Thèses sur le sujet « Metaphysics – Fiction »
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Smeriglio, Kristina. « Hallowed Be Thy Fall ». NSUWorks, 2015. http://nsuworks.nova.edu/writing_etd/35.
Texte intégralMuller, Cathleen. « Harry Potter and the Rescue from Realism : A Novel Defense of Anti-Realism about Fictional Objects ». The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1330719422.
Texte intégralMfune, Damazio Laston. « My other - my self : post-Cartesian ontological possibilities in the fiction of J M Coetzee ». Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002289.
Texte intégralFontaine, Matthieu. « Argumentation et engagement ontologique de l’acte intentionnel : Pour une réflexion critique sur l’identité dans les logiques intentionnelles explicites ». Thesis, Lille 3, 2013. http://www.theses.fr/2013LIL30025/document.
Texte intégralIntentionality is that faculty of human mind whereby it is directed towards objects of all kinds. It is recorded linguistically in verbs such as "to know", "to believe", "to fear", "to hope". Intentional statements such as "John thinks that Nosferatu is a vampire" or "Oedipus loves Jocasta" challenge classical logical laws such as existential generalization or substitution of identical. I propose here an analysis grounded on explicit intentional logics, i. e. logics in which languages are enriched by means of specific operators expressing intentionality. Some original aspects of the meanings of intentional statements are grasped within argumentative practices, more specifically in the context of dialogical logic. I focus more specifically on fictionality, a paradigm in which logical, linguistic and metaphysical considerations are naturally embedded. I defend an artifactual theory in which existence and identity criteria for fictional entities are defined by means of the notion of ontological dependence relation. That notion faces several difficulties overcome here in a modal-Temporal semantics in which an innovating approach to the artifactual diemnsion of fiction is defended. Ultimately, a combination of that theory to a semantic for the fictionality operator is suggested. This enable us to articulate external and internal viewpoints on fictionality
Wynn, Freda A. « Alternative realities/The multiverse a metaphysical conundrum / ». unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-11142005-155256/.
Texte intégralTitle from title screen. Kay Beck, committee chair; Edward J. Friedman, Kathryn H. Fuller, committee members. Electronic text (124 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 108-124).
Sanyal, Sudipto. « An Uncertain Poetics of the Intoxicated Narrative : Drugs, Detection, Denouement ». Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367932599.
Texte intégral袁洪庚 et Honggeng Yuan. « From conventional to experimental : the makingof Chinese metaphysical detective fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894422.
Texte intégralYuan, Honggeng. « From conventional to experimental : the making of Chinese metaphysical detective fiction / ». Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.
Texte intégralWynn, Freda A. « Alternative Realities/The Multiverse : A Metaphysical Conundrum ». Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/communication_theses/4.
Texte intégralGiddens, Thomas Philip. « Comics, crime, and the moral self : an interdisciplinary study of criminal identity ». Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3622.
Texte intégralGraziani, Lorenzo. « Un groviglio di mondi. Studio sul pluralismo fisico, metafisico e letterario postmoderno ». Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/260546.
Texte intégralHall, J. « A metaphysical country : American pragmatist fictions in Barth, Pynchon, and Reed ». Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599863.
Texte intégralGraziani, Lorenzo. « Un groviglio di mondi. Studio sul pluralismo fisico, metafisico e letterario postmoderno ». Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/260546.
Texte intégralDöring, Lutz. « Erweckung zum Tod : eine kritische Untersuchung zu Funktionsweise, Ideologie und Metaphysik der Horror- und Science-Fiction-Filme Alien 1-4 / ». Würzburg : Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2756348&prov=M&dok_var=1&dok_ext=htm.
Texte intégralDöring, Lutz. « Erweckung zum Tod eine kritische Untersuchung zu Funktionsweise, Ideologie und Metaphysik der Horror- und Science-Fiction-Filme Alien 1-4 ». Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2756348&prov=M&dok_var=1&dok_ext=htm.
Texte intégralPei, Kong-ngai. « Fictional characters and their names a defense of the fact theory / ». Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/b4020389x.
Texte intégralPei, Kong-ngai, et 貝剛毅. « Fictional characters and their names : a defense of the fact theory ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B4020389X.
Texte intégralConnelly, Kelly C. « From Poe to Auster : Literary Experimentation in the Detective Story Genre ». Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41668.
Texte intégralPh.D.
Two dominating lines of criticism regarding the detective novel have perpetuated the misconception that detective fiction before the 1960s was a static and monolithic form unworthy of critical study. First, critics of the traditional detective story have argued that the formulaic nature of the genre is antithetical to innovation and leaves no room for creative exploration. Second, critics of the postmodern detective novel have argued that the first literary experiments with the genre began only with post-World War II authors such as Umberto Eco, Italo Calvino, and Paul Auster. What both sets of critics fail to acknowledge is that the detective fiction genre always has been the locus of a dialectic between formulaic plotting and literary experimentation. In this dissertation, I will examine how each generation of detective story authors has engaged in literary innovation to refresh and renew what has been mistakenly labeled as a sterile and static popular genre.
Temple University--Theses
Ikonomakis, Roula. « Post-war British fiction as "metaphysical ethnography" : gods, godgames and goodness in John Fowle's "The Magus" and Iris Murdoch's "The sea, the sea / ». [S.l. : s.n], 2005. http://catalogue.bnf.fr/ark:/12148/cb40143287n.
Texte intégralLee, Thomas M. « "At all events, in retrospect I became preoccupied" : the prose fictional metaphysics of W. G. Sebald ». Thesis, 2012. http://handle.uws.edu.au:8081/1959.7/525120.
Texte intégralBrilmyer, Sarah Pearl. « The intimate pulse of reality : sciences of description in fiction and philosophy, 1870-1920 ». Thesis, 2014. http://hdl.handle.net/2152/31359.
Texte intégralRieske, Tegan Echo. « Alzheimer's Disease Narratives and the Myth of Human Being ». Thesis, 2012. http://hdl.handle.net/1805/3183.
Texte intégralThe ‘loss of self’ trope is a pervasive shorthand for the prototypical process of Alzheimer's disease (AD) in the popular imagination. Turned into an effect of disease, the disappearance of the self accommodates a biomedical story of progressive deterioration and the further medicalization of AD, a process which has been storied as an organic pathology affecting the brain or, more recently, a matter of genetic calamity. This biomedical discourse of AD provides a generic framework for the disease and is reproduced in its illness narratives. The disappearance of self is a mythic element in AD narratives; it necessarily assumes the existence of a singular and coherent entity which, from the outside, can be counted as both belonging to and representing an individual person. The loss of self, as the rhetorical locus of AD narrative, limits the privatization of the experience and reinscribes cultural storylines---storylines about what it means to be a human person. The loss of self as it occurs in AD narratives functions most effectively in reasserting the presence of the human self, in contrast to an anonymous, inhuman nonself; as AD discourse details a loss of self, it necessarily follows that the thing which is lost (the self) always already existed. The private, narrative self of individual experience thus functions as proxy to a collective human identity predicated upon exceptionalism: an escape from nature and the conditions of the corporeal environment.