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1

DuRand, Cliff, dir. Moving Beyond Capitalism. Routledge, 2016. http://dx.doi.org/10.4324/9781315596167.

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DuRand, Cliff. Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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DuRand, Cliff. Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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DuRand, Cliff. Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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DuRand, Cliff. Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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Moving Beyond Capitalism. Taylor & Francis Group, 2016.

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Waitzkin, Howard. Health Care under the Knife : Moving Beyond Capitalism for Our Health. Monthly Review Press, 2018.

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Waitzkin, Howard. Health Care under the Knife : Moving Beyond Capitalism for Our Health. Monthly Review Press, 2018.

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Magrass, Yale R., et Charles Derber. Moving Beyond Fear : Upending the Security Tales in Capitalism, Fascism, and Democracy. Taylor & Francis Group, 2018.

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Magrass, Yale R., et Charles Derber. Moving Beyond Fear : Upending the Security Tales in Capitalism, Fascism, and Democracy. Taylor & Francis Group, 2018.

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Magrass, Yale R., et Charles Derber. Moving Beyond Fear : Upending the Security Tales in Capitalism, Fascism, and Democracy. Taylor & Francis Group, 2018.

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13

Waitzkin, Howard. Rinky-Dink Revolution : Moving Beyond Capitalism by Withholding Consent, Creative Constructions, and Creative Destructions. Daraja Press, 2020.

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Pandemic Research for the Peo (Prep). Moving Beyond Capitalist Agriculture : Could Agriculture Prevent Further Pandemics ? Daraja Press, 2021.

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15

Finley, Alexandra J. An Intimate Economy. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469661353.001.0001.

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Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self. Finley shows how women’s work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profits accompanying both of these markets. Through the personal histories of four enslaved women, Finley explores the intangible costs of the slave market, moving beyond ledgers, bills of sales, and statements of profit and loss to consider the often incalculable but nevertheless invaluable place of women's emotional, sexual, and domestic labor in the economy. The details of these women's lives reveal the complex intersections of economy, race, and family at the heart of antebellum society.
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Dassanowsky, Robert, et Katherine Arens, dir. Interwar Salzburg. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765112618.

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A long-overdue reassessment of post-1918 Salzburg as a distinct Austrian cultural hub that experimented in moving beyond war and empire into a modern, self-consciously inclusive, and international center for European Culture. Interwar Salzburg tells the story of a European cultural capital eclipsed in histories enamoured with Austria's imperial past and the glittering aristocratic cultures of Vienna, Prague, and Budapest. For over 300 years, however, Salzburg had its own legacy as a city-state at an international crossroads, less stratified than Europe's colonial capitals and seeking a political identity based in civic participation with its own economy and politics. After World War I, Salzburg became a refuge: a small city with easy access to the rest of Europe, less overtaxed by refugees and soldiers returning from the front than the other Habsburg capitals, and more interested in building a new "Capital for Europe," as writer Hermann Bahr termed it, rather than rebuilding a past. Salzburg's urban and bucolic spaces staged encounters that had been brutally cut apart by the war; its deep-seated traditions of citizenship, art, and education guided its path. Contributors from around the globe recover an evolving but now lost vanguard of European culture, fostering not only new identities in visual and performing arts, film, music, and literature, but also a festival culture aimed at cultivating an inclusive public (not an international elite) and a civic culture sharing public institutions, sports, tourism, and a diverse spectrum of cultural identities serving a new European ideal.
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Bilic, Pasko, Toni Prug et Mislav Žitko. The Political Economy of Digital Monopolies. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529212372.001.0001.

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Digital platforms have come under intense scrutiny from scholars, policy makers, regulators, and the general public for their immense and yet largely opaque influence on the social and economic sphere. This book advances value-form and social-form directions in Marxian theory, moving beyond mainstream economic reasoning that informs much of the debate. Digital monopoly platforms such as Google and Facebook are analysed in light of their profit seeking behaviour and monetary flows generated primarily through advertising and data commodification. Considering the unity of production and circulation the book argues that outputs are better understood as a collection of different types of social forms shaped by capital (pre, intermediate and final commodities) and as forms of public wealth (Copyleft Free Software, publicly financed science and research). The authors critically engage with Marxian theories that conceptualise user activities as forms of digital labour, with zero-price markets and critical legal theories, as well as with ‘internet exceptionalism’ in various forms. The role of regulation of production, especially of financial markets and monopolies is critically discussed with an empirical analysis of the development of GAFAM companies, Google’s mandatory reporting to the Securities and Exchange Commission, and of digital advertising of Google and Facebook. The book discusses contradictions of the capitalist mode of production, limits of ongoing reform initiatives, and alternatives to the logic of capital and commodity production on digital platforms.
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