Bibliographies thématiques / Mimar Sinan

Littérature scientifique sur le sujet « Mimar Sinan »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Mimar Sinan"

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KARADEMİR, Murat. « MİMAR SİNAN DÖNEMİ CAMİLERİNDE TAÇKAPI TASARIMI ». Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi 1, Sayı:40 (30 novembre 2016) : 299. http://dx.doi.org/10.21563/sutad.270384.

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ÖZKAFA-, Fatih. « HAT SANATININ MİMAR SİNAN ESTETİĞİNE KATKILARI ». Turkish Studies-Social Sciences Volume 14 Issue 4, Volume 14 Issue 4 (2019) : 1689–714. http://dx.doi.org/10.29228/turkishstudies.23298.

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Avşin GÜNEŞ, Gülcan. « HASSA MİMARLAR OCAĞI ve MİMAR SİNAN ». Journal Of History School 7, no XVII (1 janvier 2014) : 375–91. http://dx.doi.org/10.14225/joh423.

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Erarslan, Alev. « Mimar Sinan Era Kulliyes in the Ottoman Urban Landscape ». Belleten 84, no 299 (1 avril 2020) : 75–104. http://dx.doi.org/10.37879/belleten.2020.75.

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The Master Ottoman Architect Sinan, known as Mimar Sinan, produced numerous works of different character, among these, mosques, madrasahs, masjids (prayer rooms), khans (inns), caravanserais, covered bazaars, hammams (bath-houses), darüşşifa (hospitals), imarets (hospices), darülkurra (Koranic schools), sibyan mektebi (primary schools), tekke (lodges), waterways, aqueducts, fountains and palaces. Sinan is an architect that imprinted his mark upon his era by not repeating himself in any of the structures he created. Appointed the head of the Sultan's Society of Architects in 1538, Sinan created a great number of architectural works. Throughout the years of his long career in Ottoman architecture, in which time he produced an expansive typology of works, Architect Sinan also made a major contribution to urban planning. As Chief Architect, Sinan was responsible for many urban activities having to do with wastewater, fire prevention and the repair of many public buildings in Istanbul. Although documentation pertaining to Sinan's concept of the urban environment is scant, an analysis of all his structures suggests the existence of a delicate notion of city planning. Looking into the placement of the structures, their functional distribution within the city, the special roles they play in the general urban landscape, as well as their relationships to each other, it is not difficult to witness the rational conceptualization of a city. This article will attempt to examine the works of Architect Sinan in terms of his perspective on kulliye architecture, analyzing the contributions he made to these structures within the urban fabric, and to review his major kulliyes as intrinsic parts of the entirety of the city.
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Erarslan, Alev. « An essay on Byzantine architectural influence on the spatial organization of the architect Sinan’s square baldachin single-domed mosques ». Zograf, no 42 (2018) : 165–79. http://dx.doi.org/10.2298/zog1842165e.

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The works of the Ottoman Empire?s Master Architect Sinan that he attached great importance to and produced the greatest in number were mosques. Mimar Sinan made use of multiple-support systems such as 4, 6 and 8-baldachins in his domed structures, planning the layouts of his domed buildings around the framework of these systems. In this article, five of Mimar Sinan?s square baldachin, singledomed mosques (Edirnekap? Mihrimah Sultan, Zal Mahmut Pasha, L?leburgaz Sokullu Mehmet Pasha, Fatih Bali Pasha and Manisa Muradiye) are selected, aiming to present an essay on the observed influence of Byzantine architecture in the domed square-baldachin and adjacent spaces that form the main area of these buildings.
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TEKİN, Bekir Hüseyin. « İstanbul’daki Mimar Sinan Eseri Yeniden İşlevlendirilmiş Medreselerin Yeni İşlev Gereği Değişen Mimari Özellikleri ». El-Cezeri Fen ve Mühendislik Dergisi 5, no 2 (31 mai 2018) : 331–45. http://dx.doi.org/10.31202/ecjse.378253.

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Orbeyi, Nil. « Mimar Sinan Yapılarında Çevre Duvarının Bir Bileşeni : Kapı ». History Studies International Journal of History 12, no 1 (20 février 2020) : 211–25. http://dx.doi.org/10.9737/hist.2020.827.

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García, Rubén, Mehreen Rahman et Roshan Sugaina. « Innovating the Mosque : The Architecture of Mimar Koca Sinan ». International Journal of Architectonic, Spatial, and Environmental Design 15, no 2 (2021) : 125–37. http://dx.doi.org/10.18848/2325-1662/cgp/v15i02/125-137.

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Güran, Mehmet Arman, et Ayşe Zekiye Abalı. « Melchior Lorichs'in İstanbul Panoramasındaki Osmanlı Kimdir ? » Belleten 75, no 273 (1 août 2011) : 361–72. http://dx.doi.org/10.37879/belleten.2011.361.

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Melchior Lorichis'in 1559 tarihli "Byzantium sive Constantinopolis" başlıklı İstanbul panoraması, Leiden Üniversitesi Kütüphanesinde bulunmaktadır. İstanbul'un Osmanlı kenti oluşundan yaklaşık yüz yıl sonra, Sultan Süleyman ve Mimar Sinan'ın elinde Osmanlı kimliğini kazandığı halini yansıtan ilk görsel belgedir. Panoramanın sıklıkla sözü edilen bir özelliği de, ressamın kendisini, kent görüntüsünün önünde çalışırken, yanında diğer bir kişi ile birlikte resme eklemiş olmasıdır. Osmanlı giysileri içinde ressam'a yardım eden kişinin temsili bir figür olduğu varsayılmıştır. Bu makalede Osmanlı figürünün kimliği sorgulanacaktır. Resmin yapıldığı tarihi bağlamın göz önüne alınmasından başka, kompozisyonunun ve ayrıntıların çözümlenmesi ile elde edilen ip uçları, bu kişinin Mimar Sinan olduğunu ortaya koymaktadır.
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PARLAK BİÇER, Zübeyde Özlem, Hürmet ÇOPUROĞLU, Merve HASÖZHAN et Zehra AKSOY. « Geleneksel Yapı Malzemeleri Üzerinden Maliyet Hesaplama ; Mimar Sinan Kurşunlu Cami ». Nevşehir Bilim ve Teknoloji Dergisi 6 (27 décembre 2017) : 349–61. http://dx.doi.org/10.17100/nevbiltek.320096.

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Thèses sur le sujet "Mimar Sinan"

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GIUSTINIANI, CLAUDIO. « Il rilievo per l'analisi stratigrafica dell'architettura scavata - la casa-museo di Mimar Sinan ». Doctoral thesis, 2017. http://hdl.handle.net/2158/1076426.

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la tesi si concentra sul rilievo e l'analisi di alcune tipologie di architetture scavate in diversi luoghi del mondo, sperimentando diversi metodi e strumenti di misurazione dalla fotogrammetria digitale al rilievo laser scanner. l'intento è quello di individuare le evoluzioni funzionali e strutturali delle strutture, fino all analisi del complesso museale di Agirnas. con la produzione di elaborati adatti alla analisi ed alla divulgazione
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Livres sur le sujet "Mimar Sinan"

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Kuran, Aptullah. Mimar Sinan. [Istanbul] : Hürriyet Vakfı Yayınları, 1986.

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Cansever, Turgut. Mimar Sinan. Mecidiyeköy, İstanbul : Albaraka Türk, 2005.

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Vogt-Göknil, Ulya. Mimar Sinan. [Turkey] : Sandoz Kültür Yayınları, 1987.

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Aslanapa, Oktay. Mimar Sinan. Ankara : Kültür Bakanlığı, 1992.

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Ülgen, Ali Saim. Mimar Sinan yapıları. [Ankara] : Türk Tarih Kurumu, 1989.

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Andı, M. Fâtih. Edebiyatımızda Mimar Sinan. İstanbul : Kültür Bakanlığı, 1989.

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Ateş, İbrahim. Mimar Sinan vakfı. İstanbul : Türk Dünyası Araştırmaları Vakfı, 1990.

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Mimar Sinan ruhsallığı. Bostancı, İstanbul : Tekhne Yayınları, 2017.

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Harmankaya, N. Çiçek Akçıl. Mimar Sinan camilerinde sembolizm. Cağaloğlu, İstanbul : Kitabevi, 2018.

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Çeçen, Kâzım. Mimar Sinan ve Kırkçeşme tesisleri. İstanbul : T.C. İstanbul Büyük Şehir Belediyesi, 1988.

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Chapitres de livres sur le sujet "Mimar Sinan"

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Mungan, I. « Hagia Sophia and Mimar Sinan ». Dans Natural Draught Cooling Towers, 383–84. CRC Press, 2004. http://dx.doi.org/10.1201/b17001-57.

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Macaraig, Nina. « Ancestry ». Dans Cemberlitas Hamami in Istanbul, 24–51. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474434102.003.0002.

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This chapter begins with the biography of the Çemberlitaş Hamamı’s patron, the queen-mother Nurbanu Sultan, and her motivations to construct the bathhouse. The second section turns towards the monument’s world-renowned architect, Mimar Sinan, presenting a brief biography as well as his involvement with the hamam’s construction. Much like humans have mothers and fathers, grandmothers and grandfathers, so does the Çemberlitaş Hamamı have a distinguished lineage ranging from Greek baths to Roman thermae, Byzantine baths, early Arab-Islamic, Perso-Islamic, Seljuk and finally earlier Ottoman hamams. The final section traces this complex lineage with the help of a genealogical tree (silsilename) in order to elucidate the origins and development of various features in Ottoman bathhouse architecture.
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Actes de conférences sur le sujet "Mimar Sinan"

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Senyapili, Burcu. « The Visual Matrix : The case of Mimar Sinan Project Site ». Dans eCAADe 2003 : Digital Design. eCAADe, 2003. http://dx.doi.org/10.52842/conf.ecaade.2003.365.

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Atac, Ibrahim. « CAAD Education and Post-Graduate Opportunities (At Mimar Sinan University) ». Dans eCAADe 1992 : CAAD Instruction : The New Teaching of an Architect. eCAADe, 1992. http://dx.doi.org/10.52842/conf.ecaade.1992.273.

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Alatli, H. Ilke, et Demet Ulusoy Binan. « The Role of University in Local Cultural Development Through Vernacular Architectural Conservation Education : The Case of Havran, Turkey ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15615.

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Since the beginning of 20th century, vernacular settlements are under severe threats of losing authen-ticity and ruin due to changes in human lifestyles, forms of production and worldwide economic devel-opments. Especially in small rural towns, lack of care and abandonment related to loss of young popu-lation is causing rapid deterioration of the vernacular heritage. In such towns, safeguarding is possible through initiatives of local authorities. However, as visionary as the authorities may be, knowledge on sustainable conservation of vernacular architecture is a very specific topic of expertise. At this point, the academic knowledge and experience of universities take on a new significance. Furthermore, col-laboration between academia and local authorities carry great potential for each party. A similar cooperation between Mimar Sinan Fine Arts University and the Local Municipality of Havran, which was inscribed as an urban protected area in the national register in 1995, started with a protocol signed in November 2011. Between 2012 and 2019, extensive surveys were carried out in urban protect-ed area and restoration projects of over 30 traditional buildings were completed by the graduate stu-dents. Some of these buildings are approved by the local council for the conservation of cultural prop-erty and one of which was restored to be used as a town and memory museum. The aim of this study is to discuss the outcome of experiences acquired from the collaboration between universities and local authorities in the past 10 years. Moreover, mutual benefit of interaction between academia, local community, and the municipality will be emphasized. The cultural heritage preserva-tion activities in Havran have an impact on local cultural development in terms of safeguarding the architectural heritage and creating awareness in the community, as well as making a significant contri-bution to the vernacular heritage conservation education.
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Nesterov, Tamara, Sergiu Musteață et Andrei Gherțen. « Castelul Tighina al Cetății Bender : Geografia, istoria, arheologia, arhitectura și studierea controversată a complexului fortificat ». Dans Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-132-153.

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The controversial and in many ways mysterious history of the Bender Fortress – one of the largest fortified complexes in the Black Sea region – has long attracted the attention of specialists in various fields of historical sciences. However, due to the fact that the fortress continued to be used according to its original destination (part of the territory is still occupied by a military garrison, in 2008 the complex was partially opened for visits), full field research began only in last years. The Tigina-Bender fortification was gradually formed and developed throughout the medieval and modern periods. The site occupies a vast territory, fortified with earth and stone bastions, adjacent to the bank of the Dniester a rectangular stone citadel. Its origin is uncertain, but the development stages could be recognized by the architectural elements. Authors of this paper based on the available sources, they try to re-evaluate the dating, architecture and history of the fortification system at Tigina-Bender. Only a few written sources have proven to be the cornerstone of the official history of Tigina Castle and Bender Fortress. These are the memoirs of the Turkish traveler Evliya Celebi, who visited Bender in 1655, naming Mimar Sinan, who accompanied the sultan in his campaign to punish the Moldavian ruler Petru Rareș, the city’s architect, in 1538. Construction of the complex. The construction of the Bender fortress by the Turkish architect should be called into question due to the numerous historical information, in which there are no reports of the construction of a castle in Tigina after 1538, espe cially considering the mentions of the locality long before this year. The history of Tigina Castle, built on the banks of the Dniester and known from the writings of contemporaries in the period before the sixteenth century, when according to other historical accounts received the new name, in the twentieth century was replaced by scientific opinion with that of the fortress. Bender. This „change of origins” has been accepted by most historians, due to the method of study: the exclusive use of documentary information and selective and total trust in the content of texts, neglecting the research of documents with other information, to which is added the scarcity of published documents regarding Tigina and Bender. In the case of the use of the fortress after the original destination and insistence of the historians who supported the Turkish origin of the Bender fortress, claiming material evidence of the fortress’s antiquity for a long time was not possible. The interdisciplinary research of the fortified complex Tigina-Bender, at the intersection between architecture, archeology, history and geography would allow the creation of the correct evaluation of the cultural heritage monument. Of great importance, for solving complex problems in the history of architecture are archaeological research, analysis of old maps and plans, which, as a whole, are invaluable sources on the history, geography and toponymy of the Northwest Black Sea region, studied so far in fragments. The complex analysis of the architecture of the Bender fortress, whose complete study has not yet been completed, confirms the hypotheses identified during the preliminary historical, cartographic and archaeological research regarding the presence at Tigina of the fortification prior to the conquest by the Ottoman Porte.
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