Littérature scientifique sur le sujet « Museum reuse »
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Articles de revues sur le sujet "Museum reuse"
Djebbour, Imane, et Ratiba Wided BIARA. « SUSTAINABILITY COMPARATIVE ASSESSMENT OF THE ADAPTIVE REUSE OF HERITAGE BUILDINGS AS MUSEUMS : CASE OF TLEMCEN ». Environmental Research, Engineering and Management 75, no 3 (17 décembre 2019) : 7–20. http://dx.doi.org/10.5755/j01.erem.75.3.22133.
Texte intégralMd Ali, Zuraini, Rodiah Zawawi, Nik Elyna Myeda et Nabila Mohamad. « Adaptive reuse of historical buildings ». International Journal of Building Pathology and Adaptation 37, no 1 (11 février 2019) : 54–68. http://dx.doi.org/10.1108/ijbpa-04-2018-0029.
Texte intégralTaher, Hassan, Giuseppina Addo, Pille Pruulmann Vengerfeldt, Maria Engberg et Åsa Harvard Maare. « Reuse and Appropriation : Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition ». Baltic Screen Media Review 10, no 1 (1 avril 2022) : 122–38. http://dx.doi.org/10.2478/bsmr-2022-0009.
Texte intégralAulia, Rahma, Zairin Zain et Valentinus Pebriano. « MUSEUM SENI RUPA MODERN DI PONTIANAK ». JMARS : Jurnal Mosaik Arsitektur 9, no 1 (21 février 2021) : 270. http://dx.doi.org/10.26418/jmars.v9i1.45157.
Texte intégralCihangiroglu, Melike Selcan. « Memory- space relation in an adaptive reuse building : Analysis of Cengel Han- Rahmi Koc Museum ». New Trends and Issues Proceedings on Humanities and Social Sciences 2, no 1 (19 février 2016) : 310–17. http://dx.doi.org/10.18844/gjhss.v2i1.313.
Texte intégralKarakul, Özlem. « Designing a Village Museum Ecologically : Reuse of Historic School Building ». ATHENS JOURNAL OF ARCHITECTURE 5, no 4 (18 septembre 2019) : 345–66. http://dx.doi.org/10.30958/aja.5-4-2.
Texte intégralHsu, Tien-Yu, et Jen-Yuan Yeh. « A Unified Knowledge-Based Content Management Framework towards Value-Added Application and Service Development and Business Marketing for Museums : The Case Study of the National Museum of Natural Science in Taiwan ». International Journal of Humanities and Arts Computing 8, supplement (mars 2014) : 12–28. http://dx.doi.org/10.3366/ijhac.2014.0096.
Texte intégralMega Yulita Nancy Ponggo, Astari Wulandari et Djudjun Rusmiatmoko. « Konservasi Arsitektur Pada Bangunan Museum Wayang Jakarta ». SARGA : Journal of Architecture and Urbanism 17, no 1 (30 janvier 2023) : 72–80. http://dx.doi.org/10.56444/sarga.v17i1.415.
Texte intégralVardopoulos, Ioannis, Christos Stamopoulos, Georgios Chatzithanasis, Christos Michalakelis, Panagiota Giannouli et Eleni Pastrapa. « Considering Urban Development Paths and Processes on Account of Adaptive Reuse Projects ». Buildings 10, no 4 (10 avril 2020) : 73. http://dx.doi.org/10.3390/buildings10040073.
Texte intégralSoehardinata, Prisilla Noviani, et Suwardana Winata. « PENERAPAN PENGALAMAN RUANG (USER EXPERIENCE) SEBAGAI MEDIA BARU DALAM PERANCANGAN LIVING MUSEUM DI PASAR IKAN, JAKARTA UTARA ». Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no 2 (23 janvier 2023) : 1193–202. http://dx.doi.org/10.24912/stupa.v4i2.21814.
Texte intégralThèses sur le sujet "Museum reuse"
Ikonomidis-Doumbas, Agis. « Adaptive reuse and the museum : installing a museum in a preexisting shell ». Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/67389.
Texte intégralIncludes bibliographical references (leaves 123-132).
The thesis deals with the complexities involved within the conversion of an old building to an art museum. The restoration of a building is by itself a complicated problem, conjuring up questions about the relationship between the old and new parts of the structure. The reuse of the old building as a museum of art adds a new set of relationships, multiplying the interactions and enhancing the complexity. The analysis of the problems is st:rUctured in two parts: The first is a theoretical discussion of generic questions and issues linked with the museum as an institution on the one hand, and with the preservation of the built environment on the other. The second joins the two fields of the above discussion together, by referring to the particular kind of building: the museum within an old structure. This is done by means of analysis of selected examples. An artificial separation of the two fields is again used as a tool for the analysis. The discussion focuses on the concrete expression of specific choices in both of the fields, from which, in conclusion, general deductions are drawn.
by Agis Ikonomidis-Doumbas.
M.S.
Dykxhoorn, Lee (Lee Marinus). « Reuse the muse : the museum as a transcultural negotiator of national identity ». Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/63046.
Texte intégralCataloged from PDF version of thesis.
Includes bibliographical references (p. [144]-145).
The project proposes a museum that acts as public infrastructure, situated across the boundary between east and west Oslo. The architecture of the museum is a continuous linear element that acts as a bridge through the different urban conditions from one side of the Aker River to the other, becoming the primary circulation path, reinventing the public street and positioning the cultural value of the exhibits alongside the daily life of the city where it infiltrates the exhibition spine of the museum. The imposition of this system questions contemporary definitions of Norwegian identity through the relationships developed between the historic narrative of the museum and the slices of city life that it presents at the intersections. Several registers of content pull through the museum - exhibition, production and public space. The collections explore what it means to be Norwegian, through the art of Edvard Munch and artifacts from Norway's viking past presented in a timeline of development, all consistently bracketed by visible processes of restoration and production needed to keep the museum operational - undermining through process the traditional modes of cultural legitimation of the museum and allowing for an imposition of a alternate kind of user driven identity for the city.
by Lee Dykxhoorn.
M.Arch.
Olugbenle, Adedotun Olumuyiwa. « Adaptive Reuse : Old Building- New Props and Costume- Architectrual Rebirth ». Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74929.
Texte intégralMaster of Architecture
Stojic, Sonja Alexandra. « Revealing and Exposing the City Behind the Symbol ». Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83883.
Texte intégralMaster of Architecture
Jacqueline, Tugman. « The Revitalization of Pump House Park : An Adaptive Reuse of an Historic Industrial Landmark ». VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2793.
Texte intégralBrown, Abigail R. « Reframing the Everyday : Negotiating the Multiple Lives of the Ordinary ». Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242324187.
Texte intégralAdvisor: Rebecca Williamson. Title from electronic thesis title page (viewed July 23, 2009). Includes abstract. Keywords: museums; curators; historic preservation; Washington, D.C.; adaptive reuse; commerce; museum display; exhibition design; material culture. Includes bibliographical references.
Caruso, April Marie. « From Glorious Gateways to “White Elephants” to a Mall and Museum : Cleveland and Cincinnati Union Terminals, 1900 to circa. 1990 ». Youngstown State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1311717085.
Texte intégralSouza, Éricka Madeira de. « A curadoria digital e o reuso dos acervos culturais digitais da Rede Web de Museus do Estado do Rio de Janeiro ». Rio de Janeiro : Fundação Casa de Rui Barbosa, 2018, 2018. http://hdl.handle.net/20.500.11997/7378.
Texte intégralMade available in DSpace on 2018-07-02T20:22:48Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO Ericka Souza FCRB.pdf: 5432159 bytes, checksum: bfdfbe9519535f127cca3fdaf9c9fcf8 (MD5) Previous issue date: 2018
The present text discusses how museums work technically with the continuous increase of the digital cultural objects present in the museological institutions and that also become part of its cultural patrimony. The objective is to demonstrate that the collaborative environment of the Web Network of Museums of the State of Rio de Janeiro can stimulate the offer of integrated information services with the other cultural institutions through the digital curation of this material, encouraging the sharing and reuse of these cultural digital collections. The methodology of this research is developed in three stages: literature review, identification of ongoing experiments in digital curation and reuse of digital objects and oral interviews. It was possible to confirm the digital curatorship as a resource for the control and maintenance of the technical treatment of cultural digital objects, reusing them for the expansion of knowledge and dissemination of information and at the end, some of the new services that could be offered by the Web Network of Museums.
O presente texto discorre sobre como os museus trabalham tecnicamente com o aumento contínuo dos objetos digitais culturais presentes nas instituições museológicas e que se tornam também parte do seu patrimônio cultural. O objetivo é demonstrar que o ambiente colaborativo da Rede Web de Museus do Estado do Rio de Janeiro pode dinamizar a oferta de serviços informacionais integrados com as demais instituições culturais através da curadoria digital deste material, incentivando o compartilhamento e o reuso destes acervos digitais culturais. A metodologia desta pesquisa se desenvolve em três etapas: revisão de literatura, identificação de experiências em curso na curadoria digital e no reuso dos objetos digitais e entrevistas orais. Foi possível confirmar a curadoria digital como recurso para o controle e a manutenção do tratamento técnico dos objetos digitais culturais, proporcionando o reuso dos mesmos em prol da expansão do conhecimento e difusão da informação e ao final, foram identificados alguns dos novos serviços que podem ser oferecidos pela Rede Web de Museus.
Laner, Edoardo. « Paisagem e indústria. Reorganização, requalificação e revitalização dos espaços públicos na frente litoral de Lisboa entre Cais do Sodré e o Museu do Oriente ». Master's thesis, ISA/UL, 2014. http://hdl.handle.net/10400.5/7403.
Texte intégralThe work provides a slight and quick resume about the long history of growth of the main dock of the city of Lisbon, from when it was center of the vast and wide Portugues Colonial Empire, one of the powerful and expanded empires of all times, following the times of glory of commerce to periods of decline, from the industrial times on late ’80 of nineteenth century to a gradual abandonment times of the last decades of the twentieth century. Then are explained the dynamics and changes in uses and the destinations of an area that start from the train station (plus metro station) of Cais do Sodré, passing areas along the riverside, including areas of abounded factories, offices, building of various purpose of use, night clubs and discotheques, still active dry docks, the harbour of Alcantara, a dock in use for container’s storage and various other areas in the middle way between abandonment and some timid and shy uses of the citizens. After all a series of analysis of mobility of the present activities, about the metabolism of the area in study, are developed in the project of landscape architecture possibilities and ideas for the rebirth, a better organization, the revitalization, recover and revenge of this wide dockland area so central and so forgotten
Tolotti, Filho José Luiz. « Ecletismo e reciclagem : o edifício do MARGS, do memorial do RS, e do Santander Cultural ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/26716.
Texte intégralThis paper analyses three eclectic buildings that constitutes a monumental set in the edges of the Alfandega Square in Porto Alegre, all of them recycled in the last quarter of the XX’s and the XXI’s: the “Delegacia Fiscal”, “Correios e Telégrafos”, and “Banco Nacional do Comércio” projected by Theo Wiedersphan, today housing, respectively the “Museu de Arte do Rio Grande do Sul”, “Memorial do Rio Grande do Sul”, and “Santander Cultural”. The analysis occurs in three moments: the full operation, the disuse, and the new project, signed by Ediolanda Liedke, Nico and Ceres Rocha, and Roberto Loeb, and privileges topics of composition instead of stylistic ones. Chapter I points a quick overview on the Alfândega Square and its surroundings, followed by biographical informations about Wiedersphan. Chapters II, III, and IV develop three case studies. Chapter V brings comparisons and some conclusions about the buildings. A quick reflection about the theorical-methodological references is proposed on annex.
Livres sur le sujet "Museum reuse"
Zürich, Kunsthaus. Tatort Leinwand : Eine Reise mit den Augen. Wabern/Bern [Switzerland] : Benteli, 2003.
Trouver le texte intégralle-omanut, Muzeʾon Tel Aviv, dir. Ḥiriyah ba-muzeʾon = : Hiriya in the museum. Tel Aviv : Muzeʾon Tel Aviv le-omanut, 1999.
Trouver le texte intégralMassó, Jaume. Gaudi & Reus : Museu Salvador Vilaseca, exposició permanent. Reus : Museu Salvador Vilaseca, Ajuntament de Reus, 2002.
Trouver le texte intégralNiebuhrs Museum : Souvenirs og sjældenheder fra Den Arabiske Rejse 1761-1767. København : Forlaget Vandkunsten, 2016.
Trouver le texte intégralHofmann, Murad Wilfried. Reise nach Mekka : Ein Deutscher lebt den Islam. München : Diederichs, 1996.
Trouver le texte intégralReise nach Ostpreussen : Spurensuche zwischen Weichsel und Memel. Leer : G. Rautenberg, 1992.
Trouver le texte intégralBrenner-Felsach, Joachim. Eine Reise nach Nias. : Unveröffentlichte Manuskripte aus dem Museum für Völkerkunde in Wien. Sous la direction de Reinhold Mittersakschmöller. Wien : [s.n.], 1998.
Trouver le texte intégralNolde, Emil. Emil Nolde : Reise in die Südsee, 1913-1914 : Sprengel-Museum Hannover, 14.10.1992-3.1.1993. Hannover : Sprengel-Museum, 1992.
Trouver le texte intégral1838-1874, Fortuny Mariano, Carbonell Pallarès Jordi A, Figueras Anna et Museu Comarcal Salvador Vilaseca (Reus, Spain), dir. Marià Fortuny : Dibuixos i gravats : al Museu Salvador Vilaseca. Barcelona : Lunwerg, 1997.
Trouver le texte intégralHistorisches Museum der Stadt Wien. Blickfänge einer Reise nach Wien : Fotografien 1860-1910 aus den Sammlungen des Historischen Museums. 3e éd. Wien : Museen der Stadt Wien, 2006.
Trouver le texte intégralChapitres de livres sur le sujet "Museum reuse"
Plevoets, Bie, et Koenraad Van Cleempoel. « Neues Museum ». Dans Adaptive Reuse of the Built Heritage, 162–68. New York : Routledge, 2019. : Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-16.
Texte intégralPlevoets, Bie, et Koenraad Van Cleempoel. « Castelvecchio Museum ». Dans Adaptive Reuse of the Built Heritage, 126–31. New York : Routledge, 2019. : Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-9.
Texte intégralPlevoets, Bie, et Koenraad Van Cleempoel. « Kolumba Art Museum ». Dans Adaptive Reuse of the Built Heritage, 157–61. New York : Routledge, 2019. : Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-15.
Texte intégralPlevoets, Bie, et Koenraad Van Cleempoel. « Sir John Soane’s Museum ». Dans Adaptive Reuse of the Built Heritage, 189–95. New York : Routledge, 2019. : Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-20.
Texte intégralTiwari, Vivek, Sarika Suman et H. K. Pandey. « Design of A Rain Water Harvesting Structure at Allahabad Museum, Allahabad City, U.P., India ». Dans Wastewater Reuse and Watershed Management, 427–38. Includes bibliographical references and index. : Apple Academic Press, 2019. http://dx.doi.org/10.1201/9780429433986-36.
Texte intégral« The Spam Museum ». Dans Big Box Reuse. The MIT Press, 2008. http://dx.doi.org/10.7551/mitpress/7560.003.0011.
Texte intégralAndrez, Bárbara. « Museu Escolar Oliveira Lopes : curadoria digital e preservação ». Dans Museus e Formação : Novas Competências para a Transformação Digital, 84–99. FLUP-DCTP, 2021. http://dx.doi.org/10.21747/978-989-9082-07-6/musa6.
Texte intégralJagodzińska, Katarzyna. « Adaptive reuse for museums ». Dans Museums and Centers of Contemporary Art in Central Europe After 1989, 83–118. Routledge, 2019. http://dx.doi.org/10.4324/9781315148908-5.
Texte intégralBlackwood, Robert. « A Swimming Pool, an Abattoir, and a Biscuit Factory : Discursive Presentations of Adaptive Reuse for Museum Spaces in France ». Dans Reterritorializing Linguistic Landscapes. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350077997.0024.
Texte intégral« Coffin Reuse in the 21st Dynasty : a Case Study of the Bab el-Gasus Coffins in the Egyptian Museum of Florence ». Dans The Tomb of the Priests of Amun, 492–514. BRILL, 2018. http://dx.doi.org/10.1163/9789004386501_081.
Texte intégralActes de conférences sur le sujet "Museum reuse"
Domenech Rodríguez, Marta, David López López et Còssima Cornadó Bardón. « The role of cultural heritage in urban reuse ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14392.
Texte intégralLin, James Quo-Ping, Alan Chi-Gwong Cheung et Shao-Chun Wu. « Approaching a new episode of digital content creative reuse at the National Palace Museum ». Dans 2017 Pacific Neighborhood Consortium Annual Conference and Joint Meetings (PNC). IEEE, 2017. http://dx.doi.org/10.23919/pnc.2017.8203527.
Texte intégralHerrmann, Hans, et Cory Gallo. « Just a Little Nudge : How Ideas, Elbow Grease, and an Old Gas Station Canopy Turned an Eyesore into an Amenity ». Dans AIA/ACSA Intersections Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.aia.inter.19.5.
Texte intégralVarvaro, Stefania. « Protection and reuse of a forgotten heritage : the Parmesan cheese buildings. Notes for a widespread museum in the lower Reggio Emilia plain. » Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15285.
Texte intégralRinciog, Octavian, et Vlad Posea. « LODRO : USING CULTURAL ROMANIAN OPEN DATA TO BUILD NEW LEARNING APPLICATIONS ». Dans eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-038.
Texte intégralCmeciu, Doina, et Camelia Cmeciu. « VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE ». Dans eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.
Texte intégralGünçe, K., et D. Misirlisoy. « Adaptive reuse of military establishments as museums : conservation vs. museography ». Dans DEFENCE HERITAGE 2014. Southampton, UK : WIT Press, 2014. http://dx.doi.org/10.2495/dshf140111.
Texte intégralYa'u, Badamasi Imam, Azlin Nordin et Norsaremah Salleh. « Software Requirements Patterns and Meta Model : A Strategy for Enhancing Requirements Reuse (RR) ». Dans 2016 6th International Conference on Information and Communication Technology for The Muslim World (ICT4M). IEEE, 2016. http://dx.doi.org/10.1109/ict4m.2016.047.
Texte intégralValiante, Caterina, et Annunziata Maria Oteri. « The Role of Heritage Communities in Local Development Processes through the reuse of Architectural Heritage. Some Examples in Italian Rural Areas ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14304.
Texte intégralSan Cristóbal, Úrsula. « Cuerpo, límites y autobiografía : Una aproximación a lo sonoro en la obra de Marina Abramović ». Dans II Congreso Internacional Estéticas Híbridas de la Imagen en Movimiento : Identidad y Patrimonio. Valencia : Universitat Politàcnica de València, 2021. http://dx.doi.org/10.4995/eshid2021.2021.12845.
Texte intégral