Bibliographies thématiques / Modo epico

Littérature scientifique sur le sujet « Modo epico »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Modo epico"

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Bancheri, Salvatore. « Elementi di plurilinguismo nell’opera di Filippo Orioles ». Quaderni d'italianistica 36, no 2 (27 juillet 2016) : 23–40. http://dx.doi.org/10.33137/q.i..v36i2.26898.

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La prima metà del Settecento — periodo in cui scrisse Filippo Orioles (1687–1793), autore del Riscatto d’Adamo — fu segnato in Sicilia da un continuo alternarsi di dominazioni e quindi anche da normale commistione di linguaggi. Di riflesso, i lavori dell’Orioles (La notte in giorno, La S. Rosalia, Il S. Alessio e Il San Basilio Magno), analizzati brevemente nella loro esemplarità linguistica, sono uno specchio di questa realtà. Nelle opere esaminate troviamo una mescolanza di lingue (italiano, spagnolo e latino), frequenti latinismi, dialetti (siciliano e napoletano). La contaminazione dei linguaggi si manifesta sia sul piano puramente linguistico, sia su quello dei codici e delle tradizioni culturali: abbiamo in contempo il linguaggio lirico e drammatico, colto e popolare, profano e religioso. Al linguaggio galante dei salotti si contrappone il dialetto schietto dei popolani; al tono epico si contrappone quello eroicomico dei servi. L’elemento più interessante delle commedie agiografiche dell’autore palermitano è il plurilinguismo — inteso in senso lato — grazie al quale va in scena, sia pure in modo anacronistico, la Sicilia del ’700, sia aristocratica che popolana. E sono proprio, e principalmente, i personaggi del popolo con il loro colorito dialetto che rendono meno pesanti, se non addirittura vivaci, le commedie dell’Orioles.
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Fernandelli, Marco. « Ovidio e le ambiguità dell'Eneide ». Tabula, no 17 (16 novembre 2020) : 125–68. http://dx.doi.org/10.32728/tab.17.2020.5.

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L'ambiguità è un tratto caratteristico del linguaggio epico virgiliano. L'idea che essa sia l'espressione di un dualismo tra piani di significato rappresentati da voci (“Two voices theory'), cui attribuire un grado maggiore o minore di autenticità, è stata superata a favore di una lettura che riconosce tale autenticità nello stato aperto del testo, che insieme stimola all'interpretazione e si presta a una continua riattualizzazione dei propri significati. L'“ambivalenza” (del testo) ha preso il posto della dialettica di “ottimismo” e “pessimismo” (nella visione dell'autore). Virgilio, in Ovidio, è onnipresente. Le ambiguità dell'Eneide, la cui tipologia è varia, causano, in Ovidio, due risposte: lo invitano a illuminare le zone contraddittorie di quel testo già classico; oppure sono risolte o neutralizzate nel quadro di riscritture di genere e intonazione diversi, ma sempre in modo che la disambiguazione risulti palese e si configuri come una scelta conforme ai valori di una poetica nuova. Ciò si nota in particolare nelle Metamorfosi, dove i luoghi più complessi dell'Eneide nutrono l'invenzione poetica, mentre la loro conversione in situazioni, immagini, espressioni univoche asseconda la fluidità che il poema del continuo mutamento richiede al suo linguaggio. Ma questa semplificazione del complesso e determinazione dell'indeterminato è anche il filtro attraverso il quale l'inimitabile Eneide si offre all'imitazione delle generazioni successive.
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Dung, Nguyen Tien. « “Living” Epics in Central Highland-Vietnam ». Global Research in Higher Education 2, no 1 (9 janvier 2019) : 59. http://dx.doi.org/10.22158/grhe.v2n1p59.

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<em>This article is about h’mon, an epic genre of Bahnar ethnic in the Central Highlands of Vietnam. Typical of this epic type is H’mon Dam Giong (or The Dam Giong epics). The contents of this article include space and mode of performance of h’mon; characteristics of the “living epic” of h’mon (It is the ability to refresh the content of h’mon by adding new details); characteristics of the character system (including the central character and the re-appearing characters).</em>
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Nguyen, Viet Hung. « ARTISTS CHANTING - NARRATING EPIC POEMS PROFESSIONAL OR UNPROFESSIONAL ? » UED Journal of Social Sciences, Humanities and Education 10, Special (27 septembre 2020) : 62–69. http://dx.doi.org/10.47393/jshe.v10ispecial.881.

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Homer’s creative works Iliad, Odyssey have undergone a history of thousands of years, but the Homeric issues have never ceased to be new to generations of researchers. There still remain unanswered questions: Was Homer a professional writer or a folk artist? Did his epical compositions belong to the written or oral literary genre? Were Homer's poems the works of a single poet or of many contributors? We refer to Homer as an artist, a collector and compiler of Greek epics in relation to the type of epic artists in Vietnam. A study of the artists chanting-narrating epic poems from various perspectives: society - profession (professional or amateur?), mode of artistic creation (folk or scholarly?), the relationship between performance and context (ritualistic or non-ritualistic?) ... will clarify the characteristics of the artists chanting - narrating epic poems and the nature of the artistic creation process, and probably put forward suggestions for the preservation of the epic repertoire of ethnic groups.
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Chalise, Keshav Raj. « Mayavini Sarsi (Circe) : Devkota’s Reworking to Western Myths ». Literary Studies 33 (31 mars 2020) : 20–30. http://dx.doi.org/10.3126/litstud.v33i0.38032.

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Laxmi Prasad Devkota, celebrated poet as the Mahakavi or Poet the Great wasborn in 1966 BS. Writing in distinct style from the tradition, Devkota has broken the convention in Nepalese writing, both in form and content, though he was in the difficult mode of free expression due to Rana observation over writings and even the discouraging situation on free thinking and creative writing. He has adapted Sanskrit tradition of writing epics, (Mahakavya) and also, he has composed the epic on free verse. He has introduced and applied western Romantic trend of writing poetry. With these new modes, he has introduced new genre and approach in writing poems and other forms of literature. Openness, lucidity and honesty are some of the characteristics of Devkota’s poetic works. His feelings, sensibility and expressions have been blended perfectly and brilliantly with words and meanings that have created an explosion of thoughts and ideas in his writings. We find spontaneous expression in his poems and there is no artificial sense. As a versatile writer, he has composed in all literary genres, pomes, epics, essays, plays and fictions, but he is basically a poet. Having with the knowledge both in eastern Sanskrit literature and western literary traditions, he has combined both traditions in his Nepali writings. With the use of the western and eastern mythical references, he has united the traditions of the both in his writings. This article aims to observe his revisit to the eastern and western mythical references in Mayavini Circe, the epic on free verse.
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Watten, Barrett. « An Epic of Subjectivation : The Making of Americans ». Modernism/modernity 5, no 2 (1998) : 95–121. http://dx.doi.org/10.1353/mod.1998.0044.

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Esty, Joshua. « Colonial Odysseys : Empire and Epic in the Modernist Novel (review) ». Modernism/modernity 12, no 3 (2005) : 519–21. http://dx.doi.org/10.1353/mod.2005.0083.

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Reed, M. D., A. Slayton, A. S. Baran, J. H. Telting, R. H. Østensen, C. S. Jeffery, M. Uzundag et S. Sanjayan. « Pulsating subdwarf B stars observed with K2 during Campaign 7 and an examination of seismic group properties ». Monthly Notices of the Royal Astronomical Society 507, no 3 (24 août 2021) : 4178–95. http://dx.doi.org/10.1093/mnras/stab2405.

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ABSTRACT We report the discovery of four new pulsating subdwarf B (sdBV) stars from Campaign 7 of the Kepler spacecraft’s K2 mission. EPIC 215776487, EPIC 217280630, EPIC 218366972, and EPIC 218717602 are all gravity (g)-mode pulsators and we also detect two pressure (p)-mode pulsations in EPIC 218717602. We detect asymptotic $\ell \, =\, 1$ sequences in all four stars, allowing us to identify nearly all of the g modes. We detect evenly spaced frequency multiplets in EPIC 218717602 from which we determine a rotation period near 7 d. Spectroscopic observations determine that EPIC 218366972 is in a 5.92 d binary with most likely a white dwarf companion of canonical mass while the others have no detected companions. As we detect no multiplets in EPIC 218366972, it is added to the growing list of subsynchronously rotating stars. With 40 Kepler-detected sdBV stars and a growing number of Transiting Exoplanet Survey Satellite (TESS) publications, we update an examination of the group properties to provide direction for models. We notice a correlation between effective temperature and period of maximum pulsation amplitude, at least for g-mode pulsations, and update the previously observed effective temperature–rotation period relation.
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Alexander, Neal. « C. D. Blanton, Epic Negation : The Dialectical Poetics of Late Modernism ». Modernist Cultures 11, no 3 (novembre 2016) : 452–56. http://dx.doi.org/10.3366/mod.2016.0150.

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Giesenkirchen, Michaela. « "But Sordello, and My Sordello?" ; : Pound and Browning's Epic ». Modernism/modernity 8, no 4 (2001) : 623–42. http://dx.doi.org/10.1353/mod.2001.0084.

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Thèses sur le sujet "Modo epico"

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Larsson, John-Olov. « Evaluation of Flux and Timing Calibration of the XMM-Newton EPIC-MOS Cameras in Timing Mode ». Thesis, Linköping University, Department of Physics, Chemistry and Biology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-12516.

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XMM-Newton is a X-ray telescope launched december 1999, by the European Space Agency, ESA. On board XMM-Newton are two EPIC-MOS X-ray detectors. The detectors are build by Charged Coupled Devices (CCDs), of Metal Oxide Semi-conductor type. The EPIC-MOS cameras have four science operating modes. This project aims to evaluate the calibration for one of these four modes, the timing mode.

The evaluation is divided into two parts. The first part is the evaluation of the flux calibration, performed by analysing various observation made in timing mode. The second part is the evaluation of timing properties by performing timing analysis of XMM-Newton observations of the Crab nebula compared to observations made in the radio wavelengths.

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Julien, Alfredo. « Ágora, dêmos e laós : os modos de figuração do povo na assembléia homérica - contradições, ambigüidades e indefinições ». Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-05072007-102301/.

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Na epopéia homérica, a ágora, a assembléia do povo, constitui espaço privilegiado de interação social, servindo de cenário para a figuração de eventos importantes para a condução da trama, tanto da Ilíada quanto da Odisséia. No âmbito dos estudos homéricos, aqueles que se dedicam à análise histórica dos poemas têm feito largo uso desses episódios, na busca de chegar a explicações coerentes a respeito dos modos de operação da sociedade retratada na narrativa. Qual seria o papel das assembléias na sociedade homérica? Qual seria a constituição social do povo presente nessas reuniões? Seria ela conformada aos moldes de uma sociedade de caráter patriarcal ou refletiria as instituições das nascentes póleis arcaicas? Ou seria pura ficção, um amálgama de elementos contraditórios, não retratando uma sociedade que tivesse tido existência fora dos textos? O principal obstáculo para o encaminhamento dessas questões encontra-se na própria natureza dos textos homéricos. Elas são caras à nossa forma de perceber o mundo, mas não encontram eco no texto. Os poemas não apresentam registros que possibilitem respostas precisas para elas. Quando as questões que animam a interpretação buscam a clara delimitação das instâncias organizacionais da sociedade figurada na Ilíada e na Odisséia, a memória preservada, no registro épico da ágora homérica, apresenta-se para nós permeada de ambigüidade e indefinições, que, para serem rompidas, necessitam de esquemas de referências que possibilitem contextos a partir dos quais se possa empreender a análise. No presente trabalho, apresentam-se reflexão sobre a forma como a crítica especializada tem contornado tais problemas de interpretação e proposta de hermenêutica das cenas de assembléia na épica, tendo como fio condutor as questões da conformação da ágora como elemento definidor do estatuto da vida civilizada; da oposição entre assunto público e privado; e da natureza social do povo presente nas assembléias
In Homeric epic poems, the ágora, the assembly of the people, constitutes a privileged space of social interaction. It serves as stage set for portraying important events for plot conduction, both in the Iliad and the Odissey. In scope of Homeric studies, those engaged in historical analysis of the epic poems have made wide use of these episodes in search of coherent explanations, regarding the operational ways of the society portrayed throughout the narrative. Which would be the role of the assemblies in the Homeric society? Which would be the social constitution of the people present in these meetings? Would it be conformed to the moulds of a society of patriarchal character or would it reflect the institutions of the rising archaic pólis? Or would it be pure fiction, an amalgam of contradictory elements, not portraying a society that had had existence out of the texts? The main obstacle for the guiding of these questions meets in the proper nature of the Homeric texts. They are so dear to the way we perceive the world, but they don\'t find any echo in the text. The poems do not present registers that make possible accurate answers for the asked questions. When the questions that liven up the interpretation search the clear delimitation of the organizational instances of the society depicted in the Iliad and in the Odyssey, the memory preserved in the epic register of the Homeric ágora comes out pervaded by ambiguity and unclear settings, that, to be breached, need design of references that make possible contexts from which the analysis can be undertaken. This work presents a reflection on the form as the specialized critic has contoured such problems of interpretation and a proposal of hermeneutics of the assembly scenes in the epic, having as conducting wire the questions related to the conformation of the ágora as defining element of civilized life; the opposition between public and private subject; and the social nature of people present in the assemblies
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Naudin, Sabine. « Le rôle de la consommation d’alcool et du mode de vie sur le risque de cancer du pancréas dans l’étude EPIC ». Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE1133/document.

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Souvent diagnostiqué à un stade avancé, le cancer du pancréas (CP) est un cancer particulièrement létal pour lequel il n’y a, à ce jour, que très peu de possibilités de traitement et de diagnostic anticipé. L’identification de facteurs de risque modifiables pourrait fournir des données épidémiologiques nécessaires au soutien de la mise en place de mesures préventives. Cette thèse a pour but d’étudier l’étiologie du CP en évaluant le rôle de la consommation d’alcool et du mode de vie dans l’étude prospective européenne sur le cancer et la nutrition (EPIC), cohorte multicentrique de plus de 500,000 sujets provenant de 10 pays européens. La consommation d’alcool a d’abord été évaluée en regard du risque de CP. Les rôles des différents types d’alcools ainsi que du tabagisme dans la relation entre l’alcool et le CP ont été examinés. Cette évaluation a montré qu’une consommation d’alcool élevée était associée à une augmentation du risque de CP. Ensuite, la relation entre le Healthy Lifestyle Index, un indicateur combinant le passé tabagique, la consommation d’alcool, l’alimentation, l’anthropométrie et l’activité physique, et le risque de CP a été étudiée. Pour quantifier l’impact de l’amélioration de ces facteurs, des fractions de CP attribuables ont été estimées en considérant des scénarios hypothétiques où les participants adopteraient des modes de vie plus sains. L’adhérence à des habitudes saines était fortement et inversement associée au risque de CP. Ces travaux ont apporté des connaissances informatives sur l’étiologie du CP, et soutiennent le développement de mesures de santé publique promouvant la prévention du CP par l’adoption de modes de vie sains
Commonly diagnosed at late stage, pancreatic cancer (PC) is a highly fatal cancer with limited opportunities for early detection and effective treatment. The identification of modifiable risk factors may offer relevant scientific evidence for PC prevention. This doctoral research program investigated PC etiology through a comprehensive examination of the role of alcohol consumption and other lifestyle determinants in the occurrence of PC within the European Prospective Investigation into Cancer and nutrition (EPIC) study, a multi-center cohort involving more than 500,000 participants from 10 European countries. Alcohol intake was evaluated with respect to the risk of PC. The role of different alcoholic beverages and potential effect modification by smoking habits on PC risk were also examined. Findings from this evaluation provided epidemiological evidence that large intakes of alcohol were associated with an increased risk of PC.The association between the healthy lifestyle index, a score combining information on smoking history, alcohol intake, diet, obesity, and physical activity and the risk of PC was examined. To quantify the impact of modifying several lifestyle factors, population attributable fractions were estimated assuming counterfactual scenarios whereby study participants hypothetically moved towards healthier behaviors. Adherence to healthy lifestyle habits was strongly inversely related to PC. This comprehensive evaluation provides informative insights on the etiology of PC and supports the development and implementation of public health guidelines to promote individuals’ adoption of healthy lifestyle habits for PC prevention
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Rodrigues, Márcia Regina [UNESP]. « Traços épico-brechtianos na dramaturgia portuguesa : O render dos heróis de Cardoso Pires e Felizmente há luar ! de Sttau Monteiro ». Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99178.

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Made available in DSpace on 2014-06-11T19:29:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-03-02Bitstream added on 2014-06-13T20:20:15Z : No. of bitstreams: 1 rodrigues_mr_me_arafcl.pdf: 518225 bytes, checksum: 8c92966968bbdf528a522e9deadd4293 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Em Portugal, durante o Estado Novo, apesar de a comissão de censura proibir a obra do dramaturgo alemão Bertolt Brecht (1889-1956), os dramaturgos, atores e diretores conseguiram, de alguma forma, adquirir conhecimento sobre os pressupostos do teatro épico brechtiano e praticá-los nas suas criações dramatúrgicas e encenações. Assim, algumas das peças produzidas pela dramaturgia portuguesa na segunda metade do século XX, além de explorarem freqüentemente temas históricos – a fim de tratar do passado com vistas a analisar o momento presente –, anunciavam a estética do teatro épico de Brecht como uma inovação das formas dramáticas praticadas até então. Frutos da perspectiva brechtiana de teatro épico, O render dos heróis (1960), de José Cardoso Pires (1925-1998) e Felizmente há luar! (1961), de Luís de Sttau Monteiro (1926-1993) constituem o corpus desta Dissertação de Mestrado. Essas peças apresentam no seu enredo fatos remanescentes ou antecedentes da Revolução Liberal de 1820, com o objetivo de – por meio da alegoria – levar o leitor / espectador a uma análise crítica da situação político-social de Portugal sob o regime ditatorial de António de Oliveira Salazar. Analisamos as formas de apropriação do efeito de distanciamento – elemento caracterizador do teatro épico brechtiano – nessas peças, bem como a relação delas com o período político marcado pela censura salazarista. Para isso, a nossa base teórica é constituída principalmente pelas teorias acerca do teatro épico de Brecht, considerando-as no contexto do teatro português da década de 1960.
In Portugal, during the Estado Novo period, although the censorship committee prohibited the work by German dramatist Bertolt Brecht (1889-1959), dramatists, actors, and directors were able to, somehow, acquire knowledge concerning the assumptions of Brechtian epic theater and put them into practice in their dramaturgical creations and staging. This way, some of the plays produced by Portuguese dramaturgy in the second half of the 20th century, besides frequently approaching historical themes (in order to discuss the past aiming at analyzing the present), articulated the aesthetics of Brecht’s epic theater as an innovation of drama performed up to that point. Results of Brechtian perspective on epic theater, O render dos heróis (1960), by José Cardoso Pires (1925-1998) and Felizmente há luar! (1961), by Luís de Sttau Monteiro (1926-1993) are the corpus of this Master Degree’s dissertation. These plays have, in their plots, facts which are reminiscent or antecedent of the Liberal Revolution in 1820, with the objective of – through its allegory – leading the reader to a critical analysis of Portugal’s social-political situation under António de Oliveira Salazar’s dictatorship regime. Analyze appropriation forms and the elaboration of the distancing effect – characteristic elements in Brechtian theater – in these plays, as well as the relation between these plays and the political period marked by the Salazarian dictatorship. For that matter, our theoretical foundation is mainly made up by theories regarding Brecht’s epic theater, considering them in the Portuguese theater context in the 1960s.
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michela, memmola. « Eroine ? Modelli nel romanzo contemporaneo ». Doctoral thesis, 2022. http://hdl.handle.net/2158/1275977.

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Oggetto della presente ricerca sono le protagoniste di due romanzi in lingua francese, che sono "Héroïnes. Un rêve éveillé" (2017) di Linda Lê e "Trois femmes puissantes" (2009) di Marie NDiaye, e di due romanzi in lingua italiana, "Regina di fiori e di perle" (2007) di Gabriella Ghermandi e "Timira. Romanzo meticcio" (2012) di Wu Ming 2 e Antar Mohamed. In particolare, attraverso una prospettiva di analisi che prende le mosse dal concetto di modo epico, questo lavoro indaga sul significato dei personaggi all’interno dei testi in termini di modelli narrativi, di tradizioni letterarie, di scelte linguistiche. L’analisi del testo mira a far emergere i punti di contatto e di contrasto fra i romanzi e si incentra sul tema del viaggio, sui richiami a tradizioni mitologiche, sulle scelte linguistiche orientate in direzione di un multilinguismo o di una lingua scevra da contaminazioni, sullo statuto ambiguo di eroine o di vittime che i personaggi assumono nelle narrazioni, e sul legame, spesso evocato, che sembra intercorrere fra epopee antiche ed epiche contemporanee.
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Selepe, Thapelo 1956. « Towards the African theory of literary production : perspectives on the Sosotho novel ». Thesis, 1999. http://hdl.handle.net/10500/17709.

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Critical studies and creative works in the Sesotho novel have made some of the important contributions in Sesotho literary history in particular, and African literary history in general. However, such contribution has been dictated by a particular history and an ideology. The world-view in literary practice that emerged from that history is the one that tends to divorce literature, literary study and language from society. Consequently, this study identifies this practice as a problem that needs to be addressed. This study argues from this perspective that literature, literary study and language should be re-established as integral parts in a manner that pedagogical practice would translate into positive social practices. To realise this ideal the study approaches the study of the Sesotho novel from the perspective of literary production. The theory of literary production insists that literature is a form of social production. This argument becomes even more pertinent to the study of the novel, which is viewed as having profound elements of realism that mirror society. A consideration of the Sesotho novel as a form of literary production that is linked to other forms of social production immediately leads to the question of the development of the Sesotho novel. The possibilities that are identified include external influence and internal evolution in the development of the Sesotho novel. These possibilities also have a bearing on the study of the Sesotho novel in particular and the study of the African novel in general. In order to pursue the argument to its logical conclusion, the development of the Sesotho novel is divided into three periods: 1900-1930; 1930-1960 and the 1960s- 1990s. Each of these periods demonstrates a particular ideological leaning that is akin to the material conditions of each period. Taking this trend as a pattern in the development of the Sesotho novel, this study advocates an approach that links literature and literary studies to society.
African Languages
D.Litt. et Phil. (African Languages)
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Livres sur le sujet "Modo epico"

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Le cortesie e le audaci imprese : Moda, maghe e magie nei poemi cavallereschi. San Cesario di Lecce : Manni, 2006.

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Mancini, Albert N. I capitoli letterari di Francesco Bolognetti : Tempi e modi della letteratura epica fra l'Ariosto e il Tasso. Napoli : Federico & Ardia, 1989.

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Punto di vista e modi della narrazione nell'Eneide. Pisa : Giardini, 1985.

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Morton, Richard. John Dryden's Aeneas : A hero in enlightenment mode. Victoria, B.C : English Literary Studies, University of Victoria, 2000.

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Morton, Richard Everett. John Dryden's Aeneas : A hero in enlightenment mode. Victoria, B.C : English Literary Studies, University of Victoria, 2000.

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Brüggen, Elke. Kleidung und Mode in der höfischen Epik des 12. und 13. Jahrhunderts. Heidelberg : Winter, 1989.

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Douglass, Keith. Carrier : Armageddon Mode (Armageddon Mode, Book 3). DH Audio, 2000.

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Goldsmith, Margaret E. Mode and Meaning Of 'Beowulf'. Bloomsbury Publishing Plc, 2013.

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Inescapable Romance : Studies in the Poetics of a Mode. Princeton University Press, 2015.

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Parker, Patricia A. Inescapable Romance : Studies in the Poetics of a Mode. Princeton University Press, 2016.

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Chapitres de livres sur le sujet "Modo epico"

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Hannay, Jo Erskine. « Benefit Points for the Project ». Dans Benefit/Cost-Driven Software Development, 21–48. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74218-8_3.

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AbstractWe start by looking at projects and their most abstract product elements, the epics, and show how to estimate their benefit using benefit points. Then we show how to sort epics according to a benefit-cost index to help decide the order in which to put epics into releases. Instantiating points with a monetary value provides added means of prioritizing and determining when to stop sending epics into construction. We show two modes of estimating benefit: one where the purpose is to fulfil a given goal (confirmatory mode), and the other where the purpose is to explore where to set the goal (exploratory mode).
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Gabriel, Daniel. « The Epic Mode of The Bridge : The Other and the I ». Dans Hart Crane and the Modernist Epic : Canon and Genre Formation in Crane, Pound, Eliot, and Williams, 81–175. New York : Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_3.

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Gabriel, Daniel. « The Lyric Mode of The Bridge : The I and the Other ». Dans Hart Crane and the Modernist Epic : Canon and Genre Formation in Crane, Pound, Eliot, and Williams, 29–80. New York : Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_2.

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Hunter, G. K. « The Epic Mode ». Dans Paradise Lost, 14–71. Routledge, 2019. http://dx.doi.org/10.4324/9780429031199-2.

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« IV. The Epic Mode ». Dans Giono : Master of Fictional Modes, 139–82. Princeton : Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869183-005.

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Macintosh, Fiona, et Justine McConnell. « Telling Tales with Words ». Dans Performing Epic or Telling Tales, 37–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846581.003.0003.

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Chapter 3 explores the twenty-first-century turn to orality exemplified in the works of poets such as Kate Tempest, Titilope Sonuga, and Alice Oswald. Engaging with Graeco-Roman epic in their work, these poets do so via a mode of performance that bears similarities with that of the Homeric bard. But this is not the composition-in-performance that Milman Parry and Albert Lord posited as the mode of Homeric performance; rather, these poets compose what John Miles Foley termed ‘Voiced Texts’. Such works hold the written and the spoken word in tension, denying primacy to the written even in our literacy-obsessed age, and making space for a new kind of orality that meets the demands of the contemporary era, while retaining the composite role of composer/performer that is a hallmark of oral traditions. Key to the popularity of this approach is the capacity of oral poetry to merge myth and history (as Jack Goody and Ian Watt argued), and to constantly rewrite its stories, even those that have been staunchly canonized, as the Graeco-Roman epics have been. The chapter concludes by exploring the ways that narrative podcasts, such as Serial and S-Town, evoke epic and mark another route along which the performance of epic is now being developed.
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« EPIC PROPHECY AS IMPERIAL PROPAGANDA ? JUPITER'S FIRST SPEECH IN VIRGIL'S AENEID ». Dans The Manipulative Mode, 167–218. BRILL, 2004. http://dx.doi.org/10.1163/9789047414544_008.

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Sapsford, Tom. « Epic Poetry into Contemporary Choreography ». Dans Epic Performances from the Middle Ages into the Twenty-First Century, 194–208. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0014.

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This chapter considers two recent dance adaptations of the Odyssey: New Movement Collective’s 2013 work Nest and Cathy Marston’s ‘Choreographing the Katabasis’, a project undertaken in 2015 at the APGRD, Oxford. The chapter analyses how both these works engage with the epic poem in ways that have historically been of interest to classical scholars. As a site-specific and multi-authored work, Nest emphasized the sense of multiplicity that has been noted both of the Odyssey’s mode of creation and its narration process. In developing her adaption from the Homeric text with the expertise of Oxford scholars, Cathy Marston produced a dance version of Odysseus’ encounter with the shade of his mother, Anticlea, which closely engaged with the formulaic aspects of the hexameter text in order to explore the interplay of rhythm and representation in both verbal and non-verbal languages.
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Macintosh, Fiona, et Justine McConnell. « Afterword ». Dans Performing Epic or Telling Tales, 134–36. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846581.003.0007.

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Theatre performances have always afforded a window on particular cultures at specific points in time, and this truism seems to be especially pertinent to any attempt to evaluate the extraordinary resurgence of epic performances in recent years around the world. For performing epic hasn’t simply been about an engagement with ancient oral traditions at a time when there is considerable appetite for ‘big’ stories, despite (or maybe because of) theoretical resistance to the ‘grand narratives’ of history. It has also been about turning to those stories because understanding of their original mode of composition—collective, improvisatory and so seemingly permanently ‘open’ to wider participation and change—has inspired artists to participate in this ongoing process of the remaking of epic performances....
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Rongrong, Cheng. « The Decline of Sun Worship from the Epic Aizuo and Aisha ». Dans Praxis, Folks’ Beliefs, and Rituals : Explorations in the Anthropology of Religion, 39–47. Book Publisher International (a part of SCIENCEDOMAIN International), 2022. http://dx.doi.org/10.9734/bpi/mono/978-93-5547-925-9/ch4.

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Actes de conférences sur le sujet "Modo epico"

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Lumb, David H., J. Bakker, Marco W. Beijersbergen, J. Brumfitt, K. Galloway, L. Jalota, Fred A. Jansen, H. Siddiqui, Giuseppe Vacanti et Igor Zayer. « XMM science simulator : EPIC mode performance issues ». Dans SPIE's International Symposium on Optical Science, Engineering, and Instrumentation, sous la direction de Oswald H. W. Siegmund et Mark A. Gummin. SPIE, 1998. http://dx.doi.org/10.1117/12.330323.

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Guan, Jian, Peiyou Chen, Weiming Tong, Xianji Jin et Peng E. « Applications of OPC UA Client Server Mode on EPICS Researches ». Dans 2018 Eighth International Conference on Instrumentation & Measurement, Computer, Communication and Control (IMCCC). IEEE, 2018. http://dx.doi.org/10.1109/imccc.2018.00241.

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Burwitz, Vadim, Frank Haberl, Michael J. Freyberg, Konrad Dennerl, Eckhard Kendziorra et Marcus G. F. Kirsch. « Effect of soft flares on XMM-Newton EPIC-pn timing mode data ». Dans Optical Science and Technology, SPIE's 48th Annual Meeting. SPIE, 2004. http://dx.doi.org/10.1117/12.506363.

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Ebrahemzadih, Mehrzad, et Gholam Hossein Halvani. « 0317 Application of failure mode and effect analysis (fmea) to assess occupational risks in oil refinery ». Dans Eliminating Occupational Disease : Translating Research into Action, EPICOH 2017, EPICOH 2017, 28–31 August 2017, Edinburgh, UK. BMJ Publishing Group Ltd, 2017. http://dx.doi.org/10.1136/oemed-2017-104636.258.

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Kendziorra, Eckhard, Jorn Wilms, Frank Haberl, Marcus G. F. Kirsch, Michael Martin et Michael A. Nowak. « Bright source x-ray spectroscopy with XMM-Newton : a modified EPIC-pn timing mode ». Dans SPIE Astronomical Telescopes + Instrumentation, sous la direction de Guenther Hasinger et Martin J. L. Turner. SPIE, 2004. http://dx.doi.org/10.1117/12.551229.

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Sahulata, Reynoldus Andrias, et Lewi Kailola. « Use of the EPIC Method to Analyze the Effectiveness of Sales Promotion in the Go-Jek Online Transportation Mode ». Dans 2020 2nd International Conference on Cybernetics and Intelligent System (ICORIS). IEEE, 2020. http://dx.doi.org/10.1109/icoris50180.2020.9320813.

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