondu Neslihan. « Outdoors in Preschool Teaching : A Model Implementation in Turkey ». Journal of Studies in Education 6, n^o 1 (12 janvier 2016) : 56. http://dx.doi.org/10.5296/jse.v6i1.8806.

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In the research, an explanatory case study was carried out which is a kind of qualitative research. By presenting a model implementation, how to create outdoor centers and teachers’ views on the designed model are introduced with the purpose of making a contribution to teachers and preschool education institutions. Within this framework, by receiving opinions of teachers, an outdoor space design was made, and by the end of a 2 month work, 12 centers (art, music, playing house, writing, balance, eye-hand coordination, vegetable, fruit, book, performance, sensory) were created in the garden of research and application kindergarten of a university. After 6 teachers used the design in the 2 month education period, their opinions are received. Teachers expressed the efficiency of center designs in the garden in terms of supporting children’s development and implementing educational programs. Model implementation was described in detail and was discussed with the related body of literature. A design was made regarding how center implementation which will support children development in the best way can be formed using low-cost waste and natural material. The model is thought to raise awareness about putting outdoor space in good use.

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Edgar, Grace. « Queers of Steel : Camp in John Williams's Superman (1978) and Jerry Goldsmith's Supergirl (1984) ». Journal of the Society for American Music 15, n^o 3 (août 2021) : 321–44. http://dx.doi.org/10.1017/s1752196321000201.

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AbstractWhen Richard Donner's blockbuster Superman arrived in theaters in 1978, critics praised the filmmakers for avoiding camp in their adaptation of the comic book, comparing the film positively to the Batman television series (1966–68) of the previous decade. Several sequels later, critics attributed the series’ diminishing financial returns to its growing investment in camp, an investment that peaked in Jeannot Szwarc's Supergirl spinoff (1984), a critical and commercial misfire. Drawing on the work of camp theorists Susan Sontag, Moe Meyer, and Andrew Ross, I argue that critics have misrepresented the place of camp within the franchise, a misunderstanding stemming from their neglect of the film scores. There are two different yet overlapping forms of camp operating within these films. In their reviews, critics expressed disdain for pop camp, a highly legible form of camp, characterized by overblown performances, that the Batman show popularized in the 1960s. My analyses of Superman and Supergirl center on a subtler camp aesthetic present from the very start that critics celebrated: a playful mismatching of gender signifiers and an undercutting of heteronormative romantic relationships that I refer to as queer camp. I offer queer readings of John Williams's and Jerry Goldsmith's leitmotivic scores for Superman and Supergirl—supposedly the least campy and the campiest films in the franchise—to bring into focus the overlooked political work the series accomplishes. In a bold reclamation of the comic books’ suppressed queer legacy, the films’ queer camp aesthetic subverts the heteronormativity of the protagonists to construct Superman and Supergirl as queers of steel.

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Baier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, Annette B. Weiner, Charles A. Coppel, Wang Gungwu, Heleen Gall et al. « Book Reviews ». Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, n^o 3 (1994) : 588–623. http://dx.doi.org/10.1163/22134379-90003081.

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- Martin Baier, Sri Kuhnt-Saptodewo, Zum Seelengeliet bei den Ngaju am Kahayan; Auswertung eines Sakraltextes zur Manarung-Zeremonie beim totenfest. München: Akademischer Verlag,1993 (PhD thesis, Ludwig-Maximilian-Universitiy München). - H.J.M. Claessen, Annette B. Weiner, Inalienable Possessions; The paradox of keeping-while-giving. Berkeley: University of California Press, 1992, 232 pp. Bibl. Index - Charles A. Coppel, Wang Gungwu, Community and Nation; China, Southeast Asia and Australia. Sydney: Asian studies of Australia in association with Allen & Unwin, 1992 (2nd revised edition), viii + 359 pp - Heleen Gall, W. J. Mommsen, European expansion and Law; the encounter of European and Indigenous Law in 19th- and 20th- century Africa and Asia. Oxford; Berg publishers, 1992, vi + 339 pp, J.A. de Moor (eds.) - Beatriz van der Goes, C. W. Watson, Kinship, Property and inheritance in Kerinci, Central Sumatra. Canterbury:University of Kent, Centre for Social Anthropology and computing Monographs no: 4. South-East Asian Series, 1992, ix + 255 pp - Kees Groeneboer, Tom van der Berge, Van Kenis tot kunst; Soendanese poezie in de koloniale tijd. Proefschrift Rijksuniversiteit Lieden, November 1993, 220 pp - Kees Groeneboer, J.E.A.M. Lelyveld, ‘... waarlijk geen overdaad, doch een dringende eisch..’’; Koloniaal onderwijs en onderwijsbeleid in Nederlands-Indië 1893-1942. Proefschrift Rijksuniversiteit Utrecht, 1992. - Marleen Heins, R. Anderson Sutton, Variation in Central Javanese gamelan music; Dynamics of a steady state. Northern Illinois University: Center for Southeast Asian Studies, Monograph series on Southeast Asia, (Special Report 28 ),1993. - Marleen Heins, E. Heins, Jaap Kunst, Indonesian music and dance; Traditional music and its interaction with the West. Amsterdam: Royal Tropical Institute/Tropenmuseum, University of Amsterdam, Ethnomusicology Centre `Jaap Junst’, 1994, E. den Otter, F. van Lamsweerde (eds.) - David Henley, Harold Brookfield, South-East Asia’s environmental future; The search for sustainability. Tokyo: United Nations University Press, Kuala Lumpur: Oxford University Press, 1993, xxxii + 422 pp., maps, tables, figures, index., Yvonne Byron (eds.) - Antje van der Hoek, Keebet von Benda-Beckmann, De emancipatie van Molukse vrouwen in Nederland. Utrecht: Van Arkel,1992, Francy Leatemia-Toma-tala (eds.) - Michael Hitchcock, Brita L. Miklouho-Maklai, Exposing Society’s Wounds; Some aspects of Indonesian Art since 1966. Adelaide: Flinders University Asian studies Monograph No.5, illustrations, 1991, iii + 125 pp - Nico Kaptein, Fred R. von der Mehden, Two Worlds of Islam; Interaction between Southeast Asia and the Middle East.Gainesville etc: University Press of Florida 1993, xiii + 128 pp - Nico Kaptein, Karel Steenbrink, Dutch Colonialism and Indonesian Islam; Contacts and Conflicts 1596-1950. Amsterdam-Atlanta, GA: Rodopi, 1993. - Harry A. Poeze, Rudolf Mrázek, Sjahrir; Politics and exile in Indonesia. Ithaca, N.Y.: Cornell University, Southeast Asia Program, 1994. - W.G.J. Remmelink, Takao Fusayama, A Japanese memoir of Sumatra 1945-1946; Love and hatred in the liberation war. Ithaca: Cornell University (Cornell Modern Indonesia Project Monograph series 71), 1993, 151 pp., maps, illustrations. - Ratna Saptari, Diana Wolf, Factory Daughters; Gender, Household Dynamics, and Rural Industrialization in Java. Berkeley: University of California Press, 1992. - Ignatius Supriyanto, Ward Keeler, Javanese Shadow Puppets. Singapore (etc.): Oxford University Press, 1992, vii + 72 pp.,bibl., ills. (Images of Asia). - Brian Z. Tamanaha,S.J.D., Juliana Flinn, Review of diplomas and thatch houses; Asserting tradition in a changing Micronesia. Ann Arbor: University of Michigan Press, 1992. - Gerard Termorshuizen, Dorothée Buur, Indische jeugdliteratuur; Geannoteerde bibliografie van jeugdboeken over Nederlands-Indië en Indonesië, 1825-1991. Leiden, KITLV Uitgeverij, 1992, 470 pp., - Barbara Watson Andaya, Reinout Vos, Gentle Janus, merchant prince; The VOC and the tightrope of diplomacy in the Malay world, 1740-1800. Leiden: KITLV Press, 1994, xii + 252 pp.

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Kim, Yulhee. « A Study on the Relationship between Kim Dongmin's Family and the Situation before and after the Opening of the National Gugak Center during the Korean War ». National Gugak Center 48 (31 octobre 2023) : 9–36. http://dx.doi.org/10.29028/jngc.2023.48.009.

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This study examines the history of the National Gugak Center, which opened in Busan, the temporary capital during the Korean War. Due to a lack of historical records in this period, it analyzes the oral records about Kim Dongmin, who provided a temporary office for Guwanggung aakbu (舊王宮雅樂部) for about three months right after evacuation, to establish the influence of the Kim Dongmin's family that affected the birth of the National Gugak Center. The oral materials of Kim Dongmin and Son Jaesook, which serve as the basic material for this study, were recorded by the folk music scholar Lee Bohyeong in 1991. They show in detail the relationship between Kim Dongmin and the early days of the National Gugak Center. Based on them, this study summarizes the circumstance at that time by reviewing Kim Cheonheung's book, the National Gugak Center's 50th and 70th anniversary collections, and newspaper articles. Then, an oral interview was conducted with Kim Dongmin's eldest daughter, Kim Ongyeong, to cross-verify the facts. The results of this study are as follows. First, the National Gugak Center was provided with a temporary office at Kim Dongmin's house at 6 Toseong-dong 3ga, Seo-gu, Busan, from the end of December 1950 until its official opening in April 1951. Second, after the opening of the National Gugak Center, the first dance class for beginners was held by Kim Dongmin's Folk Dance Research Institute. Third, in 1952, when Busan's first dance play, Chunhyangjeon, was performed on 'the 1st Folk Dance Presentation', the musicians of the National Gugak Center, including Sung Kyungrin and Kim Chunheung, were in charge of the commentary and accompaniment. This fact played an important role in the birth of the National Gugak Center, and can be seen to be due to the passion and support of Kim Dongmin, a lover of Korean traditional music and instigator of the Korean traditional music enlightenment movement. In summary, Kim Dongmin greatly influenced the development of the National Gugak Center in Busan by providing a place for dance lessons and holding collaborative performances. This study is meaningful in that it newly established the situation before and after the opening of the National Gugak Center, which has not been well known so far, and shed new light on its historical significance.

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Adelaar, K. Alexander, James T. Collins, K. Alexander Adelaar, James T. Collins, K. Alexander Adelaar, James T. Collins, K. Alexander Adelaar et al. « Book Reviews ». Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 154, n^o 4 (1998) : 638–86. http://dx.doi.org/10.1163/22134379-90003888.

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- K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di pulau Sumatera. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1995, xliii + 201 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di pulau Jawa, Bali dan Sri Lanka. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1995, xxxvii + 213 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di Indonesia Timur. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1996, xxx + 103 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di pulau Borneo. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1990, xxviii + 100 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - Freek L. Bakker, Samuel Wälty, Kintamani; Dorf, Land und Rituale; Entwicklung und institutioneller Wandel in einer Bergregion auf Bali. Münster: Lit Verlag, 1997, xii + 352 pp. - René van den Berg, Linda Barsel, The verb morphology of Mori, Sulawesi. Canberra: Department of Linguistics, Research School of Pacific and Asian Studies, Australian National University, 1994, x + 139 pp. [Pacific Linguistics Series B-111.] - Martin van Bruinessen, Darul Aqsha, Islam in Indonesia; A survey of events and developments from 1988 to March 1993. Jakarta: INIS, 1995, 535 pp., Dick van der Meij, Johan Hendrik Meuleman (eds.) - Martin van Bruinessen, Niels Mulder, Inside Indonesian society; Cultural change in Java. Amsterdam: Pepin Press, 1996, 240 pp. [Previously published Bangkok, Duang Kamol, 1994.] - Matthew Isaac Cohen, Craig A, Lockard, Dance of life; Popular music and politics in Southeast Asia. Honolulu: University of Hawai’i Press, 1998, xix + 390 pp. - Will Derks, Tenas Effendy, Bujang Tan Domang; Sastra lisan orang Petalangan. Yogyakarta: Yayasan Benteng Budaya/Ecole Francaise d’Extrême Orient/The Toyota Foundation, 1997, 818 pp. [Al Azhar and Henri Chambert-Loir (eds).] - Will Derks, Philip Yampolsky, Music from the forests of Riau and Mentawai. Recorded and compiled by Philip Yampolsky; annotated by Hanefi, Ashley Turner, and Philip Yampolsky. Washington, D.C.: Smithsonian Folkways, 1995. [Music of Indonesia 7SF; CD 40423.] - Will Derks, Philip Yampolsky, Melayu music of Sumatra and the Riau Islands: Zapin, Mak Yong, Mendu, Ronggeng. Recorded, compiled , and annotated by Philip Yampolsky. Washington D.C.: Smithsonian Folkways, 1996. [Music of Indonesia 11 SF; CD 40427.] - Rens Heringa, Roy W. Hamilton, Gift of the cotton maiden; Textiles of Flores and the Solor Islands. Los Angeles: Fowler Museum of Cultural History, University of California, 1994, 287 pp. - Bernice de Jong Boers, Willemijn de Jong, Geschlechtersymmetrie in einer Brautpreisgesellschaft; Die Stoffproduzentinnen der Lio in Indonesien. Berlin: Reimer, 1998, 341 pp. - C. de Jonge, A.Th. Boone, Bekering en beschaving; De agogische activititeiten van het Nederlandsch Zendelinggenootschap in Oost-Java (1840-1865). Zoetermeer: Boekencenturm, 1997, xiv + 222 pp. - Nico Kaptein, Peter G. Riddell, Islam; Essays on scripture, thought and society; A Festschrift in honour of Anthony H. Johns. Leiden: Brill, 1997, xliii + 361 pp., Tony Street (eds.) - Hugo Klooster, Janny de Jong, Niet-westerse geschiedenis; Benaderingen en thema’s. Assen: Van Gorcum, 1998, 185 pp., Gé Prince, Hugo s’Jacob (eds.) - Jean Robert Opgenort, L. Smits, The J.C. Anceaux collection of wordlists of Irian Jaya languages, B: Non-Austronesian (Papuan) languages (Part I). Leiden/Jakarta: Department of Languages and Cultures of Southeast Asia and Oceania, Rijksuniversiteit Leiden/Irian Jaya Studies Interdisciplinary Research Programme (IRIS), 1994, vi + 281 pp. [Irian Jaya Source Materials 9 (Series B No. 3).], C.L. Voorhoeve (eds) (eds.) - Pim Schoorl, Albert Hahl, Gouverneursjahre in Neuguinea. Edited by Wilfried Wagner. Hamburg: Abera Verlag Meyer, 1997, xxxi + 230 pp. - Elly Touwen-Bouwsma, Dieuwke Wendelaar Bonga, Eight prison camps; A Dutch family in Japanese Java. Athens, Ohio: University Center for International Studies, 1996, xii + 219 pp. - Freek Colombijn, Anthony J. Whitten, The ecology of Sumatra. Yogyakarta: Gadjah Mada University Press, 1987 [First edition 1984], xxiii + 583 pp., photographs, figures, tables, index., Sengli J. Damanik, Jazanul Anwar (eds.) - David Henley, Anthony J. Whitten, The ecology of Sulawesi. Yogyakarta: Gadjah Mada University Press, 1987, xxi + 777 pp., Muslimin Mustafa, Gregory S. Henderson (eds.) - Peter Boomgaard, Tony Whitten, The ecology of Java and Bali. [Singapore]: Periplus Editions, 1996, xxiii + 969 pp. [The Ecology of Indonesia Series 2.], Roehayat Emon Soeriaatmadja, Surya A. Afiff (eds.) - Han Knapen, Kathy MacKinnon, The ecology of Kalimantan. [Singapore]: Periplus Editions, 1996, xxiv + 802 pp., tables, figures, boxes, index. [The Ecology of Indonesia Series 3.], Gusti Hatta, Hakimah Halim (eds.) - Bernice de Jong Boers, Manon Ossewiejer, Kathryn A. Monk, The ecology of Nusa Tenggara and Maluku. [Singapore]: Periplus Editions, Oxford: Oxford University Press, 1997, xvii + 966 pages, tables, figures, boxes, annexes, appendixes, index. [The Ecology of Indonesia Series 5.], Yance de Fretes, Gayatri Reksodiharjo-Lilley (eds.) - Freek Colombijn, Tomas Tomascik, The ecology of the Indonesian seas [2 volumes]. Hong Kong: Periplus, 1997, xiv + vi + 1388 pp., photographs, figures, tables, indexes. [The Ecology of Indonesia Series 7-8.], Anmarie Janice Mah, Anugerah Nontji (eds.)

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Cones, Bryan. « The 78th General Convention of the Episcopal Church and the Liturgy : New Wine in Old Wineskins ? » Anglican Theological Review 98, n^o 4 (septembre 2016) : 681–701. http://dx.doi.org/10.1177/000332861609800405.

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The 78th General Convention of the Episcopal Church generated a significant number of resolutions related to the church's liturgy, most of which passed both Houses, including resolutions authorizing preparation of the revision of the 1979 Book of Common Prayer and The Hymnal 1982. A review of the resolutions related to liturgy and music, however, raises fundamental questions about the kind of liturgical reform the church may undertake and how it may integrate growing appreciation for linguistic and cultural diversity in the church, including the insights of feminist, postcolonial, and LGBTQ theological reflection and those produced by theologians of color. This essay argues that serious engagement with these questions suggests a completely reimagined liturgical “center of gravity” that integrates the insights of liturgical scholarship and practice since the authorization of the 1979 Book of Common Prayer and The Hymnal 1982, while providing the flexibility to respond to the church's current diverse contexts.

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Dewar, Andrew Raffo. « The San Francisco Tape Music Center : 1960s Counterculture and the Avant-Garde. Edited by David W. Bernstein. Berkeley : University of California Press, 2008. (Book & ; DVD) ». Journal of the Society for American Music 3, n^o 2 (mai 2009) : 253–58. http://dx.doi.org/10.1017/s1752196309091123.

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Frith, Simon. « The lives and work of Bob Dylan ». Popular Music 41, n^o 2 (mai 2022) : 257–64. http://dx.doi.org/10.1017/s026114302200040x.

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According to the website Come writers and critics, which keeps a running list of all ‘documents related to Bob Dylan printed on paper’, by the end of 2021 (Dylan's 80th year), there were 829 books about him in English and 723 in 36 other languages (from 175 in German to one each in Bulgarian and Vietnamese).1 The list is indiscriminate in terms of the various books’ quality, originality or readability, but looking at the bibliographies of the various works I'm reviewing here, it seems that there are at least 50 Dylan books that academic Dylanologists take seriously (and many more journal articles).2 From this perspective, my four titles provide a useful cross-section of the most common academic Dylan studies in disciplinary terms: biography, literary criticism, musicology and cultural studies. I should also note that in March 2016 the George Kaiser Family Foundation bought Bob Dylan's personal archive (for $22 million according to Heylin) and gave it a permanent home in Tulsa. This has opened up significant new research possibilities. In its own words: The Bob Dylan Archive® highlights the unique artistry and worldwide cultural significance of Bob Dylan. Housed at the University of Tulsa's Helmerich Center for American Research at Gilcrease Museum, the archive includes decades of never-before-seen handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia; personal documents; unrecorded song lyrics and chords. Like the writer and composer archives to be found in many university libraries, the Bob Dylan collection is accessible onsite (and by appointment) to ‘individuals with qualified research projects’, and The World of Bob Dylan is, in effect, a celebration of a new era for Dylan scholarship. Its editor, Sean Latham, is the Director of the related Institute for Bob Dylan Studies.3 However, the first book to draw on the Bob Dylan Archive systematically is Clinton Heylin's The Double Life.

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Boomgaard, Peter, John Robert Shepherd, Bernice Jong Boers, Michael Hitchcock, Dwight Y. King, Audrey R. Kahin, Han Knapen et al. « Book Reviews ». Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 152, n^o 3 (1996) : 483–508. http://dx.doi.org/10.1163/22134379-90003009.

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- Peter Boomgaard, John Robert Shepherd, Marriage and mandatory abortion among the 17th-century Siraya. Arlington: American Anthropological Association, 1995, iv + 99 pp. [American Ethnological Society Monograph Series 6.] - Bernice de Jong Boers, Michael Hitchcock, Islam and identity in Eastern Indonesia. Hull: The University of Hull Press, 1996, ix + 208 pp. - Dwight Y. King, Audrey R. Kahin, Subversion as foreign policy; The secret Eisenhower and Dulles debacle in Indonesia. New York: The New Press, 1995, 230 + 88 pp., George McT. Kahin (eds.) - Han Knapen, Harold Brookfield, In place of the forest; Environmental and socio-economic transformation in Borneo and the eastern Malay peninsula. Tokyo, New York, Paris: United Nations University Press, 1995, xiv + 310 pp. [UNU Studies on Critical Environmental Regions.], Lesley Potter, Yvonne Byron (eds.) - Niels Mulder, E. Paul Durrenberger, State power and culture in Thailand. New Haven: Yale University, Southeast Asia Studies, 1996, vii + 200 pp. [Monograph 43.] - Peter Pels, Margaret J. Wiener, Visible and invisible realms; Power, magic and colonial conquest in Bali. Chicago: University of Chicago Press, xiv + 445 pp. - Marie-Odette Scalliet, Annabel Teh Gallop, Early views of Indonesia; Drawings from the British Library. Pemandangan Indonesia di masa lampau; Seni gambar dari British Library. London: The British Library, Jakarta: Yayasan Lontar, 1995, 128 pp., 86 ill., 39 pl. - Cornelia M.I. van der Sluys, Marina Roseman, Healing sounds from the Malaysian rain forest; Temiar music and medicine. Berkeley, Los Angeles: University of California Press, 1993, xvii + 233 pp. - Cornelia M.I. van der Sluys, John D. Leary, Violence and the dream people; The Orang Asli in the Malayan emergency, 1948-1960. Athens, Ohio: Ohio University, Center for International Studies, 1995, xxiii + 238 pp. [Monographs in International Studies, Southeast Asia Series 95.] - H. Steinhauer, Darrell T. Tryon, Comparative Austronesian Dictionary; An introduction to Austronesian studies, Berlin, New York: Mouton de Gruyter, 1995, Part I, Fascicle I: xxviii pp + p.1-666; Fascicle II: xix pp + p.667-1197; Part II: xviii + 749 pp; Part III: xviii + 739 pp; Part IV: xviii + 767 pp. [Trends in Linguistics, Documentation 10 (Werner Winter and Richard A. Rhodes, eds).]

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Stolyarov, Yu N. « The fundamentals of the book studies (The review of the book “Neurobibliology : The first effort of the cognitive study” by V. P. Leonov) ». Scientific and Technical Libraries, n^o 9 (15 septembre 2023) : 82–91. http://dx.doi.org/10.33186/1027-3689-2023-9-82-91.

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The book [in Russian] comprises three chapters, i. e. “The book as a human innate program”, “The bibliology in search of the meanings: The book is an outer cognitome?”, “The bibliology and music as an outer cognitome and form of knowledge”, “On the reading neurobiology and “brain book”, “Neurphilosophy and neurobibliology: The problems at the interface of disciplines”, “On the interdisciplinarity of bibliology: From Bibliologos to Neurobibliology”, and “Neurbibliology as the interdisciplinary studies of the book and cognitive processes”.The reviewer dissects and analyzes the key provisions of the book. The assumption that “the book is the human innate program” contradicts to the speech evolutionary descent theory and to the practice. The documentology also answers to the question surprisingly mysterious to the book author (“what are the origins of the writing?”) – the sound is a sign and “represents” the thought. It is impossible to preserve the initial meaning for the long time so the appropriate equivalent had to be found in the form of the letters as the transformed sound signs, or the code.Further, V. Leonov develops the concept of the book as an outer cognitome, i. e. the element of integrated biomedical, technological, and existential – brain cognitive power which makes him to view the bibliology on the conjunction of neurosciences and the humanities. The theory of cognitive systems has to become the methodological foundation of the bibliology and bibliography, and the Russian Academy of Sciences needs an interdisciplinary analytic center for studies of the book phenomenon. The author suggests the term “bibliology of neurosciences” for the new discipline. Besides, he suggests that a new interdisciplinary science of cognitology has to integrate psychology, computer science, linguistics, anthropology, neuroscience, philosophy, pedagogy, bibliology, and bibliography in the aspect of knowledge. The cognitome is the innate cognitome while the book is an outer cognitome. This interpretation coincides with that of K. Popper’s three worlds, one of which is the world of “products of thought”, the objects in their own right. The reference to this concept would significantly strengthen Leonov’s hand.

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Kusumaningrum, Andriani, Sri Harjanto, Sri Siswanti, Setiyowati Setiyowati, Mita Purwati et Retno Tri Vulandari. « PENINGKATAN STRATEGI PEMASARAN DAN BRANDING UMKM DESA PENTUR KABUPATEN BOYOLALI MELALUI DIGITAL MARKETING ». ABDI MAKARTI 2, n^o 2 (25 octobre 2023) : 145. http://dx.doi.org/10.52353/abdimakarti.v2i2.523.

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Economically, most of the residents of Pentur Village are farmers, both working in paddy fields and fields, apart from that, it is also a center for the bamboo woven craft industry which is the livelihood of some of the residents. In fact, Pentur village also has a fairly well-known foundation called "Tumpi Redhouse" which was founded on July 16 2012. In this library there are 2500 book collections, hundreds of film collections, various magazines and reference books. Apart from being a place to read, this library also holds various community empowerment activities such as agricultural activities and MSME groups. Several arts live in this village, various traditional ceremonies such as cleaning the village with shadow puppet performances are still held every year, apart from that, reog art, music and painting are also the breath of artistic activities in this village. The aim of this service is to implement visuals in content and digital marketing formats to improve the economy of Pentur village. Methods for implementing the service include content creator and digital marketing workshops for MSMEs in Pentur village. The resulting output is the implementation of the workshop. At the end of this program, activities will be published via print and online media.

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Harefa, Misael Oktavianda, et Soeb Aripin. « Penerapan Metode K-Means Dalam Pengelompokkan Buku Untuk Menentukan Minat Baca Pada Perpustakaan Daerah Kota Medan ». Bulletin of Artificial Intelligence 3, n^o 1 (30 avril 2024) : 26–34. http://dx.doi.org/10.62866/buai.v3i1.129.

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The library is a facility that functions as an information center, a source of various knowledge, research, recreation and cultural preservation. The Medan City Regional Library is a library organized by the regional government using general funds which aims to serve the public in obtaining comprehensive information without distinguishing gender, religion, race, age, occupation and position. In 2021 the Medan city regional library has 28 thousands of titles books in several categories. Of the many books contained in the library, a system must be needed where the system is useful for both the library and the reader in maximizing grouping of books and searching books easily by the reader, therefore the K-Means Clustering method is used, where the method This is a method in data mining that processes clustering data that is grouped into one or more clusters. In this study, 100 samples of book category data were used in the Medan City library. This study groups the data categories into 3 clusters, namely the most desirable, desirable and least desirable. The results of this method process will find out the most popular book category data so that in the future it will be a consideration for the librarian to increase the collection of books at the Medan City regional library. The process of calculating the K-Means method in grouping books is only carried out until the 2nd iteration because iteration -3 gets the same value. In Cluster 1 (Most Interested) choose 6 categories of books including Category 020-Library and Information, 070-Mass Media, Journalism and Publication, 050-Psychology, 420-Indonesian, 600-Technology, 650-Management. In Cluster 2 (Desired) choose 16 categories of books including 000-General Publications and General Information, 030-Encyclopedias and Books, 040-Biography, 050-Magazines and Journals, 090-Manuscripts and Rare Books, 210-Islamic Religion, 300-Science Social, 320-Political Science, 330-Economics, 410-Indonesian, 510-Mathematics, 620-Technical Sciences, 770-Photography and Photos, 780-Music, 910-General Travel Geography, 930-Old World History. And in cluster 3 (Less Interested) 78 categories of books were selected. 10 of them 010-Bibliography, 060-Association of Organizations and Museums, 080-Quotes, 100-Philosophy and Psychology, 110-Mathematics, 120-Epistimology, 030-Parapsychology and Occultism, 040-Philosophical Thought, 060 Logical Philosophy, 070-Ethics.

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McLeish, Tom. « The Poetry and Music of Science : Comparing Creativity in Science and Art ». Perspectives on Science and Christian Faith 75, n^o 2 (septembre 2023) : 140–42. http://dx.doi.org/10.56315/pscf9-23mcleish.

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THE POETRY AND MUSIC OF SCIENCE: Comparing Creativity in Science and Art by Tom McLeish. New York: Oxford University Press, 2022. 414 pages. Paperback; $16.95. ISBN: 9780192845375. *In this tour-de-force book, British physicist Tom McLeish finally comprehensively argues, in one dense volume, what so many scientists have been claiming piecemeal for centuries: that doing science often looks and feels like doing art. That is a broad, amorphous statement, of course, and scientists have not done a very good job of fully understanding this idea or selling it to the rest of the world. This carefully crafted volume must be the most exhaustive work in this area, treating the notion that the creative work of scientists and artists is extraordinarily similar, in that they both fundamentally involve an intimate passion for describing and representing the world around us. *This is not a book about beauty or wonder in science, but rather it examines how scientific ideas and theories come to a scientist's mind and find fruition as publishable science. The entire book juxtaposes literature and art with science and mathematics to help understand the creative process. One important impetus for writing the book, according to McLeish, was recent evidence that smart, capable high schoolers in England were choosing not to go into science because they believed it would not be nearly as fulfilling, creatively, when compared to work in the arts or humanities. McLeish, a Christian, succeeds in this book in showing that not only is creative thinking and experimenting necessary and "part of the chase" in science, but that it is also a natural fulfillment of our creative mandate as human beings made in the image of God. McLeish is also careful to give examples of "more-regular" science, rather than relying solely on the popular accounts of the creativity of exceptional geniuses; he trys to show that all scientists participate in this artistic-like creativity no matter what they are studying. *The first two chapters introduce the concepts of creativity and inspiration in science. McLeish begins an interaction with several important works that he draws on throughout the book: William Beveridge's The Art of Scientific Investigation from 1950, Henry James's The Art of the Novel, and Howard Gardner's 1993 work Creating Minds (one of many surveys of particularly creative individuals). Chapter 3, "Seeing the Unseen," is about visual imagination and its role in theory creation, artistic design, and general problem solving. Visual imagination is seeing things in the mind's eye, but it is obviously linked to actual sight and seeing the world, too. Surveying the history of thought in this area, McLeish ranges from Plato to Gregory of Nyssa, to the thirteenth-century polymath Robert Grosseteste, to the Italian painter Giotto, to Einstein, who said his theory creation and problem solving started with visual images in his mind, which often led to his famous gedanken experiments. Grosseteste is one of the main interlocutors for McLeish throughout the book, being an exemplar of someone having a broad view of thought and creative exploration, not just compartmentalizing a premodern understanding of the physical world from his theological and philosophical commitments. *Chapters 4 through 6 sequentially juxtapose each of the three main areas of scientific work (experiment, theory, and mathematics) with their natural counterpart in literature and music. Experimental science is akin to writing a novel (!?) in that both set up artificial worlds that are tested against the real world and help illuminate the real world. Theoretical science is akin to writing poetry, in that both re-imagine the universe within fixed constraints: poetry within a certain shaping but constraining form, and theoretical visions of what goes on "under" the natural world constrained by a necessary conformity to that world. Chapter 6 compares mathematical creativity with composing and listening to music--the two "wordless" human endeavors in the world of the abstract. *The book is ultimately a treatise on creativity, and as such applies not just to science and art, but to all human endeavors that require creativity. In the final two chapters (7 and 8), McLeish develops what he describes as an "Ur-narrative of creative experience." Starting with a four-step creative process taken from Graham Wallas's 1926 work The Art of Thought, he adds in three more important stages that emerge from his analyses. The seven steps are: vision, desire, industry, constraint, incubation, illumination, and verification. (McLeish has added in desire, industry, and constraint, along with switching Wallas's ideation to vision.) Chapter 7 deals with emotion and drive in scientific creation, and chapter 8 ponders the purpose of human creativity, the telos that ultimately drives scientists and artists to such great lengths in pursuing their creative work. McLeish brings the imago Dei front and center, drawing on the two great hymns in the Book of Job, "Voice from the Whirlwind" (Job 38-42) and "Hymn to Wisdom" (Job 28), as guides to understanding the creative impulse to understand creation. In this he draws on his previous volume with Oxford, Faith and Wisdom in Science. *I believe that listing all the scientific works that McLeish describes in detail with regard to the creative elements behind the works is a good way to convey the magisterial scope of this intellectually rich book. Topics that get 2-10 pages each of description include Feynman's theory of beta decay, McLeish's own considerable contribution to viscous flow in branched polymer melts and his idea of entropically based allostery in biology, Belgian scientist Jan Vermant's work in mesoscale properties of "living matter" (which involves cellular-based material science), "collective phenomenon" and its original invocation by Pierre Weiss in 1907 to explain ferromagnetism, the centuries-long premodern controversy over the nature of sight (intromissive vs. extramissive, etc.), the recent evidence of a star being destroyed by a black hole, Boyle's contributions to the founding of modern experimental science, Alexander von Humboldt's important contributions to the value of a wholistic, multilevel vision of nature and science, Emmy Noether's astonishing discovery of the theoretical origin of conservation laws in physics, the discovery of the all-important fluctuation-dissipation theorem over 30 years (inaugurated by Einstein in 1905, applied to electrical noise by Nyquist in 1928, and fully generalized by Callen and Welton in 1951), the recent development at Caltech of a jet fuel polymer additive that greatly inhibits explosions of jet fuel (motivated in part by the horror of the fuel explosions on 9/11), and finally the full discovery of what causes rainbows by Theodoric in ca. 1310. The descriptions of these historic achievements are each fascinating in their own right and very readable--they alone, for me, would justify an investment in this book. When they are paired with a similar creative work from art, poetry, or fiction, the juxtaposition is extremely fruitful, though the philosophical/psychological analyses get much denser. *Many other discoveries are given much shorter treatment (less than one page), including Andrew Wile's solution to Fermat's Last Theorem, Dirac's mathematical discovery of spin and anti-matter, Poincaré's discovery of a new class of Fuchsian functions, Royer's recent proof of the Gaussian Correlation Inequality in statistics, and Heisenberg on discovering quantum matrix mechanics. The explorations into artistic and literary creativity are typically much shorter, but are nearly as numerous; they include a painting conceptually representing a string-quartet performance by English artist Graeme Willson, Virginia Woolf's To the Lighthouse, Robert Schumann's orchestral work Konzertstück, and Picasso's masterpiece Guernica. *At nearly four hundred pages, this is not light reading and takes some patience and time to get through. It is written at a very high level of sophistication, and therefore one is often "bogged down" trying to make complete sense of what one is reading. (However, if one is not writing a review of the book, one need not spend quite so much time disentangling every dense sentence to get the main gist of the passages.) Also difficult are the many references to previous parts of the book. While these references are entirely appropriate, they are quite demanding of the reader given the sheer number of names and amount of material covered. I had to do quite a bit of flipping back and forth, checking the index to remember exactly what so-and-so said that is now being referenced 100 pages later. In other words, this is a thoroughly academic text. *This is a revised edition of the book, which was first published in 2019. The overwhelming positive response, according to the new preface, prompted the author to immediately answer some of the initial reviews and friendly critiques, which I believe made the book quite a bit better (initially there was not nearly as much about poetry; the comparison of poetry with theoretical science now became a separate chapter, enabling McLeish to more logically and thoroughly cover the territory he had staked out). McLeish sadly died very recently (February 2023) at age 60, while holding the newly created chair in Natural Philosophy at University of York. He was a lay preacher in the Anglican Church and a Fellow of the Royal Society. *Reviewed by Peter Walhout, Chemistry Department, Wheaton College, Wheaton, IL. 60187.

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 75, n^o 1-2 (1 janvier 2001) : 123–88. http://dx.doi.org/10.1163/13822373-90002561.

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-Virginia R. Dominguez, Louis A. Pérez, Jr., On becoming Cuban: Identity, nationality, and culture. Chapel Hill: University of North Carolina Press, 1999. xiv + 579 pp.-Solimar Otero, Kali Argyriadis, La religión à la Havane: Actualités des représentations et des pratiques culturelles havanaises. Paris: Éditions des Archives Contemporaines,1999. 373 pp.-Jane Desmond, Jane Blocker, Where is Ana Mendieta?: Identity, performativity, and exile. Durham NC: Duke University Press, 1999. xvi + 166 pp.-Richard Handler, Amílcar A. Barreto, Language, elites, and the state: Nationalism in Puerto Rico and Quebec. Westport CT: Praeger, 1998. x + 165 pp.-Juan Flores, Lillian Guerra, Popular expression and national identity in Puerto Rico: The struggle for self, community, and nation. Gainesville: University Press of Florida, 1998. xi + 332 pp.-Eileen J. Findlay, Rafael L. Ramírez, What it means to be a man: Reflections on Puerto Rican masculinity. New Brunswick NJ: Rutgers University Press, 1999. xv + 139 pp.-Arlene Torres, Eileen J. Suárez Findlay, Imposing decency: The politics of sexuality and race in Puerto Rico, 1870-1920. Durham NC: Duke University Press, 1999. xii + 316 pp.-Rita Giacalone, Humberto García Muñiz ,Fronteras en conflicto: Guerra contra las drogas, militarización y democracia en el Caribe, Puerto Rico y Vieques. San Juan: Red Caribeña de Geopolítica, Seguridad Regional y Relaciones Internacionales, afiliada al Proyecto AT-LANTEA, 1999. 211 pp., Jorge Rodríguez Beruff (eds)-Bonham C. Richardson, q , Polly Pattullo, Fire from the mountain: The tragedy of Monserrat and the betrayal of its people. London: Constable, 2000. xvii + 217 pp.-Aisha Khan, Gillon Aitken, Between father and son: Family letters. V.S. Naipaul. New York: Alfred A. Knopf, 2000. xi + 297 pp.-J. Michael Dash, Marie-Hélène Laforest, Diasporic encounters: Remapping the Caribbean. Naples Liguori, 2000. 271 pp.-Jeanne Garane, Renée Larrier, Francophone women writers of Africa and the Caribbean. Gainesville: University Press of Florida, 2000. ix + 156 pp.-Julian Gerstin, Brenda F. Berrian, Awakening spaces: French Caribbean popular songs, music, and culture. Chicago: University of Chicago Press, 2000. xvi + 287 pp.-Halbert Barton, Steven Loza, Tito Puente and the making of Latin music. Urbana: University of Illinois Press, 1999. xvi + 258 pp.-Mark Moberg, Anne Sutherland, The making of Belize: Globalization in the margins. Westport CT: Bergin & Garvey, 1998. x + 203 pp.-Daniel A. Segal, Kevin K. Birth, 'Any time is Trinidad time' : Social meanings and temporal consciousness. Gainesville: University Press of Florida, 1999. xiv + 190 pp.-Samuel Martínez, Michele Wucker, Why the cocks fight: Dominicans, Haitians, and the struggle for Hispaniola. New York: Hill and Wang, 1999. xxi + 281 pp.-Paul E. Brodwin, Terry Rey, Our lady of class struggle: The cult of the virgin Mary in Haiti. Trenton NJ: Africa World Press, 1999. x + 362 pp.-Robert Fatton, Jr., Elizabeth D. Gibbons, Sanctions in Haiti: Human rights and democracy under assault. Westport CT: Praeger, with the Center for Strategic and International Studies, Washington DC, 1999. xviii + 138 pp.-Robert Fatton, Jr., David M. Malone, Decision-making in the UN security council: The case of Haiti, 1990-1997. Oxford: Clarendon, 1998. xxi + 322 pp.-James Sanders, César J. Ayala, American sugar kingdom: The plantation economy of the Spanish Caribbean, 1898-1934. Chapel Hill: University of North Carolina Press, 1999. xii + 321 pp.-James Sanders, Alan Dye, Cuban sugar in the age of mass production: Technology and the economics of the sugar central, 1899-1929. Stanford CA: Stanford University Press, 1998. xiii + 343 pp.-Linden Lewis, Richard Hart, Towards decolonisation: Political, labour and economic developments in Jamaica 1938-1945. Kingston: Canoe Press, 1999. xxii + 329 pp.-John Smolenski, John W. Pulis, Moving on: Black loyalists in the Afro-Atlantic world. New York: Garland, 1999. xxiv + 224 pp.-Rosemarijn Hoefte, Clem Seecharan, Bechu: 'Bound coolie' Radical in British Guiana 1894-1901. Kingston: University of the West Indies Press, 1999. x + 315 pp.-Bonno Thoden van Velzen, C.N. Dubelaar ,Het Afakaschrift van de Tapanahoni Rivier in Suriname. Utrecht: Thela Thesis, 1999. 183 pp., André R.M. Pakosie (eds)-Bonno Thoden van Velzen, André R.M. Pakosie, Gazon Matodja: Surinaams stamhoofd aan het einde van een tijdperk. Utrecht: Stichting Sabanapeti, 1999. 172 pp.-Geneviève Escure, Peter L. Patrick, Urban Jamaican Creole: Variation in the Mesolect. Amsterdam: John Benjamins, 1999. xx + 331 pp.

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Fredrikzon, Johan. « 1. Abstract Machines ». Sensorium Journal 3 (26 mars 2021) : 18–27. http://dx.doi.org/10.3384/sens.2002-3030.2021.3.18-27.

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Johan Fredrikzon spent one and a half years as a visiting research assistant at the Film and Media Studies Program at Yale University 2018/2019. Some months before he arrived, a two-day workshop on Simondon was held by the Yale-Düsseldorf Working Group on Philosophy and Media, titled Modes of Technical Objects, with scholars from the US and Germany. Fredrikzon decided to engage a few of the workshop participants for this special issue of Sensorium, with the purpose to discuss perspectives on Simondon as a theoretical instrument for thinking technology, how the French philosopher matters in their work, and why there seems to be a revival in the interest in the writing of Simondon these days. About Gary Tomlinson: Gary Tomlinson is John Hay Whitney Professor of Music and the Humanities and director of the Whitney Humanities Center at Yale University. Tomlinson has taught and written about the history of opera and early-modern musical thought and practice, but also on the philosophy of history and anthropological theory. In his current research, he combines humanistic theory with evolutionary science and archaeology to search for the role of culture in the evolution of man. Following A Million Years of Music: The Emergence of Human Modernity (MIT Press, 2015), his new book Culture and the Course of Human Evolution (Chicago, 2018) deepens the theoretical framework on how culture has shaped biology.

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Kaare, Birgit Hertzberg. « The Self and the Institution ». Nordicom Review 33, n^o 2 (1 décembre 2012) : 17–26. http://dx.doi.org/10.2478/nor-2013-0011.

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Abstract Media researchers have not been much preoccupied with a genre named Digital Storytelling. Since its origin in the early 90s, it has spread from California to the rest of the United States and has been evolving for several years now as a media practice around the globe. I therefore want to draw more attention to digital storytelling, here understood as a specific genre developed at the Center for Digital Storytelling (CDS) in California and defined as a short, first-person video narrative that combines voice recordings, still and moving images, and music or other sounds (www.storycenter.org). Such storytelling is regarded as both a movement and a method; and it is in its idea a short personal story, about the self. In the subtitle of his book Digital Storytelling, the leader of the center, Joe Lambert, highlights that this type of narratives are Creating Community through Capturing Lives of individuals (Lambert 2009). This genre is embedded in a democratic and empowering ideology. Along these lines, the main concern of this article is to discuss whether a change can be observed in the digital storytelling genre from an individualistic perspective to a more collective perspective - a shift from narrating selves to narrating communities. In examining this question, this work draws upon 45 films produced by bachelor students at the University of Oslo in 2010 and 2011.

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Veksler, Yulia S. « Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies ». Contemporary Musicology, n^o 4 (2023) : 29–49. http://dx.doi.org/10.56620/2587-9731-2023-4-029-049.

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Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the personalities both of the owner of the book collection and of his or her entire generation. The library makes it possible to evaluate the tastes and the predilections of the composer in question, helps reconstruct his or her artistic ideas, at times contains various types of marginalia, which in modern source studies have acquired the status of texts. The fate of Arnold Schönberg’s library and that of his student Alban Berg unfolded differently from each other. Schönberg was not a bibliophile, his personal library served him as a working tool and reflected his multifaceted interests in various fields of knowledge. Despite his numerous relocations, his library retained its integrity. Schönberg himself compiled a partial inventory of it, arranging the books in accordance with his hierarchy of values. The systematic study of his book collection began at the Arnold Schönberg Institute in Los Angeles and was continued at the Arnold Schönberg Center after his archive was moved to Vienna. Of particular value in the Schönberg library are his polemical marginalia, in which he conducts imaginary discussions with contemporaries: Hans Pfitzner, Ferruccio Busoni, Heinrich Schenker and others. They complement the corpus of Schönberg’s published and unpublished music theory texts. Berg’s library is up to the present day located in the composer’s Vienna apartment. Researchers received access to his books at a relatively late date, after the death of Berg’s widow Helena in 1976. The systematization and cataloging of the Berg Library has not been finished up to the present time. Berg came from an antiquarian family, he inherited his bibliophilia from his father. Already from a young age, he perceived his personal library a means of cognition of himself and the world, as evidenced by the large-scale collection of quotations Von der Selbsterkenntnis [About Self-Cognition] compiled by him. Berg, like Schönberg, had a habit of polemizing with opponents in the form of marginalia (such is his polemics with Wilhelm Krug in his book Neue Musik). Of great interest to researchers are Berg’s work copies of Georg Büchner’s dramatic play Wozzeck by, as well as Frank Wedekind’s dilogy of plays Erdgesit [The Spirit of the Earth] and Die Büchse der Pandora [Pandora’s box] which were used by Berg during his work on the librettos for each of his two operas. They make it possible to reconstruct the composer’s creative process and contain valuable instructions regarding the dramaturgy and compositional form, the protagonists’ characteristic features, as well as the formal structures of separate sections of the operas. The ongoing process of digitization of Schönberg’s and Berg’s archives makes it possible for us to hope that researchers on all the continents will be granted access to personal libraries of these two composers, as well as those of other composers.

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Лобкова, Г. В. « Musical folklore of the Starodubsky District of the Bryansk Region in the Recordings of the 1950s (from the Collections of the Klyment Kvitka Folk Music Research Center of the Moscow State Tchaikovsky Conservatory) ». OPERA MUSICOLOGICA, n^o 2023 (27 mars 2023) : 152–62. http://dx.doi.org/10.26156/om.2023.15.1.008.

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В статье рецензируются два аудиоиздания серии «Фольклорная коллекция Московской консерватории», подготовленные коллективом сотрудников Научного центра народной музыки имени К. В. Квитки Московской государственной консерватории имени П. И. Чайковского на основе экспедиционных материалов 1950-х годов К. Г. Свитовой, Л. А. Бачинского: аудиоприложение к сборнику Свитовой «Песни Брянской области» (1966) — «Народные песни Стародубского района Брянской области: Азаровка, Алейниково, Камень, Курковичи, Мишковка, Мохоновка, Остроглядово, Чубковичи» (FCMC 004, 2022) и сборник поэтических текстов с предисловием «Песни села Остроглядово в записях 1950-х годов: Из фондов Научного центра народной музыки имени К. В. Квитки Московской государственной консерватории имени П. И. Чайковского» (Антология фольклора Брянской области. Выпуск 5) с аудиоприложением на DVD (FCMC 005, 2022). Издания дают возможность услышать полноценное звучание народных песен и музыкальных инструментов Стародубья — самобытного этнокультурного региона. Комбинированный формат публикаций сочетает в себе традиционную книжную версию с электронным видом представления материалов архивных коллекций 1950-х годов (аудиозаписи, фотографии, рукописи экспедиционных отчетов, полевые записи поэтических текстов, сборники). The article reviews two audio editions of the series “Folklore Collection of the Moscow Conservatory”, prepared by a team of employees of the Klyment Kvitka Folk Music Research Center of the Moscow State Tchaikovsky Conservatory on the basis of expedition materials of the 1950s by K.G. Svitova, L.A. Bachinsky: audio application to Svitova’s publication “Songs of the Bryansk Region” (1966) — “Folk Songs of the Starodubsky District of the Bryansk Region: Azarovka, Aleinikovo, Kamen, Kurkovichi, Mishkovka, Mokhonovka, Ostroglyadovo, Chubkovichi” (FCMC 004, 2022); and the publication of poetic texts with the preface “Songs of the village of Ostroglyadovo in the recordings of the 1950s: From the collections of the Klyment Kvitka Folk Music Research Center of the Moscow State Tchaikovsky Conservatory” (Anthology of Folklore of the Bryansk Region. Volume 5) with audio application on DVD (FCMC 005, 2022). The undoubted importance of these publications is associated with ensuring wide access to the intangible ethnocultural heritage of Russia, the ability to hear the full-fledged sound of folk songs and musical instruments of Starodubye. This distinctive ethnocultural region stands out for preservation of the early historic and style layer of folk music. The publications successfully combine the traditional book format of communicating information with the electronic type of presentation of materials of the archival collections of the 1950s. The CDs contain audio recordings, photographs, manuscripts of expedition reports, handwritten recordings of poetic texts and editions in portable format.

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 72, n^o 3-4 (1 janvier 1998) : 305–62. http://dx.doi.org/10.1163/13822373-90002597.

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-Lennox Honychurch, Robert L. Paquette ,The lesser Antilles in the age of European expansion. Gainesville: University Press of Florida, 1996. xii + 383 pp., Stanley L. Engerman (eds)-Kevin A. Yelvington, Gert Oostindie, Ethnicity in the Caribbean: Essays in honor of Harry Hoetink. London: Macmillan Caribbean, 1996. xvi + 239 pp.-Aisha Khan, David Dabydeen ,Across the dark waters: Ethnicity and Indian identity in the Caribbean. London: Macmillan Caribbean, 1996. xi + 222 pp., Brinsley Samaroo (eds)-Tracey Skelton, Ralph R. Premdas, Ethnic conflict and development: The case of Guyana. Brookfield VT: Ashgate, 1995. xi + 205 pp.-Rosemarijn Hoefte, Basdeo Mangru, A history of East Indian resistance on the Guyana sugar estates, 1869-1948. Lewiston NY: The Edwin Mellen Press, 1996. xiv + 370 pp.-Rosemarijn Hoefte, Clem Seecharan, 'Tiger in the stars': The anatomy of Indian achievement in British Guiana 1919-29. London: Macmillan, 1997. xxviii + 401 pp.-Brian Stoddart, Frank Birbalsingh, The rise of Westindian cricket: From colony to nation. St. John's, Antigua: Hansib Publishing (Caribbean), 1996. 274 pp.-Donald R. Hill, Peter van Koningsbruggen, Trinidad Carnival: A quest for national identity. London: Macmillan Caribbean, 1997. ix + 293 pp.-Peter van Koningsbruggen, John Cowley, Carnival, Canboulay and Calypso: Traditions in the making. Cambridge: Cambridge University Press, 1996. xv + 293 pp.-Olwyn M. Blouet, George Gmelch ,The Parish behind God's back : The changing culture of rural Barbados. Ann Arbor: University of Michigan Press, 1997. xii + 240 pp., Sharon Bohn Gmelch (eds)-George Gmelch, Mary Chamberlain, Narratives of exile and return. London: Macmillan, 1997. xii + 236 pp.-Michèle Baj Strobel, Christiane Bougerol, Une ethnographie des conflits aux Antilles: Jalousie, commérages, sorcellerie. Paris: Presses Universitaires de France, 1997. 161 pp.-Abdollah Dashti, Randy Martin, Socialist ensembles: Theater and state in Cuba and Nicaragua. Minneapolis: University of Minnesota Press, 1994. xii + 261 pp.-Winthrop R. Wright, Jay Kinsbruner, Not of pure blood: The free people of color and racial prejudice in nineteenth-century Puerto Rico. Durham NC: Duke University Press, 1996. xiv + 176 pp.-Gage Averill, Deborah Pacini Hernandez, Bachata: A social history of a Dominican popular music. Philadelphia PA: Temple University Press, 1995. xxiii + 267 pp.-Vera M. Kutzinski, Lorna Valerie Williams, The representation of slavery in Cuban fiction. Columbia: University of Missouri Press, 1994. viii + 220 pp.-Peter Mason, Elmer Kolfin, Van de slavenzweep en de muze: Twee eeuwen verbeelding van slavernij in Suriname. Leiden: Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 1997. 184 pp.-J. Michael Dash, Jean-Pol Madou, Édouard Glissant: De mémoire d'arbes. Amsterdam: Rodopi, 1996. 114 pp.-Ransford W. Palmer, Jay R. Mandle, Persistent underdevelopment: Change and economic modernization in the West Indies. Amsterdam: Gordon and Breach, 1996. xii + 190 pp.-Ramón Grossfoguel, Juan E. Hernández Cruz, Corrientes migratorias en Puerto Rico/Migratory trends in Puerto Rico. Edición Bilingüe/Bilingual Edition. San Germán: Caribbean Institute and Study Center for Latin America, Universidad Interamericana de Puerto Rico, 1994. 195 pp.-Gert Oostindie, René V. Rosalia, Tambú: De legale en kerkelijke repressie van Afro-Curacaose volksuitingen. Zutphen: Walburg Pers, 1997. 338 pp.-John M. Lipski, Armin J. Schwegler, 'Chi ma nkongo': Lengua y rito ancestrales en El Palenque de San Basilio (Colombia). Frankfurt: Vervuert, 1996. 2 vols., xxiv + 823 pp.-Umberto Ansaldo, Geneviève Escure, Creole and dialect continua: Standard acquisition processes in Belize and China (PRC). Amsterdam: John Benjamins, 1997. ix + 307 pp.

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Cowen, Virginia S. « Interview with John A. Astin, PhD ». Complementary health practice review 9, n^o 1 (janvier 2004) : 5–10. http://dx.doi.org/10.1177/1076167503256977.

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Dr. John A. Astin received his PhD in health psychology from the University of California, Irvine. He has been a research fellow in the Complementary and Alternative Medicine Program at the Stanford University School of Medicine and director of mind-body research at the Complementary Medicine Program, University of Maryland School of Medicine. In 2002, he joined California Pacific Medical Center in San Francisco as a research scientist. His research and clinical work has focused on several related areas: the use of mind-body therapies, particularly mindfulness meditation, to treat various health-related problems; psychosocial factors associated with use of complementary and alternative medical therapies; the psychological construct of control and its relationship to mental and physical health; and the role of spirituality in healthcare. His research has appeared in such journals as Archives of Internal Medicine, JAMA, and the Annals of Internal Medicine. He is coauthor (with Deane Shapiro) of the book, Control Therapy: An Integrated Approach to Psychotherapy, Health, and Healing. Along with his scholarly pursuits, Dr. Astin is an accomplished singer, songwriter, and recording artist and has produced five albums of original music that are distributed worldwide.

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AKTEPE, DEMET. « OSMANLI/TÜRK MÜZİĞİNDE 15. YÜZYIL : MURÂDNAME 34. BÂB İNCELEMESİ ». Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 103 (20 septembre 2022) : 283–99. http://dx.doi.org/10.34189/hbv.103.014.

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In this article, Murad-Nâme’s music is examined by Bedr-i Dilşâd. The book is the translation and commentary of Kabus-nâme which it is written by Keykavus b. İskender in 1082. But many parts in Murad-Nâme are written to be expanded, including music part as well. When Murad-Nâme is examined in the 34th music section; It is seen that the “esoteric symbolism-based makam model” of the 15th Century represents theoretical understanding. This classification -this classification makes the model in question different from the other and next models- is made in the form “makam-âvâzeşûbe- terkib”. The concept of “makam” has a fundamental role in this model. And also there has been another important feature of this model that these concepts are associated with horoscopes, planets, four elements and time, with regard to the esoteric nature of model. It is seen that the music section in Murad-Nâme reflects the most important features that describe the “esoteric symbolism-based makam model” in terms of stylipment. The book is included twelve makam, seven âvâze, four şûbe and fiftyfour terkib names, also their identification has been made. Besides these in the book musical science, musician and singing rules and the effects of music on listeners etc. are also included. In this article, the 15th century style in Turkish music is examined through the example of Murad-Nâme based on a hermeneutic approach its relationship with esoteric symbolism-based makam model. The theoretical approach in the Music section of the book was examined by creating the tables to better view the whole. In some tables, comparisons with Rûhperver -is a 17th century book written in the same style- in order to see the relationship between the next period of the 15th century; the similarities and differences in the 15th-century definitions of the makam, the âvâze, the şûbe and the terkib is tried to be shown.

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Han, Sang Eon. « Kim Jong-il’s “On the Art of the Cinema” and North Korean Cinema ». Modern Bibiography Review Society 26 (31 décembre 2022) : 707–36. http://dx.doi.org/10.56640/mbr.2022.26.707.

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The history of North Korean cinema is divided into before and after Kim Jong-il led the film territory. Kim Jong-il was in charge of propaganda and agitation in the mid-1960s. In addition, he led the qualitative change in the literary territory with a focus on the film territory. In the process, he took the lead in the liquidation of person in the North Korean film industry and took the lead in creating so-called revolutionary films such as “Sea of Blood” with detailed guidance in all areas of production, from writing a scenario to directing, filming, acting, and making stage.Kim Jong-il’s achievements in the film territory are concentrated in his “On the Art of the Cinema”. This book is a problematic work that encompasses the development and limitations of film art during the Kim Jong-il era. This article focuses on the theory of film art and examines its system, form, and content. Also in this article, I reveal that starting with the theory of film art, the literary center of the Kim Jong-il era began to expand into fields other than film. It relates to achievements in the fields of play, literature, art, architecture, music, etc., completed from the late 1980s to the early 1990s.

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 77, n^o 3-4 (1 janvier 2003) : 295–366. http://dx.doi.org/10.1163/13822373-90002526.

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-Edward L. Cox, Judith A. Carney, Black rice: The African origin of rice cultivation in the Americas. Cambridge MA: Harvard University Press, 2001. xiv + 240 pp.-David Barry Gaspar, Brian Dyde, A history of Antigua: The unsuspected Isle. Oxford: Macmillan Education, 2000. xi + 320 pp.-Carolyn E. Fick, Stewart R. King, Blue coat or powdered wig: Free people of color in pre-revolutionary Saint Domingue. Athens: University of Georgia Press, 2001. xxvi + 328 pp.-César J. Ayala, Birgit Sonesson, Puerto Rico's commerce, 1765-1865: From regional to worldwide market relations. Los Angeles: UCLA Latin American Center Publications, 200. xiii + 338 pp.-Nadine Lefaucheur, Bernard Moitt, Women and slavery in the French Antilles, 1635-1848. Bloomington: Indiana University Press, 2001. xviii + 217 pp.-Edward L. Cox, Roderick A. McDonald, Between slavery and freedom: Special magistrate John Anderson's journal of St. Vincent during the apprenticeship. Jamaica: University of the West Indies Press, 2001. xviii + 309 pp.-Jaap Jacobs, Benjamin Schmidt, Innocence abroad: The Dutch imagination and the new world, 1570-1670. New York: Cambridge University Press, 2001. xxviii + 450 pp.-Wim Klooster, Johanna C. Prins ,The Low countries and the New World(s): Travel, Discovery, Early Relations. Lanham NY: University Press of America, 2000. 226 pp., Bettina Brandt, Timothy Stevens (eds)-Wouter Gortzak, Gert Oostindie ,Knellende koninkrijksbanden: Het Nederlandse dekolonisatiebeleid in de Caraïben, 1940-2000. Volume 1, 1940-1954; Volume 2, 1954-1975; Volume 3, 1975-2000. 668 pp. Amsterdam: Amsterdam University Press, 2001., Inge Klinkers (eds)-Richard Price, Ellen-Rose Kambel, Resource conflicts, gender and indigenous rights in Suriname: Local, national and global perspectives. Leiden, The Netherlands: self-published, 2002, iii + 266.-Peter Redfield, Richard Price ,Les Marrons. Châteauneuf-le-Rouge: Vents d'ailleurs, 2003. 127 pp., Sally Price (eds)-Mary Chamberlain, Glenford D. Howe ,The empowering impulse: The nationalist tradition of Barbados. Kingston: Canoe Press, 2001. xiii + 354 pp., Don D. Marshall (eds)-Jean Stubbs, Alejandro de la Fuente, A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba. Chapel Hill: University of North Carolina Press, 2001. xiv + 449 pp.-Sheryl L. Lutjens, Susan Kaufman Purcell ,Cuba: The contours of Change. Boulder CO: Lynne Rienner, 2000. ix + 155 pp., David J. Rothkopf (eds)-Jean-Germain Gros, Robert Fatton Jr., Haiti's predatory republic: The unending transition to democracy. Boulder CO: Lynn Rienner, 2002. xvi + 237 pp.-Elizabeth McAlister, Beverly Bell, Walking on fire: Haitian Women's Stories of Survival and Resistance. Ithaca NY: Cornell University Press, 2001. xx + 253 pp.-Gérard Collomb, Peter Hulme, Remnants of conquest: The island Caribs and their visitors, 1877-1998. Oxford: Oxford University Press, 2000. 371 pp.-Chris Bongie, Jeannie Suk, Postcolonial paradoxes in French Caribbean Writing: Césaire, Glissant, Condé. New York: Oxford University Press, 2001. 216 pp.-Marie-Hélène Laforest, Caroline Rody, The Daughter's return: African-American and Caribbean Women's fictions of history. New York: Oxford University Press, 2001. x + 267 pp.-Marie-Hélène Laforest, Isabel Hoving, In praise of new travelers: Reading Caribbean migrant women's writing. Stanford CA: Stanford University Press, 2001. ix + 374 pp.-Catherine Benoît, Franck Degoul, Le commerce diabolique: Une exploration de l'imaginaire du pacte maléfique en Martinique. Petit-Bourg, Guadeloupe: Ibis Rouge, 2000. 207 pp.-Catherine Benoît, Margarite Fernández Olmos ,Healing cultures: Art and religion as curative practices in the Caribbean and its diaspora. New York: Palgrave, 2001. xxi + 236 pp., Lizabeth Paravisini-Gebert (eds)-Jorge Pérez Rolón, Charley Gerard, Music from Cuba: Mongo Santamaría, Chocolate Armenteros and Cuban musicians in the United States. Westport CT: Praeger, 2001. xi + 155 pp.-Ivelaw L. Griffith, Anthony Payne ,Charting Caribbean Development. Gainesville: University Press of Florida, 2001. xi + 284 pp., Paul Sutton (eds)-Ransford W. Palmer, Irma T. Alonso, Caribbean economies in the twenty-first century. Gainesville: University Press of Florida, 2002. 232 pp.-Glenn R. Smucker, Jennie Marcelle Smith, When the hands are many: Community organization and social change in rural Haiti. Ithaca NY: Cornell University Press, 2001. xii + 229 pp.-Kevin Birth, Nancy Foner, Islands in the city: West Indian migration to New York. Berkeley: University of California Press, 2001. viii + 304 pp.-Joy Mahabir, Viranjini Munasinghe, Callaloo or tossed salad? East Indians and the cultural politics of identity in Trinidad. Ithaca NY: Cornell University Press, 2001. xv + 315 pp.-Stéphane Goyette, Robert Chaudenson, Creolization of language and culture. Revised in collaboration with Salikoko S. Mufwene. London: Routledge, 2001. xxi + 340 pp.

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Fadilah, Fadilah, et Fiza Asri Fauziah Habibah. « INPUT AND OUTPUT TO IMPROVE ENGLISH SPEAKING SKILLS BASED ON YOUTUBE VIDEO LESSONS ». Pujangga 7, n^o 2 (10 décembre 2021) : 217. http://dx.doi.org/10.47313/pujangga.v7i2.1468.

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ABSTRACTThe present study attempts to explore kinds of input and output to improve English speaking skills based on YouTube video lessons. The theory of input was proposed by Krashen, while the output was taken from the output hypothesis of Swain. This study employed qualitative descriptive method, which is a method of research that attempt to describe and interpret the objects in accordance with reality The main instrument was collecting the data, observing the data by watching the whole ten videos, then classifying every tips to two general main paths: input and output. The study showed variety of input which are found on the ten YouTube video lessons are listening that can be achieved by observing in form of listening podcast and listening music in English and learn the lyrics, and varies of reading which are reading Speed reading, Reading aloud to practice pronunciation, Reading a book, blog post, news, Reading children’s book. Kinds of output gained from those videos are speaking which are Talk to yourself, Have a speaking partner, Talk with a native, Using imitation technique, Join a discussion, Speak loudly, Make video, Creative practice, Spend time with people who speak English, and writing which is described more specifically on that video as writing a daily journal.

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Lupke, Christopher. « Reflections on Situating Taiwan in Modern Chinese Cultural Studies ». Journal of Asian Studies 71, n^o 1 (30 décembre 2011) : 57–61. http://dx.doi.org/10.1017/s0021911811002981.

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Overshadowed by its massive cousin just to the west, the island and civilization of Taiwan is easily overlooked but has long been a bastion of great intellectual activity on all disciplinary fronts. Many of us in Chinese studies visit Taiwan regularly, use its resources, mingle with Taiwan-based academics, present our research there, and take time to enjoy what it offers in cuisine, art, music, and natural beauty. A much smaller number of us focus our research on Taiwan itself, and the way that research is carried out is fraught with the problems of a contested epistemological geography. Some center their research solely on Taiwan. Others take a comparative approach. In my opinion, both of these ways of organizing and presenting ones findings are acceptable, and the litmus test for judging research on Taiwan should be the intrinsic quality of that work and not based upon whether one is a “pure” Taiwan studies scholar or not. All this stems from Taiwan's continued ambiguous and indeterminate status in the world politically and ethnically. This problem will not go away soon, but that does not mean we should shrink from it. The motivation for writing this short piece came from my reading of Emily Baum's (2011) review of Yomi Braester's new book Painting the City Red: Chinese Cinema and the Urban Conflict (2010).

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 71, n^o 1-2 (1 janvier 1997) : 107–78. http://dx.doi.org/10.1163/13822373-90002619.

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-Peter Hulme, Polly Pattullo, Last resorts: The cost of tourism in the Caribbean. London: Cassell/Latin America Bureau and Kingston: Ian Randle, 1996. xiii + 220 pp.-Michel-Rolph Trouillot, Édouard Glissant, Introduction à une poétique du Divers. Montréal: Presses de l'Université de Montréal, 1995. 106 pp.-Bruce King, Tejumola Olaniyan, Scars of conquest / Masks of resistance: The invention of cultural identities in African, African-American, and Caribbean drama. New York: Oxford University Press, 1995. xii + 196 pp.-Sidney W. Mintz, Raymond T. Smith, The Matrifocal family: Power, pluralism and politics. New York: Routledge, 1996. x + 236 pp.-Raymond T. Smith, Michel-Rolph Trouillot, Silencing the past: Power and the production of history. Boston: Beacon, 1995. xix + 191 pp.-Michiel Baud, Samuel Martínez, Peripheral migrants: Haitians and Dominican Republic sugar plantations. Knoxville: University of Tennessee Press, 1995. xxi + 228 pp.-Samuel Martínez, Michiel Baud, Peasants and Tobacco in the Dominican Republic, 1870-1930. Knoxville; University of Tennessee Press, 1995. x + 326 pp.-Robert C. Paquette, Aline Helg, Our rightful share: The Afro-Cuban struggle for equality, 1886-1912. Chapel Hill: University of North Carolina Press, 1995. xii + 361 pp.-Daniel C. Littlefield, Roderick A. McDonald, The economy and material culture of slaves: Goods and Chattels on the sugar plantations of Jamaica and Louisiana. Baton Rouge: Louisiana State University Press, 1993. xiv + 339 pp.-Jorge L. Chinea, Luis M. Díaz Soler, Puerto Rico: desde sus orígenes hasta el cese de la dominación española. Río Piedras: Editorial de la Universidad de Puerto Rico, 1994. xix + 758 pp.-David Buisseret, Edward E. Crain, Historic architecture in the Caribbean Islands. Gainesville: University Press of Florida, 1994. ix + 256 pp.-Hilary McD. Beckles, Mavis C. Campbell, Back to Africa. George Ross and the Maroons: From Nova Scotia to Sierra Leone. Trenton NJ: Africa World Press, 1993. xxv + 115 pp.-Sandra Burr, Gretchen Gerzina, Black London: Life before emancipation. New Brunswick NJ: Rutgers University Press, 1995. xii + 244 pp.-Carlene J. Edie, Trevor Munroe, The cold war and the Jamaican Left 1950-1955: Reopening the files. Kingston: Kingston Publishers, 1992. xii + 242 pp.-Carlene J. Edie, David Panton, Jamaica's Michael Manley: The great transformation (1972-92). Kingston: Kingston Publishers, 1993. xx + 225 pp.-Percy C. Hintzen, Cary Fraser, Ambivalent anti-colonialism: The United States and the genesis of West Indian independence, 1940-1964. Westport CT: Greenwood, 1994. vii + 233 pp.-Anthony J. Payne, Carlene J. Edie, Democracy in the Caribbean: Myths and realities. Westport CT: Praeger, 1994. xvi + 296 pp.-Alma H. Young, Jean Grugel, Politics and development in the Caribbean basin: Central America and the Caribbean in the New World Order. Bloomington: Indiana University Press, 1995. xii + 270 pp.-Alma H. Young, Douglas G. Lockhart ,The development process in small island states. London: Routledge, 1993. xv + 275 pp., David Drakakis-Smith, John Schembri (eds)-Virginia Heyer Young, José Solis, Public school reform in Puerto Rico: Sustaining colonial models of development. Westport CT: Greenwood Press, 1994. x + 171 pp.-Carolyn Cooper, Christian Habekost, Verbal Riddim: The politics and aesthetics of African-Caribbean Dub poetry. Amsterdam: Rodopi, 1993. vii + 262 pp.-Clarisse Zimra, Jaqueline Leiner, Aimé Césaire: Le terreau primordial. Tübingen: Gunter Narr Verlag, 1993. 175 pp.-Clarisse Zimra, Abiola Írélé, Aimé Césaire: Cahier d'un retour au pays natal. With introduction, commentary and notes. Abiola Írélé. Ibadan: New Horn Press, 1994. 158 pp.-Alvina Ruprecht, Stella Algoo-Baksh, Austin C. Clarke: A biography. Barbados: The Press - University of the West Indies; Toronto: ECW Press, 1994. 234 pp.-Sue N. Greene, Glyne A. Griffith, Deconstruction, imperialism and the West Indian novel. Kingston: The Press - University of the West Indies, 1996. xxiii + 147 pp.-Donald R. Hill, Peter Manuel ,Caribbean currents: Caribbean music from Rumba to Reggae. Philadelphia: Temple University Press, 1995. xi + 272 pp., Kenneth Bilby, Michael Largey (eds)-Daniel J. Crowley, Judith Bettelheim, Cuban festivals: An illustrated anthology. New York: Garland Publishing, 1993. x + 261 pp.-Judith Bettelheim, Ramón Marín, Las fiestas populares de Ponce. San Juan: Editorial de la Universidad de Puerto Rico, 1994. 277 pp.-Marijke Koning, Eric O. Ayisi, St. Eustatius: The treasure island of the Caribbean. Trenton NJ: Africa World Press, 1992. xviii + 224 pp.-Peter L. Patrick, Marcyliena Morgan, Language & the social construction of identity in Creole situations. Los Angeles: Center for Afro-American studies, UCLA, 1994. vii + 158 pp.-John McWhorter, Tonjes Veenstra, Serial verbs in Saramaccan: Predication and Creole genesis. The Hague: Holland Academic Graphic, 1996. x + 217 pp.-John McWhorter, Jacques Arends, The early stages of creolization. Amsterdam/Philadelphia: John Benjamins, 1995. xv + 297 pp.

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Титова, Е. В. « The Scientist Who Connected the “Silver Age and Soviet Science” ». OPERA MUSICOLOGICA 15 / 4, n^o 2023. 15/4 (23 novembre 2023) : 170–77. http://dx.doi.org/10.26156/om.2023.15.4.010.

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Рецензируемый сборник статей посвящен выдающемуся ученому, педагогу, композитору Юрию Николаевичу Тюлину, заложившему фундамент отечественного музыкознания и сформировавшему базисные представления теории музыки. Смысловым центром издания стали «Двенадцать заповедей для научных работ» Ю. Н. Тюлина, не утратившие своей актуальности и в настоящее время. В мемориальный раздел вошли 25 статей ведущих музыковедов и композиторов России. Книга включает приложение, которое содержит разделы «Научные труды Ю. Н. Тюлина», «Литература о Ю. Н. Тюлине», «Музыкальные сочинения Ю. Н. Тюлина», «Научные работы, подготовленные под руководством Ю. Н. Тюлина», «Список выступлений Ю. Н. Тюлина в качестве официального оппонента при защите диссертаций», а также два музыкальных сочинения. К сборнику статей «Неизвестный Ю. Н. Тюлин…» прилагается мультимедийный диск (mp4), содержащий запись заседания кафедры теории музыки Московской государственной консерватории им. П. И. Чайковского 15 марта 2019 г., посвященного юбилейной дате — 125-летию со дня рождения Ю. Н. Тюлина. The collection of articles is dedicated to the outstanding scientist, teacher, composer Yuri Nikolaevich Tyulin, who laid the foundation of Russian musicology and formed the basic concepts of music theory. The semantic center of the collection was the “Twelve Commandments for scientific papers” by Yu. N. Tyulin, which have not lost their relevance at the present time. The memorial section includes 25 articles by leading musicologists and composers of Russia. The book has an appendix that contains the sections “Scientific works by Yu. N. Tyulin”, “Literature about Yu. N. Tyulin”, “Musical compositions of Yu. N. Tyulin”, “Scientific papers prepared under the guidance of Yu. N. Tyulin”, “List of speeches by Yu. N. Tyulin as an official opponent in dissertation defense”, as well as two musical compositions. The collection of articles “Unknown Yu. N. Tyulin ...” is accompanied by a DVD (mp4) containing a recording of the meeting of the Department of Music Theory of the Tchaikovsky Moscow State Conservatory on March 15, 2019, dedicated to a special date — the 125th anniversary of the birth of Yu. N. Tyulin.

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 72, n^o 1-2 (1 janvier 1998) : 125–99. http://dx.doi.org/10.1163/13822373-90002604.

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-Valerie I.J. Flint, Margarita Zamora, Reading Columbus. Berkeley: University of California Press, 1993. xvi + 247 pp.-Riva Berleant-Schiller, Historie Naturelle des Indes: The Drake manuscript in the Pierpont Morgan Library. New York: Norton, 1996. xxii + 272 pp.-Neil L. Whitehead, Charles Nicholl, The creature in the map: A journey to Eldorado. London: Jonathan Cape, 1995. 398 pp.-William F. Keegan, Ramón Dacal Moure ,Art and archaeology of pre-Columbian Cuba. Pittsburgh: University of Pittsburgh Press, 1996. xxiv + 134 pp., Manuel Rivero de la Calle (eds)-Michael Mullin, Stephan Palmié, Slave cultures and the cultures of slavery. Knoxville: University of Tennessee Press, 1995. xlvii + 283 pp.-Bill Maurer, Karen Fog Olwig, Small islands, large questions: Society, culture and resistance in the post-emancipation Caribbean. London: Frank Cass, 1995. viii + 200 pp.-David M. Stark, Laird W. Bergad ,The Cuban slave market, 1790-1880. Cambridge: Cambridge University Press, 1995. xxi + 245 pp., Fe Iglesias García, María Del Carmen Barcia (eds)-Susan Fernández, Tom Chaffin, Fatal glory: Narciso López and the first clandestine U.S. war against Cuba. Charlottesville: University Press of Virginia, 1996. xxii + 282 pp.-Damian J. Fernández, María Cristina García, Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959-1994. Berkeley: University of California Press, 1996. xiii + 290 pp.-Myrna García-Calderón, Carmen Luisa Justiniano, Con valor y a cómo dé lugar: Memorias de una jíbara puertorriqueña. Río Piedras: Editorial de la Universidad de Puerto Rico, 1994. 538 pp.-Jorge Pérez-Rolon, Ruth Glasser, My music is my flag: Puerto Rican musicians and their New York communities , 1917-1940. Los Angeles: University of California Press, 1995. xxiv + 253 pp.-Lauren Derby, Emelio Betances, State and society in the Dominican Republic. Boulder CO: Westview Press, 1995. xix + 162 pp.-Michiel Baud, Bernardo Vega, Trujillo y Haiti, Volumen II (1937-1938). Santo Domingo: Fundación Cultural Dominicana, 1995. 427 pp.-Danielle Bégot, Elborg Forster ,Sugar and slavery, family and race: The letters and diary of Pierre Dessalles, Planter in Martinique, 1808-1856. Elborg & Robert Forster (eds. and trans.). Baltimore: John Hopkins University Press, 1996. 322 pp., Robert Forster (eds)-Catherine Benoit, Richard D.E. Burton, La famille coloniale: La Martinique et la mère patrie, 1789-1992. Paris: L'Harmattan, 1994. 308 pp.-Roderick A. McDonald, Kathleen Mary Butler, The economics of emancipation: Jamaica & Barbados, 1823-1843. Chapel Hill: University of North Carolina Press, 1995. xviii + 198 pp.-K.O. Laurence, David Chanderbali, A portrait of Paternalism: Governor Henry Light of British Guiana, 1838-48. Turkeyen, Guyana: Dr. David Chanderbali, Department of History, University of Guyana, 1994. xiii + 277 pp.-Mindie Lazarus-Black, Brian L. Moore, Cultural power, resistance and pluralism: Colonial Guyana 1838-1900. Montreal & Kingston: McGill-Queen's University Press; Mona, Kingston: The Press-University of the West Indies, 1995. xv + 376 pp.-Madhavi Kale, K.O. Laurence, A question of labour: Indentured immigration into Trinidad and British Guiana, 1875-1917. Kingston: Ian Randle; London: James Currey, 1994. ix + 648 pp.-Franklin W. Knight, O. Nigel Bolland, On the March: Labour rebellions in the British Caribbean, 1934-39. Kingston: Ian Randle; London: James Currey, 1995. viii + 216 pp.-Linden Lewis, Kevin A. Yelvington, Producing power: Ethnicity, gender, and class in a Caribbean workplace. Philadelphia: Temple University Press, 1995. xv + 286 pp.-Consuelo López Springfield, Alta-Gracia Ortíz, Puerto Rican women and work: Bridges in transnational labor. Philadelphia: Temple University Press, 1996. xi + 249 pp.-Peta Henderson, Irma McClaurin, Women of Belize: Gender and change in Central America. New Brunswick NJ: Rutgers University Press, 1996. x + 218 pp.-Bonham C. Richardson, David M. Bush ,Living with the Puerto Rico Shore. José Gonzalez Liboy & William J. Neal. Durham: Duke University Press, 1995. xx + 193 pp., Richard M.T. Webb, Lisbeth Hyman (eds)-Bonham C. Richardson, David Barker ,Environment and development in the Caribbean: Geographical perspectives. Mona, Kingston: The Press-University of the West Indies, 1995. xv + 304 pp., Duncan F.M. McGregor (eds)-Alma H. Young, Anthony T. Bryan ,Distant cousins: The Caribbean-Latin American relationship. Miami: North-South-Center Press, 1996. iii + 132 pp., Andrés Serbin (eds)-Alma H. Young, Ian Boxill, Ideology and Caribbean integration. Mona, Kingston: The Press-University of the West Indies, 1993. xiii + 128 pp.-Stephen D. Glazier, Howard Gregory, Caribbean theology: Preparing for the challenges ahead. Mona, Kingston: Canoe Press, University of the West Indies, 1995. xx + 118 pp.-Lise Winer, Richard Allsopp, Dictionary of Caribbean English usage. With a French and Spanish supplement edited by Jeanette Allsopp. Oxford: Oxford University Press, 1996. lxxviii + 697 pp.-Geneviève Escure, Jacques Arends ,Pidgins and Creoles: An introduction. Amsterdam/Philadelphia: John Benjamins, 1995. xiv + 412 pp., Pieter Muysken, Norval Smith (eds)-Jacques Arends, Angela Bartens, Die iberoromanisch-basierten Kreolsprachen: Ansätze der linguistischen Beschreibung. Frankfurt am Main: Peter Lang, 1995. vii + 345 pp.-J. Michael Dash, Richard D.E. Burton, Le roman marron: Études sur la littérature martiniquaise contemporaine. Paris: L'Harmattan. 1997. 282 pp.

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Conway, Paul. « Birmingham, CBSO Centre : ‘Invisible Cities’ ». Tempo 59, n^o 233 (21 juin 2005) : 57. http://dx.doi.org/10.1017/s0040298205270237.

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The Birmingham Contemporary Music Group opened their 2004–05 season on 19 September 2004 in typically adventurous, innovatory style with an evening of music — including no less than four world premieres — all centred on Italo Calvino's 1972 book Invisible Cities, in which traveller Marco Polo describes, in imaginary dialogues with Kublai Khan, fifty amazing cities, all of which turn out to be Venice.

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Ahsani, S. A. H. « The State of Research on Islamic Spain ». American Journal of Islam and Society 9, n^o 4 (1 janvier 1992) : 556–62. http://dx.doi.org/10.35632/ajis.v9i4.2541.

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The era of Muslim rule in Spain (711-1491 CE) witnessed great contributionsin many areas of knowledge and learning. Rapid strides weremade in such diverse fields as art and architecture, agriculture and handicrafts,linguistics and literature, humanities and Social studies, music andpoetry, and the physical and mechanical sciences. In fact, Islamic Spain,known to the Muslim world as al Andalus, served as a bridge for thetransfer of the knowledge and wisdom of Classical Greece to Europe, aprocess that eventually led to the European Renaissance.The achievements of al Andalus will not be discussed in this paper.Rather, a survey of current research activities focusing on al Andaluswill be presented. The areas covered are Europe, North America, NorthAfrica, and parts of Asia. Latin American activities have not been surveyeddue to the nonavailability of sources.EuropeEurope has been the center of research on al Andalus. Various periodicalshave served as major sources of information: Al-Andalus (Madrid1933), Hesperis (Paris 1921-59), Hesperis-Tamuda (Rabat 1960), Miscellanceade Estudios Arabes y Hebraicos (Granda 1952), Revista de InstitutoEgypcio de Studios Islamicos (Madrid 1953), Revue de la OccidentMusulman et la Mediterranee (Aix-en-Provence 1966), Boletin de laAssociation Espaniola de Orientalistas (Madrid 1965), and Cuadernos dela Alhambra (Granada 1965).Certain important books have also appeared, such as Peres: la PoisieAndalousie, which includes a history of that period. Introductions to editionsof texts and translations relate important infonnation about al Andalusunder the al Murabitun and the al Mu’ahhidun dynasties. Hourani(1961) has written an excellent book: Averroes: On the Harmony of Religionand Philosophy. Memorial volumes in honor of E. Levi-Provencal,G. and W. Marcais, Menendes Pidal, Millas Vallicrosa y Parya, A. H. andR. Basset, H. A. R. Gibb and H. Wehr also contain much valuable data.Mention must be made of translations by institutes devoted to thestudy of al Andalus: Dar al Thaqafah (Beirut) has published valuablebooks, as have several Spanish and North African organizations (i.e.,Conjeyo Superior de Investigaciones Cientificas Madrid], Instituto deStudios Islambs [Madrid], Institute des Haut-Etudes Marocaines Paris ...

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Li, Jia. « Towards the Feasibility of Instituting a Philippine Digital Audio Library : A Case Study ». Journal of ICT In Education 8, n^o 2 (4 juillet 2021) : 1–12. http://dx.doi.org/10.37134/jictie.vol8.2.1.2021.

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As a spearhead force in music research, especially in the area of South East Asia region, the University of the Philippines (UP) Center for Ethnomusicology (UPCE) caters to a gigantic collection of audio materials which covers different musics and musical traditions in the Philippines, South East Asia and representative areas from other continents. As an outcome of its former appellation, the “UP Ethnomusicology Archives”, UPCE hosts an ethnomusicological collection of about 2500 hours of recorded music in open reel and cassette tape formats, under the authorship of Jose Maceda whose visionary work of putting together these valuable recorded materials left a treasure for ethnomusicology scholarship and research. In recognition of his influential contribution that made the UCPE an archive and repository of materials on music, philosophy, anthropology and other cognate disciplines, these audio materials, together with field notes, music transcriptions, song texts, photographs, music instruments, music compositions, personal files, about 200 books and journals, all of which he personally initiated and developed as a unified institution resource for music research are called “Jose Maceda Collection”.

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Zubko, Olga. « Interesting facts from the daily life of Ukrainian emigrants in interwar Czechoslovachchyna (1921 – 1939) ». V. N. Karazin Kharkiv National University Bulletin "History of Ukraine. Ukrainian Studies : Historical and Philosophical Sciences", n^o 35 (28 décembre 2022) : 36–44. http://dx.doi.org/10.26565/2227-6505-2022-35-04.

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The purpose of the article. This article contains information about interesting facts from the lives of Ukrainian emigrants who ended up in interwar Czechoslovachcyna in the early 1920s. Ukrainian emigrants went abroad as a result of the defeat of the national‑liberation struggle of 1917-1921. The following went abroad: former military personnel of the Ukrainian People's Republic (UPR), the West Ukrainian People's Republic (ZUPR), the Kuban People's Republic (KPR); government officials of the UPR, ZUPR, KPR; employees of foreign representative offices of the latter - diplomatic, political, economic, sanitary missions; civilians. The publication is based on the memories and memoirs of emigrants. Interesting facts from the lives of Dmytro Chyzhevsky, Andriy Makarenko, Serhii Shelukhin, Dmytro Antonovych, Trokhym Pasichnyk, Oleksandr Oles, Fedir Slyusarenko are presented among the figures of the Ukrainian People's Republic. Interesting facts from the life of Stepan Rudnytskyi and Nestor Nyzhankivskyi are presented among ZUPR figures. Hryhoriy Omelchenko is represented among the figures of the Kuban People's Republic. The research methodology involves the application of the principles of critical analysis and comparison. The scientific novelty of the research is the display of worldview and human behavior in the center of historical analysis Conclusions. This scientific research is important for three reasons. First, it is relevant not as a dry biographical reference, but as an object with which every person can identify himself. Secondly, interesting patterns of the era of the 1920s and 1930s emerge, which allow a better understanding of the era itself (scientific and technical innovations, fashion, food, music and book preferences, etc.). Thirdly, the history of Ukrainian emigration in the interwar Czechoslovak SSR contains specific life-tested recipes for survival in difficult times.

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ARTEN, SAMANTHA. « Beth Quitslund and Nicholas Temperley, The Whole Book of Psalms Collected into English Metre by Thomas Sternhold, John Hopkins, and Others : A Critical Edition of the Texts and Tunes, 2 vols., Medieval and Renaissance Texts and Studies 387 and 557, Renaissance English Text Society, 7th Series, vols. 36–7 (for 2011). Tempe, AZ : Arizona Center for Medieval & ; Renaissance Studies, 2018. xlviii + 1096 pp. $96 each. ISBN 978 0 866 98435 5 (vol. 1) ; 978 0 866 98615 1 (vol. 2). » Plainsong and Medieval Music 29, n^o 2 (15 septembre 2020) : 184–89. http://dx.doi.org/10.1017/s0961137120000145.

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Khamidi, Amrozi, Erny Roesminingsih, Karwanto Karwanto, Muhammad Sholeh et Sri Setyowati. « PELATIHAN MANAJEMEN PENDIDIKAN BERBASIS BUDAYA DI MOJOKERTO ». Transformasi dan Inovasi : Jurnal Pengabdian Masyarakat 2, n^o 2 (28 novembre 2022) : 119–1277. http://dx.doi.org/10.26740/jpm.v2n2.p41-50.

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Mojokerto as a heritage area of the Majapahit kingdom has a diverse cultural heritage. Various Majapahit relics can be seen with the existence of Majapahit heritage temples in Mojokerto, there are Brahu Temples, Bajang Ratu, Rat Temples, Dentong Temples, Segaran Ponds. There is also a trowulan museum. In the field of arts and culture there are dance and music arts as well as crafts such as sculpting and metal crafts. In order to preserve all these cultures, it is considered necessary to include culture in the school curriculum both in subjects (local content) and extracurricular such as arts and culture and the existence of outing classes or learning outside the classroom to get to know the original culture of Mojokerto, the legacy of the Majapahit kingdom. PKM with the theme of Culture-Based Education Management Training in Mojokerto is expected to be able to contribute to the city of Mojokerto in terms of developing culture-based education. In this case, PKM activities are centered in Ir. Soekarno is small and the Wayang Museum which is part of the history and culture developed by the Mojokerto city government as a Center for Education and History Tourism. The output of this PKM activity in addition to the Workshop in Mojokerto, the results of this PKM will also be recorded as an ISBN book and scientific articles will be compiled to be published in the National PKM Journal. The technology transfer provided in this PKM is the development of the school curriculum in Mojokerto City by adopting a Culture-based curriculum. In its implementation, PKM from UNESA MP Masters invited art and culture teachers and elementary school crafts in Mojokerto City to provide strengthening of Culture-Based Education Management. In the future, this PKM can realize SD Purwotengah as a Cultural Heritage and Educational Tourism in Mojokerto City.

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Howe, Sondra Wieland. « Swiss-German Music Books in the Mason-McConathy Collection : Accounts from Europe to the United States ». Journal of Research in Music Education 48, n^o 1 (avril 2000) : 26–38. http://dx.doi.org/10.2307/3345454.

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This article describes an examination of the Swiss-German music books in the Luther Whiting Mason—Osbourne McConathy Collection, undertaken to learn about music education in nineteenth-century Switzerland and its influence on American music education. Pfeiffer and Nägeli introduced Pestalozzi's ideas to Swiss schools, teaching the elements of music separately and introducing sounds before symbols. Swiss educators in the mid-1800s published numerous songbooks and teachers' manuals for an expanding school system. Foreign travelers praised the teaching of Schäublin in Basel. In Zurich, a cultural center with choruses for men and women, music directors continued to produce materials for schools and community choruses in the 1800s. Because travelers like Luther Whiting Mason purchased these books, Swiss ideas on music education spread to other European countries and the United States.

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Sibul, Mari. « The Fine Arts Information Centre of the National Library of Estonia ». Art Libraries Journal 26, n^o 1 (2001) : 12–15. http://dx.doi.org/10.1017/s0307472200011986.

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Key to the provision of art information in Estonia is the National Library’s Fine Arts Information Centre, offering services to some 60,000 visitors each year as well as producing the national bibliographic databases of maps, posters, postcards, sound recordings and sheet music. But co-operation with other major art libraries in Estonia is also flourishing, beginning with the selection of new material for the art and architectural history collections in consultation with scholars in other arts organizations, and culminating in 1999 in the foundation of the Estonian Art Libraries Society. This year, Estonian Book Year, marking the 475th anniversary of the very first known Estonian book, seems an excellent opportunity to describe what is happening in art librarianship in this country.

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Brettler, Gideon. « Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books ». Journal of Musicology 39, n^o 1 (1 janvier 2022) : 1–34. http://dx.doi.org/10.1525/jm.2022.39.1.1.

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This article examines the Italian music-printing industry in the seventeenth century from two distinct perspectives. The first revisits the industry’s decline and the circumstances that led to that state of affairs. The second traces the unlikely commercial success of the guitar tutors of Pietro Millioni, offering a glimpse into the inner workings of the industry. A quantitative analysis of production patterns using a newly constructed database of seventeenth-century Italian music prints provides a nuanced view of the rise and fall in output across various printing centers. Cross-referencing these data with an analysis of the corpora of the leading printing houses of Venice and Rome exposes various idiosyncrasies of these two centers of music printing and suggests that the downturn in production was driven not only by domestic conditions but also by the gradual decline of Venice as a dominant international economy. The music in the Millioni books is printed with an idiomatic notation for the guitar known as alfabeto. The simplicity of alfabeto notation offered the musically illiterate an accessible path to music making, while its typographical features offered printers a cheap and easy method of printing music without specialized equipment or expertise. The continued success of these books in a contracting market demonstrates the significant appeal of this music for both printer and consumer, which contributed to the codification of oral musical traditions in print. The reconstruction of the genealogy of the Millioni books discloses numerous commercial ties between publishers, as well as their influence over musical content.

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Strother, Eric. « Walter B. Hewlett and Eleanor Selfridge-Field, eds. : Melodic Similarity : Concepts, Procedures, and Applications The MIT Press, 1998, 244 pages, softcover, Computing in Musicolog vol. 11, illustrated, index, ISBN 0-262-58175-2 ; available from The MIT Press, Five Cambridge Center, Cambridge, Massachusetts 02142, USA ; telephone (617) 253-5646 ; fax (6l7) 258-6779 ; electronic mail books@mit.edu ; World Wide Web mitpress.mit.edu/book-home.tcl ?isbn=0262581752 ». Computer Music Journal 24, n^o 1 (mars 2000) : 87–88. http://dx.doi.org/10.1162/comj.2000.24.1.87.

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Lian, Yuanmei. « “Dans Venise la Rouge…” by A. de Musset – Ch. Gounod : the “Venetian text” in French chamber vocal music ». Aspects of Historical Musicology 21, n^o 21 (10 mars 2020) : 44–63. http://dx.doi.org/10.34064/khnum2-21.03.

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Introduction. The attitude to Venice as one of the most poetic and picturesque cities in the world is firmly established in artistic practice. The city appears multifaceted and contradictory in numerous literary works. It appears as a space of eternal carnival and an education center (C. Gozzi, C. Goldoni), a place of secret conspiracies, gloomy massacres (“Angelo, Tyrant of Padua” by V. Hugo), a dream, an earthly paradise (I. Kozlov, “Eugene Onegin” by A. Pushkin). But always Venice is a special place where antiquity is closely intertwined with youth (G. Byron, J. W. von Goethe, A. Chénier, A. de Musset, A. Apukhtin, A. Maykov, F. Tyutchev, J. Brodsky, and others). Literary and poetic Venetian cultural stratum was supplemented by artistic journalism – essays, sketches, travel notes of prominent representatives of Romanticism. Such a variety of material contributed to the formation of the image, the topos of Venice, myth of the city in artistic and creative practice. Numerous interpretations of the chosen theme in works of art form the “Venetian text” of art. This topic has not been fully embodied in the form of independent musicological research, despite the large number of works in European music that glorify Venice and need to be included in scientific and performing practice. Theoretical and methodology background. The theme of the city, urban text, urbanism in general is a very developed concept in various fields of modern science. The concept of “St. Petersburg text” has been affirmed in literary studies since the 1980s (V. Toporov, 1995). Such an artistic text (Y. Lotman, 1998) is not just a mirror of a real city, but a device that realizes the transition from visible reality to the inner meaning of things. Real objects, such as squares, waters, islands, gardens, buildings, monuments, people, history, ideas, are the “language” of the city. They act in the form of toponymical, landscape, historical and cultural, personal and biographical elements of urban space. On the one hand, they create the text of the city, on the other hand, they become a well-known code of the city, and generate artistic images. By analogy with the “St. Petersburg text” on the basis of the proposed methodology, in literary studies there were a number of works on “local” texts, including Venetian (N. Mednis, 1999, O. Soboleva, 2010, K. Sivkov, 2015, N. Ilchenko & I. Marinina, 2015 and others). The concept of the image of the city (V. Li, 1914, N. Antsiferov, 1991) is inextricably linked with the text in its semiotic meaning as a structured sign system. Due to the universality and comprehensiveness, concept “topos” in music can be used instead of “image”, “sphere”, and other musicological concepts (L. Kirillina, 2007). In modern musicology, there are very few systematic studies in this area. Apart from research on the topic of musical urbanism (L. Serebryakov, 1994. I. Barsova, 2000, L. Gakkel, 2006, I. Yakovleva, 2014, T. Bilalova, 2005, G. Zharova, 2009), there are almost no works on the topic of Venetia in music. Therefore, this area of research is relevant. Objective of the researching is to determine the features of the “Venetian text” in the chamber-vocal music by Ch. Gounod on the example of his romance “Venice” (on the poem by A. de Musset). Research results and conclusions. Ch. F. Gounod (1818–1893) became one of the first French composers to draw attention to the theme of the city of Venice in his chamber and vocal music. The romance “Venice” (1842) was written by him at the age of 24. At that time, the young author had been in Italy for two years as a scholarship holder of the prestigious Prix de Rome. Ch. Gounod documented his impressions of the trip in an autobiographical book – “Mémoires d’un Artiste” (1896). The romance is based on the poem by A. de Musset “Dans Venise la Rouge…” (1828). The artistic space of Venice is constructed due to a number of constant images, such as sea lagoon, gondola, bronze lion, old doge, mask, carnival, ladies, mirror, night date. Clearly read signs of the city are metaphors for certain emotional states, often binary, which are strongly associated in most art sources with Venice: anxiety, loneliness, senility, death and sensuality, eroticism, youth, carnival of life. A. de Musset’s text is transferred to the conditions of the chamber-vocal genre and undergoes radical changes. When comparing the two options – the poetic original and the text of the romance, it becomes clear their inconsistency from about the middle of the poem. The composer’s simplification of the textual side of the romance was caused by the refusal to mention the sculptural and architectural dominants of the city, color and chronological contrasts that are inherent in the topos of Venice. This softened the overall emotional mood, virtually freeing the text from the dominance of loneliness, emptiness, anxiety. In the text of “Venice” by Ch. Gounod’s, the topos of the city is revealed as a space of mystery and dreams, a fusion of divine nature and man-made beauty, the triumph of earthly love. The representative of the contrast is the music side of this romance. It brings that note of excitement, anxiety, which seems to clear the musical image of Venice from the excessive gloss of the poetic text. It makes him alive, trembling, proving, on the one hand, the inseparable connection of words and music in chamber-vocal genres; on the other hand, characterizing Ch. Gounod as the greatest master who possessed not only an exceptional melodic gift, but also a rare sense of musical harmony. The composer seems to be going from the opposite: wrapping the text, “major” in mood, in the frame of the minor key; using capricious harmonic juxtapositions, he makes the intonation of the romance take on different colors, like the playing of moon reflections on the water. And in this balancing on the verge of “majorminor”, “enlightenment-sadness”, the precariousness, fragility and paradoxicality of the Venetia city image are revealed. Thus, the music of the Ch. Gounod’s romance that appeals to the barcarole genre attributes, in the same time, is lyrical and disturbing. It perfectly reproduces the melancholy state that was familiar to young authors, both, the poet and the composer.

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Kosaniak, Nataliia. « “Memories of the Idzykowski” as a source in the study of the publishing house “Leon Idzykowski” ». Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, n^o 13(29) (2021) : 335–49. http://dx.doi.org/10.37222/2524-0315-2021-13(29)-19.

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A description of the document of the memoir genre “Pamiętniki Idzikowskich” (Memoirs of the Idzikowskis) as a source for the history of book and music publishing in Ukraine in the second half of the XIX – first quarter of the XX century, dedicated to the history of the publishing company and the activities of four generations of members of the Idzykowski family in this matter is characterized. The text of the document combines genre features of memoirs and historical research. The compiler Yuriy Idzykovsky syste¬matized the materials by sections, factual material — by chronological principle on the basis of his own memoirs, materials of the family archive. Leon Idzikovsky Publishing House is the most famous and powerful institution, which for almost a century played a major role in the cultural life of both Kyiv and the entire Russian Empire, as well as interwar Poland. The firm included a publishing house, a bookstore, a finished goods warehouse, a library, a concert office, a book publishing school, a bookbinding house, a printing house, and was one of the leading cultural centers, covering a wide range of cultural and educational services. Keywords:Idzikowski, memoirs, Polish nobility, music publishing activity, publishing trade enterprise, music shops, music publications.

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De Ritis, Anthony. « Perry R. Cook, ed. : Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics MIT Press, 1999, 372 pages, hard-cover, sound examples on CD, illus-trated, suggested problems and lab exercises, references, index, ISBN 0-262-03256-2 ; available from MIT Press, Five Cambridge Center, Cam-bridge, Massachusetts 02142, USA ; telephone (617) 253-5646 ; fax (6l7) 258-6779 ; electronic mail books@mit.edu ; World Wide Web mitpress.mit.edu/book-home.tcl ?isbn=0262032562 ». Computer Music Journal 24, n^o 1 (mars 2000) : 80–82. http://dx.doi.org/10.1162/comj.2000.24.1.80.

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Thompson, Robert Scott. « Richard Boulanger, editor : The Csound Book : Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming Softcover, 2000, ISBN 0-262-52261-6, 740 pages, illustrated, appendices, bibliography, discography, index, CD-ROMs (2) ; The MIT Press, 5 Cambridge Center, Cambridge, Mas-sachusetts 02142-1493, USA ; tele-phone (800) 356-0343 ; electronic mail mitpress-orders@mit.edu ; World Wide Web mitpress.mit.edu ». Computer Music Journal 25, n^o 1 (mars 2001) : 69–73. http://dx.doi.org/10.1162/comj.2001.25.1.69.

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Pérez Ruiz, Bárbara. « Impresos litúrgico-musicales mexicanos del siglo XVI : fuentes para el estudio del canto litúrgico en la Iglesia novohispana ». Resonancias : Revista de investigación musical 45 (novembre 2019) : 13–60. http://dx.doi.org/10.7764/res.2019.45.2.

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Broyles, Michael. « Letter from the President ». Journal of the Society for American Music 1, n^o 1 (février 2007) : ix—x. http://dx.doi.org/10.1017/s175219630707006x.

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It is with great pleasure that the Society for American Music and Cambridge University Press jointly launch a new journal devoted to the study of American music. Only a few decades ago, American music topics were ignored, or if acknowledged, appeared as the unexpected article in more mainline journals or were relegated to the corners of conference programs. Within the past three decades, American music's status has changed dramatically. It has grown in size and its presence is secure and stable; what had been activity on the periphery is now squarely in the center. As someone who came of age in the 1960s, I have been able to share in the challenge and the excitement of this burgeoning field. Today it is especially gratifying to witness sophisticated American music scholarship emerging from many continents. Dissertations, books, articles, and papers are being written on American music by scholars throughout the world.

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Isenberg, Noah. « “Critical Post-Judaism” ; or, Reinventing a Yiddish Sensibility in a Postmodern Age ». Diaspora : A Journal of Transnational Studies 6, n^o 1 (mars 1997) : 85–96. http://dx.doi.org/10.3138/diaspora.6.1.85.

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Within months of each other, two articles on Yiddish language and culture appeared in the public press during the summer of 1996. First, in the pages of The New Republic, Harvard's chair of Yiddish Studies. Ruth Wisse, addressed the question of a Yiddish revival in a skeptical, even pessimistic, piece titled “Shul Daze: Is Yiddish Back from the Dead?” Wisse contends that Yiddish no longer has any validity as a vital cultural idiom, and that as it currently exists, in its secular incarnation, it can only be viewed as an object of academic inquiry. She writes of misplaced hopes among various journalists, who call on her for expert confirmation that we are now witnessing a renaissance of this otherwise near-extinct language. Such journalists, explains Wisse, often mention the National Yiddish Book Center in Massachusetts, the Yiddish film retrospectives currently en vogue at urban arts houses, and the international boom in Klezmer music. “I am tempted to tell my callers what they want to hear,” remarks Wisse, “yes, because my students can now study Sholem Aleichem in the original and write Yiddish letters to their grandparents—make that their bobbes and zeydes—a Yiddish renaissance is in the offing. But the reference to my academic post reminds me that I'm not paid to lie” (Wisse 17). Yet perhaps it isn’t really a lie that Wisse is being asked to tell after all. At least, that is what the Forward’s cultural editor Jonathan Rosen would like us to believe. In his “A Dead Language, Yiddish Lives,” published in The New York Times Magazine, Rosen calls attention to the fact that Yiddish, though still largely considered a ghostly remnant of the past, a leftover from the tum-of-thc-century migrations of Jews from Eastern Europe, is now experiencing a new life among younger Jews in the American diaspora, in particular among those searching for a source of identification beyond the Holocaust and the establishment of the Jewish state. Rosen cites renowned playwright Tony Kushner, who expresses equal disappointment with the state of Israel and melting pot America and, in comparison, views Yiddish culture as “less butch and macho” than Israeli culture; together with other Jews of his generation, Kushner claims that through Yiddish he is “reawakening to Diaspora culture” (Rosen 26). Rosen observes that a growing segment of gay Jews (the Yiddish equivalent to the Act Up slogan, “shvaygen=toyt”—also the title of a Klezmatics record album—adorns a t-shirt in the article's accompanying illustration) have taken to a redefined Yiddishkeit. In recent years, Rosen suggests, diversity has replaced assimilation as an American goal, and in this climate Yiddish may have the chance to flourish again. For Rosen, Yiddish is the language which best represents what he calls “the paradox of the American diaspora: the wish to feel different and at home” (27).

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