Littérature scientifique sur le sujet « Modern paint »
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Articles de revues sur le sujet "Modern paint"
OLIJNYK, Halina. « TECHNOLOGICAL FEATURES OF BECKERS BRAND PAINT PRODUCTS ». Herald of Khmelnytskyi National University. Technical sciences 313, no 5 (27 octobre 2022) : 9–12. http://dx.doi.org/10.31891/2307-5732-2022-313-5-9-12.
Texte intégralPozdnyakov, Sergey Georgievich, Sergey Valentinovich Ershov et Alexey Gennadievich Voloboy. « Hybrid approach to design of the composition of automotive paint to match the desired color based on neural networks and lighting simulation ». Keldysh Institute Preprints, no 87 (2022) : 1–17. http://dx.doi.org/10.20948/prepr-2022-87.
Texte intégralVODZINSKA, OKSANA, LARYSA BILOTSKA, NADIIA VORONA et SVITLANA DONCHENKO. « RESEARCH OF WEAR RESISTANCE OF DRAWINGS PERFORMED BY ACRYLIC PAINTS IN HAND PAINTING TECHNIQUES ». Fibres and Textiles 29, no 3 (novembre 2022) : 22–28. http://dx.doi.org/10.15240/tul/008/2022-3-003.
Texte intégralGreening, Timothy. « Identification of α-phase crystallization Pigment Red 254 in artist's paints by powder x-ray diffraction ». Powder Diffraction 29, no 3 (15 avril 2014) : 307–10. http://dx.doi.org/10.1017/s0885715614000037.
Texte intégralLee, Ui Cheon, Yeong Ju Lee et Soo Chul Kim. « Study on Material Characteristic of Daegu Modern History Museum Collection Rickshaw ». Journal of Conservation Science 38, no 2 (30 avril 2022) : 133–43. http://dx.doi.org/10.12654/jcs.2022.38.2.07.
Texte intégralLavine, Barry K., Collin G. White, Matthew D. Allen et Andrew Weakley. « Pattern Recognition-Assisted Infrared Library Searching of the Paint Data Query Database to Enhance Lead Information from Automotive Paint Trace Evidence ». Applied Spectroscopy 71, no 3 (6 octobre 2016) : 480–95. http://dx.doi.org/10.1177/0003702816666287.
Texte intégralOh, Seung-Jun, et Koang-Chul Wi. « A Basic Research for Preservation of Works Exhibited in the Outdoor Sculpture Park - A Scientific Analys is of Painted Work ‘Conversion’ Exhibited in the Cheonmasan Sculpture Park - ». Journal of Conservation Science 37, no 4 (31 août 2021) : 391–401. http://dx.doi.org/10.12654/jcs.2021.37.4.08.
Texte intégralLebedenko, Sergey E., Aleksey G. Isaev, Irina E. Mozoreva et Sergey A. Beznosyuk. « Study of modern paint and varnish coatings of cars produced by "UAZ" and "Volkswagen" ». Butlerov Communications 64, no 12 (31 décembre 2020) : 104–12. http://dx.doi.org/10.37952/roi-jbc-01/20-64-12-104.
Texte intégralSvyatchenko, A. V., N. Yu Kiryushina et O. N. Sharapov. « Techno-Genic Fillers in the Composition of Modern Polymer Paints ». Solid State Phenomena 299 (janvier 2020) : 60–65. http://dx.doi.org/10.4028/www.scientific.net/ssp.299.60.
Texte intégralHaddad, Abed, Megan Randall, Lynda Zycherman et Ana Martins. « Reviving Alexander Calder’s Man-Eater with Pennants : A Technical Examination of the Original Paint Palette ». Heritage 4, no 3 (19 août 2021) : 1920–37. http://dx.doi.org/10.3390/heritage4030109.
Texte intégralThèses sur le sujet "Modern paint"
Austin, Travis R. « Laminated PAINT ». VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5462.
Texte intégralMurphy, Gavin. « 'The Tropes Out Movement?' : an examination of the work of three English artists dealing with the political conflict in Northern Ireland through the medium of paint ». Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245807.
Texte intégralRoche, Linda. « Theatre of painting a structural exploration of the forming of an image through paint : an exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2008 / ». Click here to access this resource online, 2008. http://hdl.handle.net/10292/469.
Texte intégralIzzo, Francesca Caterina <1982>. « 20th century artists' oil paints : a chemical-physical survey ». Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1100.
Texte intégralThe research project developes in PhD research in Chemical Sciences deals with the study of modern and contemporary works of art, focusing on materials and production techniques employed by artists. In this study innovative and specific analytical techniques have been optimised: the survey has been successful not only in detecting the nature of artistic materials used in the 20th century, but also in studying their behaviours over time. Thid PhD researc has been part of an international project concerning the Conservation of Contemporary Art and has lead to the improvement of new methodologies to study proteinaceous and lipidic binding media by using chromatographic techniques (GC-MS, Py-GC-MS, HPLC). These methods have also allowed for the identification and the role of industrial additives (such as aluminium and zinc stearates and hydrogenated castor oil), which had been not fully studied previously. This part of the PhD research has been developed in the Netherlands, in the laboratories of the ICN (The Netherlands Institute for Cultural Heritage, Amsterdam), under the supervision of Dr. Klaas Jan van den Berg and Mr. Ing. Henk van Keulen. The research has been part of the international project called "20th Century Oil Paint Project", carried out at ICN in collaboration with Courtauld Institute of Art, London, Tate, London and Getty Conservation Institute, Los Angeles. The research was initially focused on the study of laboratory-reconstructed oil films, which were prepared with lipidic binders, additives, pigments and driers used by modern oil manufacturers. The films were studied by using several analytical techniques: FT-IR, XRF, TG-DSC and GC-MS. This study has lead to an improvement of analytical methodologies for the study of manufactured oil samples. Furthermore, the research focused on real samples taken from important modern paintings by Lucio Fontana, Jasper Johns, Karel Appel, Willem de Kooning, Salvador Dalì, Henri Matisse, Isabel Lambert-Rawsthorne, Ethel Walker, etc. The obtained results are a further step in the knowledge of materials used in artistic and technological production in Contemporary Art.
Bezy, Renaud. « Paint out ! : la peinture dans le champ élargi ». Thesis, Aix-Marseille, 2020. http://www.theses.fr/2020AIXM0012.
Texte intégralThis artistic and theoretical research proceeds from experimentations as developed by John Dewey. It adresses the conditions and the possibilities of a pictorial practice which would exceed, go beyond the framework generally assigned to painting: the exhibition but also its physical characteristics (canvas, stretcher, pigment). My hypothesis is that challenging some of the conventions attached to painting does not necessarily go through the exhaustion of artistic forms in a reductionist and modernist logic of disappearance. On the contrary, the issue here is to consider a practice of painting that would manifest itself in an expanded field, open to installations, performances, films, and even to the practice of distanciation, a rereading of historical pictorial works.Fuelled by the reflections of theoretical authors and addressing the works of other artists (but also architects, designers, filmmakers), the thesis revolves around three major groups of personal artistic productions : installed and performed paintings; a cycle of films depicting a painter character entitled "Les Ballets Barbares"; and finally a project ("La Datcha 2") which functions like the rereading of a collective canvas painted in 1969. The writing process adopted here proceed by exploration, a wandering in the midst of heterogeneous elements: concepts, works, places, characters. However, this process cannot be set up as a system as it involves intuitions, experiments and trial and error as many attempts. Therefore embarked on this raft, I could make mine this sentence of Fernand Deligny: "It is not about method, I never had one"
Moore, Grace. « Paine, Blake and Hegemony ». W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626059.
Texte intégralThrush, Elizabeth Neely. « Explanatory models of chronic pain ». Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=1030.
Texte intégralCascarilla, Elizabeth A. « Chronic Pain-Related Distress & ; Disability : An Empirical Investigation of a Modern Behavioral Theory of Acceptance of Chronic Pain ». University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1257472306.
Texte intégralNatale, Claudia. « Spinal glycinergic neurotransmission in neuropathic pain models ». Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25376.
Texte intégralLariviere, William R. « The bee venom test : a new tonic-pain test ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23405.
Texte intégralLivres sur le sujet "Modern paint"
Hullcoop, R. S. Investigation of modern paint systems. High Wycombe : Ray Hullcoop & Associates, 1991.
Trouver le texte intégralStenersenmuseet, dir. Fresh Paint. Milano [Italy] : Charta, 2012.
Trouver le texte intégralMonika, Szewczyk, et Vancouver Art Gallery, dir. Paint : [a psychedelic primer. Vancouver : Vancouver Art Gallery, 2006.
Trouver le texte intégralLearner, Tom. Analysis of modern paints. Los Angeles, CA : Getty Conservation Institute, 2004.
Trouver le texte intégralInstitute, Getty Conservation, dir. Analysis of modern paints. Los Angeles : Getty Conservation Institute, 2005.
Trouver le texte intégralBaykam, Bedri. Monkey's right to paint and the post-Duchamp crisis. Istanbul : Literatur, 1994.
Trouver le texte intégralCerda, Alberto Ibañez, et Guillermo Pelayo Olmos. Dear painter, paint me : Alberto Ibañez Cerda. San Andrés Cholula, Puebla, México : UDLAP, 2017.
Trouver le texte intégralTom, Learner, dir. The impact of modern paints. London : Tate Gallery Publishing, 2000.
Trouver le texte intégralTom, Learner, et Getty Conservation Institute, dir. Modern paints uncovered : Proceedings from the modern paints uncovered symposium. Los Angeles : Getty Conservation Institute, 2008.
Trouver le texte intégralCorbett, David Peters. The world in paint : Modern art and visuality in England, 1848-1914. Manchester : Manchester University Press, 2004.
Trouver le texte intégralChapitres de livres sur le sujet "Modern paint"
Carter, Anne, Gillian Osmond, Paula Dredge et Bruce Leary. « Zinc Oxide in Oil-Based House Paint : Insights from a Paint Chemist’s Notebook Dated 1949 ». Dans Conservation of Modern Oil Paintings, 77–85. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_5.
Texte intégralde Keijzer, Matthijs. « The Delight of Modern Organic Pigment Creations ». Dans Issues in Contemporary Oil Paint, 45–73. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_4.
Texte intégralGraczyk, Agata, Pauline Hélou-de La Grandière, Alan Phenix et Sigrid Mirabaud. « Oil Paint Straight from the Tube : Paint-Specific Deterioration in Works by Alexis Mérodack-Jeaneau, 1910–1913 ». Dans Conservation of Modern Oil Paintings, 229–43. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_17.
Texte intégralSoldano, Alexia, et Klaas Jan van den Berg. « Investigation into the Surface Conductivity of Water-Sensitive Modern Oil Paints ». Dans Issues in Contemporary Oil Paint, 407–17. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_27.
Texte intégralIzzo, Francesca Caterina, Klaas Jan van den Berg, Henk van Keulen, Barbara Ferriani et Elisabetta Zendri. « Modern Oil Paints – Formulations, Organic Additives and Degradation : Some Case Studies ». Dans Issues in Contemporary Oil Paint, 75–104. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_5.
Texte intégralSteyn, Lise, Klaas Jan van den Berg, Maartje Stols-Witlox, Ella Hendriks et Louise Wijnberg. « Some Considerations When Cleaning Robert Ryman’s Oil Paint(ings) ». Dans Conservation of Modern Oil Paintings, 347–62. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_27.
Texte intégralZumbühl, Stefan. « The Rate of Solvent Action on Modern Oil Paint ». Dans Conservation of Modern Oil Paintings, 465–74. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19254-9_36.
Texte intégralBlumenroth, Diana, Stefan Zumbühl, Nadim C. Scherrer et Wolfgang Müller. « Sensitivity of Modern Oil Paints to Solvents. Effects on Synthetic Organic Pigments ». Dans Issues in Contemporary Oil Paint, 351–62. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_23.
Texte intégralZumbühl, Stefan, Nadim C. Scherrer et Wolfgang Müller. « Derivatisation Technique for Infrared Spectroscopy – Characterisation of Oxidative Ageing Products in Modern Oil Paint ». Dans Issues in Contemporary Oil Paint, 213–25. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_15.
Texte intégralBurnstock, Aviva, et Klaas Jan van den Berg. « Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for Modern Oil Paint Research ». Dans Issues in Contemporary Oil Paint, 1–19. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_1.
Texte intégralActes de conférences sur le sujet "Modern paint"
Ciofini, D., et S. Siano. « Spectroscopic Characterisation of Laser-Induced Effects on Modern Paint Layers ». Dans 18th Italian National Conference on Photonic Technologies (Fotonica 2016). Institution of Engineering and Technology, 2016. http://dx.doi.org/10.1049/cp.2016.0959.
Texte intégralGazizov, A. « Reducing the Fire Hazard of Wooden Structures ». Dans Modern Trends in Manufacturing Technologies and Equipment. Materials Research Forum LLC, 2022. http://dx.doi.org/10.21741/9781644901755-10.
Texte intégralBurby, M., G. G. Nasr et T. Cox. « Painting and Coating of Acoustic Materials ». Dans ASME 2006 Pressure Vessels and Piping/ICPVT-11 Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/pvp2006-icpvt-11-93861.
Texte intégralCimpean, Anca Maria, Romeo Minodoru Cosnita et Marius Raica. « To “paint“ with Human Tissues and Modern Technology : This is Art in Histology Gamification ». Dans 2020 International Symposium on Electronics and Telecommunications (ISETC). IEEE, 2020. http://dx.doi.org/10.1109/isetc50328.2020.9301122.
Texte intégralAndreini, Antonio, Riccardo Becchi, Bruno Facchini, Lorenzo Mazzei, Alessio Picchi et Antonio Peschiulli. « Effusion Cooling System Optimization for Modern Lean Burn Combustor ». Dans ASME Turbo Expo 2016 : Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57721.
Texte intégralLi, Xueying, Mingfei Li, Jing Ren et Hongde Jiang. « Heat Transfer Measurements of Vane Endwall With Film Cooling and Impingement Cooling ». Dans ASME Turbo Expo 2015 : Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/gt2015-43044.
Texte intégralVasilijević, Vasilije, Nenad Kojić et Natalija Vugdelija. « NEW APPROACH IN QUANTIFYING USER EXPERIENCE IN WEB-ORIENTED APPLICATIONS ». Dans Fourth International Scientific Conference ITEMA Recent Advances in Information Technology, Tourism, Economics, Management and Agriculture. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/itema.2020.9.
Texte intégralKusterer, Karsten, Torsten Hagedorn, Dieter Bohn, Takao Sugimoto et Ryozo Tanaka. « Improvement of a Film-Cooled Blade by Application of the Conjugate Calculation Technique ». Dans ASME Turbo Expo 2005 : Power for Land, Sea, and Air. ASMEDC, 2005. http://dx.doi.org/10.1115/gt2005-68555.
Texte intégralNgetich, Gladys C., Peter T. Ireland et Eduardo Romero. « Study of Film Cooling Effectiveness on a Double-Walled Effusion-Cooled Turbine Blade in a High-Speed Flow Using Pressure Sensitive Paint ». Dans ASME Turbo Expo 2019 : Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gt2019-90545.
Texte intégralYe, Qiaoyan, Oliver Tiedje, Shreyas Rohit Srinivas, Thomas Noest et Uhrrich Uhrner. « Investigations on nano- and submicron-particle generation by spray painting processes ». Dans ILASS2017 - 28th European Conference on Liquid Atomization and Spray Systems. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/ilass2017.2017.4666.
Texte intégralRapports d'organisations sur le sujet "Modern paint"
Pommersheim, James M. A mathematical model of cathodic delamination and blistering processes in paint films on steel. Gaithersburg, MD : National Bureau of Standards, 1992. http://dx.doi.org/10.6028/nist.tn.1293.
Texte intégralHuang, Jiapeng, Chunlan Yang, Kehong Zhao, Ziqi Zhao, Yin Chen, Tingting Wang et Yun Qu. Transcutaneous Electrical Nerve Stimulation in Rodent Models of Neuropathic Pain : A Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, novembre 2021. http://dx.doi.org/10.37766/inplasy2021.11.0104.
Texte intégralBlanchflower, David, et Andrew Oswald. Unhappiness and Pain in Modern America : A Review Essay, and Further Evidence, on Carol Graham’s Happiness for All ? Cambridge, MA : National Bureau of Economic Research, novembre 2017. http://dx.doi.org/10.3386/w24087.
Texte intégralBasch, Ethan, et Antonia Bennett. Development of Pain Endpoint Models for Use in Prostate Cancer Clinical Trials and Drug Approval. Fort Belvoir, VA : Defense Technical Information Center, octobre 2012. http://dx.doi.org/10.21236/ada568097.
Texte intégralBasch, Ethan, et Antonia Bennett. Development of Pain Endpoint Models for Use in Prostate Cancer Clinical Trials and Drug Approval. Fort Belvoir, VA : Defense Technical Information Center, octobre 2013. http://dx.doi.org/10.21236/ada594899.
Texte intégralBasch, Ethan, et Antonia Bennett. Development of Pain End Point Models for Use in Prostate Cancer Clinical Trials and Drug Approval. Fort Belvoir, VA : Defense Technical Information Center, octobre 2014. http://dx.doi.org/10.21236/ada613282.
Texte intégralSkelly, Andrea C., Roger Chou, Joseph R. Dettori, Erika D. Brodt, Andrea Diulio-Nakamura, Kim Mauer, Rongwei Fu et al. Integrated and Comprehensive Pain Management Programs : Effectiveness and Harms. Agency for Healthcare Research and Quality (AHRQ), octobre 2021. http://dx.doi.org/10.23970/ahrqepccer251.
Texte intégralHe, zhe, liwei Xing, ming He, yuhuan Sun, jinlong Xu et rong Zhao. Effect of Acupuncture on Mammary Gland Hyperplasia (MGH) : a Bayesian network meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, septembre 2022. http://dx.doi.org/10.37766/inplasy2022.9.0058.
Texte intégralMéndez-Vizcaíno, Juan C., et Nicolás Moreno-Arias. A Global Shock with Idiosyncratic Pains : State-Dependent Debt Limits for LATAM during the COVID-19 pandemic. Banco de la República, octobre 2021. http://dx.doi.org/10.32468/be.1175.
Texte intégralMcDonagh, Marian S., Jesse Wagner, Azrah Y. Ahmed, Rongwei Fu, Benjamin Morasco, Devan Kansagara et Roger Chou. Living Systematic Review on Cannabis and Other Plant-Based Treatments for Chronic Pain. Agency for Healthcare Research and Quality (AHRQ), octobre 2021. http://dx.doi.org/10.23970/ahrqepccer250.
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