Thèses sur le sujet « Motion pictures Australia »
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Reid, Mary Anne. « Success factors in Australian cinema in the 1990s ». Thesis, Queensland University of Technology, 2000.
Trouver le texte intégralCrilly, Shane. « "Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 / ». Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Texte intégralThesis (Ph.D.)--School of Humanities, 2004.
Peach, Ricardo. « Queer cinema as a fifth cinema in South Africa and Australia ». University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.
Texte intégralAthique, Adrian Mabbott. « Non-resident cinema transnational audiences for Indian films / ». Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Texte intégralEmerson, John. « The representation of the colonial past in French and Australian cinema, from 1970 to 2000 / ». Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Texte intégralBoden, Susan, et n/a. « 'an unsettled state' : the real and the imainary in Australian cinematic and designed landscapes ». University of Canberra. Design, 2002. http://erl.canberra.edu.au./public/adt-AUC20060426.161116.
Texte intégralWeightman, Elise. « The mirror has many faces : an exploration of women's aesthetics in contemporary mainstream Australia ». Thesis, Queensland University of Technology, 1999.
Trouver le texte intégralBeeton, Sue 1956. « Film-induced tourism impacts and consequences ». Monash University, National Centre for Australian Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7570.
Texte intégralEnders, Michael Leonard. « Gettin' acquainted : film, ethnicity and Australian society ». Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36279/1/36279_Enders_1996.pdf.
Texte intégralMcKenzie, Susan M., et n/a. « Canadian and Australian Feature Film Policy in Perspective : A Comparative Study from 1968 to 1998 ». Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040804.142852.
Texte intégralMcKenzie, Susan M. « Canadian and Australian Feature Film Policy in Perspective : A Comparative Study from 1968 to 1998 ». Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366616.
Texte intégralThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Smith, Keith. « Kodak's worst nightmare Super 8 in the digital age : A cultural history of Super 8 filmmaking in Australia 1965-2003 ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/1612.
Texte intégralMcKenzie, Jordi. « An economic analysis of motion pictures in the Australian cinema industry, 1997-2000 ». Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Texte intégralTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Simpson, Catherine. « Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 ». Thesis, Simpson, Catherine (2000) Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. https://researchrepository.murdoch.edu.au/id/eprint/312/.
Texte intégralSimpson, Catherine. « Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 / ». Simpson, Catherine (2000) Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Texte intégralBarnett, Vanessa. « Tasha : A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1411.
Texte intégralRekhari, Suneeti School of Sociology & Anthropology UNSW. « Camera obscura : representations of indigenous identity within Australian cinema ». Awarded by:University of New South Wales. School of Sociology and Anthropology, 2006. http://handle.unsw.edu.au/1959.4/25765.
Texte intégralLewis, Shane. « Orry-Kelly : an Australian in Hollywood : producing meaning through costume ». Thesis, Queensland University of Technology, 1997.
Trouver le texte intégralEnders, Mark Enders Mark. « No laughing matter an exploration of the role of the protagonist in Australian feature films classified as social comedies / ». Connect to this title online, 2004. http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20050224.101747/.
Texte intégralCrilly, Shane Alexander. « 'Gods in our own world' : representations of troubled and troubling masculinities in some Australian films, 1991-2001 / ». Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phc9291.pdf.
Texte intégralFaithfull, Denise. « Adaptations : Australian literature to film, 1989-1998 ». Thesis, Connect to full text, 2001. http://hdl.handle.net/2123/1771.
Texte intégralTitle from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.
Faithfull, Denise. « Adaptations Australian literature to film, 1989-1998 / ». Connect to full text, 2001. http://hdl.handle.net/2123/1771.
Texte intégralTitle from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.
Thomas, David Glyndwr. « Extraordinary undercurrents : Australian cinema, genre and the everyday ». Thesis, Thomas, David Glyndwr (2006) Extraordinary undercurrents : Australian cinema, genre and the everyday. PhD thesis, Murdoch University, 2006. https://researchrepository.murdoch.edu.au/id/eprint/344/.
Texte intégralThomas, David Glyndwr. « Extraordinary undercurrents : Australian cinema, genre and the everyday / ». Thomas, David Glyndwr (2006) Extraordinary undercurrents : Australian cinema, genre and the everyday. PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/344/.
Texte intégralOwen, Richard. « Motion picture production : A micro-budget model ». Thesis, Federation University Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/159080.
Texte intégralDoctor of Philosophy
Slavin, John. « Lost causes : the ideology of national identity in Australian cinema / ». [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.
Texte intégralRossiter, Craig. « The factors that drive success in motion picture development : an Australian context ». Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15891/1/Craig_Rossiter_Thesis.pdf.
Texte intégralRossiter, Craig. « The Factors That Drive Success in Motion Picture Development : An Australian Context ». Queensland University of Technology, 2003. http://eprints.qut.edu.au/15891/.
Texte intégralLi, Jian. « Film Dialogue Translation And The Intonation Unit : Towards Equivalent Effect In English And Chinese ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1480.
Texte intégralPascoe, Caroline. « Screening mothers representations of motherhood in Australian films from 1900 to 1988 / ». Connect to full text, 1998. http://hdl.handle.net/2123/385.
Texte intégralTitle from title screen (viewed Apr. 16, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of History, Faculty of Arts. Degree awarded 1999; thesis submitted 1998. Includes bibliography. Also available in print form.
Scodari, Christine Ann. « The rhetoric of mass intercultural identification : a Burkeian study of the new Australian film industry / ». The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487263399027217.
Texte intégralCork, Kevin James, of Western Sydney Nepean University et Faculty of Humanities and Social Sciences. « Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales ». THESIS_FHSS_XXX_Cork_K.xml, 1994. http://handle.uws.edu.au:8081/1959.7/684.
Texte intégralMaster of Arts (Hons)
Forscher, Helene. « Animals in the landscape : an analysis of the role of the animal image in representations of identity in selected Australian feature films from 1971 to 2001 / ». Gold Coast, Queensland : Bond University, 2007. http://epublications.bond.edu.au/theses/forscher.
Texte intégral"A dissertation submitted in fulfillment of the requirements of the degree of Doctor of Philosophy"-- t.p. Bibliography: leaves 266-281. Also available via the World Wide Web.
Fawns, Kathleen Mary. « Mater Hill : a screenplay ». Thesis, Queensland University of Technology, 1999.
Trouver le texte intégralMcLoughlin, Aaron. « Gravy ». Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50947/1/Aaron_McLoughlin_Thesis.pdf.
Texte intégralKagan, Michal Lali. « Wonderer : the life of Bruce Chatwin ». Thesis, Queensland University of Technology, 2002.
Trouver le texte intégralWatson, Robert Stewart. « Richard Rorty, innovation strategies & ; movie inspiration ». Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41465/1/Robert_Watson_Thesis.pdf.
Texte intégralTruter, Victoria Zea. « Dreamscape and death : an analysis of three contemporary novels and a film ». Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1012976.
Texte intégralEmerson, John James. « The representation of the colonial past in French and Australian cinema, from 1970 to 2000 / by John James Emerson ». 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Texte intégralCrilly, Shane. « 'Gods in our own world' : representations of troubled and troubling masculinities in some Australian films, 1991-2001 ». Thesis, 2004. http://hdl.handle.net/2440/37939.
Texte intégralThesis (Ph.D.)--School of Humanities, 2004.
Johinke, Rebecca Jane. « Blokes and cars : the construction of masculinities in Australian film / Rebecca Jane Johinke ». Thesis, 2002. http://hdl.handle.net/2440/114413.
Texte intégralThesis (Ph.D.) -- University of Adelaide, Dept. of English, 2002
Hopgood, Fincina Elizabeth. « From affliction to empathy : melodrama and mental illness in recent films from Australia and New Zealand ». 2006. http://repository.unimelb.edu.au/10187/2859.
Texte intégralBryson, Ian. « Bringing to light : a history of the Australian Institute of Aboriginal and Torres Strait Islander Film Unit ». Master's thesis, 1998. http://hdl.handle.net/1885/144491.
Texte intégralPeters-Little, Frances. « The return of the noble savage by popular demand : a study of Aboriginal television documentary in Australia ». Master's thesis, 2002. http://hdl.handle.net/1885/110389.
Texte intégralHooton, Fiona Art History & Art Education College of Fine Arts UNSW. « The impact of the counterculture on Australian cinema in the mid to late 20th century ». 2007. http://handle.unsw.edu.au/1959.4/41008.
Texte intégralCork, Kevin J. « Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales ». Thesis, 1994. http://handle.uws.edu.au:8081/1959.7/684.
Texte intégralNelligan, Pariece. « Walking the vocational tightrope : narratives of aspiration, creativity and precarious labour ». Thesis, 2014. http://hdl.handle.net/1959.7/uws:34885.
Texte intégralKaram, Beschara. « Putting a future into film : cultural policy studies, the Arts and Culture Task Group and Film Reference Group (1980-1997) ». Thesis, 1997. http://hdl.handle.net/10413/6155.
Texte intégralThesis (M.A.)-University of Natal, Durban, 1997.