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Bibliographies thématiques / Modo epico / Livres

Livres sur le sujet « Modo epico »

Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Modo epico.

Auteur : Grafiati

Publié le 10 mars 2023

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1

Le cortesie e le audaci imprese : Moda, maghe e magie nei poemi cavallereschi. San Cesario di Lecce : Manni, 2006.

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2

Mancini, Albert N. I capitoli letterari di Francesco Bolognetti : Tempi e modi della letteratura epica fra l'Ariosto e il Tasso. Napoli : Federico & Ardia, 1989.

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3

Punto di vista e modi della narrazione nell'Eneide. Pisa : Giardini, 1985.

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4

Morton, Richard. John Dryden's Aeneas : A hero in enlightenment mode. Victoria, B.C : English Literary Studies, University of Victoria, 2000.

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5

Morton, Richard Everett. John Dryden's Aeneas : A hero in enlightenment mode. Victoria, B.C : English Literary Studies, University of Victoria, 2000.

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6

Brüggen, Elke. Kleidung und Mode in der höfischen Epik des 12. und 13. Jahrhunderts. Heidelberg : Winter, 1989.

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7

Douglass, Keith. Carrier : Armageddon Mode (Armageddon Mode, Book 3). DH Audio, 2000.

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8

Goldsmith, Margaret E. Mode and Meaning Of 'Beowulf'. Bloomsbury Publishing Plc, 2013.

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9

Inescapable Romance : Studies in the Poetics of a Mode. Princeton University Press, 2015.

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10

Parker, Patricia A. Inescapable Romance : Studies in the Poetics of a Mode. Princeton University Press, 2016.

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11

Parker, Patricia A. Inescapable Romance : Studies in the Poetics of a Mode. Princeton University Press, 2015.

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12

Joseph, Timothy A. Thunder and Lament. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197582145.001.0001.

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Lucan’s epic poem Pharsalia tells the story of the cataclysmic “end of Rome” through the victory of Julius Caesar and Caesarism in the civil wars of 49–48 BCE. This book argues that Lucan’s poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic—inverting, collapsing, undoing, and completing tropes and themes introduced in Homer’s Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By focusing on Lucan’s effort to “surpass the poets of old”—a phrase Statius would use of his achievement—this study deepens our appreciation of Lucan’s poetic accomplishment and of the tensions between beginning and ending that lie at the heart of the epic genre. Statius also read Lucan as a poet who both thunders and laments, and this book argues that Lucan closes off epic’s beginnings through gestures of thundering poetic violence and also through a transformation and completion of the traditional epic mode of lament. Equipped with these two registers of closure, each engaging and taking aim at epic’s primal texts, Lucan positions the Pharsalia as epic’s final song.

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13

King, Ender Ender, et Darth Darth Vader. Star Wars : the Jedi Path - Episode 1 : Epic Space Saga Retold in Minecraft Story Mode. Independently Published, 2017.

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14

Jones, Catherine M., William W. Kibler et Logan E. Whalen, trad. An Old French Trilogy. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066462.001.0001.

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This book provides a modern English translation of three Old French epic poems devoted to the exploits of the legendary William of Orange. The Coronation of Louis, The Convoy to Nîmes, and The Conquest of Orange form the core of William’s early heroic biography. In The Coronation of Louis, the hero saves both king and pope from would-be usurpers, and earns the nickname “Short-nosed William” after a fierce, disfiguring battle with a Saracen giant. In The Convoy to Nîmes and The Conquest of Orange, William conquers two important cities and wins the love of the Saracen Queen Orable. The trilogy is remarkable for its depiction of feudal conflict and crosscultural relations. Like the William cycle as a whole, the three poems are cast in the heroicomic mode, tempering the serious subject matter of epic warfare with comic interludes.

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15

King, Ender Ender, et Han Han Solo. Star Wars : Attack of the Clones - Episode 2 : Epic Space Saga Retold in Minecraft Story Mode. Independently Published, 2017.

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16

King, Ender Ender, et Luke Luke Skywalker. Star Wars : the Saber of Power - Episode 3 : Epic Space Saga Retold in Minecraft Story Mode. Independently Published, 2017.

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17

Barrett, Chris. Time River Body. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.003.0003.

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Relying on sustained, relentless personification, Drayton’s chorographical epic Poly-Olbion retains the ethical work of The Faerie Queene’s allegory in restoring to the national narrative the embodied immanence of the people within it; but Drayton’s poem takes personification as its dominant representation mode. The poem explores and exploits the paradoxical nature of personification, a device that is simultaneously evocative and anti-mimetic. The case of personification demonstrates the ways description distances itself from its subject, and Poly-Olbion uses its personified topography to interrogate the very possibility of representing space—in cartographic image or topographical text—by troubling the temporal assumptions underlying the cartographic and problematizing the relationship between description and detail. In doing so, the poem generates a mode of descriptive writing reliant on the generative distortion of its subject, ultimately positing an anti-mimetic program—one that lays bare the limitations and fictions of the cartographic—for the representation of space.

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18

McHugh, James. An Unholy Brew. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199375936.001.0001.

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An Unholy Brew is the first book on alcohol in premodern India. Using a wide range of sources from the Vedas to the Kāmasūtra, the book explores the drinks, styles of drinking, and sophisticated theories of abstinence found in South Asia from our earliest Sanskrit written records through the second millennium CE. It begins with the intoxicating drinks people devised over the centuries, made from grains, sugars, fruits, and herbs. Texts describe a number of types of drinking: public drinking at the brewery-tavern, and at festivals and weddings. Poetic texts depict elite drinking, often in an erotic mode. Medical texts explain how a rich man should regulate his drinking correctly, and how to cure drink sickness. Myths and epic stories explain how drink came into being and was assigned the ritual and legal status it has today. The book also explores Hindu, Buddhist, and Jain moral and legal texts on drink and abstinence. Drink is used in some Tantric rituals, and the book presents an account of drink in the work of Kashmiri Abhinavagupta. One later Tantric text contains a detailed description of the goddess Liquor, Surā, translated here in full, along with considerations of cannabis and opium. Finally, what happened to these drinks, stories, and theories in the last few centuries? An Unholy Brew brings to life the overlooked, complex world of brewing, drinking (and abstaining) in premodern India, and includes clear case studies of topics such as law and medicine, along with recipes for drinks.

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