Thèses sur le sujet « Modernizem »
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Molina, Robles José Luis. « Poetics in translation : "make it new" by Ezra Pound and "transcreation" by Haroldo de Campos ». Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0009/document.
Texte intégralThe aim of this work is to present how translation became a poetics for the American poet Ezra Pound and the Brazilian Poet Haroldo de Campos. Both poets employed translation to expand their understandings about poetry but, at the same time, to create a new approach to the literary phenomenon by bringing together works of authors from many different geographies, epochs and languages. Pound started to write poetry following the rhythm of the Anglo-Saxon and then he took a different direction producing books with comments on his translations like Provençal troubadours and Chinese poetry. He spent almost 25 years translating the entire work of Confucius and after that period he published his last translations of Greek and Egyptian poems. Haroldo was an admirer of Pound and he shared his translation passion. He founded the Avant-garde movement of Concrete Poetry in Brazil and he did collective translations with the members of the movement. His specialization in languages prompted him to translate Avant-garde poetry from many different languages and then he moved to the classics like Dante, Goethe, Homer and the Bible. De Campos benefited from his academic position to obtain specialized advising for his translations. Furthermore, he elaborated a theory on translation following philosophical texts, that he called “transcreation.” He was convinced that the best poetry in all times is essentially Avant-garde
Zasina, Jakub. « Gdy przypadek staje się regułą. Wariantowanie przekształceń elewacji zabytkowego modernistycznego osiedla ZUS w Łodzi z wykorzystaniem modelowania proceduralnego i badań sondażowych ». Thesis, Uniwersytet Łódzki, Wydział Ekonomiczno-Socjologiczny, Instytut Gospodarki Przestrzennej, 2013. http://hdl.handle.net/11089/29149.
Texte intégralBouchon, François. « GRILLE ET COMPLEXITE. : Analyse de l'entrecroisement régulier de lignes dans l'histoire de l'art ». Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00690877.
Texte intégralBeynel, Julie. « Jeux de miroirs et dédoublements dans Sodome et Gomorrhe et Le Temps retrouvé de Marcel Proust, et dans Orlando de Virginia Woolf : modernisme et "baroquisme" ». Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN050/document.
Texte intégralIn common contexts of wars and scientific revolutions, the representations that melt, and sometimes haunt, the imaginary of writers of the Baroque and early twentieth century are similar. Images of an inverted world, where spaces, beings and moments are reflected, where instability and mutability are laws governing everything, the scenes and scenery of the three works of the corpus replace the harmony of the world that of the Creator, as the Bible describes it.Space, characters, lived time appear through a prism that refers to their double, diffracted, reflected first in the machine of involuntary memory. Reality is then changed into realities, places into impressions of an elsewhere, friends in chimeras, all subject to studies and interpretations constantly reevaluated.In a writing where views accumulate and overlap, Marcel Proust and Virginia Woolf endlessly prolong the impressions, convolutions, arabesques that constantly differ the conclusion of the story, in favor of the spectacle of sensitive events and hero journeys through the strata of lived time.Characters in motion, Orlando and the Narrator run in search of the flesh of time, which they seem to find in their shadow and in the thrill of a moment, according to ecstatic modalities that Bernini or Caravaggio represented in their art respective.Facts of worlds of appearances, of illusions, Sodom and Gomorrah, The Time found or Orlando are not however texts making the apology of the skepticism and the renunciation of a certain form of essence: it is still necessary that it be brilliant and come into the beauty of an image that reflects the coincidence of an ephemeral vision and a poetic creation offered to the times to come
Massu, Claude. « Modernité et post-modernité architecture et urbanisme à Chicago / ». Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37607787w.
Texte intégralElnerud, Max. « "Mer bio än bibliotek" : Klassifikation och medieuppställning i det senmoderna samhället ». Thesis, Uppsala universitet, Institutionen för ABM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225610.
Texte intégralLegierski, Michał. « Modernizm Witolda Gombrowicza wybrane zagadnienia / ». Doctoral thesis, Stockholm, Sweden : Almqvist & ; Wiksell, 1996. http://catalog.hathitrust.org/api/volumes/oclc/34830473.html.
Texte intégralSullivan, Kelly Elissa. « Epistolary Modernism ». Thesis, Boston College, 2014. http://hdl.handle.net/2345/bc-ir:104185.
Texte intégralEpistolary Modernism reads British and Irish writing of the 1920s through the 1950s with a focus on the way authors use fictional letters and verse epistles to communicate a renewed sense of literature as public speech, even as they saw privacy curtailed and surveillance increased. Letters enable late modernist writers to call attention to the way literature straddles the gap between private experience and public declaration. Virginia Woolf, W.H. Auden, Louis MacNeice, Graham Greene and Elizabeth Bowen all use letters to reveal a late modernist belief in literature as an exchange between an author and a reader -- a bridge between times and perspectives -- even as they trouble the possibility of any clear communication or meaning. The implied exchange in letters requires a sense of correspondence: a letter demands both interpretation and a reply. But a letter is always already too late. Epistolary Modernism reads letters as a stand-in for the literary period of late modernism itself, an epoch of writing characterized by a sense of coming too late to history and to literary tradition. The project considers fiction and poetry published in the 1920s through the 1950s in relation to historical and cultural events of the period, arguing that the sense of belatedness and temporal disjuncture letters create fundamentally links the structure and materiality of the text to the social and political concerns of its author. These writers composed literature attuned to historical events and the simultaneously occurring ordinary moment, leading to an increasingly interconnected, and socially-responsible art borne from the historical impasse of the thirties, the Second World War and its political legacy. Letters enable these writers to continue aesthetic experiments while simultaneously addressing politics, society, and the purpose of literature itself
Thesis (PhD) — Boston College, 2014
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Derouin, Jason. « Staging Modernism ». ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/117.
Texte intégralAngelella, Lisa. « Alimentary modernism ». Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/225.
Texte intégralToupin-Guyot, Claire Fouilloux Étienne. « Modernité et christianisme ». [S.l.] : [s.n.], 2000. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2000/toupin_c.
Texte intégralPereira, Elaine Aparecida Teixeira. « Modernizar o arcaico ». reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/122733.
Texte intégralMade available in DSpace on 2014-08-06T17:18:03Z (GMT). No. of bitstreams: 1 325948.pdf: 3870075 bytes, checksum: 68c6ea5eae98bc6596409f4649548194 (MD5) Previous issue date: 2013
O presente trabalho objetiva compreender aspectos relacionados à formação de professores no Brasil, entre os anos de 1942 e 1959, por meio do mapeamento e da análise de discursos produzidos nesse momento histórico. Tendo como foco a realidade do Estado de Santa Catarina, ao mesmo tempo em que se relaciona esta realidade a contextos e debates mais amplos, buscou-se mapear as questões presentes nos discursos sobre a formação docente no período demarcado, em especial, os que se referem à preparação dos professores para o meio rural, devido à constatação da importância que este tema adquiriu nos debates educacionais de então. Circunscrito na abordagem da história intelectual, a análise apoia-se em autores como Quentin Skinner e Pierre Bourdieu, além de Carlos Eduardo Vieira, que sugerem uma atenção especial ao lugar de onde falam os agentes sociais, a suas intenções ao escrever, bem como aos embates relacionados aos discursos produzidos. No âmbito desta pesquisa, os discursos intelectuais são caracterizados como sociais e políticos, produto das formulações de agentes ligados ao campo educacional, em situações de interlocução e na atuação na esfera pública. Gestados devido ao arcabouço teórico, ideológico e linguístico disponível em seu contexto de produção, são transversalizados por questões, debates, embates aí postos, e estão ligados a projetos e a programas de ação. O corpus documental que embasou a análise é formado por livros e periódicos educacionais, assim como por publicações oficiais, relatórios, leis e decretos, circulares, regulamentos e programas de ensino, nos quais foram compilados dados que contribuíssem para a reflexão acerca de algumas questões de pesquisa, tais como: o que dizem os discursos sobre a formação de professores, em especial, os que abordam a preparação dos docentes a atuarem/atuantes no meio rural, produzidos entre 1942 e 1959? Quais questões explicitam, quais intenções possuem, quais ações e projetos estão a eles relacionados? Qual o modelo da formação oferecida nos Cursos Normais Regionais, implantados em Santa Catarina após 1946, com o fim de preparar professores para as escolas primárias rurais? Como um dos focos do debate, adquire tom acusador a constatação da má qualidade da educação rural, com destaque para as escolas primárias e os cursos de formação de professores. Estes agentes, aclamados como ímpares na modernização do meio rural, tinham a função de contribuir para a permanência da população em seu próprio ambiente, onde seria educada de acordo com padrões "universais" de comportamento, num processo em que o "moderno" deveria suplantar o "rústico" e o "arcaico" que ainda se fizesse presente. Os docentes dos meios rurais, portanto, tendo acesso a uma formação de qualidade e estando verdadeiramente integrados à escola e ao seu meio social, poderiam exercer a função de partícipes na construção de uma nova educação para um novo Brasil. Mas tais condições de formação e atuação estariam longe de serem alcançadas.
Abstract : The purpose of this study is to understand factors related to teacher education in Brazil from 1942-1959 by conducting a mapping and analysis of discourses produced in this period. Focusing on Santa Catarina, the paper relates the discourses to broader contents and debates and maps the issues present in the discourses about teacher education at that time, particularly those that refer to preparing teachers for rural regions, due to the importance of this theme in the educational debates. Using an intellectual history approach, the analysis is supported by authors such as Quentin Skinner and Pierre Bourdieu, as well as Carlos Eduardo Vieira, who suggest special attention be paid to the place where social agents speak, their intentions and to conflicts related to the discourses produced. In the realm of this study, the intellectual discourses are characterized as social and political, a product of the formulations of the agents linked to the educational field, in situations of interlocution and in the action in the public sphere. Developed within the theoretical, ideological and linguistic framework available in their context of production, they are transversalized by questions, debates and conflicts and are linked to projects and action programs. The documental corpus on which the analysis is based is formed by educational books and periodicals, and by official publications, reports, laws and decrees, communications, regulations and educational programs, from which were compiled data that contribute to the reflection on some research questions: What do the discourses produced from 1942 - 1959 say about teacher education, in particular those that address the preparation of teachers to work in rural regions? What issues do they explain, what intentions do they have, what actions and projects are related to them? What is the model of teacher education offered in the Regional Normal Courses established in Santa Catarina after 1946 to prepare teachers for rural elementary schools? One of the focuses of the debate is criticisms of the poor quality of rural education, particularly of the primary schools and teacher education courses. These agents, acclaimed as unequaled in the modernization of the rural region, had the function of contributing to the permanence of the population in its native environment, where it would be educated according to "universal" standards of behavior, in a process in which the "modern" would supplant the "rustic" and "archaic." Therefore, by providing teachers in rural areas access to quality education and seeing that they are truly integrated to the school and to their social environment, they could become participants in the construction of a new education for a new Brazil. But these conditions of education and action were far from being achieved.
Quataert, Anne. « Sérgio Milliet : intermédiaire entre avant-garde française et modernisme brésilien (1922-1930) :contribution aux études de réception ». Doctoral thesis, Universite Libre de Bruxelles, 1993. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212764.
Texte intégralDudek, Debra Lynn. « Creative displacement and corporeal defiance, feminist Canadian modernism in Margaret Laurence's Manawaka novels ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ63861.pdf.
Texte intégralTimmer, Cornelis, University of Western Sydney, of Performance Fine Arts and Design Faculty et School of Design. « Modernism and fragmentation ». THESIS_FPFAD_SD_Timmer_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/547.
Texte intégralMaster of Arts
Medalie, David. « E.M.Forster and modernism ». Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316896.
Texte intégralCostello, Diarmuid. « Aesthetics after modernism ». Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395872.
Texte intégralKelly, Theresa. « Pilgrimage and modernism ». Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/9834/.
Texte intégralWayland, Ted. « High risk modernism / ». Thesis, Connect to this title online ; UW restricted, 2008. http://hdl.handle.net/1773/9343.
Texte intégralTimmer, Cornelis. « Modernism and fragmentation ». Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/547.
Texte intégralTimmer, Cornelis. « Modernism and fragmentation / ». View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030908.132615/index.html.
Texte intégralSalvati, Gerardo. « Modernism on Air ». Doctoral thesis, Universita degli studi di Salerno, 2016. http://hdl.handle.net/10556/2460.
Texte intégralLa tesi di dottorato, intitolata “Modernism on Air” si articola in quattro capitoli, preceduti da un’introduzione in cui si dà conto di quello che gli studiosi hanno definito il Great Divide nei rapporti tra Modernismo e cultura di massa. Nel primo capitolo, vengono presentate le principali teorie che sostengono l’impossibilità di trovare un punto di raccordo tra Modernismo e cultura di massa. Nello specifico vengono analizzate le teorie di Huyssen che afferma l’esistenza di un ‘unbridgeable’ gap tra i suddetti movimenti culturali. Viene dato spazio anche all’analisi del pensiero di quei pensatori, Walter Benjamin e Theodor Adorno su tutti, che sono alla base della teorizzazione della divisione dicotomica tra Modernismo e cultura di massa. Vengono poi presi in esame gli studi sul Modernismo dell’ultimo decennio che, invece, danno di quest’ultimo una lettura più democratica e collaborazionista con la cultura di massa. La seconda parte del presente lavoro descrive, invece, i punti di contatto che importanti esponenti del Modernismo hanno avuto con la cultura di massa attraverso la collaborazione con riviste di moda ed emittenti radiofoniche. Sono stati oggetto di analisi gli articoli che Virginia Woolf scrisse per Vogue e le trasmissioni radiofoniche che tenne per conto della BBC. La terza parte della ricerca ha invece preso in analisi i possibili effetti della radio sulla parola scritta. Partendo dal concetto di crisi della tradizione oculocentrica, che basava sul senso della vista il metodo principale di conoscenza, vengono presi in esame una serie di estratti dei romanzi di James Joyce e Virginia Woolf per dimostrare come gli artisti modernisti depotenziano la vista in favore dell’udito nella narrazione della realtà. In tal modo la percezione come modalità conoscitiva non viene più solo affidata all’occhio ma anche e soprattutto all’udito. L’ultima parte si concentra sull’inglobamento volontario della radio nell’opera d’arte attraverso l’analisi dei testi di Samuel Beckett e Dylan Thomas. A differenza del passato, il testo non viene più pensato prima per la pagina scritta e poi ‘adattato’ per la radio ma quest’ultima diventa da subito la matrice principale che da forma e sostanza al testo. Ne emerge, in tal modo, un nuovo tipo di testo i cui personaggi hanno una forte valenza ‘radiofonica’ per come sono creati e per come agiscono. [a cura dell'autore]
The thesis is entitled “Modernism on Air” and is structured into four chapters, preceded by an introduction, which focuses on the notion of The Great Divide between Modernism and mass culture. The first chapter analyses the main theories which claim there is no connection between Modernism and mass culture. Specifically, it is taken into account Huyssen’s thought that affirms the existence of an ‘unbridgeable gap’ between the above-mentioned movements. Moreover, Walter Benjamin’s and Theodor Adorno’s theories, that form the basis of the dichotomy between Modernism and mass culture, have been object of investigation. In addition, the Modernist studies of the last decade, that claim Modernism was not an elitist movement, have been investigated. The second chapter of the present work describes the intersections between Modernism and mass culture by fashion magazines and radio stations. Virginia Woolf’s contributions to Vogue and the BBC have been analysed. The third part of the research pays attention to the effects of radio and sound on the written word. Starting from the notion of ocularcentrism, that considered the eye the main tool to know the world, and its subsequent crisis, several excerpts from Joyce’s and Woolf’s novels have been examined in detail in order to demonstrate that Modernists disempowered vision in favour of hearing. In this way perception, as a knowing mode of the world, is not provided exclusively by the eye but also by the ear. The last chapter is devoted to the intentional incorporation of radio into the work of art. Samuel Beckett’s and Dylan Thomas’ radio texts have been studied. Unlike in the past, a text is no more thought for the page and then adapted to radio but the latter becomes the matrix that gives form and substance to the text. In this way a new kind of artistic work is created in which its characters have a strong ‘radiophonic’ valence because of the way they are brought into existence and act. [edited by author]
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Binderup, Thomas. « Globalisering, modernitet og historie / ». København : Danmarks Pædagogiske Universitetsskole, 2008. http://www.dpb.dpu.dk/Dokumentarkiv/Publications//intern_dpb/opgaver%20fra%20dpu/20090216163319/currentversion/globalisering_modernitet_og_his.pdf.
Texte intégralKorbage, Aiham. « Mobilité et [post-]modernité ». Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/650.
Texte intégralPetrescu, Raluca Ioana. « « L’Attention aux choses » : la Révélation de l'objet chez Gerard Manley Hopkins, Fernando Pessoa, William Carlos Williams, Francis Ponge et Lucian Blaga ». Electronic Thesis or Diss., Strasbourg, 2020. http://www.theses.fr/2020STRAC025.
Texte intégralWestern poetry in the first half of the XXth century can generally be said to go against romantic subjectvity, bringing about a de-subjectification of the utterance and the idea that the poem is a textual object. The present work concerns itself with one particular branch of this phenomenon : the authors it focuses on all have in common a certain posture, that Alberto Caeiro, « master » of Fernando Pessoa, calls “attention to things”. Namely, they develop a thematic fascination with the fragment of reality, the independently existent parcel of being, exterior to the voice inhabiting the poem : object-oriented imagery. This permutation is at the source of complex poetical constructions, as language struggles to express the experience that links us to the particular thing. From soap bubbles to a dog in Pompeii, from the woodlark to the middle of the desert, we aim to better grasp the revelation of the object
Yeung, Choi Kit. « Réception de Paul Morand au sein des mouvements modernistes japonais et chinois pendant les années 1920 et 1930 ». Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL050.
Texte intégralWhat were the modernisms of East Asia during the 1920s and the 1930s? By studying the literary journey of Paul Morand from France to China via Japan, we question how the intellectuals of Japanese and Chinese literary world who were involved in this literary reception during the 1920s and the 1930s, considered modernism through French ideas. The Japanese and the Chinese reflections on modernism are compared in three main aspects: first, the translation of Morand’s works done by Horiguchi Daigaku and Dai Wangshu. Second, the criticisms which involved Morand into the debate concerning modernism in this period, created a literary field for the reception of Morand in these two countries. For the Japanese case, the parties that were concerned the most were Chiba Kameo, the established literary community, the Japanese Neo-Perception School and her coterie magazine Age of Literature. Whereas for the Chinese case, the Chinese Neo-Perception School and her affiliated magazine Trains without Railway were the most relevant. Third, two representative writers of the Neo-Perception Schools, Yokomitsu Riichi and Liu Na’ou, whose literary styles were often compared to those of Morand’s. Through the analysis of these three aspects, we seek to show the configurations of modernism in East Asia
Rolland, Jean-Luc. « Genèse et filiations du fondamentalisme protestant (1910-1925) ». Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30003.
Texte intégralFrom the late 1860s to the mid-1920s, American Protestantism saw the rise of an anti-Modern theological trend. At the end of this period, its adherents chose to call themselves Fundamentalists. This reaction was not totally unprecedented : it was a resurgence of the most conservative tendencies, not only from the United States, but also from Europe. Our research into this ideological environment attempts to trace the origins of this trend and reflect on the nature and status of its doctrinal statements. This early Fundamentalism has been the subject of many studies ; mostly in the English language, the majority of which focus on the content of its doctrines. We propose to go beyond this normative-descriptive dimension and concentrate our research on the history of the movement, the context of its genesis and related issues. Fundamentalism does not merely revolve around orthodoxy. Our analysis therefore aims to scrutinise its relationship to its own beliefs as well as the way it views those who oppose its tradition. The first part of our study relates to the initial phase of Fundamentalism from the 1910s to the 1920s, taking into account the main controversies and publications of this period. The second part looks at the roots - religious and philosophical in particular - which have favoured its emergence. The third part analyses Protestant Modernism ; an extremely diverse movement which was to be the target of fundamentalist attacks. To conclude we shall carry out a comparative study of Protestant Fundamentalism and a Catholic anti-Modernist movement of the same period. Based on original documents studied, we propose a definition of the fundamentalist phenomenon, drawing from the history of these two Christian dogmatisms of the early twentieth-century
Arbelius, Sofi. « Skandinavisk modernism i USA ». Thesis, Södertörn University College, School of Business Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1173.
Texte intégralRozmovits, Linda 1959. « A.M. Klein and modernism ». Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64004.
Texte intégralKeane, Stephen. « Modernism and body politics ». Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239051.
Texte intégralBlack, Tim. « The ideology of modernism ». Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421505.
Texte intégralHiggott, Andrew. « Architectural modernism in Britain ». Thesis, University of East London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536638.
Texte intégralLong-Innes, Francis. « Freud : moments of modernism ». Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22126.
Texte intégralHarty, John Francis. « Oscillation in literary modernism ». Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/994987064/04.
Texte intégralPaul, Mumme. « The Absurd beyond Modernism ». Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16599.
Texte intégralYoshizawa, Hideki. « Vers la narration transcendante dans Le Jeune Européen : Genèse de la "voix" littéraire de Pierre Drieu la Rochelle [1918-1927] ». Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030092.
Texte intégralLe Jeune Européen originally published in 1927 is a work whose genre is difficult to identify for readers. This fact explains a reason for the paucity of research on it. However, when Pierre Drieu la Rochelle published Écrits de jeunesse in 1941, it is not other prose works written while 1920’s using the first person singular like État civil or Mesure de la France, but it was this Jeune Européen that Drieu chose for this collection. Therefore, our hypothesis is : Drieu obtained a kind of perfection for his narrative style using the first person singular after his trials and errors while the 20’s, a period of training as a writer. This perspective allows us to study his other works published before 1927 as a process of the creation of narrative style of this author: "transcendent" in Le Jeune Européen. Indeed, Drieu had obtained this style as a result from his studies he had done in his writings of the 20s on the contemporary literature. This reading leads us to conclude that this narrative style and generic ambiguity of his work are indivisible. Not only our study illuminate the aesthetic that Drieu pursuit at that time, but also shows a prototype of his narrative style of the 30s and 40s
Friberg, Leif. « Från sonett till drömtext : Gunnar Björlings väg mot modernismen / ». Stockholm : Almqvist & ; Wiksell International, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-310.
Texte intégralVishwanathan, Kedar Shrinivas. « Re-thinking Indian Modernism : the endogenous aspects of Indian modernism c. 1890-1947 ». Thesis, The University of Sydney, 2012. https://hdl.handle.net/2123/28759.
Texte intégralFoucras, Myriam. « Performance Analysis of the Modernized GNSS Signal Acquisition ». Phd thesis, Toulouse, INPT, 2015. http://oatao.univ-toulouse.fr/14248/1/FOUCRAS.pdf.
Texte intégralGriggs, Erin R. « Analyses for a Modernized GNSS Radio Occultation Receiver ». Thesis, University of Colorado at Boulder, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3704709.
Texte intégralGlobal Navigation Satellite System (GNSS) radio occultation (RO) is a remote sensing technique that exploits existing navigation signals to make global, real-time observations of the Earth's atmosphere. A specialized RO receiver makes measurements of signals originating from a transmitter onboard a GNSS spacecraft near the Earth's horizon. The radio wave is altered during passage through the Earth's atmosphere. The changes in the received signals are translated to the refractivity characteristics of the intervening medium, which enable the calculation of atmospheric pressure, temperature, and humidity. Current satellite missions employing GNSS RO have provided invaluable and timely information for weather and climate applications. Existing constellations of occultation satellites, however, are aging and producing fewer quality measurements. Replacement fleets of RO satellites are imperative to sustain and improve the global coverage and operational impact achieved by the current generation of RO satellites. This dissertation describes studies that facilitate the development of next generation RO receivers and satellite constellations. Multiple research efforts were conducted that aim to improve the quantity and quality of measurements made by a future satellite-based RO collection system. These studies range in magnitude and impact, and begin with a receiver development study using ground-based occultation data. Future RO constellations and collection opportunities were simulated and autonomous occultation prediction and scheduling capabilities were implemented. Finally, a comprehensive study was conducted to characterize the stability of the GNSS atomic frequency standards. Oscillator stability for a subset of satellites in the GNSS was found to be of insufficient quality at timescales relevant to RO collections and would degrade the atmospheric profiling capabilities of an RO system utilizing these signals. Recommendations for a high-rate clock correction network are proposed, which provides significant improvement to the fractional errors in the derived refractivity, pressure, and temperature values caused by the oscillator instabilities.
Ziółkowski, Wojciech. « Figura twierdzy w literaturze modernizmu ». Doctoral thesis, Katowice : Uniwersytet Śląski, 2011. http://hdl.handle.net/20.500.12128/5735.
Texte intégralFarddehkordi, Darush. « Modernisme dans la miniature iranienne ». Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20074.
Texte intégralBernié-Boissard, Catherine. « Nîmes, images de la modernité / ». Montpellier : Groupe de recherches en géographie, aménagement, urbanisme, 1991. http://catalogue.bnf.fr/ark:/12148/cb36181277d.
Texte intégralRyzova, Lucie. « L'effendiyya ou La modernité contestée / ». Le Caire : CEDEJ, 2004. http://catalogue.bnf.fr/ark:/12148/cb40145282d.
Texte intégralClark, Ryan S. « Vietnam’s drive to modernize militarily—causes and implications ». Thesis, Monterey, California : Naval Postgraduate School, 2014. http://hdl.handle.net/10945/44539.
Texte intégralSince the initiation of economic reforms in the late 1980s, the Communist Party of Vietnam (CPV) has increasingly focused on updating its sea and air capabilities while also enhancing its foreign defense relations. Since then, military capabilities outside of Vietnam’s ground forces have increased with the addition of more modern equipment. After the Soviet Union’s collapse, Vietnam expanded its military procurement network and general defense policy beyond Russia. What are the specific details of these modernization efforts? As Vietnam’s economy has developed, its relationship with the People’s Republic of China (PRC) has varied due to conflicting territorial claims in the South China Sea (SCS). The PRC took the Paracel Islands from Vietnam in 1974 and portions of the Spratly Islands in 1988 and the mid-1990s; its assertive SCS behavior toward Vietnam has continued. Since 1986, Vietnam’s dramatic economic growth and development focus has led to military updates but also to a growing defense industry as it pursues industrialized status by 2020. Through historical analysis, this thesis seeks to answer the following question: What are the causes and implications of military modernization initiated by the CPV after the Doi Moi reforms of 1986?
Terradillos, Tina. « Le Sale comme ressort d'une éthique de l'altérité dans les romans de Radclyffe Hall ». Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30035/document.
Texte intégralShow how Radclyffe Hall expresses the notion of Filth in her novels and how this notion affects her characters' relationships to their selves and to the others. Offer a new vision of Radclyffe Hall and her novels. See how Radclyffe Hall suggests an ethics of alterity based on the notion of Filth
Redkozubova, Žana. « Femme fatale w literaturze polskiego modernizmu. Wybrane aspekty ». Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120807_123434-16048.
Texte intégralMagistrinio darbo Femme fatale lenkiškojo modernizmo literatūroje. Parinkti aspektai tikslas atvaizduoti femme fatale modernistiniuose kategorijuose remiantis inspiraciniais lenkiškos literatūros kūriniais. Pasiekti šį tikslą yra įmanoma išsprendus šias užduotis: apibudinti “vampirizmą” kaip “ išeinamąjį” fatališkosios moters vaizdo europos literatūroje tyrimų punktą bei įvesti kategoriją femme fatale į lenkiškos modernistinės literatūros semantikos rėmus. Darbas susideda iš įvado, trijų skyrių ir išvadų. Įvade yra pateikta bendroji informacija apie Jaunosios Lenkijos epochą, šio laikotarpio naują požiūrį į moterį ir jos situacija socijalinėje ir literatūrinėje sferoje. Pimame skyriuje Teorijos pagrindai yra pateikta pagrindinė informacija apie hermeneutikos ir gender literatūros disciplinas. Antrajame skyriuje, pavadintame Fatališkoji moteris europietiško vampirizmo kontekste, priartinama vampirizmo atsiradimo istorija europos kulturoje ir literatūroje, atsižvelgiant į lenkiškus aspektus. Parodomi moteriškos tematikos pokyčiai XIX amžiaus litaratūroje. Trečioji dalys Modernistiniai atvaizdavimai femme fatale lenkiškoje literatūroje yra paskirta tematikai femme fatale Jaunosios Lenkijos literatūroje, išrinktu kūrinių analizei. Išvadose yra apibendrinti tyrimo rezultatai.
The purpose of this research, which is called Femme fatale in polish literature of modernism was to exhibit the image of femme fatale on the basis of inspiring works in polish literature. This task can be resolved by completing the following assignments: describing “vampirism” as “initial” point of inquiry of fatal woman in European literature, introduction of category of femme fatale into semantic field of polish modernism. This dissertation consists of introduction, three chapters and conclusion. In introduction is given the main information about Young Poland époque, its look upon new situation of woman in social and literary ranges. In first chapter called Theoretical basis is represented the main information about hermeneutics and gender literature. Second chapter Fatal woman in context of European vampirism is approached the appearance of vampirism in European culture and literature with taking into consideration polish aspects. Into prominence are brought feminine subjects in literature of 19th century. Chapter three was concentrated on subjects of femme fatale of Young Poland and analysis of chosen literary works. The results of analysis are summarized in conclusion.
Wahlqvist, Mats. « Traditionell modernism eller modern traditionalism ? » Thesis, Stockholm University, Department of Cinema Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-811.
Texte intégralDenna uppsats fokuserar på King Hus actionestetik och den montagekonstruerade rörelsen, enligt en konkret syftesformulering som lyder: Att öka förståelsen för King Hus estetiska val genom att belysa vissa rytmiska rörelsetendenser, såsom en konstruktion av filmens montage, och dess relation till två vitt skilda konstyttringar, med dessa avses Pekingoperan och cinéma pur. Ledande tes genom uppsatsen är att Hus visuella stil visserligen är starkt präglad av ett personligt intresse och en djup förståelse för estetiska normer i Pekingoperan, men att han samtidigt genom ett skickligt utnyttjande av cinematiska tekniker skapar en alldeles unik version av kinesisk estetik, som måste förstås som specifik för filmmediet. Sammantaget är förhoppningen att resultatet skall bidra till avmarginaliseringen av Hu som förvaltare till en förment essens av traditionell kinesisk kultur. Metoden består i en jämförande analys av rörligt bildmaterial i två steg, som illustrativ modell och teoretisk ingång till rörelsebegreppet tillämpas Heinrich von Kleists marionett och i dess förlängning även Sergei Eisensteins biomekaniska rakurs.
Min analys leder mig till slutsatsen att den rytmiska rörelsen i Hus actionscener har starka likheter med såväl Pekingoperan som cinéma pur, och jag vill på grundval av detta föreslå att Hu snarare bör förstås som en nyskapare av kinesisk estetik, då han positionerar sig någonstans mellan traditionalism och modernism genom att skapa en estetisk jämvikt mellan teater och film där ingenderas legat går förlorad.
Romedahl, Stjernquist Johanna. « Skärholmen centrum - modernism as found ». Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-222140.
Texte intégralThis thesis investigates the urban fabric and built structures of Skärholmen Centrum. By preserving the existing characteristics of the plan, this proposal aims to create new movements through the city landscape and to develop its program with housing, workplaces and recreational spaces. Skärholmen is a modernist commercial center in south west Stockholm, an area now subject to large scale infrastructure projects and housing densification. Since the center was built in the late 1960s, the city plan has undergone few changes, with exception from the transformation of two of the main streets into an indoor galleria. Apart from the lively main square by the subway entrance, there are few well functioning public outdoor spaces. A multi-storey car park dominates the east part of the center. My proposal is to open up parts of the shopping mall and to create new connections between the car park, the center and the surrounding landscape. By adding new housing blocks and new functions to existing buildings, the city center of Skärholmen could become a living place, also after the shops closed at 20.00.
Latour, Philippe. « Charles Mingus, Jazz and Modernism ». Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117176.
Texte intégralL'objectif de ce mémoire est d'explorer les différents discours sur le modernisme et le jazz des années 1950 et 1960 en relation avec l'œuvre de Charles Mingus. Que signifiait le terme modern jazz à l'époque de Mingus? Comment la musique de ce dernier, ainsi que sa carrière comme musicien de jazz et compositeur, furent affectées par les discours sur le modernisme? Ces discours furent utilisés dans le monde du jazz pour légitimer celui-ci en tant que forme artistique. Dans son passage de la musique « sérieuse » européenne au jazz afro-américain, la notion de modernisme artistique a conservé la majeure partie de sa signification : association avec les idées de progrès, d'avant-gardisme, et aussi de militantisme politique. Toutes ces idées se retrouvent sous différentes formes dans l'œuvre de Mingus. Ce mémoire définit le concept de modern jazz tel qu'il était utilisé dans le discours journalistique des années 1950 et 1960, et y relie le discours académique sur le modernisme afro-américain, afin d'évaluer comment Mingus interagit avec ceux-ci.