Littérature scientifique sur le sujet « Motion pictures – argentina – history »
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Articles de revues sur le sujet "Motion pictures – argentina – history"
Jennifer Tebbe-Grossman. « Medicine’s Motion Pictures ». Film & ; History : An Interdisciplinary Journal of Film and Television Studies 39, no 1 (2009) : 98–99. http://dx.doi.org/10.1353/flm.0.0076.
Texte intégralHeinemann, Julia. « Motion Pictures of the Royal Family ». French Historical Studies 44, no 2 (1 avril 2021) : 191–216. http://dx.doi.org/10.1215/00161071-8806426.
Texte intégralSwartz, Mark E. « Motion Pictures on the Move ». Journal of American Culture 9, no 4 (décembre 1986) : 1–7. http://dx.doi.org/10.1111/j.1542-734x.1986.0904_1.x.
Texte intégralAmor, Monica. « Displaced Boundaries : Geometric Abstraction from Pictures to Objects ». ARTMargins 3, no 2 (juin 2014) : 101–17. http://dx.doi.org/10.1162/artm_r_00083.
Texte intégralOliver, Willard M. « Crime, History, and Hollywood : Learning Criminal Justice History through Major Motion Pictures ». Journal of Criminal Justice Education 22, no 3 (septembre 2011) : 420–39. http://dx.doi.org/10.1080/10511253.2010.519892.
Texte intégralAyers, Lee. « Book Review : Crime, history, and Hollywood : Learning criminal justice history throughmajor motion pictures ». Criminal Justice Review 39, no 4 (25 juin 2014) : 459–61. http://dx.doi.org/10.1177/0734016814540302.
Texte intégralEckardt, Michael. « South African film history vs the history of motion pictures in South Africa ». South African Theatre Journal 25, no 1 (mars 2011) : 72–77. http://dx.doi.org/10.1080/10137548.2011.626961.
Texte intégralDym, Jeffrey A. « Benshi and the Introduction of Motion Pictures to Japan ». Monumenta Nipponica 55, no 4 (2000) : 509. http://dx.doi.org/10.2307/2668250.
Texte intégralMartin L. Johnson. « Motion Pictures : A Problem to Be Co-operatively Solved ». Film History 29, no 4 (2017) : 157. http://dx.doi.org/10.2979/filmhistory.29.4.07.
Texte intégralELLIS, PATRICK. « A cinema for the unborn : moving pictures, mental pictures and Electra Sparks's New Thought film theory ». British Journal for the History of Science 50, no 3 (septembre 2017) : 411–28. http://dx.doi.org/10.1017/s0007087417000644.
Texte intégralThèses sur le sujet "Motion pictures – argentina – history"
Giordano, Maria Graciela. « Más allá del trauma colectivo : represión y exilio en la narrativa de mujeres y el cine argentino ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100610.
Texte intégralThe purpose of this dissertation is to analyse the "social tics" which flourish in various art forms, as well as in the underpinnings of Argentine society, and come from the fact that collective suffering has created a defined present which controls the past, and, inevitably, influences the future. In turn, certain themes thus emerge from subjective and fragmented spaces of enunciation where memory plays a crucial role.
In order to do this, I concentrate here on alternative cultural productions to the official propaganda produced during and after the period of dictatorship, paying special attention to women's narratives and testimonies or memoirs of repression. Finally, I undertake an analysis of certain selected cinematographic productions which, like the contemporary literature analysed here, also form part of the movement that demonstrates the need to question Argentine reality---present and past---by foregrounding collective and individual memory in opposition to the generalized trend of amnesia/anaesthesia to point up the very real danger inherent in such "historic amnesia." Taken together, these works reveal the existence of a past that must be recaptured and redeemed, but which, given the existence of the negated and silenced "sinister" space in contemporary reality, forms only a small part of Argentine history still under construction.
Juz, Breno de Souza. « Representações cinematográficas da Argentina em crise (1999-2004) ». [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278677.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-17T03:34:33Z (GMT). No. of bitstreams: 1 Juz_BrenodeSouza_M.pdf: 1163692 bytes, checksum: 6c0b8fbf38ea1c317a16fc9a53be04d2 (MD5) Previous issue date: 2010
Resumo: No final dos anos 1990 e início do século XXI, o cinema argentino viveu uma vigorosa retomada na produção nacional com o surgimento de novos realizadores, conquistando diversos prêmios em festivais e ampla repercussão internacional. Este cinema atraiu o interesse da crítica e do público devido a uma série de fatores, entre os quais cabe destacar uma exemplar e instigante renovação da linguagem. A isso se soma a viabilização de produção independente calcada no baixo orçamento. A retomada da produção vivida pelo cinema argentino na virada de século XXI foi simultânea à crise social, econômica e institucional ocorrida a partir de dezembro de 2001. Este fato potencializou as significações do nuevo cine argentino devido à capacidade de diálogo que certas obras apresentaram em relação ao momento histórico vivido pelo país. Este trabalho tem como objetivo analisar, a partir de obras referenciais, as representações da Argentina no cinema argentino contemporâneo, investigando quais as estruturas narrativas e estilos cinematográficos foram utilizados na construção dessas obras e da crise por elas representadas. Busca-se também perceber os sujeitos, tramas, relações com os espaços e instituições escolhidos no constructo da Argentina contemporânea e sua crise. Com isso, é possível analisar a historicidade dessa cinematografia, e os desdobramentos implicados nas representações construídas pela escrita cinematográfica
Abstract: In the late 1990s and early twenty-first century, the Argentine cinema has experienced a vigorous recovery in its national production in which there was the emergence of new filmmakers who won several awards at festivals and got a wide world repercussions and notoriety. This cinema has attracted the interest from critics and audiences for a variety of factors, among which we highlight an exemplary and exciting renewal of its language. In addition, the viability of independent production grounded on low costs. This resumption of production experienced by the Argentine cinema at the turn of the century was simultaneously a social, economic and institutional crisis occurred in December 2001. This fact has enhanced the meanings of Argentine nuevo cine because of the capacity of dialoguing that certain works presented in relation to the historical moment experienced by the country. Thus, this dissertation aims to analyze, using reference works, the representations of contemporary Argentine cinema in Argentina, investigating which narrative structures and cinematographic styles were used in the construction of these works and the crisis that they represent. The aim is also to understand the subjects, plots, spaces and relations with the institutions selected in the construct of contemporary Argentina and its crisis. Thus, it is possible to analyze the historicity of this cinema, and the ramifications involved in the representations constructed by cinematographic writing
Mestrado
Historia Cultural
Mestre em História
Triquell, Ximena. « Projecting history : a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy ». Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/11710/.
Texte intégralOlder, Aguilar Sarah Michelle. « Witnessing media the reproduction and transmission of history in Southern Cone post-dictatorship fiction / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1872211281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralNogueira, Julia C. « Film and Video Festivals in South America:A Contemporary Analysis of Flourishing Cultural Phenomena ». Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1230612139.
Texte intégralFalicov, Tamara Leah. « The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Texte intégralGalt, Rosalind. « Redrawing the map of Europe space, history and spectacle in new European cinema / ». [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Texte intégralWilliams, Danielle E. Winn J. Emmett. « Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective / ». Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Texte intégralHaywood, Keene McDonald. « Beyond Words : The Use of the Non-Verbal Genre in Natural History Filmmaking ». Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/haywood/HaywoodK0807.pdf.
Texte intégralPang, Lai Kwan. « China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology / ». online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.
Texte intégralLivres sur le sujet "Motion pictures – argentina – history"
The film industry in Argentina : An illustrated cultural history. Jefferson, N.C : McFarland, 2004.
Trouver le texte intégralEl cine argentino en la historia Argentina, 1958-1998. Rosario, Argentina : Ediciones del Arca Editorial, 1999.
Trouver le texte intégralCurubeto, Diego. Babilonia gaucha : Hollywood en la Argentina, la Argentina en Hollywood. Buenos Aires : Planeta, 1993.
Trouver le texte intégralRiva, Lucía Rodríguez. Diálogos cinematográficos entre España y Argentina. España : Asociación Shangrila Textos Aparte, 2019.
Trouver le texte intégralIribarren, María. La imagen argentina : Episodios cinematográficos de la historia nacional. CABA [Buenos Aires] : Cultura Argentina, Ministerio de Cultura, Presidencia de la Nación Argentina, 2017.
Trouver le texte intégralThompson, Currie Kerr. Picturing Argentina : Myths, movies, and the Peronist vision. Amherst, New York : Cambria Press, 2014.
Trouver le texte intégralAguilar, Gonzalo. New Argentine film : Other worlds. Basingstoke : Palgrave Macmillan, 2011.
Trouver le texte intégralElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires : Ediciones S.J.L., 1987.
Trouver le texte intégralElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires : Ediciones S.J.L., 1987.
Trouver le texte intégralElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires : Ediciones S.J.L., 1987.
Trouver le texte intégralChapitres de livres sur le sujet "Motion pictures – argentina – history"
Czitrom, Daniel. « Early Motion Pictures ». Dans Communication in History, 158–66. 8e éd. New York : Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-26.
Texte intégralCzitrom, Daniel. « Early Motion Pictures ». Dans Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018. : Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.
Texte intégralMolenda, Michael H. « History and Development of Instructional Design and Technology ». Dans Handbook of Open, Distance and Digital Education, 1–18. Singapore : Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.
Texte intégralMolenda, Michael H. « History and Development of Instructional Design and Technology ». Dans Handbook of Open, Distance and Digital Education, 57–74. Singapore : Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.
Texte intégral« Early Motion Pictures, Daniel Czitrom ». Dans Communication in History, 175–82. Routledge, 2015. http://dx.doi.org/10.4324/9781315664538-32.
Texte intégralLethem, Jonathan. « 1888 The introduction of motion pictures ». Dans A New Literary History of America, 406–10. Harvard University Press, 2012. http://dx.doi.org/10.4159/9780674054219-087.
Texte intégralAbel, Richard, et Amy Rodgers. « Early Motion Pictures and Popular Print Culture ». Dans The Oxford History of Popular Print Culture, 191–210. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:osobl/9780199234066.003.0010.
Texte intégralPowers, Stephen, David J. Rothman et Stanley Rothman. « Hollywood's History and the Politics of Motion Pictures ». Dans Hollywood's America, 14–39. Routledge, 2018. http://dx.doi.org/10.4324/9780429493720-2.
Texte intégral« A History Long Overdue : The Public Library and Motion Pictures ». Dans Useful Cinema, 149–77. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822394167-009.
Texte intégralCostanzo, William V. « Comedy, History, and Culture ». Dans When the World Laughs, 69–86. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190924997.003.0005.
Texte intégralActes de conférences sur le sujet "Motion pictures – argentina – history"
Mathias, Yehoshua. « USING MOTION PICTURES TO FOSTER HISTORICAL THINKING : A PROPOSAL FOR HISTORY TEACHERS' EDUCATION ». Dans 15th annual International Conference of Education, Research and Innovation. IATED, 2022. http://dx.doi.org/10.21125/iceri.2022.1817.
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