Articles de revues sur le sujet « Men’s clothing »
Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Men’s clothing.
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les 50 meilleurs articles de revues pour votre recherche sur le sujet « Men’s clothing ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Parcourez les articles de revues sur diverses disciplines et organisez correctement votre bibliographie.
1
Hackett, Lisa J. « Performing nostalgia : Men’s consumption of 1950s fashion ». Critical Studies in Men’s Fashion 7, no 1-2 (1 décembre 2020) : 155–75. http://dx.doi.org/10.1386/csmf_00023_1.
Texte intégralRésumé :
Clothing is an important device by which people establish their identity in society. Men who choose to wear 1950s style clothing are signalling their identity through the established stereotypes of the 1950s despite their temporal distance from the era. This article examines the motivations of three men who choose to use 1950s style clothing in their everyday wardrobe. In doing so, it traces the complex connections between nostalgia, social identity and dress. The development of men’s fashion has followed a different trajectory from women’s, its changes being more conservative and slow-evolving. Flügel argued that men had renounced the tenets of fashion, preferring styles that reflect their rational minds, a position that has been challenged in recent years. This article demonstrates that men can and do use clothing to establish their social identities. This article finds that the clothing not only embodies their taste but also embodies their values.
2
Dr. Shelly Khanna, Dr. Amandeep Kaur and Dr. Anu Kathuria. « Functional finishing for the Men’s corporate ensemble using innate Jute fabrics : An Ingenious approach towards sustainable Ready-to-wear clothing ». International Journal for Modern Trends in Science and Technology 06, no 9S (12 octobre 2020) : 116–20. http://dx.doi.org/10.46501/ijmtst0609s18.
Texte intégralRésumé :
Men’s corporate Ready-to-wear clothing has always been a conventional segment of attire as far as the choice of fabrics, silhouettes, notions and functionality is concerned. But in the latest fashion eras, advances in the technologies haven’t even left this highbound clothing sector untouched. Instead of keeping warm, good looking and comfortable; people nowadays, have a much higher demand on clothing and prefer the clothes to have special properties. Textiles with advanced technology could offer extremities than the conventional textile forms that work as functional performers for the under looked Men’s clothing sector. Thus, the present paper aims at achieving the objectives of reinventing the men’s clothing wardrobe with the impressions of sustainability and style together. In this work, Men’s semi formal waist coats were conceptualized using the forgotten Jute fabrics infused with Fragrance finishes with the use of essential oils as host-guest complexes of β-cyclodextrin citrate to impart value added finish durability. It came out to be a novel approach to re-surface Jute and Men’s formal attire that can be targeted as a big boon for the M2M clothing lines.
3
Ramazanova, Zoya Buttaevna. « TRADITIONAL MEN’S CLOTHING OF THE PEOPLES OF NAGORNY DAGESTAN : ECOLOGICAL FUNCTIONS ». History, Archeology and Ethnography of the Caucasus 14, no 4 (27 décembre 2018) : 158–65. http://dx.doi.org/10.32653/ch144158-165.
Texte intégralRésumé :
This article is written based on the author’s field ethnographic material with the involvement of the corresponding literary works on this issue. The article is devoted to the ecological functions of traditional men’s clothing of the peoples of Nagorny Dagestan (the Avars, the Laks, the Dargins). The main purpose of the article is to describe the traditional men’s clothing of the mountaineers of Dagestan, the environmental functions of which were reduced to the regulation of direct heat exchange between the human body and the environment, as the formation of special features of material culture, including clothing, was influenced by natural-geographical factors. The specific features of the traditional men’s clothing of the peoples of Nagorny Dagestan were determined by seasons: depending on the time of year, the specific composition of clothing and the material of manufacture varied.When writing the article, general scientific methods were used: (analysis, synthesis, induction), which allows to consider the role and place of men’s clothing of the mountaineers of Dagestan, to show in it the general and particular in connection with various conditions (social-ecological, ethnographic, ecological) of development of certain Dagestan regions. At the same time, the method of logical research, the task of which is to reveal the role played by individual elements of the system as part of the whole, has become important for this work. Together with general scientific methods, private research methods are used: the detection of the specific, descriptive method, etc.The study resulted in a coherent picture of the varieties of men’s clothing. The author presents them as separate complexes in accordance with seasons, which allows demonstrating the ecological functions of men’s clothing. The field of application of the research results is determined by the possibility of using them in the further study of the ethnography of Dagestan and the Caucasus. The scope of the research results is determined by the possibility of their use in further study of the ethnography of Dagestan and the Caucasus.
4
Cui, Ying. « Transference of brand personality in brand name translation : A case study on the Chinese-English translation of men’s clothing brands ». Semiotica 2019, no 230 (25 octobre 2019) : 475–93. http://dx.doi.org/10.1515/sem-2017-0120.
Texte intégralRésumé :
Abstract Brand names are endowed with personalities that appeal to consumers, and such personalities are often adjusted in translation. This research aims to explore the transference of brand personality dimensions in the Chinese-English translation of men’s clothing brands, which embody consumers’ values and self-perceptions as well as social cultural meanings, in the hope of revealing male consumers’ psychological characteristics and providing a reference for translators. This investigation studies the brand personality frameworks for English and Chinese consumers, analyzes a corpus of 477 Chinese-English men’s clothing brands, summarizes the major personality dimensions for men’s clothing brands, and explores how they are transferred in translation. As brand personalities reflect target consumers’ psychology to a certain extent, exploring the transference of brand personality dimensions in the Chinese-English translation of men’s clothing brands can reveal the differences between Chinese and English male consumers’ values and mentality, which can serve as a reference for translators and international businesses.
5
Bogović, Slavica, Beti Rogina-Car et Dario Bogović. « Functional Design of Supportive Men’s Underwear with a Microbial Barrier ». Fibres and Textiles in Eastern Europe 27, no 4(136) (31 août 2019) : 43–49. http://dx.doi.org/10.5604/01.3001.0013.0855.
Texte intégralRésumé :
A functional modelling of supportive clothing is proposed in this paper. Body forms and measures were analysed. The digitisation of the human body was performed by 3D scanning, and based on point clouds measurements were taken. and the forms of body parts for which the pattern of clothing was developed, were defined. Pattern parts of the male supportive underwear model proposed were translated into numeric form, and a program was developed in the C++ programming language through which the pattern parts are adjusted to individual measurements and to the material used for the compression of parts of the body. Since clothing can be used post-operatively as well, an analysis of the biodegradable Tencel® materials proposed to be used for these applications was conducted. Material samples were subjected to steam sterilisation at 134oC, after which tests of microbial barrier permeability were performed using the new method. Aerobic bacterial endospores were used. Based on the samples tested and their properties, the construction of supportive medical clothing which, by their design, enhance the functionality and possibility of preventing infections of a body part subjected to surgery was carried out.
6
Kim, Youn-Kyung, Sejin Ha et Soo-Hee Park. « Competitive analyses for men’s clothing retailers : segmentation and positioning ». International Journal of Retail & ; Distribution Management 47, no 12 (9 décembre 2019) : 1266–82. http://dx.doi.org/10.1108/ijrdm-08-2018-0172.
Texte intégralRésumé :
Purpose The purpose of this paper is to identify men’s clothing market segments based on store types and generational cohorts and the retail attributes. Design/methodology/approach A total of 2,808 US male consumer data from Predictive Analytics survey were analyzed with correspondence analysis (CA) (to identify segments based on store types and generations), general linear model (GLM) (to determine what retail attributes were important to target each segment) and a Rasch tree model (to test items of each factor in their relative importance). Findings The CA produced three segments: Segment 1 (Gen Y male consumers who frequently shop at specialty stores), Segment 2 (Gen X males who frequently shop at discount stores and online stores) and Segment 3 (Baby Boomers and Seniors who frequently shop at department stores). GLM shows that fundamentals were important to all segments; experiential was most important to Segment 1, while promotion was most important to Segment 3. Rasch tree analysis provided specific information on retail attributes for each store type and each generation. Research limitations/implications Future research could employ both the importance and performance of retail attributes that are measured on a rating scale to understand consumers’ attitudes toward each retail format. Practical implications This study provided men’s clothing retailers with current insights into the male consumer segments based upon generational cohorts and store types from which they can better develop appropriate positioning strategies to satisfy the needs of each segment. Originality/value This study addressed the men’s clothing market, a growing but largely ignored market in the clothing industry and the retail literature.
7
Навольська, Л. В. « ІСТОРІОГРАФІЧНІ АСПЕКТИ ФОРМОУТВОРЕННЯ ЧОЛОВІЧОГО ОДЯГУ ». Art and Design, no 4 (3 février 2020) : 68–78. http://dx.doi.org/10.30857/2617-0272.2019.4.6.
Texte intégralRésumé :
Systematization of the basic principles of men’s apparel design evolution, depending on historical, social and cultural aspects, analysis of factors of design modification, substantiation of the logic of changes, determining the degree of their relevance in the future. The research includes the analysis of publications on the chosen topic, analytical processing, systematization of the information base collected in the course of research with illustrative material on men's clothing. The work uses visual and graphic methods of data processing, which make it possible to clearly illustrate the specifics of combining traditional silhouettes and elements of culture. The evolution of men’s apparel design is analyzed on the example of a classical suit: the cyclical nature of men’s apparel design has been confirmed – changes in the design are shown as the reproduction of the same apparel with minor corrections required by the corresponding epoch in the interinfluence of its concept and function. It has been revealed that artistic and aesthetic tastes of each epoch in the history of humanity are best reflected in the men's apparel, which is also interrelated with the studies on the evolution of military apparel design. The research made it possible to determine the main stages and regularities in the evolution of design of men's clothing, trends in the logic of the creative process of the apparel design. The logic of changes in the design of men's apparel has been systematized and structured, taking into account the concept of design, ergonomic, structural and technological aspects. Practical relevance of the obtained results lies in making it possible to simulate creative processes of designing men’s apparel.
8
KULESHOVA, SVITLANA, SVETLANA MATVIICHUK, SVITLANA KOROL et OKSANA LEBEDYNSKA. « INNOVATIONS IN THE DESIGN OF SPECIAL CLOTHING ». Herald of Khmelnytskyi National University. Technical sciences 319, no 2 (27 avril 2023) : 374–81. http://dx.doi.org/10.31891/2307-5732-2023-319-1-374-381.
Texte intégralRésumé :
The article offers an approach to the popularization of innovative technologies of complex processing of polymer-containing waste into composite polymer materials and examples of their use for protective elements of special clothing. The scientific novelty of the study consists in the analysis and systematization of innovative technologies for designing special clothing with increased protective properties due to the use of composite polymer materials at all stages of creation and promotion of products to the fashion market. The practical significance lies in increasing the innovative potential of the components of design projects of modern special clothing on the example of improving the design processes of special purpose products in the conditions of ULINE LLC in Vynohradiv. The innovations of artistic and aesthetic factors include creative sketches of project images of models-ideas of men’s work overalls for ULINE LLP in Vynohradiv, which were developed and proposed as a number of color solutions in the artistic system “Family” on the basis of digitalization. In order to improve the strategy of promoting the fashion brand “ULINE” of Vynogradiv and selling the models of manufactured men’s work overalls on the fashion market, a database of visual transformations of images was developed for the presentation of special purpose products on the website of this company with the aim of their further integration into fashion clothing design. The innovations of the utilitarian factors of special clothing include the methods of providing workwear products of ULINE LLC, Vynohradiv, with increased wear resistance due to additional structural elements by processing them with polymer compositions. The study proposed rational methods of processing overlays with a polymer coating. Sewing equipment is selected for sealing the seams of special clothing. According to the results of research, experimental samples of men’s work overalls with removable protective elements in the knee area were made in the conditions of ULINE LLC in Vynohradiv to improve the operational characteristics of the clothing.
9
Lu, Hong, Yan Chen et Hong Qin Dai. « Construction of Knowledge Base for Clothing Sensory Design ». Advanced Materials Research 175-176 (janvier 2011) : 811–16. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.811.
Texte intégralRésumé :
In this paper, the contents of knowledge base for clothing sensory design are defined as four parts: the clothing design elements, semantic expression, reflection between the former two and design rules. The character and contents of each part are discussed and analyzed respectively. Methods of interviewing, laddering, card sorting, analytic hierarchy process (AHP), Hierarchy structure, triangle fuzzy numbers, literature reviewing etc. are chosen for the knowledge elicitation and representation. The men’s suit is used as a case study to explain the whole procedure of knowledge base construction. The style design elements of the men’s suit are decomposed into 9 items and 28 categories. The semantic space of the sensory evaluation towards the men’s suit is modelled in the form of 4 word-pairs: formal- casual, classical- modern, gorgeous- simple and elegant- masculine. The triangular fuzzy numbers are introduced to quantify the 7-point scales of linguistic descriptions (extreme, very, rather, average, rather, very and extreme). And the reflection of the design elements space and semantic space is acquired and represented. The design rule of the men’s suit is obtained by the method of literature reviewing and interviewing. It includes both the basic rule derived from the beauty rule and the design principle based on consumers’ character such as body type and facial colour etc. All techniques and methods are not limited to men’s suit itself but can be extended to other garments or products. The conclusions of the paper will play an important role in realizing the goals such as clothing individuation, sensation, intellectualization and fashion etc.
10
Jones, Domenique, et Heejin Lim. « “DRESSING” THE PART : TRANS MEN’S SELF-RECONSTRUCTION THROUGH CLOTHING ». Global Fashion Management Conference 2019 (11 juillet 2019) : 435–39. http://dx.doi.org/10.15444/gfmc2019.04.06.01.
Texte intégral
11
Wagner, Travis. « “She Started Wearing Men’s Clothing and Acting More Masculine" ». International Journal of Information, Diversity, & ; Inclusion (IJIDI) 5, no 4 (21 décembre 2021) : 21–42. http://dx.doi.org/10.33137/ijidi.v5i4.36492.
Texte intégralRésumé :
This paper examines two examples of archival visual information with potentially transgender and non-binary representation to interrogate the descriptive challenges latent within such materials. By using gender theory and queer historiography, this paper deploys a critical case study to consider the particularities of naming gender when contextual evidence provides little to no authoritative guidance. By talking through the way gender makes itself visible within visual information, the paper guides readers through the way transgender or non-binary identity might exist within both pieces of visual information. The paper then provides suggestions on how to provide respectful and inclusive descriptive records that attend to the complexities of a still-evolving queer history. By offering both a statement on the impossibility of naming identity within intersecting forms of queer embodiment alongside reference points for methods of discussing potential gendered identities, the paper offers practical approaches to describing transgender and non-binary identities for information professionals.
12
Rahman, Osmud, et Henry Delgado Navarro. « Men’s Physical Stature : Tackling Heightism and Challenges in Fashion Consumption ». Behavioral Sciences 12, no 8 (5 août 2022) : 270. http://dx.doi.org/10.3390/bs12080270.
Texte intégralRésumé :
In light of the limitations of previous research on fashion consumption by short men, the present study was undertaken to examine the relationship between male body image, height perceptions, clothing choice, garment fit, and heightism. In this study, 3D body scanning technology and in-depth interviews were employed to investigate the relational effects between men’s height, body image, and clothing consumption. In total, twelve men exhibiting a height of 5′ 8″ or less participated. The findings indicate that “heightism” is prevalent in today’s society. As well, the results reveal that overall appearance and physical stature become less important as people grow older. It is evident that short male consumers encounter challenges when they shop for fashionable and well-fitting clothing. They are underserved by the fashion industry and often impacted by judgmental biases. The study supports that garment alteration and buying clothes from the children’s section, or a bespoke tailor are not ideal solutions for short men. Furthermore, many of them just accept the fact that they are short and try to find ways to alleviate their frustration when consuming fashion.
13
Hagins, Zachary R. « Clothing and refugee identity in Des sneakers comme Jay-Z ». Contemporary French Civilization 45, no 3-4 (1 décembre 2020) : 317–36. http://dx.doi.org/10.3828/cfc.2020.19.
Texte intégralRésumé :
This article presents and analyzes how clothing shapes refugee identity in Des sneakers comme Jay-Z, an engaged photographic project from 2018 by French photographers Frédéric Delangle and Ambroise Tézenas. Commissioned by the association Emmaüs Solidarité, the series features forty-six portraits of men seeking asylum in France. The refugees wear outfits they selected from available donations at the Centre de premier accueil de la Porte de la Chapelle in Paris. First-person texts featuring the men’s thoughts about their clothing choices accompany the images. I contend that vestimentary choices in Des sneakers comme Jay-Z reflect each man’s sense of agency in the social construction of his nascent transnational identity as he adapts to life within the French Republic. Although casual, everyday outfits rarely draw engaged reflection by those around us, photographing the refugees in their selected outfits and questioning them about these items creates a project that defamiliarizes common garments to encourage viewers to reflect on clothing’s role in fashioning new subjectivities. Reading the accompanying texts through the lens of the sociology of clothing and fashion, the article investigates how the men’s apparel choices reflect both nostalgia for their homelands and a desire to integrate into French society. Through the shared human experience of self-presentation through dress, Des sneakers comme Jay-Z thus constructs a narrative emphasizing refugees’ basic humanity in order to contest anti-migrant discourses.
14
Speetjens, Maile, et Blanco F. José. « Lowlife : Men’s style and clothing in the Atlanta Punk scene ». Fashion, Style & ; Popular Culture 2, no 2 (1 mars 2015) : 175–90. http://dx.doi.org/10.1386/fspc.2.2.175_1.
Texte intégral
15
Stewart, Eloise Faber, Veena Chattaraman et Karla P. Teel. « Men’s fit preferences in outdoor performance clothing : A qualitative investigation ». Critical Studies in Men???s Fashion 1, no 3 (1 septembre 2014) : 255–74. http://dx.doi.org/10.1386/csmf.1.3.255_1.
Texte intégral
16
Kolosnichenko, O. V., K. L. Pashkevych, N. V. Ostapenko, T. F. Krotova et M. V. Kolosnichenko. « CONCEPTUAL DESIGN AS A METHODOLOGY OF HARMONIOUS FORMATION OF CLASSIC MEN’S AND WOMEN’S SUIT ». Art and Design, no 2 (10 août 2023) : 53–60. http://dx.doi.org/10.30857/2617-0272.2023.2.5.
Texte intégralRésumé :
Purpose: study of the methods of harmonizing the form of pret-a-porter clothes by establishing the conceptual correspondence of the aesthetic properties of the form and its functional features in the design of classic men’s and women’s suits.
Methodology. The research methodology is determined by a comprehensive study of the subject, based on the use of historical and cultural and comparative methods; methods of formal, functional and semiotic analysis were used. The paper uses art history and art-design scientific approaches. The theoretical and methodological basis of the study is based on the scientific provisions of the theory of clothing design, as well as on the scientific papers and methodological developments of specialists in the history of costume and clothing design.
Results. Forming methods as a system of creative ideas and functionally expedient solutions for balancing function-aesthetics in the design-ergonomic design of an assortment of promising collections of men’s and women’s clothing, taking into account the plasticity of fabrics, have been studied. The factors influencing the material on the structural and tectonic characteristics of the formation according to the function of the classical suit have been determined. The conceptual correspondence of the harmonization of the form, its aesthetic properties and functional features has been established; the peculiarities of the means of compositional expressiveness in the development of harmonious forms of modern classical costume as a separate valuable component of clothing design have been revealed.
Scientific novelty. Of the study consists in the implementation of a comprehensive study of modern classical clothing as an object and subject of conceptual design: the artistic origins of the harmonious formation of conceptual collections are revealed; the stages of its harmonious development are determined. It is noted that the value-meaning environment with reference to cultural, mental, social and other contexts becomes identifying for the conceptual suit.
Practical significance. The practical significance of the study is the creation of a scientific base for the development of harmonious forms of collections of classic suits for the construction of a constructive arrangement of models of the collection of men’s and women’s assortment. The practice of applying theoretical research will help in the educational process of training fashion designers and clothing designers.
17
Naghani, Peyman Ebrahimi, Seyed Alireza Zolfaghari, Mehdi Maerefat, Jørn Toftum et Seyed Mohammad Hooshmand. « Experimental Investigation of the Effects of Non-Uniform Clothing Ensembles on the Occupants’ Thermal Perceptions under a Local Ventilation System ». International Journal of Air-Conditioning and Refrigeration 29, no 02 (26 mars 2021) : 2150011. http://dx.doi.org/10.1142/s2010132521500115.
Texte intégralRésumé :
This paper presents an experimental study that evaluated the effects of three different non-uniform types of clothing ensembles (Type A: short-sleeve shirt, T-shirt underwear, men’s briefs, straight trousers, socks, shoes; Type B: long-sleeve shirt, T-shirt underwear, men’s briefs, straight trousers; and Type C: long-sleeve shirt, men’s briefs, straight trousers, thick socks, shoes) with almost the same thermal insulation (about 0.52 clo) on the subjects’ local and overall thermal sensation and air movement preference under a desktop local ventilation system. The experiment was conducted in a test chamber with the mean air temperature of [Formula: see text]C and under three supply air temperatures of [Formula: see text]C, [Formula: see text]C, and [Formula: see text]C from a desktop ventilation system. The results revealed that the body segments with the most critical thermal sensation were (i) forearms, hands and arms for the subjects with “A type” clothing ensemble, (ii) feet, hands and forearms for the subjects with “B type” clothing ensemble, and (iii) hands, arms, forearms and chest for the subjects that wore “C type” clothing ensemble. For the three clothing types of “A”, “B” and “C”, the values of overall thermal sensation changed from [Formula: see text]0.63, [Formula: see text]1.25, and [Formula: see text]1.13 at [Formula: see text]C to [Formula: see text]0.31, [Formula: see text]0.31, and [Formula: see text]0.38 at [Formula: see text]C inlet temperature, respectively. Also, the results indicated that upon elevation of the inlet air temperature from [Formula: see text]C to [Formula: see text]C, the percentages of the subjects who preferred less air movement dropped from 63%, 63%, and 50% to 38%, 25%, and 38%, respectively, for wearing “A”, “B” and “C” clothing ensembles.
18
Aisyah, St, Syarifah Suryana et Fitriana Fitriana. « The Effectiveness of Video Tutorials on Improving Learning Outcomes in Online Learning for Men’s Clothing Courses ». TEKNOBUGA : Jurnal Teknologi Busana dan Boga 11, no 2 (30 octobre 2023) : 128–33. http://dx.doi.org/10.15294/teknobuga.v11i2.49251.
Texte intégralRésumé :
Video as a tutorial medium is an effective alternative to complement practical learning tools in online learning. This study aims to determine the effectiveness of video tutorials and increase student learning outcomes in online learning in men's clothing courses. This study used a pre-experimental and one-group pretest-posttest design. The research sample is 40 students who program men's clothing courses. Data collection was carried out using a learning achievement test. The result of the data analysis showed that the result of student achievement in learning men's clothing before using the video tutorial could have been more optimal. It shows that some students still need to be more optimal in achieving learning outcomes. Then, the result shows a significant improvement in learning outcomes after implementing video tutorials. The result of inferential analysis, namely the paired t-test, showed differences before and after the application of video tutorials to the reasoning process, especially in the men's clothing courses in fashion design, Home Economics Program, Universitas Negeri Makassar.
19
Navolska, L. V. « STUDY OF PECULIARITIES OF FORM AND STYLE IN THE DESIGN OF MENSWEAR IN THE XX CENTURY ». Art and Design, no 2 (10 août 2023) : 61–71. http://dx.doi.org/10.30857/2617-0272.2023.2.6.
Texte intégralRésumé :
Purpose: study of evolution in men’s costume form-building, and orderliness of constructional and decorative lines and details based on the visual analysis of its forms development in the XX century, detection and classification of presentation means for creating perspective collections of menswear.
Methodology. The research is based on the use of historical and cultural, comparative methods; informational sources and portfolio of modern men’s wear designers have been applied, the results have been synthesized. Theoretical, methodological basis for the investigation is based on scientific and methodological works of experts in history of costume and clothing design, scientific concepts of clothing design theory.
Results. Due to the research, the main aspects of form-building processes have been defined providing unity and harmony of menswear and contributing to its relevance in time. In has been specified that a modern men’s suit as a marker of identity and individual visual language requires intensive discussion about the future of men’s fashion. All this requires needs of today’s consumers and their preferences in clothing to be revealed in order to forecast trajectories of development of menswear design subject to the results of work done by fashion designers of the XX century and the present ones. In addition, owing to the research results it has been revealed that the latest men’s fashion is becoming more and more personified, that is why the eclectics of styles, in complete sense of this word remains a perspective area for successful creative activity of modern designers.
Scientific novelty. The studies carried out have provided an opportunity to detect the concept of form-making and define the logic of changes in menswear form-building, its ergonomic, constructional and technological aspects. Due to the investigation interrelation between peculiarities of gradual transformation of visual content of the artistic men’s suit in the XX century into the corresponding visualization of a present consumer image has been considered in detail, substantiated and distinguished.
Practical significance. Practical importance of the results received lies in modeling form-making processes in menswear, helps to detect and analyze factors which influence the form, define their future relevance. Practical use of the research will facilitate setting trend of active evolution in today’s men’s wardrobe; moreover, it will help educate specialists in the art sector, will become a ground for successful work of designers, fashion-designers and modern clothing manufacturers.
20
Githapradana, Dewa Made Weda. « Aesthetics and Symbolic Meaning of Androgynous and CO-ED Style Trends in Men’s Fashion ». Humaniora 13, no 1 (15 février 2022) : 23–32. http://dx.doi.org/10.21512/humaniora.v13i1.7378.
Texte intégralRésumé :
The research aimed to understand the aesthetic value and symbolic meaning of the co-ed and androgynous trends in men’s fashion. The problem discussed was how the aesthetic value and symbolic meaning of co-ed androgynous trends were in men’s fashion today. Co-ed and androgyny were one of the phenomena in men’s fashion trends today. The co-ed androgynous style featured a gender-fluid fashion concept; that was, the blurring of the binary gender opposition boundaries. Gender discrimination is a phenomenon of social problems that often surfaced. Fashion was often used as an instrument in reproducing gender identity in social systems. The development of men’s fashion had undergone significant changes in recent decades. Men’s clothing trends had become more attractive, dynamic, and no longer monotonous like conventional men’s fashion styles. The research applied a qualitative research method by collecting library data, observation, and interviews with practitioners and experts. The approach and theoretical basis used in analyzing the objects and variables were postmodern aesthetic approaches and Barthes’ semiotic theory. The object sample was the clothing designed by Alesandro Michele for the Gucci brand. The result indicates that the symbolic meanings of androgynous and co-ed trends are able to reflect social problems, such as reproducing gender identity, overhauling heteronormative stereotypes, changing gender roles, and freedom of expression without discrimination. The concept is expressed through a dynamic and free postmodern aesthetic.
21
Kim, Jin Hyoung, et Young In Kim. « Proposal of Planning Process for Outsourcing the Design of Men’s Clothing ». Korean Society of Fashion Design 19, no 4 (31 décembre 2019) : 71–87. http://dx.doi.org/10.18652/2019.19.4.5.
Texte intégral
22
Sushko, Valentyna. « Folk costumes of Ukrainian Slobozhans as a component of cultural heritage ». Folk art and ethnology, no 1 (30 mars 2024) : 57–64. http://dx.doi.org/10.15407/nte2024.01.057.
Texte intégralRésumé :
Clothing in traditional society performed the function of a national, regional and local indicator, a kind of «passport» of a person. Ukrainians of Slobozhanshchyna wore Cossack clothing until the abolition of the Cossack system and Sloboda regiments in 1765, as they did everywhere else in Ukraine. However, at present, there are almost no material objects from the seventeenth and eighteenth centuries in regional museums of Ukraine. The abolition of Slobid-Ukrainian autonomy and the equating of the Ukrainian gentry and the Cossack nobility with the russian nobility led to fundamental changes in society. The upper classes began to adhere to European fashion, preferring English standards for men’s clothing and French standards for women’s clothing. Ancient forms of clothing, however, were conserved in the rural environment. During the 19th century the complex of clothing of Ukrainian Slobozhan of the peasant class was finally formed. List of basic women’s clothing of the 19th century included a shirt, a sheet, an apron, a belt, a corset, footwear (boots, shoes) and headgear (girls – braids and wreaths with ribbons, women’s caps, winter hats – various types of paid headgear: a scarf, a handkerchief, a shawl). Women’s outerwear was a jupka, girls – a white suite, in winter – kozushankas. In the 20th century to the list were added «Kohty-cotton jackets», which in the Southeast could be called «cuirass». Men’s clothing of the corresponding period consisted of a shirt, trousers, a belt, boots and a headdress (bril, cap, or hat). From the turn of the 19th and 20th centuries, the traditional authentic folk costume, although gradually replaced by European dress, became a national symbol, which is connected with the revival and strengthening of the national movement for statehood. That is why museum collections (both physical and photographic documents) are so important today, helping to recreate the ancient folk system.
23
Carrasco-Santos, María Jesús, Carmen Cristófol-Rodríguez et Ismael Begdouri-Rodríguez. « Evolution of Men’s Image in Fashion Advertising : Breaking Stereotypes and Embracing Diversity ». Journal of Theoretical and Applied Electronic Commerce Research 19, no 1 (24 janvier 2024) : 188–208. http://dx.doi.org/10.3390/jtaer19010011.
Texte intégralRésumé :
This research study explores the representation of men in fashion advertising and investigates whether societal and fashion evolution has contributed to a departure from traditional stereotypes. The research methodology comprised three phases: content analysis, surveys, and in-depth interviews with an expert panel, examining how men’s clothing has been communicated in fashion over a span of 50 years, with a focus on three renowned brands: Lacoste, Burberry, and Hugo Boss. The findings reveal a notable shift in fashion advertising targeting men, characterized by increased racial diversity among models and a more diverse depiction of attitudes and poses. However, homosexual or bisexual couples remain largely unrepresented. The study highlights the influence of advertising on shaping the image of the “new man”, evident through the diminishing gender boundaries in clothing and accessories and the persistent struggle to break free from stereotypes. The study underscores the significance of ongoing efforts to promote diversity and inclusivity in fashion advertising.
24
Hlushko, Yuliia, Lіudmyla Bukhantsova, Оlena Оlena, Oleksandr Troian, Larysa Krasniuk et Oleksandr Yantsalovskyi. « DESIGNING OF ADAPTIVE MULTIFUNCTIONAL MEN'S UNDERWEAR ». International Conference on Technics, Technologies and Education, ICTTE 2019 (2019) : 328–35. http://dx.doi.org/10.15547/ictte.2019.06.011.
Texte intégralRésumé :
The object of research is the process of designing of adaptive multifunctional clothing. The basis for improvement of designing of adaptive multifunctional clothing is the application of energy-information effects of materials on the functional state of the human body. On the basis of this, it is justified to form a package of materials for development of adaptive men's underwear for treatment and prevention of chronic prostatitis. A positive therapeutic and prophylactic effect on patients is ensured by silver plates located on adaptive multifunctional underwear sites according to the biologically active zones of the lower part of the men’s body. Provision of multifunctional clothing with advanced functionality has a positive economic effect by reducing the consumer's money costs and reducing the time spent on medical procedures. The social effect of the work is manifested in improving the health status of men with chronic prostatitis, and, accordingly, improving the quality of their life. The effectiveness of the developed adaptive multifunctional underwear is confirmed by experimental wearing and clinical approbation.
25
Mardosa, Jonas Mardosa. « ,,Ar iš balos tas gražumas mano prigimimo?” Mintys, kilusios skaitant tradicinei lietuvių valstiečių vyrų aprangai skirtą monografiją ». Lietuvos etnologija / Lithuanian ethnology 20 (29) 2020 (21 décembre 2020) : 181–205. http://dx.doi.org/10.33918/25386522-2029009.
Texte intégralRésumé :
‘Mirror, Mirror on the W all, Who’s the Fairest of them All?’ Thoughts on a Monograph about the Traditional Clothing of Lithuanian Peasant Men The author of the review discusses the debatable aspects of Vida Kulikauskienė’s monograph ‘Traditional Clothing of Lithuanian Peasant Men’. First, he highlights the value of the book. He notes that the book is the result of Kulikauskienė‘s longterm research into traditional peasant men’s clothing, and the reconstruction and creation of the Lithuanian national clothes in relation to it. Ethnographic fieldwork, which began in the 1960s, took place within the context of the preparation of the ‘Historical Ethnographic Atlas of Baltic National Clothes’. Until then, research into women’s traditional clothing, which had been carried out for several decades, and the well-established picture of their regional sets, contrasted with men’s clothing as depicted mostly in a variety of fragmentary literary texts. After a few years, the ethnographic information covering the entire territory of Lithuania began to appear in Kulikauskienė’s articles published in various local monographs. After supplementing the data gathered during the ethnographic field-trips with literary material, and researching in museums and archives, Kulikauskienė wrote and sucessfully defended her doctoral dissertation. At the same time, an introductory text for the ‘Historical Ethnographic Atlas of Baltic National Clothes’ was written, and maps were compiled. The atlas was published in Riga in 1985. Before that, Kulikauskienė published a series of articles on clothing, and wrote a manuscript for this monograph. The ethnologists Dr Irma Šidiškienė and Dr Dalia Bernotaitė-Beliauskienė took the initiative and prepared the final version of the manuscript, selected illustrations, and wrote footnotes and explanations.
26
김아라 et Young-Jae Lee. « A study on the introduction of men’s items in women’s equestrian clothing ». Research Journal of the Costume Culture 21, no 1 (février 2013) : 31–41. http://dx.doi.org/10.29049/rjcc.2013.21.1.31.
Texte intégral
27
Akden, S. V. « ON THE QUESTION OF THE SEMANTICS OF TURKISH NAMES OF MEN’S CLOTHING ». "Scientific notes of V. I. Vernadsky Taurida National University", Series : "Philology. Journalism", no 3 (2023) : 132–37. http://dx.doi.org/10.32782/2710-4656/2023.3/24.
Texte intégral
28
G., ANARBAEVA. « DESCRIPTION OF THE EQUIPMENT OF WARRIORS IN THE “MANAS” EPOS OF THE KYRGYZ PEOPLE AND THEIR VALUE ». Preservation and study of the cultural heritage of the Altai Territory 28 (2022) : 7–13. http://dx.doi.org/10.14258/2411-1503.2022.28.01.
Texte intégralRésumé :
The paper tells about the combat equipment of the warriors in the Manas epic, known throughout the world. The traditional decorations used in this equipment, the methods of their manufacture and their historical significance are also described in detail. Such valuable material is still of interest to many researchers today. In addition, many styles of this clothing have been preserved in our modern society. For example, men’s and women’s headdresses in Turkish and Kyrgyz are made from burqa, ash (white ash and black ash), military clothing (types of boto belt, keshte, ak olpok, baldagai pants, etc.), as well as women’s clothing (belts). The meanings of the ornaments in them were also investigated.
29
Fan, Yan-Ngo, Wenyi Wang, Chi-Wai Kan, Krailerck Visesphan, Kornchanok Boontorn, Jitti Pattavanitch, Thawatchai Intasean et Rattanaphol Mongkholrattanasit. « An Analysis of Air Permeability of Men’s Quick-Dry Sportswear ». E3S Web of Conferences 165 (2020) : 05010. http://dx.doi.org/10.1051/e3sconf/202016505010.
Texte intégralRésumé :
Air permeability is one of the thermal comfort properties of clothing and fabrics. This study evaluated the quick dry properties of summer men’s T-shirts of different brands (Nike, Adidas, Laishilong and Columbia) by studying the air permeability behavior. Both Nike and Adidas samples were knitted by single jersey, while double jersey was used for Laishilong and Columbia T-shirts. The materials for Adidas, Laishilong and Columbia were polyester while Nike was made of cotton and polyester. Overall, both Nike and Adidas were found to perform better in terms of air permeability than those of Laishilong and Columbia.
30
Rauf, Ateeq Abdul. « Clothes That Make the Man : Understanding How the Extended Self Is Formed, Expressed and Negotiated by Male Tablighi Jamaat Adherents ». Religions 13, no 10 (18 octobre 2022) : 981. http://dx.doi.org/10.3390/rel13100981.
Texte intégralRésumé :
Deviating from the predominantly women-focused investigations on Islamic clothing in anthropology, religion and consumer studies, this research places men’s Islamic clothing under the spotlight to understand how the notion of the extended self is evidenced in a religious context. Using a multi-sited ethnographic and in-depth interview approach to study the context of middle-class Pakistani male participants of the traditional revivalist movement the Tablighi Jamaat, this study finds that possessions such as clothing serve as a conduit to participants’ sense of extended self. In this case, the extended self is associated with the Muslim nation, its Prophet and his work. This investigation furthers the concept of the extended self by implicating the consumption of religiously identified clothing as an entity that becomes associated with the self. Moreover, this study concludes that possessions and the extended self are imbricated into one’s religious career path.
31
Lupescu Makó, Mária. « Clothing – A Mark of Noble Identity in Early Modern Transylvania (II) ». Acta Musei Napocensis. Historica, no 59 (30 janvier 2023) : 33–75. http://dx.doi.org/10.54145/actamn.59.02.
Texte intégralRésumé :
For a long time, it was the garment that gave the person individuality. Once the costume was lost, the identity was lost. Clothing is, therefore, one of the essential markers of social convention, with each part of the population being assigned a specific role and place, easily recognizable by shape and color. The symbolism of clothing articles, with a very different cut and color range, could immediately be interpreted by the contemporaries. Based on the last wills of the Transylvanian nobility, this study proposes to examine the role of clothes as status indicator, or the social role of noble men’s clothing in the late sixteenth century and the first half of the seventeenth century in Transylvania. From a structural point of view, the study continues the topics addressed in the first part, discussing issues concerning the value of white clothing and women’s attire in terms of rank and status in society.
32
Kuzmichev, Victor, Aleksei Moskvin et Mariya Moskvina. « Virtual Reconstruction of Historical Men’s Suit ». Autex Research Journal 18, no 3 (1 septembre 2018) : 281–94. http://dx.doi.org/10.1515/aut-2018-0001.
Texte intégralRésumé :
Abstract Nowadays, the virtual technology is being widely applied in the area of clothing design and try-on. However, the possibilities of these technologies cover only the contemporary marketable clothes, while the insight in the aspect of historical costume is very limited. In this research, we developed the method that allows to reconstruct and do the virtual try-on of historical men’s suit consisting from four different garments—trousers, shirts, vest, and coat. The method includes, on one hand, the analysis of pattern drafting systems, patterns construction, special means of bespoke tailoring that were popular in the history and, on the other hand, the way of its adapting and preparing to contemporary technologies of 2D and 3D design. The exploration was done with men’s suit and the patterns from the nineteenth century. We studied how the tailors took all measurements, the content of size charts including divisional, direct measurements, and its combination. To parameterize the historical patterns of men’s clothes, we created the schedule of special indexes. We developed the method how to identify the means of garment shaping by steam pressing, which are hiding in the patterns, and how to perform ones by darts. The preparation of historical patterns to virtual try-on was done by CAD. As example, the reconstruction of full-dress suite painted on the Prince Albert of Saxe-Coburg and Gotha’ portrait (1840) was done, and high adequacy between the historical prototype and the virtual suit has been proved.
33
SIRENKO, S., et V. SHARKO. « COMMODITY CHARACTERISTICS OF THE MODERN MEN’S SHOES ». Herald of Khmelnytskyi National University. Technical sciences 307, no 2 (2 mai 2022) : 173–81. http://dx.doi.org/10.31891/2307-5732-2022-307-2-173-181.
Texte intégralRésumé :
The authors determined that the current situation in the market of men’s shoes is developing in accordance with the principles of demand theory. As a result of declining incomes and a significant increase in prices, footwear consumption decreases to the level of minimum needs, consumption of cheap and low-quality goods increases. The authors found that footwear production in Ukraine is declining, despite the “fresh blood” in the form of numerous small workshops that have appeared in the country over the past two years in a wave of fashion for everything Ukrainian, the industry is still in the same state as and the entire economy. Currently, the situation in the country is quite favorable for increasing the production of domestic footwear, as some people are ready to give it preference over imported, for economic or patriotic reasons. But consumers do not have enough information about domestic products, in addition, it is poorly represented in retail outlets in Vinnytsia. In the last few years, the factors by which the Ukrainian consumer decides whether to buy a new pair of shoes, and if so, which one, have changed significantly. First, the main priority was price, not quality. If before the vast majority of consumers bought only leather shoes, now they agree to other materials to save. But Ukrainian manufacturers almost do not make shoes from artificial materials. On the one hand, they are not used to working with them, on the other – they focus on consumer tastes. However, they still do not take into account two important circumstances that have significantly changed consumer tastes in recent times: first, buyers want cheaper products; second, more and more consumers are refusing to wear genuine leather clothing and footwear for ethical reasons. So if manufacturers take into account new changing circumstances and updated consumer demands, they will be able to conquer most of the footwear market without much effort. The paper presents the results of research on the range of modern men’s shoes. A marketing study of the range of footwear of a specific regional market was conducted. The commodity characteristics of some types of modern men’s footwear, in particular “Oxfords”, “Derby” are presented.
34
Shchankina, L. N., et O. V. Egorova. « Трансформация традиционной нательной мужской одежды мордвы TRANSFORMATION OF TRADITIONAL MORDOVIAN MEN’S UNDERWEAR CLOTHING ». Вестник антропологии (Herald of Anthropology), no 2022 №2 (7 juin 2022) : 154–61. http://dx.doi.org/10.33876/2311-0546/2022-2/154-161.
Texte intégralRésumé :
Статья посвящена изучению изменения нательного мужского костюма как важнейшего элемента материальной культуры мордовского народа. Мордва была первым крупным по численности народом, присоединившимся к России в середине XVI в. С этого периода начинается христианизация мордвы, сыгравшая существенную роль в ее сближении с русским народом. В результате тесных межкультурных контактов с соседями, особенно с русскими, в мужской одежде мордвы нашли отражение элементы других культур, верований, обрядов и традиций. Наибольшие изменения традиционного мордовского костюма наблюдались в конце XIX — первой четверти XX века. Они связаны с использованием для изготовления одежды фабричных материалов, а также с заимствованиями отдельных компонентов костюма у соседних народов, проживавших в Волго‑Уралье. Результат анализа источниковой и литературной базы показал, что наиболее подробно в этнографических источниках и произведениях мордовского фольклора описаны особенности изготовления и, в частности, покроя рубахи, выбора цвета, материала и подбора одежды по сезону. The article aims to study the changes in the male underwear clothing as an essential element of the material culture of the Mordovian people. Mordva was the first large ethnic group to join Russia in the middle of the XVI century. The Christianization of the Mordva started from that moment on and played a significant role in its rapprochement with the Russian people. As a result of close intercultural contacts with different ethnic groups, especially with Russians, the Mordovian men’s costume reflected influences of other cultures, beliefs, rites, and traditions. The most notable changes in the traditional Mordovian costume were observed in the late XIX — fi rst quarter of the XX century and are associated with the use of factory‑made fabric and borrowing individual costume elements from neighboring peoples living in Volga‑Urals. The study of the literature on the topic showed that ethnographic sources and Mordovian folklore provide the most detailed descriptions of the manufacture of shirts, color selection, material, and clothing choice according to the season.
35
Kirkland, Teleica. « Reflections of Durbar in the Diaspora ». Critical Studies in Men???s Fashion 8, no 1 (1 octobre 2021) : 127–40. http://dx.doi.org/10.1386/csmf_00036_1.
Texte intégralRésumé :
This article questions if the propensity of Black men in globally dominant western countries to wear black or dark colours is an outcome of internalized subjugation and an adherence to westernized projections of masculinity. It uses the 2018 Akinola Davies Junior film Zazzau as its backdrop, drawing parallels with other examples of colourful clothing in the context of Black masculinity. Zazzau shows the annual festival of Durbar, a vibrant celebration at the end of Ramadan in Kaduna State, Nigeria, where the Emir of the region and his entourage use traditional dress and contemporary fabrics to demonstrate their sartorial elegance. The bold and flamboyant dress of the men is not only indicative of the pageantry of this procession but is reminiscent of the creative exuberance and stylishness of annual carnivals in the Caribbean. This article uses this comparison as a tool to discuss a reengagement with the creativity, styling and colour of Black men’s clothing, and demonstrates how an engagement with colourful design aesthetics maintains its sense of masculinity. ‘Reflections of Durbar in the Diaspora’ draws parallels between the robes of the Emir, men’s costumes at carnival and the tailoring of Abrantie the Gentleman to examine how social engagement, living culture and traditional fashion intersect to influence and impact the ways in which men’s style is understood in Africa and the African Diaspora.
36
BABYCH, Antonina, Viktoriia KERNESH et Daniil TKACHENKO. « USE OF ELEMENTS OF 3D PRINTING IN MEN’S SUIT DESIGN ». Herald of Khmelnytskyi National University. Technical sciences 313, no 5 (27 octobre 2022) : 32–36. http://dx.doi.org/10.31891/2307-5732-2022-313-5-32-36.
Texte intégralRésumé :
The use of innovative methods and constructive solutions, non-typical textural and structural materials and elements of 3 printing in the development of the design of models of products of the fashion industry, and in particular clothes, attracts the attention of fashion industry specialists, starting from interesting and creative ideas, creating collages of inspiration, performing quick black and white sketches of products, selection of materials and components, as well as in the detailed development of elements of men’s suit constructions. Development of an assortment of modern and creative men’s suits from various non-typical materials and elements for the industry is a bold challenge of the designer to society, his idea, vision of the world of emotions, fashion and beauty. This is partly an opportunity to save natural resources and use as decorative elements of the suit 3 printing details imitating metal chains. The article investigates and analyzes the relevance and technological possibility of using 3D printing elements in the form of chains of various weaves for the design of a collection of men’s suits for industrial and individual collections. The issue of fashion trends in the design of men’s suits has been studied and analyzed. An analysis of world brands of clothing manufacturers was conducted, the theoretical feasibility of this development was proved. The results of theoretical and analytical research on the possibility of using bold constructive ideas and solutions in men’s suits are presented. Developed a sketch project, 3D models of chains, made with the help of a 3D printer “Prusa” chain samples for use in the men’s suit collection. Samples-modules of products were made in the material for visualization of the idea. This development was presented at the startup competition of works of young designers, Kyiv KNUTD (2022). The feasibility of this development has been proven theoretically. The collection of products will be presented at the competition “Cave Chestnuts”, Kyiv.
37
Fursova, E. F. « Types of Winter Clothing Worn by Descendants of the Russian Pioneers in Siberia (Late 19th to Early 20th Centuries) ». Archaeology, Ethnology & ; Anthropology of Eurasia 47, no 1 (28 mars 2019) : 137–46. http://dx.doi.org/10.17746/1563-0110.2019.47.1.137-146.
Texte intégralRésumé :
Warm clothing was an important cultural adaptation, enabling the Russian pioneers to survive in the harsh climate of Siberia. The sources for the study are archival documents, including V.K. Multinov’s manuscript “Clothing of the Angara People” (1926), results of fi eld studies in the 1970s and 1980s by the present author, museum artifacts, and collection inventories compiled by A.N. Beloslyudov, S.P. Shvetsov, I.I. Baranova, and I.I. Shangina, as well as data collected by climatologists, technologists, and designers. Types of winter clothing, including outfi ts for hunting and fi shing, worn by the Russians living on the Angara, in the Altai, and Trans-Baikal, are described. These include cloth-covered and non-covered fur coats, short fur coats, those with the fur on the inside, robes, as well as warm pants, fur hats, boots, and mittens. Protection from the cold was ensured by the use of high-volume insulating materials, several layers, and by habits such as tucking one piece of clothing into another (the so-called “Siberian one-piece garment”). Specific features in Siberia are observed, including the use in winter hunting outfi ts of certain elements of native Siberian clothing (specifi cally that of the Tungus clothing on the Angara), and the women’s habit of wearing men’s garments with belts.
38
BUKHANTSOVA, LIUDMYLA, OLENA LUSCHEVSKA, OLEKSANDR YANTSALOVSKYI, LARYS KRASNIUK, OLEKSANDR TROYAN, SVETLANA KULESHOVA et OLESYA DITKOVSKA. « DESIGNING OF HEALTH-SAVING MEN’S GLOVES ». Fibres and Textiles 29, no 3 (novembre 2022) : 29–42. http://dx.doi.org/10.15240/tul/008/2022-3-004.
Texte intégralRésumé :
Living during a COVID-19 pandemic has negative effects on a person's psychophysiological state such as high-stress levels, leading to poor health, chronic fatigue and insomnia. As a result, the immunity is reduced, which is particularly dangerous today. One way to solve this problem is the use of health-saving clothing, which has additional features that provide the positive effect on the wearer’s body. The developed gloves affect the state of the human autonomic nervous system through biological-active locations in the places of the hand and wrist. An anthropometric study of the biological-active locations of the wrist and hand is performed to construct the glove design. An algorithm for constructing a drawing of the design of the designed product based on four measurements is proposed. The effectiveness of the adaptive gloves is confirmed by studying its effect on the psycho-emotional and psychophysiological state of a person without exposure to the product and after its use by software "Intera-Diacor" and "ROFES", and a questionnaire. The evaluation is performed after wearing gloves for 20-40 minutes. It was found that 83.3 % of the wearers of the health-saving gloves showed positive changes in the body's compensatory forces (stress) and the state of internal emotional fatigue. Thus, the use of health-saving gloves has a positive social, therapeutic (health-saving) and economic effect, as the product has several functions It is an accessory fashion, has hand protection, and, has additional features to positively influence the body of the person wearing it. This allows the future to talk about the use of consumer-friendly and effective ways to correct the men's psychoemotional and psychophysiological states, based on the safer-by-design concept.
39
Zakaria, Muhammad Hisyam, Asliza Aris, Wan Nadhra Ixora Wan Kamarulbaharin, Nur Idayu Ibrahim et Nasaie Zainuddin. « ISLAMIC MOTIFS : THE RECOGNITION OF MALAY MEN’S FESTIVAL COSTUMES IN MALAYSIA ». Advanced International Journal of Business, Entrepreneurship and SMEs 6, no 19 (19 mars 2024) : 249–57. http://dx.doi.org/10.35631/aijbes.619018.
Texte intégralRésumé :
The Malay men’s fashion trend in Malaysia has been developing rapidly since the early 1990s. The trend started with the style that has festive details printed motifs on the Baju Melayu at that time. As time goes by, the Muslim fashion trend in Malaysia then turned into a luxury style, it more accentuates on the detail of cutting line or motifs on the fabric. The purpose of this study was to recognize the Islamic motifs of fashion and design on the Malay men’s festival costumes in Malaysia. The research statistical garments included from Baju Melayu, Jubah and Kurta collections. The research sample was the Islamic Malay men’s clothing and attire in Malaysia. The research design was visual-analytical. Data collection was done through qualitative methods by using online fashion brand references. Meanwhile, secondary data were gathered through referencing academic works like books, journals, and magazines on Islamic values and Malay garments. The results of data analysis showed that Islamic motifs, were identified among the designs related to Islamic fashion.
40
Al-Kawaz, Salah Mahdi Jawad, Ahmed Naser Abbas Al-Daami et Ali Abdulhassan Abbas. « The Role of Integration Between Target Costing and Time-Driven Activity-Based Budgeting Techniques in Managing Time and Cost and its Reflection in Achieving Competitive Advantage ». Foundations of Management 15, no 1 (1 janvier 2023) : 187–208. http://dx.doi.org/10.2478/fman-2023-0014.
Texte intégralRésumé :
Abstract Traditional cost systems are no longer able to provide the appropriate information in line with the developments and changes of the contemporary and competitive business environments. However, with a vibrant change in the functioning of businesses today, such cost system features have also been replaced to meet the dynamic business environments. If these two techniques are applied in coalition, it is possible for the economic units to manage their time and costs easily, which acts as a competitive advantage for those units. The current research study aims at studying the complementary relationships of these two techniques by applying them in one of the laboratories of General Company for Textile Industries in Hilla, which represents the men’s clothing factory in Najaf. Based on the analytical results, the researchers arrived at several conclusions, while the most important conclusion was the identification of the absence of features to apply the target costing and time-driven activity-based budgeting techniques. The most important recommendation made to the men’s clothing factory in Najaf is the need to pay adequate attention for the application of two techniques to achieve their goals.
41
Kim, Koh Woon, et Yoon Kim. « Development of the zip-up T-shirt design for men’s outdoor clothing in summer ». Research Journal of the Costume Culture 28, no 1 (28 février 2020) : 131–45. http://dx.doi.org/10.29049/rjcc.2020.28.1.131.
Texte intégral
42
葛, 翠奇. « Women’s Wearing Men’s Suit in Tang Dynasty and Design Trend of Modern Unisex Clothing ». Art Research Letters 09, no 02 (2020) : 33–36. http://dx.doi.org/10.12677/arl.2020.92007.
Texte intégral
43
Opoku, Moses, Baiden Sarah et Dymphna Bakker-Edoh. « Understanding Clothing Selection : The Perfect Ways of Choosing Men’s Suit Jacket for Good Grooming ». Integrated Journal for Research in Arts and Humanities 3, no 5 (21 septembre 2023) : 143–50. http://dx.doi.org/10.55544/ijrah.3.5.12.
Texte intégralRésumé :
Suit jacket as an outer garment has been able to maintain its exclusivity, dignity and constructional processes over the years. Its production appears very interesting and challenging. Apparently, selecting the right suit jacket for good grooming sometimes seems difficult and, if care is not taken, one may end up opting for wrong size. In some occasions, the choice of lapel type in conformity with an individual’s figure type may create some kind of pandemonium. The study seeks to bring to limelight major issues involving the selection of perfect suit jacket. The specific objectives were to identify the materials for making suit, examine the factors that contribute to perfect suit production and identify some common problems associated with suit construction and selection. The qualitative research design was employed to conduct an in-depth analysis of the core components of a well-tailored suit jacket. Research instruments such as observation and photography were used for the required data of the study. The findings revealed that choosing the perfect suit for good grooming can be challenging since the embodiment of suit jacket involves several technical issues. Again, the vital parts of suit jacket such collar, lapel, shoulders, sleeve and body measurements equally contribute to good fit.
44
Perović, Ana. « The role of clothing in the pre-bourgeois ambience of Kersnik’s novels ». Journal of Education Culture and Society 4, no 1 (12 janvier 2020) : 267–80. http://dx.doi.org/10.15503/jecs20131.267.280.
Texte intégralRésumé :
The article focuses on the analysis of women’s and men’s clothing appearances in the pre-bo-urgeois ambience of Kersnik’s novels. Particular clothing items and clothing appearances indicate the presence of specifi c spiritual and social characteristics, typical for the cultural and historical environment in which the two literary works were created. The methodological approach of the analysis in terms of theory is based on general semiotic theory (Eco, Lotman), cultural semiotics (Barthes), literary theory and literary history, Lotman’s symbol theory, clothing culture, discourse analysis and Bourdieu’s theory of habitus. The article discusses separately the clothing appearan-ces of male and female characters. The descriptions of clothing appearances reveal the socio-histo-rical background of the literary works as well as many other abstract categories such as characters’ mental states, their ideologies, political beliefs, positive and negative character attributes as well as their moral virtues and vices. Clothes as part of the pre-bourgeois habitus try to establish a balance between the urban and the rural, between prestige and humility, between refi nement and coar-seness. Irony is often a result of the contrast between the physical determinants and the associate variable, i.e. the clothing. The author uses a range of various clothing appearances to characterize and mock different classes of people; the trivial conversations about fashion denote the banality of social life; the differences between the “true” bourgeoisie and those who strive to reach and fi t into that social class are already strongly indicated in the descriptions of their external appearances.
45
Heroldová, Helena. « Imperial Dragon in the Roaring Twenties : Qing Dynasty Dress Re-Made ». Annals of the Náprstek Museum 38, no 1 (1 juin 2017) : 29–40. http://dx.doi.org/10.1515/anpm-2017-0019.
Texte intégralRésumé :
AbstractThe study focuses on the methodology of research on recycled clothing. Two Chinese Dragon Robes from the collection of the Náprstek Museum were remade as a men’s jacket and a woman’s evening dress. Both examples are described, analysed and interpreted from two points of view: as authentic Dragon Robes in its original Imperial China setting, as well as newly made clothes in the context of the early 20thcentury Western culture.
46
ZAKHARKEVICH, Oksana, Svitlana KULESHOVA, Serhii TKACHUK et Svitlata LUKYANCHUK. « ANALYSIS OF PROSPECTS OF APPLICATION OF POLYMERIC MATERIALS FOR THE MANUFACTURE OF NUCLEAR PROTECTIVE CLOTHING ». Herald of Khmelnytskyi National University. Technical sciences 309, no 3 (26 mai 2022) : 240–48. http://dx.doi.org/10.31891/2307-5732-2022-309-3-240-248.
Texte intégralRésumé :
The article is devoted to identifying the main ways to improve the design and manufacture of clothing for nuclear power plant workers to ensure the competitiveness of domestic products. The scientific novelty of the work is that it further developed the issue of systematization of the range of nuclear protective clothing, which identified ways to improve its design processes in the domestic garment industry. The practical significance of the work lies in the use of polymeric materials in the designed methods of processing the components of the developed suit of nuclear protective clothing. The authors analyze the current state of research in the design and manufacture of nuclear protective clothing. Depending on the work performed, the range of nuclear protective clothing is considered from the standpoint of the materials used. The world leaders producing nuclear protective clothing are 3M; Lakeland; DuPont; Honeywell; Microgard; Delta Plus; Kappler; Casco; MATISEC; VersarPPS. According to the results of the analysis of the range of nuclear protective clothing, it is determined that the vast majority of manufacturers focus on the materials from which nuclear protective clothing is made to protect against radiation pollution and other harmful factors. As a result of scientific research, the basic approaches of the world leaders-manufacturers of nuclear protective clothing concerning the connection of details of products are defined. A database of seams used to make nuclear protective clothing has been formed. Among the variety of protective clothing, the basic design and technological solutions of protective clothing are identified as those that most fully protect against certain types of hazards for various industries in terms of passive methods of employee protection. The selected range of basic protective clothing includes suits and varieties of pants and jackets. A men’s jacket as a part of nuclear protective clothing is proposed, and methods of processing the product’s main components based on the use of polymeric materials are improved. Sealing the joints of the product parts using a film with a polymer coating is suggested. The authors have formulated requirements for materials used for the manufacture of suits for nuclear power plant workers: indicators of physical and mechanical, and physicochemical properties of materials for manufacturing white suits.
47
Janusauskas, Marius. « ‘Putting on a dress means nothing’ : Cross-dressing practice in men’s fashion ». Fashion, Style & ; Popular Culture 00, no 00 (13 septembre 2022) : 1–16. http://dx.doi.org/10.1386/fspc_00149_1.
Texte intégralRésumé :
Male cross-dressing as a form of aesthetic expression by something or someone has been practised in fashion globally. This article aims to investigate what role cross-dressing plays in contemporary men’s fashion. Does it transform or confirm gender norms? In what ways can cross-dressing be used as a tool to produce visual politics? Cross-dressing or transvestism is a particular type of event affected by the multiple social, economic and cultural implications that continuously shift the meanings and objectives of the practice. I think of fashion in a broad sense, i.e., similar to a verb in that it focuses on the action or process of negotiating, differentiating and self-presenting in everyday life. My scholarly inquiry is situated in the context of the social, the cultural and the historical. This epistemological study applies an interdisciplinary approach that employs visual interpretative analysis and queer reflexivity. Cross-dressing practices in men’s fashion cannot be explained without an awareness of sociocultural context, narrative, gender performance and how clothing is selected and worn. I conclude by discussing the broader implications of understanding gender performance, sexuality and institutional power in men’s fashion.
48
Barry, Ben. « (Re)Fashioning Masculinity : Social Identity and Context in Men’s Hybrid Masculinities through Dress ». Gender & ; Society 32, no 5 (30 mai 2018) : 638–62. http://dx.doi.org/10.1177/0891243218774495.
Texte intégralRésumé :
Modern Western society has framed fashion in opposition to hegemonic masculinity. However, fashion functions as a principal means by which men’s visible gender identities are established as not only different from women but also from other men. This article draws on the concept of hybrid masculinities and on wardrobe interviews with Canadian men across social identities to explore how men enact masculinities through dress. I illustrate three ways men do hybrid masculinities by selecting, styling, and wearing clothing in their everyday lives. The differences between these three hybrid masculine configurations of practice are based on the extent to which men’s personal and professional social identities were associated with hegemonic masculine ideals as well as the extent to which those ideals shaped the settings in which they were situated. Although participants had different constellations of gender privilege, they all used dress to reinforce hegemonic masculinity, gain social advantages, and subsequently preserve the gender order. Failing to do so could put them personally and professionally at risk. My research nuances the hybrid masculinities framework by demonstrating how its enactment is shaped by the intersection between men’s social identities and social contexts.
49
Maciejewski, Grzegorz, et Dawid Lesznik. « A TYPOLOGY OF MALE CONSUMERS ON THE MEN’S ELEGANT FASHION MARKET : CASE STUDY OF POLAND ». Acta Scientiarum Polonorum. Oeconomia 20, no 2 (3 janvier 2022) : 59–68. http://dx.doi.org/10.22630/aspe.2021.20.2.16.
Texte intégralRésumé :
The authors of the presented article conducted primary research among contemporary gallants, aiming to identify consumer types within the niche of elegant men’s clothing, including possible dandies. In the conducted study, online surveys were posted on internet forums and thematic groups focused on Polish male smart dressers. As many as 30% of respondents considered themselves as dandies, and three types of customers were distinguished: exacting sartorialists, low-budget gallants and phonies. The difference between the first two is mainly due to disparities in purchasing budgets. Phonies, on the other hand, appear to be superficial in purchase decisions, perhaps gaining interest in an elegant style only as a temporary whim. The results will prove useful for brands in the men’s elegance segment, broadly highlighting the in-depth characteristics of different customer groups. Moreover, contrary to the subject literature, the research shows that dandyism is still a lively trend.
50
McNeill, Lisa, et Jacob McKay. « Fashioning masculinity among young New Zealand men : young men, shopping for clothes and social identity ». Young Consumers 17, no 2 (20 juin 2016) : 143–54. http://dx.doi.org/10.1108/yc-09-2015-00558.
Texte intégralRésumé :
Purpose The purpose of this study is to explore how fashion clothing is perceived and consumed by young males, what their attitudes are toward fashion and how fashion is used in the construction of a social identity by these men. Design/methodology/approach An exploratory approach is used in this research, with the fashion consumption behaviours and perceptions of males aged between 19 and 25 explored. Findings Results note the positive role of social comparison amongst young men in their fashion-seeking behaviour, with fashion consumption playing a large role in the emotional well-being of young men in a social context. Research limitations/implications This research was exploratory in nature and used a small sample of males from a specific age cohort. As such, the results cannot be generalized but do offer analytical insights into male attitudes and behaviour toward fashion that can be extended in future research. Practical implications While the act of shopping for clothing was traditionally seen as a female recreation, fragmentation of the traditional male/female dichotomy has seen men become active in the social consumption ethic surrounding fashion. The current study examines the emergence of fashion-aware males and offers insight into the key motivations for young males to seek out fashion products. Social implications In a society where fashion seeking is a popular recreational activity across genders and changing notions of masculinity allow for more appearance focused men, shopping for clothes is no longer considered an exclusively female activity. Originality/value Where research has previously examined fashion items and their integral role in product-self extension from a female perspective, very little studies focus on males’ relationships with fashion. Whilst prior research has examined men’s self-image and self-modification via exercise or plastic surgery, there is little that focuses on the role of clothing in men’s identity creation.